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Roger Corman's Battle Amongst the Stars #2 by Anonim Pdf
On the planet Olphen, a small group of alien defenders are preparing its people for the possible attack by the Malmori as they seek their reproductive technology. Meanwhile Zed and Corin are captured by Remlar and he charges Sador to get the location of the Olphen planet from them, by any means necessary.
The prequel to the cult film "Battle Beyond the Stars". 30 years before the movie, Zed of Akir boards an alien space craft and is drawn into an open galaxy unknown to him. There he finds himself in a race against time to stop a race called the Oztem's from being wiped out by the ruthless Remlar of the Malmori and his 1st Lieutenant Sador. With never before seen images!
30 years before the movie, Zed of Akir boards an alien space craft and is drawn into an open galaxy unknown to him. There he finds himself in a race against time to stop a race called the Oztem's from being wiped out by the ruthless Remlar of the Malmori and his 1st Lieutenant Sador.
How I Made A Hundred Movies In Hollywood And Never Lost A Dime by Roger Corman Pdf
In these pages Roger Corman, the most successful independent filmmaker in Hollywood relates his experiences as the director and/or producer of such low-budget classics Attack of the Crab Monsters, The Little Shop of Horrors, The Raven, The Man with the X-ray Eyes, The Wild Angels, The Trip, Night Call Nurses, Bloody Mama, Piranha, and many others. He also discusses his distribution of the Bergman, Fellini, and Truffaut movies that later won Academy Awards in the Best Foreign Film category. Corman alumni—John Sayles, Martin Scorsese, Jack Nicholson, Vincent Price, Francis Ford Coppola, Peter Bogdanovich, Peter Fonda, Joe Dante, and Jonathan Demme, among others—contribute their recollections to give added perspective to Corman's often hilarious, always informative autobiography.
Leonard Maltin's 2015 Movie Guide by Leonard Maltin Pdf
NEARLY 16,000 ENTRIES INCLUDING 300+ NEW ENTRIES AND MORE THAN 13,000 DVD LISTINGS Summer blockbusters and independent sleepers; masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Buster Keaton; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This 2015 edition covers the modern era, from 1965 to the present, while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. NEW: • Nearly 16,000 capsule movie reviews, with 300+ new entries • More than 25,000 DVD and video listings • Up-to-date list of mail-order and online sources for buying and renting DVDs and videos MORE: • Official motion picture code ratings from G to NC-17 • Old and new theatrical and video releases rated **** to BOMB • Exact running times—an invaluable guide for recording and for discovering which movies have been edited • Reviews of little-known sleepers, foreign films, rarities, and classics • Leonard’s personal list of Must-See Movies • Date of release, running time, director, stars, MPAA ratings, color or black and white • Concise summary, capsule review, and four-star-to-BOMB rating system • Precise information on films shot in widescreen format • Symbols for DVDs, videos, and laserdiscs • Completely updated index of leading actors
A pioneer of independent cinema, Roger Corman is a fascinating study in contrasts. As the original King of the Exploitation Film, he has filled his movies with images of blood-sucking vampires, rampaging biker gangs, vigilante strippers, and abducting aliens, all while producing each of his four-hundred-plus films on a shoestring budget and making a profit on nearly every one. In the process, Corman became the role model for today’s independent filmmaker. This guru with a vision has also demonstrated an uncanny eye for talent, being among the first to recognize and employ the abilities of Jack Nicholson, Peter Fonda, Dennis Hopper, Francis Ford Coppola, Martin Scorsese, Jonathan Demme, Joe Dante, Ron Howard, John Sayles, and James Cameron to name but a few. Through interviews with eighty of Corman’s friends and associates and photographs, Beverly Gray takes you behind the cameras and into the heart of Cormanville for a firsthand, insider’s look at the man and the mogul, providing a compelling private and public perspective on this soft-spoken giant of the cinema.
William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston’s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Womancomics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.
Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses by Chris Nashawaty Pdf
“Delightful . . . an engrossing oral history . . . As an enthusiastic ode to colorful, seat-of-your-pants filmmaking, this one’s hard to beat.” —Booklist (starred review) “Fantastic—a treasure.” —Stephen King Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses is an outrageously rollicking account of the life and career of Roger Corman—one of the most prolific and successful independent producers, directors, and writers of all time, and self-proclaimed king of the B movie. As told by Corman himself and graduates of “The Corman Film School,” including Peter Bogdanovich, James Cameron, Francis Ford Coppola, Robert De Niro, and Martin Scorsese, this comprehensive oral history takes readers behind the scenes of more than six decades of American cinema, as now-legendary directors and actors candidly unspool recollections of working with Corman, continually one-upping one another with tales of the years before their big breaks. Crab Monsters is supplemented with dozens of full-color reproductions of classic Corman movie posters; behind-the-scenes photographs and ephemera (many taken from Corman’s personal archive); and critical essays on Corman’s most daring films—including The Intruder, Little Shop of Horrors, and The Big Doll House—that make the case for Corman as an artist like no other. “This new coffee table book, brimming with outrageous stills from many of Corman’s hundreds of films, looks at the wild career of the starmaker who was largely responsible for so much of the Hollywood we know today.” —New York Post “Vividly illustrated.” —People “It includes in-depth aesthetic appreciations of ten of Corman’s movies, which, taken together, make a compelling case for Corman as an artist.” —Hollywood.com “Outrageously entertaining.” —Parade “Endlessly fascinating.” —PopMatters
Videohound's Golden Movie Retriever, 1997 by Visible Ink,Craddock Pdf
The alternative life raft in a sea of similarity, VideoHound competes on content, categories, and indexing, but the dramatic difference is the attitude. Irreverent, slightly tongue-in-cheek, the Hound never takes himself too seriously. The 1997 edition, fully expanded and updated with 1,000 new entries, provides information and opinions on 22,000-plus videos--more than any other guide on the market--including documentaties, made-for-TV movies, and animated features. Includes Web site entertainment directory.
Make Your Own Damn Movie! by Lloyd Kaufman,Adam Jahnke,Trent Haaga Pdf
Lloyd Kaufman, the writer/producer/director of such cult-classic films as The Toxic Avenger, Class of Nuke 'Em High, and Tromeo and Juliet, offers a guide to movie-making unlike any other available anywhere. In 25 years, Kaufman, along with partner Michael Herz, has built Troma Studios up from a company struggling to find its voice in a field crowded with competitors to its current--and legendary--status as a lone survivor, a bastion of true cinematic independence, and the world's greatest collection of camp on film. As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman's radically low-budget, independent-studio style of filmaking directly in the reader's hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for $0.79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it's actually good. From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one's idea for an independent film.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
“A lost classic . . . the history of a horror-film star and a treatise on human frailty . . . is back to be savored and marveled at anew” (James Ellroy, New York Times–bestselling author of the Lloyd Hopkins Trilogy). Simon Moro, a sixty-eight-year-old star, is making his last picture, a low-budget remake of Edgar Allan Poe’s The Raven. Moro, infuriated by the bland horror movies of his day, sees his own career—even as it ends—as an ongoing effort to wallop the public with an overwhelming moral shock. And he succeeds when an elaborate publicity stunt turns into a gruesome and grand personal statement. As Moro’s life reels toward its macabre end, it also reels backward through lies and evasions to show its surprising beginning. Underneath his Frankensteinian exaggeration, Moro has a vivid and humane story to tell, even as the coffins break open and dark, erotic secrets are revealed. Brock Brower has taken the horror film in all its gory glory to create a book that recycles pop material into literature, creating a Dickensian tale of America. “A wonderful book . . . Like a circus with several brilliant performances going on at the same time . . . A real breaking through. I don’t think anybody ever again will be able to dabble politely in mixing ‘real life’ and fiction.” —Joan Didion, New York Times–bestselling author of Slouching Towards Bethlehem “The way the book skewers society’s obsession with celebrity culture is even more valid today than when it was written, proving that great art stands the test of time.” —Forbes “A cult novel that amounts to a loving satiric tribute to cinema schlockmeister Roger Corman.” —New York Post
