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In his trademark style informed by diligent research and an unsurpassed understanding of naval practice, Brian Lavery examines the Royal Navy s lower deck ; an aspect of the service that hitherto has often been overlooked. The reputation of early seamen as irresponsible, amoral and liable to drunkenness and desertion perhaps accounts for this, but Royal Tars seeks to rehabilitate the reputation of the seaman by presenting the authentic voice and social history of the lower deck, portraying a lively and vivid culture with its own values, language and rituals. In addition, fascinating first-hand accounts illuminate the seaman s daily life and his attitudes to officers, naval service and discipline, and the experience of battle as seen from the gun deck or the fighting top.
The Naval Chronicle, Containing a General and Biographical History of the Royal Navy of the United Kingdom, with a Variety of Original Papers on Nautical Subjects by Anonim Pdf
Leslie Thomas's odyssey is a vivid, personal account of the most fascinating islands at the furthest reaches of the globe: to islands as distant and diverse as Saint-Pierre et Miquelon off Newfoundland and Great Barrier Island off New Zealand, and to places more familiar by name, including Nantucket, Fair Isle, Tahiti, and Capri, this journey voyages to the world's smaller places. Descriptive, evocative and liberally sprinkled with anecdotes, the book weaves together a tapestry of impressions. Beachcombing for local legends, geography, colonial history and maritime lore, Thomas's search for the mystique of these islands gives the reader a unique insight into an extraordinary and beautiful world of islands. 'My World of Islands reads as a paean to a past age... a reminder that the entire world has not yet been reduced to Frejus or Marbella' Times Literary Supplement
Discharged from active duty after the signing of the peace treaty with France in 1801 Michael Fitton is married and eking out a living as a farmer when he is called back into service with the Royal Navy as Britain embarks on war with France once more. Hoping to be sent into active service in the Mediterranean or the Channel - where the possibility of earning his Lieutenant's commission is high - Fitton is disappointed when he is sent instead back to the West Indies where he is placed in command of the schooner Gipsy. However, never one to turn his back on his duty, Fitton embraces life at sea again and soon finds himself back capturing privateer ships and engaging in daring sea battles. Putting all his knowledge, skills and courage to the test Fitton once again proves himself to be a master seaman. Surely, this time, he will finally earn that longed for commission to become Lieutenant Fitton? Mr Fitton's Commission was first published in 1977.
British Music and the French Revolution by Paul F. Rice Pdf
British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789–1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or “minor” theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or “patent” theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the “minor” theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the Fête de la Fédération in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of Napoléon.
When one of her authors invites her to Wales for the Christmas holidays, literary agent Lyn Ravenshaw hopes to escape the nightmares that have plagued her since the death of her baby five years before. But Lyn's painful memories are brought to the surface when she meets Elen, an emotionally fragile widow with an eight-month-old child. Mysteriously afraid for her son's safety, Elen seems to view Lyn as his protector. But what makes Elen so sure that Lyn has been sent to guard little Stevie? With the help of brooding neighbour Gareth Gwyn Morgan, Lyn begins to untangle the myths surrounding the child. As her dreams grow ever more disturbing, she finds herself pulled into an ancient Celtic world of haunting legends, dangerous prophecies, and a child destined for greatness . . .
Poems, Plays, and "The Briton" by Tobias Smollett Pdf
The poems, plays, and political writings in this volume are essential to an understanding of Smollett and the literary and social currents of eighteenth-century England. In his introductions to the sections, Gassman traces the history of their publication and reception, and provides extensive explanations of historical and literary allusions.