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Author : Didier Grosjean,Henri Rousseau,Claudine Roland,Francine de Boeck
Publisher : Chelsea House Pub
Page : 54 pages
File Size : 49,9 Mb
Release : 1995
Category : Juvenile Nonfiction
ISBN : 079102816X
A boy studies the background and work of the primitive French painter Henri Rousseau
Author : Christian Zervos
Publisher : Unknown
Page : 96 pages
File Size : 50,9 Mb
Release : 1927
Category : Electronic
ISBN : OCLC:1138934935
Author : Dora Vallier
Publisher : Crown Pub
Page : 95 pages
File Size : 46,6 Mb
Release : 1990
Category : Art
ISBN : 0517536978
Author : John T. Scott
Publisher : Taylor & Francis
Page : 544 pages
File Size : 48,8 Mb
Release : 2006
Category : Literary Criticism
ISBN : 0415350875
Bringing together critical assessments of the broad range of Rousseau's thought, with a particular emphasis on his political theory, this systematic collection is an essential resource for both student and scholar.
Author : Henri Rousseau,Steve Dobell
Publisher : Pavilion Books, Limited
Page : 48 pages
File Size : 52,7 Mb
Release : 1996-02-01
Category : Art
ISBN : 185793492X
Author : Jiri Zuzanek
Publisher : Routledge
Page : 383 pages
File Size : 54,8 Mb
Release : 2020-08-02
Category : Social Science
ISBN : 9781317213147
The significance of work and leisure as elements of our social fabric have puzzled philosophers and social scientists for generations. This ambitious new study considers historical views of work and leisure alongside contemporary survey evidence about time-use and well-being. Combining sophisticated theoretical analysis with empirical research, the book presents a contrarian argument that defines leisure as a serious and stimulating challenge rather than an unqualified benefit or good. This is vital reading for anyone with an interest in the concept of time in the social sciences, work-life balance, organisational studies, or the history, philosophy, or sociology of work and leisure.
Author : Frank Elgar,Henri Rousseau
Publisher : Unknown
Page : 128 pages
File Size : 40,9 Mb
Release : 1981
Category : Painting, French
ISBN : UCSC:32106007947721
Author : Henri Rousseau
Publisher : Unknown
Page : 52 pages
File Size : 47,5 Mb
Release : 1977
Category : Electronic
ISBN : UCM:5302829659
Author : Cornelia Stabenow
Publisher : Unknown
Page : 96 pages
File Size : 45,8 Mb
Release : 1991
Category : Electronic
ISBN : OCLC:768351553
Author : Daniel Catton Rich,N. Y.) Museum of Modern Art (New York
Publisher : Unknown
Page : 128 pages
File Size : 41,7 Mb
Release : 1969
Category : Rousseau, Henri, 1844-1910
ISBN : OCLC:847169752
Author : Anonim
Publisher : Unknown
Page : 88 pages
File Size : 54,8 Mb
Release : 1942
Category : Electronic
ISBN : 8210379456XXX
Author : Pierre Courthion
Publisher : Unknown
Page : 20 pages
File Size : 45,6 Mb
Release : 1956
Category : Electronic
ISBN : OCLC:748992376
Author : James Miller,Jim Miller
Publisher : Hackett Publishing
Page : 292 pages
File Size : 43,7 Mb
Release : 1984-01-01
Category : Political Science
ISBN : 0300035187
Focuses not so much of the professional aspects of teaching, but on the learning aspects of an education student's initial teaching experience. Covers an overview and getting started, making the most of the opportunities, managing difficult situations, preparing for assessment, and looking forward to the next stage. No index or bibliography. Annotation copyright by Book News, Inc., Portland, OR
Author : Jeff J. S. Black
Publisher : Lexington Books
Page : 338 pages
File Size : 41,7 Mb
Release : 2009
Category : Literary Criticism
ISBN : 0739125176
Rousseau's Critique of Science argues that the First Discourse is an indispensable work, both for those interested in understanding Rousseau's philosophical system, and for those interested in the political consequences of the modern liberal democratic commitment to scientific progress. Through two simultaneous readings of the Discourse--a "na ve" reading that examines Rousseau's arguments in isolation, and a "sophisticated" reading that interprets these arguments in the light of Rousseau's later systematic works--the commentary pursues answers to four questions, about the basis of Rousseau's thesis that scientific progress contributes to moral corruption, about the origin and method of Rousseau's philosophical system, about the place of the Discourse in Rousseau's system, and about the consequences of Rousseau's critique of science for the future happiness of mankind. In this pursuit, the commentary follows the order of the Discourse itself, and is organized into two sections and nine chapters: an introduction; seven topical chapters, each treating a theme raised by the Discourse; and a conclusion. In answer to its four guiding questions, it concludes that Rousseau's thesis is based on his understanding of the nature of the interaction of reason and vanity; that Rousseau's system originates in introspection and is established by a non-historical method of analysis and synthesis; that the Discourse is an indispensable part of Rousseau's system because it spells out the beginnings of this analysis and the conclusions of this synthesis, and through the limitations of its arguments points to the entire extent of his system; and that as a result Rousseau's critique of science has much to teach us about the dangers involved in our political commitment to scientific progress, and about the ways in which the future happiness of mankind might be secured.
Author : Madeleine B. Ellis
Publisher : JHU Press
Page : 188 pages
File Size : 52,9 Mb
Release : 2019-12-01
Category : Literary Criticism
ISBN : 9781421434483
Originally published in 1966. This book is primarily a literary study of Rousseau's account of his diplomatic experiences in Venice, contained in book 7 of the Confessions and written in 1769. The author analyzes Rousseau's methods of achieving an artistic rendering of psychological truth in autobiography, as exemplified in his treatment of the events of 1742–1749. Professor Madeleine Ellis contributes to an understanding of Rousseau as a creative artist and positions him vis-à-vis the classical and romantic movements. Ellis collates the text of the Confessions with contemporary correspondence and other documents to show how discrepancies between the two have artistic implications. These implications lead her to define Rousseau's principles and methods as a man of letters and the interrelations of art and truth in his memoirs. In revealing that Rousseau, the memorialist, gives an artistic rendering of psychological truth, Ellis shows Rousseau's attitude toward truth. She does this by following a path of analysis unexplored by previous critics but indicated by Rousseau himself when he says, "It is the story of my soul that I have promised . . . I record not so much the events of my life as the state of my soul as they happened." Ultimately, the objective of this study is to illustrate the artistic means—literary and rhetorical—employed by Rousseau and their implications for the truth he proposed.
