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The Italian film-maker Pier Paolo Pasolini was first and always a poet-the most important civil poet, according to Alberto Moravia, in Italy in the second half of this century. His poems were at once deeply personal and passionately engaged in the political turmoil of his country. In 1949, after his homosexuality led the Italian Communist Party to expel him on charges of "moral and political unworthiness," Pasolini fled to Rome. This selection of poems from his early impoverished days on the outskirts of Rome to his last (with a backward longing glance at his native Frill) is at the center of his poetic and filmic vision of modern Italian life as an Inferno. Pier Paolo Pasolini was born in 1922 in Bologna. In addition to the films for which he is world famous, he wrote novels, poetry, and social and cultural criticism. He was murdered in 1975.
Violence, Trauma, and Virtus in Shakespeare's Roman Poems and Plays by L. Starks-Estes Pdf
Employing psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare's appropriations of Ovid's poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.
"This is no small achievement. For the language-lover the translation provides elegant, flowing English verse, for the classicist it conveys close approximation to the Latin meaning coupled with a sense of the movement and rhythmic variety of Ovid's language"—Geraldine Herbert-Brown, editor of Ovid's Fasti: Historical Readings at its Bimillennium "This book fills a gap. There is no similar annotated English translation of Ovid's exile poetry. Thoroughly grounded in Ovidian scholarship, Green's introduction and notes are helpful and informative. The translation is accurate, idiomatic, and lively, closely imitating the Latin elegiac couplet and capturing Ovid's changing moods."—Karl Galinsky, author of Ovid's Metamorphoses: An Introduction to the Basic Aspects
A beautiful hardcover Pocket Poets anthology of poems inspired by the art and architecture of the Eternal City. Poems of Rome ranges across the centuries and contains the work of poets from many cultures and times, from ancient Rome to contemporary America. Designed to accompany readers visiting the city--whether in person or in imagination--the book is divided into sections by place. Its pages lead the reader from the Roman Forum to the Colosseum, from the Vatican to the Villa Sciarra, from the Pantheon to the Palatine Hill, all seen through the eyes of poets who have been dazzled by these glorious sites for centuries. The poets range from Horace and Ovid to Pasolini and Pavese, and from Byron and Keats and Rilke to James Merrill, Adrienne Rich, Derek Walcott, and Jorie Graham, in a collection of international talent as scintillating as the great city itself.
“Fearlessly frank” and “unabashedly vulnerable” (Tracy K. Smith), Dorothea Lasky’s ROME confronts love and heartbreak in the modern world. Dorothea Lasky is one of the most talented American poets of her generation. With haunting lines that “recall Frank O’Hara and Allen Ginsberg” (Chicago Tribune) and influences ranging from Drake to Catullus, Lasky fuses the ancient world with the fierceness and heartbreak of everyday life. With each new book, from the grand religiosity of AWE to the flat sadness and nihilism of Black Life to the witchery of Thunderbird, her poems keep gaining an increasingly robust readership and have influenced an entire generation of younger poets. In ROME, Lasky finds herself in the arena of eternal longing and heartsick desire, confronting her ghosts and demons and proving she’s “one of the very best poets we’ve got” (Maggie Nelson).
Originally published in 1923, this study outlines the aims and methods of roman poets as well as focussing on technique and subject. Sikes’ critique of the subject delves into the general character of roman poetry with the belief that it provides an insight into roman life and ideals by commenting on various theories, criticisms and themes found in Roman poetry. This title will be of interest to students of classics.
Fragments of Roman Poetry C.60 BC-AD 20 by Adrian S. Hollis Pdf
An edition and translation of a collection of fragments of Roman poetry composed between 60 BC and AD 20, when Latin literature was at its height. Study of these fragmentary texts enables us better to appreciate surviving great poets such as Catullus and Virgil.
Meshing her own wit, verve, and gusto with that of the Roman poets she translates, Wender strips both the cloak of awe and the dusty mantle of boredom from the classics. These English verse translations of the major classical Roman poets feature hefty selections from the savage urban satire of Juvenal, the moving philosophy of Lucretius, the elegance of Horace, the grace and humor of Catullus, the grave music of Virgil, the passion of Propertius, the sexy sophistication of Ovid, and the obscenity of Martial.--From publisher description.
The Poetry Book Society Autumn 2018 Recommended Translation. Asked to name the great Latin love poets, today's reader is likely to offer Catullus, Ovid, Virgil, Horace. Propertius, a successor of the first and influential peer to the others, has not been blessed by posterity. Yet at their best his poems match any of the period. They are poems of love, of desire, of insecurity and obsession: of struggle, too, as they resist the Augustan Empire's attempts to turn its love poets into propagandists. The result is a highly refined irony, a subtlety of tone and humour that is unique. Patrick Worsnip's translations bring out Propertius' playfulness and his psychological acuity, reinstating his poems at the heart of Latin literature's golden age.
The Lays of Ancient Rome and Other Poems by Baron Thomas Babington Macaulay Pdf
We are delighted to publish this classic book as part of our extensive classic literature collection. This book is a reproduction of an important historical work. Unlike some other reproductions of classic texts, We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. Also in books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. We use state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.The "Lays of Ancient Rome" by Thomas Babington Macaulay were originally published in 1842. Immensely popular in England during Victorian times, these ballads are still a popular subject for recitation. As a student, Winston Churchill memorized them to prove his mental capabilities. This edition, newly typeset, includes all four of Macaulay's lays, with introductions, verse numbers, and explanatory footnotes.
Lays of Ancient Rome by Thomas Babington Macaulay Pdf
Lays of Ancient Rome is a collection of narrative poems, or lays, which recount heroic episodes from early Roman history with strong dramatic and tragic themes, giving the collection its name. The first poem, Horatius, describes how PubliusHoratius and two companions, SpuriusLartius and Titus Herminius, hold the Sublician bridge, the only span crossing the Tiber at Rome, against the Etruscan army of Lars Porsena, King of Clusium. The next poem, The Battle of Lake Regillus, celebrates the Roman victory over the Latin League at the Battle of Lake Regillus. The poem Virginia describes the tragedy of Virginia, the only daughter of Virginius, a poor Roman farmer. The Prophecy of Capys narrates how when Romulus and Remus arrive in triumph at the house of their grandfather, Capys, the blind old man enters a prophetic trance.
Cavafy's Historical Poems is the first volume of a four-book set constituting a study of the life and opus of this fascinating poet. The secoCavafy's Historical Poems is the first volume of a four-book set constituting a study of the life and opus of this fascinating poet. The second volume is an anecdotal life detailing Cavafy's home and its atmosphere: the man, the poet, and his lifestyle; the odes of his compatriot partisans; the praises of his foreign admirers; the barbs and insults of his critics and revilers; the poet as a critical ironist; and the last part of his life. More than one hundred commentators are quoted, and just as many of his poems are used where it seemed appropriate. A third volume consists of erratic commentaries containing the author's evaluation and criticism of the main contributions to Cavafy's poetry. That is these of George Seferis, Sir Maurice Bowra, Robert Liddel, Edmund Keeley, Grigorios Xenopoulos, Timos Malanos, Stratis Tsirkas, John Sareyiannis, and others. These follow an opening chapter on Hellenization and a second chapter on the controversial subject of the dates of composition of Cavafy's poems. The fourth volume, The Canon, is a verse translation of the 150 poems Cavafy accepted as his mature opus, including the original Greek verses, accompanied by detailed examination of the poet's craft and style. That is to say the meter, length of verse, wedging, rhyme, enjambment, titles, organization, punctuation, the absences, lyricism, periphrasis, description, narrative, suggestive image, abstractions, transmission, maturity, content, language, irony, intellectuality, etc. nd volume is An Anectodal Life detailing Cavafy's home and its atmosphere: the man, the poet and his lifestyle; the odes of his compatriot partizans; the praises of his foreign admirers; the barbs and insults of his critics and revilers; the poet as a critical ironist, and the last part of his life. More than one hundred commentarors are quoted and just as many of his poems are used where it seemed appropriate. A third volume consists of Erratic Commentaries containing the author's evaluation and criticism of the main contributions to Cavafy's poetry. That is these of George Seferis, Sir Maurice Bowra, Robert Liddel, Edmund Keeley, Grigorios Xenopoulos, Timos Malanos, Stratis Tsirkas, John Sareyiannis, and others. These follow an opening chapter on Hellenization and an second chapter on the controversial subject of the dates of composition of Cavafy's poems. The fourth volume, The Canon, is a verse translation of the 150 poems Cavafy accepted as his mature opus, including the original Greek verses, accompanied by detailed examination of the poet's craft and style. That is to say, the meter, length of verse, wedging, rhyme, enjambment, titles, organization, punctuation, the absences, lyricism, periphrasis, description, narrative, suggestive image, abstractions, transmission, maturity, content, language, irony, intellectuality, etc.