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Author : Helen Thomas
Publisher : Cambridge University Press
Page : 349 pages
File Size : 46,9 Mb
Release : 2000-04-27
Category : Literary Criticism
ISBN : 9780521662345
The first major attempt to relate canonical Romantic texts to writings of the African diaspora.
Author : Uli Dürr
Publisher : GRIN Verlag
Page : 41 pages
File Size : 48,6 Mb
Release : 2012
Category : Language Arts & Disciplines
ISBN : 9783656100867
Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Würzburg, language: English, abstract: This term paper deals with the institution of slavery and the process of its abolition and takes a look at the different reactions in Romantic literature. First of all, an overview over the historical background will be given, showing the economic importance of the slave trade at the end of the 18th century, as well as giving an outline of the con-temporary major race theories, that were underlying its justification. The movement for the abolition of slavery will be introduced, as well as some of their representa-tives, like Thomas Clarkson, or William Cowper. Subsequently, the main part of the paper will deal with William Blake and his poem "Little Black Boy". The piece will be taken as an example for 18th century abolitionist literature and will be analysed, with the help of secondary literature by Hazard Adams, D.G. Gillham, David Erdman and Lauren Henry. A special focus will be on the poem's religious theme. The term paper will end with a conclusion, summarizing the interpretations of the before-mentioned literary scientists and evaluating the significance of the paper's findings.
Author : John Ernest
Publisher : Oxford Handbooks
Page : 497 pages
File Size : 43,8 Mb
Release : 2014
Category : Literary Collections
ISBN : 9780199731480
This volume approaches the history of slave testimony in three ways: by prioritising the broad tradition over individual authors; by representing inter-disciplinary approaches to slave narratives; and by highlighting emerging scholarship on slave narratives, concerning both established debates over concerns of authorship and agency, for example, and developing concerns like eco-critical readings of slave narratives.
Author : Audrey Fisch
Publisher : Cambridge University Press
Page : 230 pages
File Size : 45,9 Mb
Release : 2007-05-31
Category : Literary Criticism
ISBN : 9781139827591
The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.
Author : Duncan Wu
Publisher : Wiley-Blackwell
Page : 566 pages
File Size : 55,6 Mb
Release : 1999-10-29
Category : Literary Criticism
ISBN : 0631218777
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
Author : Debbie Lee
Publisher : University of Pennsylvania Press
Page : 314 pages
File Size : 55,9 Mb
Release : 2017-09-14
Category : Literary Criticism
ISBN : 0812202589
Selected by Choice magazine as an Outstanding Academic Title The Romantic movement had profound social implications for nineteenth-century British culture. Among the most significant, Debbie Lee contends, was the change it wrought to insular Britons' ability to distance themselves from the brutalities of chattel slavery. In the broadest sense, she asks what the relationship is between the artist and the most hideous crimes of his or her era. In dealing with the Romantic period, this question becomes more specific: what is the relationship between the nation's greatest writers and the epic violence of slavery? In answer, Slavery and the Romantic Imagination provides a fully historicized and theorized account of the intimate relationship between slavery, African exploration, "the Romantic imagination," and the literary works produced by this conjunction. Though the topics of race, slavery, exploration, and empire have come to shape literary criticism and cultural studies over the past two decades, slavery has, surprisingly, not been widely examined in the most iconic literary texts of nineteenth-century Britain, even though emancipation efforts coincide almost exactly with the Romantic movement. This study opens up new perspectives on Blake, Wordsworth, Coleridge, Percy Bysshe Shelley, Mary Shelley, Keats, and Mary Prince by setting their works in the context of political writings, antislavery literature, medicinal tracts, travel writings, cartography, ethnographic treatises, parliamentary records, philosophical papers, and iconography.
Author : Debbie Lee
Publisher : University of Pennsylvania Press
Page : 311 pages
File Size : 50,9 Mb
Release : 2017-09-14
Category : Literary Criticism
ISBN : 9780812202588
Selected by Choice magazine as an Outstanding Academic Title The Romantic movement had profound social implications for nineteenth-century British culture. Among the most significant, Debbie Lee contends, was the change it wrought to insular Britons' ability to distance themselves from the brutalities of chattel slavery. In the broadest sense, she asks what the relationship is between the artist and the most hideous crimes of his or her era. In dealing with the Romantic period, this question becomes more specific: what is the relationship between the nation's greatest writers and the epic violence of slavery? In answer, Slavery and the Romantic Imagination provides a fully historicized and theorized account of the intimate relationship between slavery, African exploration, "the Romantic imagination," and the literary works produced by this conjunction. Though the topics of race, slavery, exploration, and empire have come to shape literary criticism and cultural studies over the past two decades, slavery has, surprisingly, not been widely examined in the most iconic literary texts of nineteenth-century Britain, even though emancipation efforts coincide almost exactly with the Romantic movement. This study opens up new perspectives on Blake, Wordsworth, Coleridge, Percy Bysshe Shelley, Mary Shelley, Keats, and Mary Prince by setting their works in the context of political writings, antislavery literature, medicinal tracts, travel writings, cartography, ethnographic treatises, parliamentary records, philosophical papers, and iconography.
Author : Julia Sun-Joo Lee
Publisher : Oxford University Press
Page : 202 pages
File Size : 55,5 Mb
Release : 2010-04-09
Category : History
ISBN : 0199745285
Conceived as a literary form to aggressively publicize the abolitionist cause in the United States, the African American slave narrative remains a powerful and illuminating demonstration of America's dark history. Yet the genre's impact extended far beyond the borders of the U.S. In a period when few books sold more than five hundred copies, slave narratives sold in the tens of thousands, providing British readers vivid accounts of the violence and privation experienced by American slaves. Eloquent, bracing narratives by Frederick Douglass, William Box Brown, Solomon Northrop, and others enjoyed unprecedented popularity, captivating audiences that included activists, journalists, and some of the era's greatest novelists. The American Slave Narrative and the Victorian Novel investigates the shaping influence of the American slave narrative on the Victorian novel in the years between the British Abolition Act and the American Emancipation Proclamation. The book argues that Charlotte Bront?, W. M. Thackeray, Elizabeth Gaskell, Charles Dickens, and Fanny and Robert Louis Stevenson integrated into their works generic elements of the slave narrative-from the emphasis on literacy as a tool of liberation, to the teleological journey from slavery to freedom, to the ethics of resistance over submission. It contends that Victorian novelists used these tropes in an attempt to access the slave narrative's paradigm of resistance, illuminate the transnational dimension of slavery, and articulate Britain's role in the global community. Through a deft use of disparate sources, Lee reveals how the slave narrative becomes part of the textual network of the English novel, making visible how black literary, as well as economic, production contributed to English culture. Lucidly written, richly researched, and cogently argued, Julia Sun-Joo Lee's insightful monograph makes an invaluable contribution to scholars of American literary history, African American literature, and the Victorian novel, in addition to highlighting the vibrant transatlantic exchange of ideas that illuminated literatures on both sides of the Atlantic during the nineteenth century.
Author : David Scott
Publisher : Duke University Press
Page : 300 pages
File Size : 43,5 Mb
Release : 2004-12-03
Category : Biography & Autobiography
ISBN : 0822334445
DIVUses C.L.R. James’sThe Black Jacobins as a jumping-off point for a reconsideration of colonial and postcolonial concepts of history, politics, and agency./div
Author : Daniel M. Goldstein
Publisher : Duke University Press
Page : 308 pages
File Size : 51,8 Mb
Release : 2004-08-18
Category : Performing Arts
ISBN : 0822333708
DIVThis study analyzes a popular festival and vigilante lynching, examining them as a form of political spectacle performed by improverished people who want to gain access to the potential benefits of citizenship in a modern city./div
Author : Ann R. Hawkins,Catherine S. Blackwell,E. Leigh Bonds
Publisher : Taylor & Francis
Page : 609 pages
File Size : 42,7 Mb
Release : 2022-12-30
Category : Literary Criticism
ISBN : 9781317041740
The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.
Author : Matt Sandler
Publisher : Verso Books
Page : 273 pages
File Size : 47,6 Mb
Release : 2020-09-08
Category : Literary Criticism
ISBN : 9781788735445
The prophetic poetry of slavery and its abolition During the pitched battle over slavery in the United States, Black writers—enslaved and free—allied themselves with the cause of abolition and used their art to advocate for emancipation and to envision the end of slavery as a world-historical moment of possibility. These Black writers borrowed from the European tradition of Romanticism—lyric poetry, prophetic visions--to write, speak, and sing their hopes for what freedom might mean. At the same time, they voiced anxieties about the expansion of global capital and US imperial power in the aftermath of slavery. They also focused on the ramifications of slavery's sexual violence. Authors like Frances Ellen Watkins Harper, George Moses Horton, Albery Allson Whitman, and Joshua McCarter Simpson conceived the Civil War as a revolutionary upheaval on par with Europe's stormy Age of Revolutions. The Black Romantic Revolution proposes that the Black Romantics' cultural innovations have shaped Black radical culture to this day, from the blues and hip hop to Black nationalism and Black feminism. Their expressions of love and rage, grief and determination, dreams and nightmares, still echo into our present.
Author : Annie L. Burton
Publisher : Courier Corporation
Page : 162 pages
File Size : 46,5 Mb
Release : 2006-01-04
Category : Social Science
ISBN : 9780486445557
The moving testimonies of five African-American women comprise this unflinching account of slavery in the pre-Civil War American South. Covering a wide range of narrative styles, the voices provide authentic recollections of hardship, frustration, and hope — from Mary Prince's groundbreaking account of a lone woman's tribulations and courage, the spiritual awakening of "Old Elizabeth," and Mattie Jackson's record of personal achievements, to the memoirs of Kate Drumgoold and Annie L. Burton. A compelling, authentic portrayal of women held as slaves in the antebellum South, these remarkable stories of courage and perseverance will be required reading for students of literature, history, and African-American studies.
Author : Philipp Löffler,Clemens Spahr,Jan Stievermann
Publisher : Walter de Gruyter GmbH & Co KG
Page : 609 pages
File Size : 50,5 Mb
Release : 2021-07-05
Category : Literary Criticism
ISBN : 9783110592238
The Handbook of American Romanticism presents a comprehensive survey of the various schools, authors, and works that constituted antebellum literature in the United States. The volume is designed to feature a selection of representative case studies and to assess them within two complementary frameworks: the most relevant historical, political, and institutional contexts of the antebellum decades and the consequent (re-)appropriations of the Romantic period by academic literary criticism in the twentieth and early twenty-first centuries.
Author : Henry Louis Gates Jr. Chairman of the Department of Afro-American Studies and W.E.B. DuBois Professor of the Humanities Harvard University
Publisher : Oxford University Press, USA
Page : 350 pages
File Size : 40,5 Mb
Release : 1987-07-16
Category : African Americans in literature
ISBN : 9780199729173
"The originality, brilliance, and scope of the work is remarkable.... Gates will instruct, delight, and stimulate a broad range of readers, both those who are already well versed in Afro-American literature, and those who, after reading this book, will eagerly begin to be."--Barbara E. Johnson, Harvard University. "A critical enterprise of the first importance.... Gates promises to lead and to show the way in boldness of conception, in vigor of execution, and in vitality and pertinence of expression."--James Olney, Louisiana State University. Recently awarded Honorable Mention from the John Hope Franklin Publication Prize Committee of the American Studies Association, Figures in Black takes a provocative new look at how we analyze and define black literature. Henry Louis Gates, Jr., attacks the notion that the dominant mode of Afro-American literature is, or should be, a kind of social realism, evaluated primarily as a reflection of the "Black Experience." Instead, Gates insists that critics turn to the language of the text and bring to their work the close, methodical analysis of language made possible by modern literary theory. But his goal in this volume is not merely to "apply" contemporary theory to black texts. Indeed, as he ranges from 18th-century poet Phillis Wheatley to modern writers Ishmael Reed and Alice Walker, he attempts to redefine literary criticism itself, moving it away from a Eurocentric notion of a hierarchical canon--mostly white, Western, and male--to foster a truly comparative and pluralisic notion of literature. In doing so, he provides critics with a powerful tool for the analysis of black art and, more important, reveals for all readers the brilliance and depth of the Afro-American tradition.
