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Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.
Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 explores how rock and roll is a Romantic phenomenon that sheds light, retrospectively, on what literary Romanticism was at its different points of origin and on what it has become in the present.
Women in Rock, Women in Romanticism by James Rovira Pdf
Women in Rock, Women in Romanticism is the first book-length work to explore the interrelationships between contemporary female musicians and eighteenth- and nineteenth-century art, music, and literature by women and men. The music and videos of contemporary musicians including Erykah Badu, Beyoncé, The Carters, Hélène Cixous, Missy Elliot, the Indigo Girls, Janet Jackson, Janis Joplin (and Big Brother and the Holding Company), Natalie Merchant, Joni Mitchell, Janelle Monáe, Alanis Morrisette, Siouxsie Sioux, Patti Smith, St. Vincent (Annie Clark), and Alice Walker are explored through the lenses of pastoral and Afropresentism, Gothic, female Gothic, and the literature of William Blake, Beethoven, Arthur Schopenhauer, Samuel Taylor Coleridge, Charlotte Dacre, Ralph Waldo Emerson, E.T.A. Hoffmann, Ann Radcliffe, William Shakespeare, Mary Shelley, her husband Percy Shelley, Henry David Thoreau, Horace Walpole, Jane Williams, Mary Wollstonecraft, and William Wordsworth to explore how each sheds light on the other, and how women have appropriated, responded to, and been inspired by the work of authors from previous centuries.
In this thinker's guide to rock and roll, Robert Pattison contends that rock music mirrors the tradition of 19th-century Romanticism. The music is vulgar, he notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romanticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts.
Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 explores how rock and roll is a Romantic phenomenon that sheds light, retrospectively, on what literary Romanticism was at its different points of origin and on what it has become in the present.
Author : Mary Jacobus Publisher : University of Chicago Press Page : 232 pages File Size : 44,9 Mb Release : 2012-09 Category : Art ISBN : 9780226390666
Here, Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, W.G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, and sleep in their work.
David Bowie. Culture Club. Wham!. Soft Cell. Duran Duran. Sade. Adam Ant. Spandau Ballet. The Eurythmics. ' Excellent' Guardian ' Hugely enjoyable' Irish Times ' Dazzling' LRB 'Fascinating' New Statesman 'An absolute must-read' GQ One of the most creative entrepreneurial periods since the Sixties, the era of the New Romantics grew out of the remnants of post-punk and developed quickly alongside club culture, ska, electronica, and goth. The scene had a huge influence on the growth of print and broadcast media, and was arguably one of the most bohemian environments of the late twentieth century. Not only did it visually define the decade, it was the catalyst for the Second British Invasion, when the US charts would be colonised by British pop music - making it one of the most powerful cultural exports since the Beatles. In Sweet Dreams, Dylan Jones charts the rise of the New Romantics through testimony from the people who lived it. For a while, Sweet Dreams were made of this.
Mountaineering and British Romanticism by Simon Bainbridge Pdf
This book examines the relationship between Romantic-period writing and the activity that Samuel Taylor Coleridge christened 'mountaineering' in 1802. It argues that mountaineering developed as a pursuit in Britain during the Romantic era, earlier than is generally recognised, and shows how writers including William and Dorothy Wordsworth, Ann Radcliffe, Samuel Taylor Coleridge, John Keats, and Walter Scott were central to the activity's evolution. It explores how the desire for physical ascent shaped Romantic-period literary culture and investigates how the figure of the mountaineer became crucial to creative identities and literary outputs. Illustrated with 25 images from the period, the book shows how mountaineering in Britain had its origins in scientific research, antiquarian travel, and the search for the picturesque and the sublime. It considers how writers engaged with mountaineering's power dynamics and investigates issues including the politics of the summit view (what Wordsworth terms 'visual sovereignty'), the relationships between different types of 'mountaineers', and the role of women in the developing cultures of ascent. Placing the work of canonical writers alongside a wide range of other types of mountaineering literature, this book reassesses key Romantic-period terms and ideas, such as vision, insight, elevation, revelation, transcendence, and the sublime. It opens up new ways of understanding the relationship between Romantic-period writers and the world that they experienced through their feet and hands, as well as their eyes, as they moved through the challenging landscapes of the British mountains.
Romantic Rocks, Aesthetic Geology by Noah Heringman Pdf
Why are rocks and landforms so prominent in British Romantic poetry? Why, for example, does Shelley choose a mountain as the locus of a "voice... to repeal / large codes of fraud and woe"? Why does a cliff, in the boat-stealing episode of Wordsworth's Prelude, chastise the young thief? Why is petrifaction, or "stonifying," in Blake's coinage, the ultimate figure of dehumanization? Noah Heringman maintains that British literary culture was fundamentally shaped by many of the same forces that created geology as a science in the period 1770–1820. He shows that landscape aesthetics—the verbal and social idiom of landscape gardening, natural history, the scenic tour, and other forms of outdoor "improvement"—provided a shared vernacular for geology and Romanticism in their formative stages.Romantic Rocks, Aesthetic Geology reexamines a wide range of eighteenth- and nineteenth-century poetry to discover its relationship to a broad cultural consensus on the nature and value of rocks and landforms. Equally interested in the initial surge of curiosity about the earth and the ensuing process of specialization, Heringman contributes to a new understanding of literature as a key forum for the modern reorganization of knowledge.
Random Acts of LA (Random #7) (Rock Star Romance) (Romantic Comedy) by Julia Kent Pdf
A STANDALONE TO HELP YOU START THE NEW YORK TIMES BESTSELLING RANDOM SERIES: I guzzled another flute of Champagne and froze, the liquid in my throat, waiting to be swallowed. Tyler was here. We’d met a few times before, in passing. He was the substitute bass player for the band; I was the lead guitar player’s girlfriend’s best friend. In that weird sort of social circle thing where Venn diagrams get laid over different groups, Tyler and I were bound to be in the crossover once in a while. He looked so hot. Short brown hair. A few days of beard. Bright green eyes that were more guarded than a Russian mobster’s. He was sleeved, the colorful tattoos a tapestry, but every time I met him I couldn’t quite see them. We only saw each other in dark concert halls, or tonight, under the stars. He gave Sam a rare smile and a hearty handshake, forearm muscles bulging. I wondered what it would be like to have those hands on me. My fingers tracing those tats. Listening to him tell me the story of his body while he forgave mine. Forgave it for failing me. I shook my head fast to banish the thoughts that drew me into places so dark they became black holes of the soul. The gravity of trauma had a way of sucking all the good into it, and tonight I wasn’t going to let that happen. The opposite, in fact. Tonight I was going to sleep with Tyler. He didn’t know it yet, but that was okay. He would. Soon. * * * Random Acts of LA is the 7th book in the New York Times bestselling Random series, the ongoing story of the up-and-coming rock band, Random Acts of Crazy. When the band's bass player, Joe Ross, gets injured in an unfortunate sex act that gains nationwide coverage, it's tatted-up Tyler (aka "Frown") to the rescue for their first big concert. There's only one problem: the morning of his flight to L.A. he wakes up to find someone's stolen all his money, his bass, his ID, and his pride. When he shows up at Maggie's doorstep to ask her to drive him from their hometown of St. Louis all the way to L.A., these two damaged people learn quickly that being independent doesn't always mean being free... Warning: This book deals with the very difficult topic of sexual assault and rape, and I’ve taken great care to address this with the sensitivity and respect it deserves. None of the scenes in the book contain sexual violence, though the characters do tell their stories of past sexual violence. None of those descriptions is graphic or gratuitous. This book is about hope and healing, but the characters do have past trauma that they discuss. Topics: contemporary romance, romantic comedy, new adult romance, rockstar romance, rock star romance, coming of age romance, erotic romance, seductive story, hot romance, women's fiction, women's romance, roadtrip romance, road trip romance, los angeles romance, bbw romance, tattoo, tattooed guy, college romance, contemporary woman julia kent, julia kent romance
Author : Noah Heringman Publisher : State University of New York Press Page : 297 pages File Size : 53,5 Mb Release : 2012-02-01 Category : Science ISBN : 9780791486931
Uncovers the vital role that new scientific discoveries played in Romantic literary culture. Although “romantic science” may sound like a paradox, much of the romance surrounding modern science—the mad scientist, the intuitive genius, the utopian transformation of nature—originated in the Romantic period. Romantic Science traces the literary and cultural politics surrounding the formation of the modern scientific disciplines emerging from eighteenth-century natural history. Revealing how scientific concerns were literary concerns in the Romantic period, the contributors uncover the vital role that new discoveries in earth, plant, and animal sciences played in the period’s literary culture. As Thomas Pennant put it in 1772, “Natural History is, at present, the favourite science over all Europe, and the progress which has been made in it will distinguish and characterise the eighteenth century in the annals of literature.” As they examine the social and literary ramifications of a particular branch or object of natural history, the contributors to this volume historicize our present intellectual landscape by reimagining and redrawing the disciplinary boundaries between literature and science. Contributors include Alan Bewell, Rachel Crawford, Noah Heringman, Theresa M. Kelley, Amy Mae King, Lydia H. Liu, Anne K. Mellor, Stuart Peterfreund, and Catherine E. Ross. Noah Heringman is Assistant Professor of English at the University of Missouri at Columbia.
Meet the rebellious young poets who brought about a literary revolution Rock stars may think they invented sex, drugs, and rock and roll, but the Romantic poets truly created the mold. In the early 1800s, poetry could land a person in jail. Those who tried to change the world through their poems risked notoriety—or courted it. Among the most subversive were a group of young writers known as the Romantics: Lord Byron, Percy Bysshe Shelley, Samuel Taylor Cole-ridge, William Wordsworth, and John Keats. These rebels believed poetry should express strong feelings in ordinary language, and their words changed literature forever. Wildly Romantic is a smart, sexy, and fascinating look at these original bad boys—and girls.
The hilarious true story of the making of the cult classic hit show 30 Rock It’s hard to remember a time when Tina Fey wasn’t a star, but back in the early 2000s, she was an SNL writer who was far from a household name. It’s even harder to remember when Fey’s sitcom 30 Rock was tanking, but it was—it premiered in the fall of 2006, and by November, the New York Times wrote that 30 Rock was “perilously close to a flop.” But despite all expectations (including those of some of the cast and crew), Tina Fey’s eccentric buddy comedy lasted 138 episodes, spanning seven seasons. It resurrected the career of Alec Baldwin, survived an extended absence by Tracy Morgan, and permeated the culture— its breakneck pacing, oddball characters, and extremely rich joke writing are deeply beloved by millions of fans. Through more than fifty original interviews with cast, crew, critics, and more, culture writer Mike Roe brings to life the history of the gloriously goofy show that became an all-time classic. The 30 Rock Book has everything in it, from tales of the amazing music still stuck in our heads, to the iconic bit characters that make the show, to all the love and drama of the backstage crew . . . and the creative failures and successes along the way. So grab your night cheese and muffin tops, cuddle up with your slanket against your Japanese body pillow, and settle in for the story of one of the funniest shows in television history.
Love can be a neverending storm of pain or a second chance at life. Paxton Ross is a kid from the wrong side of the tracks. Finding his father dead in a seedy motel room due to an overdose, sixteen-year-old Paxton suddenly becomes homeless and destitute. Terri Kingston is a girl who seems to have everything: a lavish lifestyle, a good school, a perfect family. Except outside appearances can be deceiving. What she needs most—love and acceptance—has always been denied. When Terri and Paxton meet during their teen years, their worlds collide into a messy, beautiful, forbidden love. But Terri’s parents tear them apart for twelve years. When they run into each other again, things have changed, and not for the better. Will they get a second chance to find true love, or will the temptations of the rockstar world rip them apart once more?
