Rogues Romance And Exoticism In French Cinema Of The 1930s

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Rogues, Romance, and Exoticism in French Cinema of the 1930s

Author : Colleen Kennedy-Karpat
Publisher : Fairleigh Dickinson
Page : 231 pages
File Size : 48,8 Mb
Release : 2013-04-11
Category : Performing Arts
ISBN : 9781611476149

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Rogues, Romance, and Exoticism in French Cinema of the 1930s by Colleen Kennedy-Karpat Pdf

Many popular French films of the 1930s captured the world and brought it into neighborhood cinemas for filmgoers who craved adventure. These films often served as visual postcards from the French empire, which enjoyed an unprecedented visibility in domestic popular culture between the world wars. But the public appetite for the exotic also transcended imperial borders. Exoticist films displayed landscapes and different that lay beyond the metropole, many of which were not subject to European rule. This broad conception of the exotic meant that French narrative cinema represented both colonial and non-colonial settings and populations, developing a coherent set of tropes that were shaped, yet not entirely defined, by the politics of imperial rule. Empire alone cannot address the full range of the French exoticist imaginary that was projected onto movie screens in the 30s. Only by venturing beyond imperial boundaries can we fully understand how the French saw non-Westerners and, by extension, how they saw themselves during this tumultuous decade. Rogues, Romance, and Exoticism in French Cinema of the 1930s proposes a critical framework for exoticist cinema that includes and exceeds the limits of empire. From rogue colons to the métisse in love, from the deserts of North Africa to the streets of Shanghai, this book identifies and analyzes recurring figures, common settings, major stars, plot devices, and narrative outcomes that dominated exoticist cinema at its popular peak.

Rogues, Romance, and Exoticism in French Cinema of the 1930s

Author : Colleen Kennedy-Karpat
Publisher : Rowman & Littlefield
Page : 231 pages
File Size : 41,7 Mb
Release : 2013
Category : History
ISBN : 9781611476132

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Rogues, Romance, and Exoticism in French Cinema of the 1930s by Colleen Kennedy-Karpat Pdf

Many popular French films of the 1930s captured the world and brought it into neighborhood cinemas for filmgoers who craved adventure. These films often served as visual postcards from the French empire, which enjoyed an unprecedented visibility in domestic popular culture between the world wars. But the public appetite for the exotic also transcended imperial borders. Exoticist films displayed landscapes and different that lay beyond the metropole, many of which were not subject to European rule. This broad conception of the exotic meant that French narrative cinema represented both colonial and non-colonial settings and populations, developing a coherent set of tropes that were shaped, yet not entirely defined, by the politics of imperial rule. Empire alone cannot address the full range of the French exoticist imaginary that was projected onto movie screens in the 30s. Only by venturing beyond imperial boundaries can we fully understand how the French saw non-Westerners and, by extension, how they saw themselves during this tumultuous decade. Rogues, Romance, and Exoticism in French Cinema of the 1930s proposes a critical framework for exoticist cinema that includes and exceeds the limits of empire. From rogue colons to the m tisse in love, from the deserts of North Africa to the streets of Shanghai, this book identifies and analyzes recurring figures, common settings, major stars, plot devices, and narrative outcomes that dominated exoticist cinema at its popular peak.

French Cinema: a Very Short Introduction

Author : Dudley Andrew
Publisher : Oxford University Press
Page : 193 pages
File Size : 47,9 Mb
Release : 2023-10-18
Category : History
ISBN : 9780198718611

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French Cinema: a Very Short Introduction by Dudley Andrew Pdf

It is often claimed that the French invented cinema, and although their prominence may have been supplanted by Hollywood today, the French film industry remains both prolific and highly lauded. Exploring the entire French cinematic oeuvre, Andrew teases out the distinguishing themes, to bring the defining features of French cinema to light.

Through a Nuclear Lens

Author : Hannah Holtzman
Publisher : State University of New York Press
Page : 289 pages
File Size : 47,9 Mb
Release : 2024-05-01
Category : Literary Criticism
ISBN : 9781438497853

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Through a Nuclear Lens by Hannah Holtzman Pdf

The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 nuclear disaster at Fukushima Daiichi. In a study that includes formal and theoretical analysis, archival research, and interviews, Holtzman shows the emergence of a new kind of nuclear film, one that attends to the everyday effects of nuclear disaster and its impact on our experience of space and time. The focus on Franco-Japanese exchange in cinema since the postwar period reveals a reorientation of the primarily aesthetic preoccupations in the tradition of Japonisme to center around technological and environmental concerns. The book demonstrates how French filmmakers, ever since Hiroshima mon amour, have looked to Japan in part to better understand nuclear uncertainty in France.

Writing Rogues

Author : Cassio de Oliveira
Publisher : McGill-Queen's Press - MQUP
Page : 255 pages
File Size : 40,5 Mb
Release : 2023-01-15
Category : Literary Criticism
ISBN : 9780228015079

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Writing Rogues by Cassio de Oliveira Pdf

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing RoguesCassio de Oliveira sheds light on the picaresque and its marginal characters – rogues and storytellers – who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue – such as Ilf and Petrov’s wildly popular cynic and schemer Ostap Bender – in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens’ fears and aspirations as it recorded the country’s transformation into the first communist state.

Pearls, People, and Power

Author : Pedro Machado,Steve Mullins,Joseph Christensen
Publisher : Ohio University Press
Page : 544 pages
File Size : 45,8 Mb
Release : 2020-01-27
Category : History
ISBN : 9780821446935

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Pearls, People, and Power by Pedro Machado,Steve Mullins,Joseph Christensen Pdf

Pearls, People, and Power is the first book to examine the trade, distribution, production, and consumption of pearls and mother-of-pearl in the global Indian Ocean over more than five centuries. While scholars have long recognized the importance of pearling to the social, cultural, and economic practices of both coastal and inland areas, the overwhelming majority have confined themselves to highly localized or at best regional studies of the pearl trade. By contrast, this book stresses how pearling and the exchange in pearl shell were interconnected processes that brought the ports, islands, and coasts into close relation with one another, creating dense networks of connectivity that were not necessarily circumscribed by local, regional, or indeed national frames. Essays from a variety of disciplines address the role of slaves and indentured workers in maritime labor arrangements, systems of bondage and transoceanic migration, the impact of European imperialism on regional and local communities, commodity flows and networks of exchange, and patterns of marine resource exploitation between the Industrial Revolution and Great Depression. By encompassing the geographical, cultural, and thematic diversity of Indian Ocean pearling, Pearls, People, and Power deepens our appreciation of the underlying historical dynamics of the many worlds of the Indian Ocean. Contributors: Robert Carter, William G. Clarence-Smith, Joseph Christensen, Matthew S. Hopper, Pedro Machado, Julia T. Martínez, Michael McCarthy, Jonathan Miran, Steve Mullins, Karl Neuenfeldt, Samuel M. Ostroff, and James Francis Warren.

Jean Gabin

Author : Joseph Harriss
Publisher : University Press of Kentucky
Page : 395 pages
File Size : 40,9 Mb
Release : 2023-01-24
Category : Performing Arts
ISBN : 9780813196336

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Jean Gabin by Joseph Harriss Pdf

When one thinks of the quintessential Frenchman, one likely pictures Jean Gabin (1904-1976). The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Émile Zola's La Bête Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit—a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Harriss recounts the actor's multi-faceted persona, including his famously fiery temper, his tumultuous love affairs—including a six-year relationship with the German star Marlene Dietrich—and his military valor. With this enthralling work, film enthusiasts can gain an appreciation of France's quintessential movie star and his lasting impact on world cinema during its Golden Age.

Colonial Documentary Film in South and South-East Asia

Author : Ian Aitken
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 47,6 Mb
Release : 2016-12-05
Category : Performing Arts
ISBN : 9781474407229

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Colonial Documentary Film in South and South-East Asia by Ian Aitken Pdf

Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

American Militarism on the Small Screen

Author : Anna Froula,Stacy Takacs
Publisher : Routledge
Page : 286 pages
File Size : 47,9 Mb
Release : 2016-03-17
Category : Social Science
ISBN : 9781317402893

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American Militarism on the Small Screen by Anna Froula,Stacy Takacs Pdf

Anna Froula is Associate Professor of Film Studies in the Department of English at East Carolina University, USA Stacy Takacs is Associate Professor and Director of American Studies at Oklahoma State University, USA

European Art Cinema

Author : John White
Publisher : Routledge
Page : 288 pages
File Size : 55,7 Mb
Release : 2016-10-14
Category : Social Science
ISBN : 9781317572053

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European Art Cinema by John White Pdf

European art cinema includes some of the most famous films in cinema history. It is elite filmmaking that stands in direct opposition to popular cinema; and yet, it also has an intimate relationship with Hollywood. This guidebook sketches successive phases of art cinema in Europe from its early beginnings of putting Shakespeare’s plays on the screen, through movements such as Expressionism and Surrealism, to the New Waves of the 1960s and more recent incarnations like Dogme 95. Using film examples, John White examines basic critical approaches to art cinema such as semiotics and auteur theory, as well as addressing recurring themes and ideas such as existentialism and Christian belief. The different levels of political commitment and social criticism, which appear in many of these films, are also discussed. The book includes case studies of eight representative films: • The Cabinet of Dr Caligari (Wiene, 1920) • Earth (Dovzhenko, 1930) • A Man Escaped (Bresson, 1956) • Hiroshima mon amour (Resnais, 1959) • Aguirre, Wrath of God (Herzog, 1972) • Comrades (Douglas, 1986) • Le Quattro Volte (Frammartino, 2010) • Silence (Collins, 2012).

Josephine Baker's Cinematic Prism

Author : Terri Simone Francis
Publisher : Indiana University Press
Page : 216 pages
File Size : 55,7 Mb
Release : 2021-01-19
Category : Performing Arts
ISBN : 9780253017598

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Josephine Baker's Cinematic Prism by Terri Simone Francis Pdf

Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergère, La Sirène des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality. Examining an unexplored aspect of Baker's career, Josephine Baker's Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.

Female Agencies and Subjectivities in Film and Television

Author : Diğdem Sezen,Feride Çiçekoğlu,Aslı Tunç,Ebru Thwaites Diken
Publisher : Springer Nature
Page : 298 pages
File Size : 44,9 Mb
Release : 2020-10-29
Category : Performing Arts
ISBN : 9783030561000

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Female Agencies and Subjectivities in Film and Television by Diğdem Sezen,Feride Çiçekoğlu,Aslı Tunç,Ebru Thwaites Diken Pdf

This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television.

Josephine Baker and Katherine Dunham

Author : Hannah Durkin
Publisher : University of Illinois Press
Page : 413 pages
File Size : 41,7 Mb
Release : 2019-08-16
Category : Social Science
ISBN : 9780252051463

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Josephine Baker and Katherine Dunham by Hannah Durkin Pdf

Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining—within significant confines—new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.

Italian Fascism's Empire Cinema

Author : Ruth Ben-Ghiat
Publisher : Indiana University Press
Page : 421 pages
File Size : 43,9 Mb
Release : 2015-02-11
Category : History
ISBN : 9780253015662

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Italian Fascism's Empire Cinema by Ruth Ben-Ghiat Pdf

Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

A Companion to the Biopic

Author : Deborah Cartmell,Ashley D. Polasek
Publisher : John Wiley & Sons
Page : 466 pages
File Size : 43,8 Mb
Release : 2020-01-15
Category : Performing Arts
ISBN : 9781119554813

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A Companion to the Biopic by Deborah Cartmell,Ashley D. Polasek Pdf

The most comprehensive reference text of theoretical and historical discourse on the biopic film The biopic, often viewed as the most reviled of all film genres, traces its origins to the early silent era over a century ago. Receiving little critical attention, biopics are regularly dismissed as superficial, formulaic, and disrespectful of history. Film critics, literary scholars and historians tend to believe that biopics should be artistic, yet accurate, true-to-life representations of their subjects. Moviegoing audiences, however, do not seem to hold similar views; biopics continue to be popular, commercially viable films. Even the genre’s most ardent detractors will admit that these films are often very watchable, particularly due to the performance of the lead actor. It is increasingly common for stars of biographical films to garner critical praise and awards, driving a growing interest in scholarship in the genre. A Companion to the Biopic is the first global and authoritative reference on the subject. Offering theoretical, historical, thematic, and performance-based approaches, this unique volume brings together the work of top scholars to discuss the coverage of the lives of authors, politicians, royalty, criminals, and pop stars through the biopic film. Chapters explore evolving attitudes and divergent perspectives on the genre with topics such as the connections between biopics and literary melodramas, the influence financial concerns have on aesthetic, social, or moral principles, the merger of historical narratives with Hollywood biographies, stereotypes and criticisms of the biopic genre, and more. This volume: Provides a systematic, in-depth analysis of the biopic and considers how the choice of historical subject reflects contemporary issues Places emphasis on films that portray race and gender issues Explores the uneven boundaries of the genre by addressing what is and is not a biopic as well as the ways in which films simultaneously embrace and defy historical authenticity Examines the distinction between reality and ‘the real’ in biographical films Offers a chronological survey of biopics from the beginning of the 20th century A Companion to the Biopic is a valuable resource for researchers, scholars, and students of history, film studies, and English literature, as well as those in disciplines that examine interpretations of historical figures