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Author : Michael O'Neill,Mark Sandy
Publisher : Taylor & Francis
Page : 412 pages
File Size : 54,8 Mb
Release : 2006
Category : European literature
ISBN : 041524725X
Author : Alex Watson
Publisher : Routledge
Page : 205 pages
File Size : 53,6 Mb
Release : 2015-10-06
Category : Literary Criticism
ISBN : 9781317322320
This is the first critical study of Romantic-era annotation or marginalia – footnotes, endnotes, glossaries – which formed a vital site of literary interaction.
Author : Mai-Lin Cheng
Publisher : Rowman & Littlefield
Page : 207 pages
File Size : 55,7 Mb
Release : 2017-12-22
Category : Literary Collections
ISBN : 9781611488692
British Romanticism and the Literature of Human Interest explores the importance to Romantic literature of a concept of human interest. It examines a range of literary experiments to engage readers through subjects and styles that were at once "interesting" and that, in principle, were in their "interest." These experiments put in question relationships between poetry and prose; lyric and narrative; and literature and popular media. The book places literary works by a range of nineteenth-century writers including William and Dorothy Wordsworth, Thomas De Quincey, Samuel Taylor Coleridge, Mary and Percy Shelley, Lord Byron, and Matthew Arnold into dialogue with a variety of non-literary and paraliterary forms ranging from newspapers to footnotes. The book investigates the generic structures of Romantic literature and the negotiation of the status of literature in the period in relation to a new media landscape. It explores the self-theorization of Romantic literature and argues for its value to contemporary literary criticism.
Author : Norbert Lennartz
Publisher : Springer Nature
Page : 338 pages
File Size : 47,9 Mb
Release : 2020-01-13
Category : Literary Criticism
ISBN : 9783030355463
This book features a collection of essays, shedding subversively new light on Romanticism and its canon of big-six, white, male Romantics by focusing on marginalised, forgotten and lost writers and their long-neglected works. Probing the realms of literary and cultural lostness, this book identifies different strata of oblivion and shows how densely the net of contacts and rivalries was woven around the ostensibly monolithic stars of the Romantic age. It reveals how the lost poets inspired the production of anthologised poetry, that they served as indispensable muses, sidekicks and interlocutors of the big six and that their relevance for the literary scene has been continuously underrated. This is also surprisingly true for some creators of famous one-hit wonders (Frankenstein, The Vampyre) who were suddenly rocketed to fame or notoriety, but could not help seeing their other works of fiction turning into abortive flops.
Author : Andrew Radford
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 44,5 Mb
Release : 2014-08-28
Category : Literary Criticism
ISBN : 9781441106438
Mary Butts was an important figure in inter-war modernist circles and one who reviewed and associated with some of the major literary figures of the era, from T.S. Eliot to Gertrude Stein. Despite her importance and the varied nature of her writing, she has been a neglected figure in modernist scholarship. Providing a new analysis of the interwar literary period, Mary Butts and British Neo-Romanticism revisits her work - vividly experimental writings spanning memoir, poetry, polemic and fiction - through the lens of mid-20th-century British neo-Romanticism. The book argues that behind Butts's eco-feminist writings lies an intricate political and philosophical commentary.
Author : Gal Gerson
Publisher : SUNY Press
Page : 252 pages
File Size : 51,5 Mb
Release : 2004-08-06
Category : Political Science
ISBN : 0791461475
Traces how progressive liberals in Edwardian Britain responded to contemporary intellectual trends.
Author : Ralf Haekel
Publisher : Walter de Gruyter GmbH & Co KG
Page : 725 pages
File Size : 46,8 Mb
Release : 2017-09-11
Category : Literary Criticism
ISBN : 9783110376692
The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.
Author : Elizabeth A Bohls
Publisher : Edinburgh University Press
Page : 224 pages
File Size : 41,7 Mb
Release : 2013-01-22
Category : Literary Criticism
ISBN : 9780748678754
This book examines the relationship between Romantic writing and the rapidly expanding British Empire.
Author : Tom Lockwood
Publisher : OUP Oxford
Page : 270 pages
File Size : 53,6 Mb
Release : 2005-09-22
Category : Literary Criticism
ISBN : 9780191535796
Tom Lockwood's study is the first examination of Jonson's place in the texts and culture of the Romantic age. Part one of the book explores theatrical, critical, and editorial responses to Jonson, including his place in the post-Garrick theatre, critical estimations of his life and work, and the politically-charged making and reception of William Gifford's 1816 edition of Jonson's Works. Part two explores allusive and imitative responses to Jonson's poetry and plays in the writings of Samuel Taylor Coleridge, and explores how Jonson serves variously as a model by which to measure the poet laureate, Robert Southey, and Coleridge's eldest son, Hartley. The introduction and conclusion locate this 'Romantic Jonson' against his eighteenth-century and Victorian re-creations. Ben Jonson in the Romantic Age shows us a varied, mobile, and contested Jonson and offers a fresh perspective on the Romantic age.
Author : McNeil Kenneth McNeil
Publisher : Edinburgh University Press
Page : 408 pages
File Size : 43,9 Mb
Release : 2020-09-04
Category : Literary Criticism
ISBN : 9781474455497
Charts Scottish Romanticism's significant contribution to the making of collective memory in the transatlantic worldOffers an in-depth examination of Scottish Romantic literary ideas on memory and their influence among various cultures in the British Atlantic, broken down into distinct writing modes (memorials, travel memoir, slave narrative, colonial policy paper, emigrant fiction) and contexts (pre- and post-Revolution America, French-Canadian cultural nationalism, the slavery debate, immigration and colonial settlement).Looks at familiar Scottish writers (Walter Scott, John Galt) in new ways, while introducing less familiar ones (Anne Grant, Thomas Pringle).Brings Scottish Romantic literary studies into new engagements with other fields (such as transatlantic and memory studies).Opens up new dialogues between Scottish literature and culture and other literatures and cultures (for example, French-Canadian, Black Diaspora, Indigenous).Scots, who were at the vanguard of British colonial expansion in North America in the Romantic period, believed that their own nation had undergone an unprecedented transformation in only a short span of time. Scottish writers became preoccupied with collective memory, its powerful role in shaping group identity as well as its delicate fragility. McNeil reveals why we must add collective memory to the list of significant contributions Scots made to a culture of modernity.
Author : Tim Milnes
Publisher : Cambridge University Press
Page : 294 pages
File Size : 43,5 Mb
Release : 2003-02-27
Category : Literary Criticism
ISBN : 9781139435956
This 2003 study sheds light on the way in which the English Romantics dealt with the basic problems of knowledge, particularly as they inherited them from the philosopher David Hume. Kant complained that the failure of philosophy in the eighteenth century to answer empirical scepticism had produced a culture of 'indifferentism'. Tim Milnes explores the way in which Romantic writers extended this epistemic indifference through their resistance to argumentation, and finds that it exists in a perpetual state of tension with a compulsion to know. This tension is most clearly evident in the prose writing of the period, in works such as Wordsworth's Preface to Lyrical Ballads, Hazlitt's Essay on the Principles of Human Action and Coleridge's Biographia Literaria. Milnes argues that it is in their oscillation between knowledge and indifference that the Romantics prefigure the ambivalent negotiations of modern post-analytic philosophy.
Author : Barbara Schaff
Publisher : Walter de Gruyter GmbH & Co KG
Page : 499 pages
File Size : 47,6 Mb
Release : 2020-09-07
Category : Literary Criticism
ISBN : 9783110497052
This handbook offers a systematic exploration of current key topics in travel writing studies. It addresses the history, impact, and unique discursive variety of British travel writing by covering some of the most celebrated and canonical authors of the genre as well as lesser known ones in more than thirty close-reading chapters. Combining theoretically informed, astute literary criticism of single texts with the analysis of the circumstances of their production and reception, these chapters offer excellent possibilities for understanding the complexity and cultural relevance of British travel writing.
Author : Matthew Gelbart
Publisher : Oxford University Press
Page : 553 pages
File Size : 42,8 Mb
Release : 2022-09-30
Category : History
ISBN : 9780190646929
European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.
Author : John Bugg
Publisher : Oxford University Press
Page : 229 pages
File Size : 42,5 Mb
Release : 2022-02-10
Category : Literary Criticism
ISBN : 9780192576026
This is the first book to bring perspectives from the interdisciplinary field of Peace Studies to bear on the writing of the Romantic period. Particularly significant is that field's attention not only to the work of anti-war protest, but more purposefully to considerations of how peace can actively be fostered, established, and sustained. Bravely resisting discourses of military propaganda, writers such as Amelia Opie, Helen Maria Williams, William Wordsworth, William Cobbett, John Keats, and Jane Austen embarked on the challenging and urgent rhetorical work of imagining—and inspiring others to imagine—the possibility of peace. The writers formulate a peace imaginary in various registers. Sometimes this means identifying and eschewing traditional militaristic tropes in order to craft alternative images for a patriotism compatible with peace. Other times it means turning away from xenophobic discourse to write about relations with other nations in terms other than those of conflict. If historically informed literary criticism has illustrated the importance of writing about war during the Romantic period, this volume invites readers to redirect critical attention to move beyond discourses of war, and to recognize the era's complex and vibrant writing about and for peace.
Author : Nancy L. Rosenblum
Publisher : Harvard University Press
Page : 248 pages
File Size : 48,6 Mb
Release : 1987
Category : Political Science
ISBN : 0674037650
Another Liberalism contributes an original perspective to debates about the nature and foundations of liberal thought. In it Nancy Rosenblum describes the dynamic of romanticism and liberalism as one of mutual opposition and reconciliation. She argues that romanticism sees liberalism as cold, contractual, and aloof. And conventional liberal legalism disdains romanticism's longing for all that is personal, unique, and expressive. We learn, however, that romanticism, chastened by its excesses and frustrated by its failures, can "come home" to liberalism. We also learn that liberalism can accommodate individuality and expressivity, reclaiming what it had repressed. Rosenblum creates a typology of romantic reconstructions of liberal thought: heroic individualism, communitarianism, and a new face of pluralism. The author draws on nineteenth--and twentieth--century philosophy and literature: on Thoreau, Humboldt, Constant, Stendhal, and Mill, among others, and on contemporary political theorists for whom romanticism is a source not only of aversion to liberalism but also of resources for reform.