Rock N Film Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Rock N Film book. This book definitely worth reading, it is an incredibly well-written.
Author : David E. James Publisher : Oxford University Press Page : 489 pages File Size : 41,8 Mb Release : 2017-10-23 Category : Art ISBN : 9780190842017
"In the mid-1950s, rock 'n' roll amalgamated earlier black and white working-class musical traditions to displace the Great American Songbook's hegemony over Anglophone popular music. At the same time, the classic musical was both displaced and re-created in a new form of film: the rock 'n' roll musical. For the next two decades, the genre's evolution in the United States and the United Kingdom accompanied and sustained the emergence, flowering, and decay of a counterculture. Cinema was second only to records in the production of the new cultural gestalt that the music generated."--[Source inconnue].
From Elvis to Madonna, Rock Star/Movie Star explores why rock stars have been useful for movies, and why movies have been useful for rock stars. This in-depth history traverses how rock stars' screen performances have served motion picture and recording industries as well as offered new potentialities for movie stardom.
Lyle Film and Rock N' Roll Collectibles by Tony Curtis Pdf
A fully illustrated guide to the treasures of pop culture, this book provides valuable and practical information that covers everything from Marilyn to Madonna, the Beatles to Bruce Springsteen, and Star Trek to Snow White. Collectibles such as signed photos, song sheets, promotional pieces, original artwork, and fan magazines can reap great rewards on the memorabilia market.
*Includes pictures *Includes Berry's quotes about his life and career *Includes footnotes and a bibliography for further reading "I grew up thinking art was pictures until I got into music and found I was an artist and didn't paint." - Chuck Berry "If you tried to give rock and roll another name, you might call it 'Chuck Berry.'" - John Lennon The origins of rock music claim several founding fathers, with each perspective holding merit and directly contributing to the golden age to follow in rock music. While Elvis Presley remains perhaps the most high profile figure of early rock, he was not truly a member of the first generation, and if anything, he was a product of a slightly older wave of ground-breaking artists. Appearing immediately before Presley's rise was Texan Buddy Holly, whose borrowings from driving black rhythms blended with white lyrics to make him one of the first successful cross-over artists. However, perhaps the first and ultimately the most successful of this category - those artistic explorers who most effectively blurred racial and political lines through their music - was Chuck Berry, an African-American blues, country singer/guitarist songwriter who perfectly blended the prevailing forms of his generation to attract both black and white audiences with a virtuosity and originality that set the bar for the next half century. Unlike Presley, and more in the manner of Holly, Chuck Berry wrote his own classics, and he thrived as both a composer and lyricist based on his early love of poetry and hard blues, jump blues jazzy ballads, boogie-woogie, and hillbilly music. As a double-threat musician and imaginative literary figure, Berry trained his musical focus on American "teen life...consumerism and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music." Indeed, Chuck Berry was the first artist to reach the charts who was both a virtuoso guitarist and songwriter. As with the gyrations of Elvis and the moonwalk of Michael Jackson, Berry had his trademark stage gesture, the "duck walk," a maneuver in which the right foot is kicked across the stage and leaves the left dragging along behind. It is suggested by some that this signature gesture was not actually planned for anything other than to camouflage a wrinkled rayon suit in a mid-'50s performance in New York, but either way, only a small part of Berry's success came from the visual. Berry also "crafted many of rock 'n' roll's greatest riffs" for guitar, and he became the standard for brilliance on the instrument. In addition to pioneering the sound of rock, Berry's performances set the bar for rock bands across the world. In particular, his specific brand of showmanship served as a template for front men, and all the while, the complete package included iconic guitar riffs that showed blinding tactile skill, energetic boogie-based hits, and depictions of village life and love for both blacks and whites. Put together, Berry's work made the careers of subsequent stars and superstars of the genre possible. As the Rock and Roll Hall of Fame put it, "While no individual can be said to have invented rock and roll, Chuck Berry comes the closest of any single figure to being the one who put all the essential pieces together. It was his particular genius to graft country & western guitar licks onto a rhythm & blues chassis in his very first single, 'Maybellene.'" American Legends: The Life of Chuck Berry looks at the life and career of one of America's most influential rock stars. Along with pictures of important people, places, and events, you will learn about Chuck Berry like never before, in no time at all.
Offers reviews, comments, and production credits for films about rock music, musicals with rock scores, movies featuring rock stars as actors, rock documentaries, and films with influential rock soundtracks.
In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an "anything goes" experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.
Canadian guitarist and songwriter Robbie Robertson is known mainly for his central role in the musical group the Band. But how did he become one of Rolling Stone's top 100 guitarists of all time? Written by his son, Sebastian, this is the story of a rock-and-roll legend's journey through music, beginning when he was taught to play guitar at nine years old on a Native American reservation. Rock and Roll Highway is the story of a young person's passion, drive, and determination to follow his dream.
In the course of his storied career as a manager, agent, and producer, Shep Gordon has worked with—and befriended—some of the biggest names in the entertainment industry, from Alice Cooper to Bette Davis, Raquel Welch to Groucho Marx, Blondie to Jimi Hendrix, Sylvester Stallone to Salvador Dalí, Luther Vandross to Teddy Pendergrass. He is also credited with inventing the “celebrity chef,” and has worked with Nobu Matsuhisa, Emeril Lagasse, Wolfgang Puck, Roger Vergé, and many others. In this wonderfully engaging memoir, the captivating entertainment legend recalls his life, from his humble beginnings as a shy, unambitious kid growing up on Long Island to his unexpected rise as one of the most influential and respected personalities in show business, revered for his kindness, charisma—and fondness for a good time. Gordon shares riotous anecdotes and outrageous accounts of his freewheeling, globe-trotting experiences with some of the biggest celebrities of the past five decades, including his first meeting with Janis Joplin in 1968, when the raspy singer punched him in the face. Told with incomparable humor and heart, They Call Me Supermensch is a sincere, hilarious, behind-the-scenes look at the worlds of music and entertainment from a consummate Hollywood insider.
Rock ‘n’ Roll Movies presents an eclectic look at the many manifestations of rock in motion pictures, from teen-oriented B-movies to Hollywood blockbusters to avant-garde meditations to reverent biopics to animated shorts to performance documentaries. Acclaimed film critic David Sterritt considers the diverse ways that filmmakers have regarded rock ‘n’ roll, some cynically cashing in on its popularity and others responding to the music as sincere fans, some depicting rock as harmless fun and others representing it as an open challenge to mainstream norms.
Music, Money and Success by Jeffrey Brabec,Todd Brabec Pdf
The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.
Film Production Management will tell you in step-by-step detail how to produce a screenplay and get it onto the big screen. Whether you are an aspiring or seasoned film professional, this book will be an indispensable resource for you on a day-to-day basis. This updated edition remains true to the practical, hands-on approach that has made previous editions so successful, and has been updated with revised forms, permits, and budgets applicable to all productions; contains important information on standards and typical processes and practices; includes the latest information available on technological advances such as digital FX; and discusses the impact of the Internet on filmmaking. Film production professionals at all levels of experience will benefit from the information in this handbook to film production management.
A raucous cultural history of rock’s relationship with the moving image. When rock ’n’ roll burst into life in the 1950s, the shockwaves echoed around the world, amplified by images of untamed youth projected on cinema screens. But for the performers themselves, corporate showbusiness remained very much in control, contriving a series of cash-in movies to exploit the new musical fad. In this riveting cultural history, John Scanlan explores rock’s relationship with the moving image over seven decades in cinema, television, music videos, advertising, and YouTube. Along the way, he shows how rock was exploited, how it inspired film pioneers, and, not least, the film transformations it caused over more than half a century. From Elvis Presley to David Bowie, and from Scorpio Rising to the films of Scorsese and DIY documentarists like Don Letts, this is a unique retelling of the story of rock—from birth to old age—through its onscreen life.
"Much more than just a rock autobiography, this book is an oral history of punk : at once angry, witty, honest, poignant and crackling with energy. Malcolm McLaren, Sid Vicious, Chrissie Hynde, Billy Idol, Britain in the late seventies, the Pistol's explosion onto the moribund music scene and their implosion under the pressures of superstardom - all these and more are dissected with Lydon's scalpel-sharp pen, in perhaps the best book ever written about music and youth culture, by one of its notorious figures." - back cover.
Rock ‘n’ Roll Movies presents an eclectic look at the many manifestations of rock in motion pictures, from teen-oriented B-movies to Hollywood blockbusters to avant-garde meditations to reverent biopics to animated shorts to performance documentaries. Acclaimed film critic David Sterritt considers the diverse ways that filmmakers have regarded rock ‘n’ roll, some cynically cashing in on its popularity and others responding to the music as sincere fans, some depicting rock as harmless fun and others representing it as an open challenge to mainstream norms.