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Rock Charts Guitar 2012 - Deluxe Annual Edition by Alfred Music Pdf
Forty of the biggest songs of the year in complete guitar TAB. Titles: * 1983 (Neon Trees) * Animal (Neon Trees) * The Animal (Disturbed) * Anything Is Possible (Journey) * Awake and Alive (Skillet) * Bottoms Up (Nickelback) * Burn (Papa Roach) * Country Boy (Aaron Lewis) * Country Song (Seether) * Firework (Katy Perry) * Fix Me (10 Years) * Forget You (Cee Lo Green) * Grenade (Bruno Mars) * Hell (Disturbed) * Hiding My Heart (Adele) * Honey Bee (Blake Shelton) * If I Die Young (The Band Perry) * It's Not Me It's You (Skillet) * Just a Kiss (Lady Antebellum) * Just the Way You Are (Bruno Mars) * Last Friday Night (T.G.I.F.) (Katy Perry) * The Lazy Song (Bruno Mars) * Lies of the Beautiful People (Sixx:A.M.) * Lowlife (Theory of a Deadman) * Marry Me (Train) * Mine Smell Like Honey (R.E.M.) * Monster (Paramore) * Mustache Man (Wasted) (Cake) * Neutron Star Collision (Love Is Forever) (Muse) * No Hurry (Zac Brown Band) * No Matter What (Papa Roach) * Not Again (Staind) * Not Over You (Gavin DeGraw) * Teenage Dream (Katy Perry) * Toes (Zac Brown Band) * Tonight (Seether) * Wake Up Everybody (John Legend & The Roots) * Warrior (Disturbed) * When We Stand Together (Nickelback) * White Knuckles (OK Go)
Rock Charts Guitar: The Biggest Hits, the Greatest Artists by Alfred Publishing Pdf
The Rock Charts series brings home the greatest hits of the year. With an all-new 2008 edition, guitarists everywhere can learn the hottest songs of the year. Choose from dozens of tunes from artists like The Shins, Dream Theater, Paramore, Plain White T's and many more! Alfred introduces Rock Charts Guitar 2008: Deluxe Annual Edition in authentic guitar TAB. Titles: 9 Crimes (Damien Rice) * Australia (The Shins) * Call Me When You're Sober (Evanescence) * Chasing Cars (Snow Patrol) * Colony of Birchman (Mastodon) * The Dark Eternal Night (Dream Theater) * Far Away (Nickelback) * Far Cry (Rush) * Halo II (Halo) * Hey There Delilah (Plain White T's) * How Long (Eagles) * Into the Night (Santana) * Malignant Narcissism (Rush) * Misery Business (Paramore) * Our Time Now (Plain White T's) * Phantom Limb (The Shins) * Radio Nowhere (Bruce Springsteen) * Rockstar (Nickelback) * Someone to Love (Fountains of Wayne) * Sorry (Buckcherry) * Starlight (Muse) * Supermassive Black Hole (Muse) * Traffic and Weather (Fountains of Wayne) * Within me (Lacuna Coil).
The Words and Music of Taylor Swift by James E. Perone Pdf
This scholarly analysis of the music of Taylor Swift identifies how and why she is one of the early 21st century's most recognizable and most popular stars. By the age of 13, singer-songwriter Taylor Swift had already inked a development deal with a major record label. This early milestone was an appropriate predictor of what accomplishments were to come. Now a superstar artist with an international fanbase of millions and several critically acclaimed and commercially successful albums, Swift has established herself as one of the most important musicians of the 21st century. This accessible book serves Taylor Swift fans as well as students of contemporary popular music and popular culture, critically examining all of this young artist's work to date. The book's organization is primarily chronological, covering Taylor Swift's album and single releases in order of release date while also documenting the elements of her music and personality that have made her popular with fans of country music and pop music across a surprisingly diverse age range of listeners. The chapters address how Swift's songs have been viewed by some fans as anthems of empowerment or messages of encouragement, particularly by members of the LGBTQ community, those who have been bullied or been seen as outsiders, and emerging artists. The final chapter places Swift's work and her public persona in the context of her times with respect to her use of and relationship with technology—for example, her use of social media and songwriting technology—and her expressions of a new type of feminism that is unlike the feminism of the 1970s.
Author : Bill C. Malone,Tracey Laird Publisher : University of Texas Press Page : 769 pages File Size : 41,5 Mb Release : 2018-06-04 Category : Music ISBN : 9781477315378
Country Music USA by Bill C. Malone,Tracey Laird Pdf
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
‘It’s amazing that this style came to be. Can you imagine being a struggling musician back then? It must take an incredible amount of restraint to play that gently.’ —Actor/comedian Fred Armisen, from his foreword to this book Just what is ‘yacht rock,’ you ask? Perhaps the easiest description is music that would not sound out of place being played while carousing aboard a yacht back in the good old days. But these songs were also some of the top pop gems of the 1970s and '80s. And while some associate yacht rock’s biggest songs with one-hit wonder artists, several of rock’s most renowned artists fall under this category, too - including Fleetwood Mac, the Eagles, Steely Dan, Hall & Oates, The Doobie Brothers, Toto, and more. Yacht rock seemed to have become extinct by the early twenty-first century … until a comedic video series, simply titled Yacht Rock, went viral and introduced captain’s hats and blazers to a whole new generation - as well as the emergence of a popular cover band, the Yacht Rock Revue, and of course, Jimmy Fallon’s on-air admiration of all things yacht rock. Now, yacht rock is one of the most celebrated ‘yesteryear’ styles of pop music, and has resonated with a new generation of musicians (including the Fred Armisen/Bill Hader-led Blue Jean Committee and soul/funk/electronica crossover act Thundercat). But despite all the hoopla, there has never been a book that told the entire story of the genre. Until now. Featuring interviews with many of the heavy hitters of the genre, including John Oates, Kenny Loggins, and Don Felder, The Yacht Rock Book leaves no sail unturned. This is the definitive story of the yacht rock’s creation, rise, chart-smashing success, fall, and stunning rebirth.
A tour diary of life on the road with one of Minnesota’s greatest bands—with nearly 100 never-before-seen photographs “Don’t bore us, get to the chorus” is Bill Sullivan’s motto, which will come as no surprise to anyone who opens Lemon Jail. A raucous tour diary of rock ’n’ roll in the 1980s, Sullivan’s book puts us in the van with the Replacements in the early years. Barreling down the highway to the next show through quiet nights and hightailing it out of scandalized college towns, Sullivan—the young and reckless roadie—is in the middle of the joy and chaos, trying to get the band on stage and the crowd off it and knowing when to jump in and cover Alice Cooper. Lemon Jail shows what it’s like to keep the band on the road and the wheels on the van—and when to just close your eyes and hit the gas. That first van, dubbed the Lemon Jail by Bill, takes the now legendary Replacements from a south Minneapolis basement to dive bars and iconic rock clubs to college parties and eventually an international stage. It’s not a straight shot or a smooth ride, and there’s never a dull moment, whether Bob Stinson is setting a record for the quickest ejection from CBGB in NYC or hiding White Castle sliders around a hotel room or whether Paul Westerberg is sneaking gear out of a hostile venue or saving Bill’s life at a brothel in New Jersey. With growing fame (and new vans) come tours with REM and X (what happens when the audience isn’t allowed to stand?), Tom Petty and the Heartbreakers and the Violent Femmes (against their will), and Saturday Night Live, where the band’s televised antics earn the edict You’ll never play on NBC again. Fast forward: You’ll never play Washington, D.C., again. Or Moorhead. Hiding in fans’ backyards while the police search the streets and pelted with canned goods at a Kent State food drive, the Replacements hit rough patches along with sweet spots, and Lemon Jail reveals the grit and glory both onstage and off, all told in the irrepressible, full-throttle style that makes Bill Sullivan an irresistible guide on this once-in-a-lifetime road trip with a band on the make.
‘This book will delight both New Order-ites and general rock readers’ Mojo A ROLLICKING, NO-HOLDS-BARRED ACCOUNT OF NEW ORDER'S ENTIRE HISTORY. Two acclaimed albums and an upcoming US tour – Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order – their label was Factory Records, their club The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation, and changing the course of popular music. Following on from his bestselling titles The Haçienda and Unknown Pleasures, Peter Hook has written a rollicking, no-holds-barred account of the band's entire history. Substance is packed with never-before-seen detail, discographies and technical information. This is possibly the most entertaining memoir ever written by a British musician. ‘There are stories here that make Ozzy Osbourne looks like Mother Teresa’ Sunday Express ‘A rollicking read’ Record Collector ‘Rock writing rarely tells us properly what a band treading water or in slow decline feels like from the inside. Hook does so memorably’ Guardian ‘As mammoth and downright idiotic as the band deserves … something hilariously daft happens on nearly all of Substance’s 750 pages’ Classic Pop
It’s the summer of 1966... The fundamental old ways: chastity, rationality, harmony, sobriety, even democracy: blasted to nothing or crumbling under siege. The city glows. It echoes. It pulses. It bleeds pastel and fuzzy, spicy, paisley and soft. This is how it's always going to be: smashing clothes, brilliant music, easy sex, eternal youth, the eyes of everybody, everyone's first thought, the top of the world, right here, right now: Swinging London. Shawn Levy has a genius for unearthing the secret history of popular culture. The Los Angeles Times called King of Comedy, his biography of Jerry Lewis, "a model of what a celebrity bio ought to be–smart, knowing, insightful, often funny, full of fascinating insiders' stories," and the Boston Globe declared that Rat Pack Confidential "evokes the time in question with the power of a novel, as well as James Ellroy's American Tabloid and better by far than Don DeLillo's Underworld." In Ready, Steady, Go! Levy captures the spirit of the sixties in all its exuberance. A portrait of London from roughly 1961 to 1969, it chronicles the explosion of creativity–in art, music and fashion–and the revolutions–sexual, social and political–that reshaped the world. Levy deftly blends the enthusiasm of a fan, the discerning eye of a social critic and a historian's objectivity as he re-creates the hectic pace and daring experimentation of the times–from the utter transformation of rock 'n' roll by the Beatles and the Rolling Stones to the new aesthetics introduced by fashion designers like Mary Quant, haircutters like Vidal Sassoon, photographers like David Bailey, actors like Michael Caine and Terence Stamp and filmmakers like Richard Lester and Nicolas Roeg to the wild clothing shops and cutting-edge clubs that made Carnaby Street and King's Road the hippest thoroughfares in the world. Spiced with the reminiscences of some of the leading icons of that period, their fans and followers, and featuring a photographic gallery of well-known faces and far-out fashions, Ready, Steady, Go! is an irresistible re-creation of a time and place that seemed almost impossibly fun.
Author : Chris Roberts Publisher : Quarto Publishing Group USA Page : 283 pages File Size : 44,9 Mb Release : 2017-09-12 Category : Biography & Autobiography ISBN : 9781781317396
An easy-to-read biography of “the most important and compelling popular musician of the twenty-first century,” includes infographics and photos (TheNew Yorker). Beyoncé needs no introduction. Singer, artist, activist and icon, she is worshiped by her many fans around the word. This stunning graphic biography tells the story of how a young singer from Texas transformed into a global superstar, celebrating the highlights and successes of her career through stunning new graphics, photographs and illustrations. Representing so much more than the pop industry, through philanthropy, politics and campaigning, Beyoncé has broken the mould of what it means to be a superstar—and that star just continues to rise. From costume changes to record sales, her impressive vocal range to her work off-stage, this original bio-graphic book charts the success of the icon who came to dominate the charts, our screens and even our wardrobes. An absolute must for any “Beehive” members and Beyoncé fans.
The autobiography of America’s greatest living record man: the founder of Sire Records and spotter of rock talent from the Ramones to Madonna. Seymour Stein is America's greatest living record man. Not only has he signed and nurtured more important artists than anyone alive, now sixty years in the game, he's still the hippest label head, travelling the globe in search of the next big thing. Since the late fifties, he's been wherever it's happening: Billboard, Tin Pan Alley, The British Invasion, CBGB, Studio 54, Danceteria, the Rock n Roll Hall of Fame, the CD crash. Along that winding path, he discovered and broke out a skyline full of stars: Madonna, The Ramones, Talking Heads, Depeche Mode, Madonna, The Smiths, The Cure, Ice-T, Lou Reed, Seal, and many others. Brimming with hilarious scenes and character portraits, Siren Song’s wider narrative is about modernity in motion, and the slow acceptance of diversity in America – thanks largely to daring pop music. Including both the high and low points in his life, Siren Song touches on everything from his discovery of Madonna to his wife Linda Stein's violent death. Ask anyone in the music business, Seymour Stein is a legend. Sung from the heart, Siren Song will etch his story in stone.
Dylan by Schatzberg (lower Price) by Jerry Schatzberg Pdf
* Filmmaker and renowned photographer Jerry Schatzberg's essential iconic photographs of Bob Dylan, including studio portraits, on-stage performances, recording studio outtakes and more (many published for the first time)* The photographer of the cover and liner images of Dylan's acclaimed 1966 album 'Blonde On Blonde'* Widely recognized as the foremost body of images of Bob Dylan, Nobel laureate, from a pinnacle point in his career* Schatzberg's essential images not only stand the test of time, but also have become visually synonymous with one of the most important artists of the twentieth century. Dylan by Schatzberg is a comprehensive record of those moments, in photos and memories presented for the first time as a single subject monograph* Includes reprints of seminal interviews, including "A Night with Bob Dylan" by Al Aronowitz, originally published in the New York Herald Tribune in 1965* Original text/interview with Jerry Schatzberg & Jonathan LethemIn 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously. Working and socializing together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.
In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett’s departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and—most importantly—a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.
Winner of the Oregon Book Award for General Nonfiction and Los Angeles Times bestseller "It makes good music sound better."-Janet Maslin in The New York Times "A fascinating look into the West Coast recording studio scene of the '60s and the inside story of the music you heard on the radio. If you always assumed the musicians you listened to were the same people you saw onstage, you are in for a big surprise!"-Dusty Street, host of Classic Vinyl on Sirius XM Satellite Radio If you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew-whether you knew it or not. On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny & Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves in Los Angeles, California as the driving sound of pop music-sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars. Mining invaluable interviews, the author follows the careers of such session masters as drummer Hal Blaine and keyboardist Larry Knechtel, as well as trailblazing bassist Carol Kaye-the only female in the bunch-who went on to play in thousands of recording sessions in this rock history. Readers will discover the Wrecking Crew members who would forge careers in their own right, including Glen Campbell and Leon Russell, and learn of the relationship between the Crew and such legends as Phil Spector and Jimmy Webb. Hartman also takes us inside the studio for the legendary sessions that gave us Pet Sounds, Bridge Over Troubled Water, and the rock classic "Layla," which Wrecking Crew drummer Jim Gordon cowrote with Eric Clapton for Derek and the Dominos. And the author recounts priceless scenes such as Mike Nesmith of the Monkees facing off with studio head Don Kirshner, Grass Roots lead guitarist (and future star of The Office) Creed Bratton getting fired from the group, and Michel Rubini unseating Frank Sinatra's pianist for the session in which the iconic singer improvised the hit-making ending to "Strangers in the Night." The Wrecking Crew tells the collective, behind-the-scenes stories of the artists who dominated Top 40 radio during the most exciting time in American popular culture.
Depeche Mode by Dennis Burmeister,Sascha Lange Pdf
"Captivating images of band members on stage, with fans, and in official photos, and detailed images of album covers, disc labels, cassette boxes, and all sorts of memorabilia frame approachable descriptions of specific events and the surrounding history. A complete tour schedule including all of the earliest dates and the dates of 18 official tours is included, as is a bibliography of over 60 album reviews in a wide variety of magazines. All-in-all, this is a visually stunning and worthwhile read. It is both entrancing and heartfelt while at the same time informational, genuine and candid, and the reverence felt for the band by the author is contagious." --Association for Recorded Sound Collections Journal "Depeche Mode fans know that Monument is a song on its seminal 1982 album A Broken Frame. It's a fitting title for this encyclopedic yet intimate photo book that covers the band's career, with a special section devoted to fan culture." --Los Angeles Times, Holiday Gift Guide "Featuring more than one thousand objects from Burmeister's archive, Monument is a detailed chronology of the band who--after 100 million album sales--still show no sign of stopping." --Dazed "A bonanza for the serious Depeche Mode lover." --The Current (Minnesota Public Radio) "The massive coffee table book is graphically appealing and well designed, as befits a tribute to a group who were almost as visual at their inception as they were musical." --Shepherd Express "Even if you think you know everything there is to know about Depeche Mode...there is surely something new to learn here." --Philadelphia Gay News "Essential...Monument is everything it aspires to be, an impressive achievement and a fine gift for the Depeche Mode fan in your life." --PopMatters "This book-long love letter from some of the Depeche Mode's diehard fans...This is a meticulous, obsessive compilation of the band's oeuvre and is a must for any DM fan." --Style Zeitgeist, 2017 Gift Guide Depeche Mode: Monument illustrates the amazing synth-pop success story that began in 1981 and is still going strong after 100 million album sales. This book contains information on all of the band's releases from 1981 to 2017, over a thousand images, including never-before-seen photos, concert posters, and album artwork, a special look at fan culture, interviews with stage managers, friends, producers, tour companions, radio hosts, and fans and much more. Along with an unprecedented collection of artifacts presented together for the first time, this coffee table book offers extensive information, background facts, and anecdotes that will cater to both newcomers and die-hard Depeche Mode fans alike." --Delaware County Daily Times, Holiday Gift Guide Depeche Mode: Monument illustrates the amazing success story that began in 1981 and is still going strong after 100 million album sales. This book contains: information on all of the band's releases from 1981 to 2017; over a thousand images, including never-before-seen photos, concert posters, and album artwork; a special look at fan culture; interviews with stage managers, friends, producers, tour companions, radio hosts, and fans; and so much more. The affection that Depeche Mode command year after year from their ever-growing fan base is incredible. No other band possesses such a vital, self-organized fan culture. Along with an unprecedented collection of artifacts presented together for the first time, this volume offers extensive information, background facts, and anecdotes that will cater to both newcomers and die-hard Depeche Mode fans alike.
