Rumour And Renown Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Rumour And Renown book. This book definitely worth reading, it is an incredibly well-written.
Major study of the literary treatment of rumour and renown across the canon of authors from Homer to Alexander Pope, including readings in historiographical and dramatic texts, and authors such as Petrarch, Chaucer, Spenser, Shakespeare and Milton. Of interest to students of classical and comparative literature and of reception studies.
The Latin word fama means 'rumour', 'report', 'tradition', as well as modern English 'fame' or 'renown'. This magisterial and groundbreaking study in the literary and cultural history of rumour and renown, by one of the most influential living critics of Latin poetry, examines the intricate dynamics of their representations from Homer to Alexander Pope, with a focus on the power struggles played out within attempts to control the word, both spoken and written. Central are the personifications of Fama in Virgil and Ovid and the rich progeny spawned by them, but the book focuses on a wide range of genres other than epic, and on a variety of modes of narrating, dramatising, critiquing, and illustrating fama. Authors given detailed readings include Livy, Tacitus, Petrarch, Chaucer, Spenser, Shakespeare, Ben Jonson and Milton.
The concept expressed by the Roman term fama, although strictly linked to the activity of speaking, recalls a more complex form of collective communication that puts diverse information and opinions into circulation by "word of mouth," covering the spreading of rumours, expression of common anxieties, and sharing of opinions about peers, contemporaries, or long-dead personages within both small and large communities of people. This "hearsay" method of information propagation, of chain-like transmission across a complex network of transfers of uncertain order and origin, often rapid and elusive, has been described by some ancient writers as like the flight of a winged word, provoking interesting contrasts with more recent theories that anthropologists and sociologists have produced about the same phenomenon. This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth and the beginning of the sixteenth centuries. Commenting on examples ranging from Virgil's Fama in Book 4 of the Aeneid to Chaucer's House of Fame, it addresses areas of anthropological, sociological, literary, and historical-artistic interest, charting the evolving depiction of fama from a truly interdisciplinary perspective. Following this theme, it is revealed that although the most important personifications were originally created to represent the invisible but pervasive diffusion of talk which circulates information about others, these then began to give way to embodiments of the abstract idea of the glory of illustrious men. By the end of the medieval period, these two different representations, of rumor and glory, were variously combined to create the modern icon of fame with which we are more familiar today.
Alexander Pope in The Reign of Queen Anne by A. D. Cousins,Daniel Derrin Pdf
This is the first collection of essays since George Sherburn’s landmark monograph The Early Career of Alexander Pope (1934) to reconsider how the most important and influential poet of eighteenth-century Britain fashioned his early career. The volume covers Pope’s writings from across the reign of Queen Anne and just beyond. It focuses, in particular, on his interaction with the courtly culture constellated round the Queen. It examines, for instance, his representations of Queen Anne herself, his portrayals of politics and patronage under her reign, his negotiations with current literary theory, with the classical tradition, with chronologically distant yet also contemporaneous English poets, with current thought on the passions, and with membership of a religious minority. In doing so, it comprehensively reconsiders anew the ways in which Pope, increasingly supportive of Anne’s rule and mindful of the Virgilian rota, sought at first to realise his authorial aspirations.
Tacitus’ Wonders by James McNamara,Victoria Emma Pagán Pdf
This volume approaches the broad topic of wonder in the works of Tacitus, encompassing paradox, the marvellous and the admirable. Recent scholarship on these themes in Roman literature has tended to focus on poetic genres, with comparatively little attention paid to historiography: Tacitus, whose own judgments on what is worthy of note have often differed in interesting ways from the preoccupations of his readers, is a fascinating focal point for this complementary perspective. Scholarship on Tacitus has to date remained largely marked by a divide between the search for veracity – as validated by modern historiographical standards – and literary approaches, and as a result wonders have either been ignored as unfit for an account of history or have been deprived of their force by being interpreted as valid only within the text. While the modern ideal of historiographical objectivity tends to result in striving for consistent heuristic and methodological frameworks, works as varied as Tacitus' Histories, Annals and opera minora can hardly be prefaced with a statement of methodology broad enough to escape misrepresenting their diversity. In our age of specialization a streamlined methodological framework is a virtue, but it should not be assumed that Tacitus had similar priorities, and indeed the Histories and Annals deserve to be approached with openness towards the variety of perspectives that a tradition as rich as Latin historiographical prose can include within its scope. This collection proposes ways to reconcile the divide between history and historiography by exploring contestable moments in the text that challenge readers to judge and interpret for themselves, with individual chapters drawing on a range of interpretive approaches that mirror the wealth of authorial and reader-specific responses in play.
"Rocco Rubini studies the motives and literary forms in the making of a "tradition," not understood narrowly, as the conservative, stubborn preservation of received conventions, values, and institutions, but rather more generously and etymologically interpreted: as the deliberate effort on the part of writers to transmit a reformulated past across generations. Leveraging Italian thinkers from Petrarch to Gramsci, with stops at the most prominent humanists in between (including Giambattista Vico, Carlo Goldoni, Francesco De Sanctis, and Benedetto Croce), Rubini gives us an innovative lens through which to view an Italian intellectual tradition that is at once premodern and modern, a legacy that does not depend on a date or a single masterpiece, but instead requires the reader to parse an entire career of writings to uncover deeper, transhistorical continuities that span 600 years. Whether reading forward to the 1930s, or backward to the 14th century, Rubini elucidates the interplay of creation and reception underlying the enactment of tradition, the practice of retrieving and conserving, and the revivification of shared themes and intentions linking these thinkers across time"--
Chaucer and Fame by Isabel Davis,Catherine Nall Pdf
Fama, or fame, is a central concern of late medieval literature. Where fame came from, who deserved it, whether it was desirable, how it was acquired and kept were significant inquiries for a culture that relied extensively on personal credit and reputation. An interest in fame was not new, being inherited from the classical world, but was renewed and rethought within the vernacular revolutions of the later Middle Ages. The work of Geoffrey Chaucer shows a preoccupation with ideas on the subject of fama, not only those received from the classical world but also those of his near contemporaries; via an engagement with their texts, he aimed to negotiate a place for his own work in the literary canon, establishing fame as the subject-site at which literary theory was contested and writerly reputation won. Chaucer's place in these negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary place. This volume considers the debates on fama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period. Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London. Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.
Fame and glory, rumour and reputation have fascinated through the ages. The way in which they are communicated and spread is a topic which impacts our lives on a daily basis and is an important theme in current literature. The ancient world is an ideal arena for the exploration of these issues, being a ‘closed’ period of human history that offers a secure resource for exploring the phenomenon. Philip Hardie’s Rumour and Renown: Representations of Fama in Western Literature (Cambridge University Press, 2012) is an authoritative work on this subject, and the stimulus for this volume. Continuing the on-going discussion, each one of the contributors examines further aspects of the issue in the work of Lucretius, Cicero, Virgil, Ovid, Manilius, Juvenal and the Christian poet, Prudentius. The volume offers insights into the poets’ personal quest for acclaim and – more importantly – their awareness of the qualities of the phenomenon, an awareness which, on occasion, led them to personify fame and glory. Virgil’s personification of Fama in Aeneid 4 was fame’s most important personification, influencing artists for centuries to come, and it is this subject with which the volume concludes.
How the Classics Made Shakespeare by Jonathan Bate Pdf
From one of our most eminent and accessible literary critics, a groundbreaking account of how the Greek and Roman classics forged Shakespeare’s imagination Ben Jonson famously accused Shakespeare of having “small Latin and less Greek.” But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book of extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world’s leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became. Revealing in new depth the influence of Cicero and Horace on Shakespeare and finding new links between him and classical traditions, ranging from myths and magic to monuments and politics, Bate offers striking new readings of a wide array of the plays and poems. At the heart of the book is an argument that Shakespeare’s supreme valuation of the force of imagination was honed by the classical tradition and designed as a defense of poetry and theater in a hostile world of emergent Puritanism. Rounded off with a fascinating account of how Shakespeare became our modern classic and has ended up playing much the same role for us as the Greek and Roman classics did for him, How the Classics Made Shakespeare combines stylistic brilliance, accessibility, and scholarship, demonstrating why Jonathan Bate is one of our most eminent and readable literary critics.
Author : Riemer A. Faber Publisher : University of Toronto Press Page : 276 pages File Size : 47,6 Mb Release : 2020 Category : Art ISBN : 9781487505226
Celebrity, Fame, and Infamy in the Hellenistic World by Riemer A. Faber Pdf
This book traces the roots of modern notions of celebrity, fame, and infamy back to the Hellenistic period of classical antiquity, when sensational personages like Cleopatra of Egypt and Alexander the Great became famous world-wide.
The concept expressed by the Roman term fama, although strictly linked to the activity of speaking, recalls a more complex form of collective communication that puts diverse information and opinions into circulation by 'word of mouth', covering the spreading of rumours, expression of common anxieties, and sharing of opinions about peers, contemporaries, or long-dead personages within both small and large communities of people. This 'hearsay' method of information propagation, of chain-like transmission across a complex network of transfers of uncertain order and origin, often rapid and elusive, has been described by some ancient writers as like the flight of a winged word, provoking interesting contrasts with more recent theories that anthropologists and sociologists have produced about the same phenomenon. This volume proceeds from a brief discussion of the ancient concept to a detailed examination of the way in which fama has been personified in ancient and medieval literature and in European figurative art between the end of the fourteenth and the beginning of the sixteenth centuries. Commenting on examples ranging from Virgil's Fama in Book 4 of the Aeneid to Chaucer's House of Fame, it addresses areas of anthropological, sociological, literary, and historical-artistic interest, charting the evolving depiction of fama from a truly interdisciplinary perspective. Following this theme, it is revealed that although the most important personifications were originally created to represent the invisible but pervasive diffusion of talk which circulates information about others, these then began to give way to embodiments of the abstract idea of the glory of illustrious men. By the end of the medieval period, these two different representations, of rumour and glory, were variously combined to create the modern icon of Fame with which we are more familiar today.
Ovid's Metamorphoses is one of the most influential works of Western literature, inspiring artists and writers from Titian to Shakespeare to Salman Rushdie. These are some of the most famous Roman myths as you've never read them before—sensuous, dangerously witty, audacious—from the fall of Troy to birth of the minotaur, and many others that only appear in the Metamorphoses. Connected together by the immutable laws of change and metamorphosis, the myths tell the story of the world from its creation up to the transformation of Julius Caesar from man into god. In the ten-beat, unrhymed lines of this now-legendary and widely praised translation, Rolfe Humphries captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. This special annotated edition includes new, comprehensive commentary and notes by Joseph D. Reed, Professor of Classics and Comparative Literature at Brown University.
The Lives of Ovid in Seventeenth-Century French Culture by Helena Taylor Pdf
Seventeenth-century France saw one of the most significant 'culture wars' Europe has ever known. Culminating in the Quarrel of the Ancients and Moderns, this was a confrontational, transitional time for the reception of the classics. Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within this charged atmosphere. To date, criticism has focused on the reception of Ovid's enormously influential work in this period, but little attention has been paid to Ovid's lives and their uses. Through close analysis of a diverse corpus, which includes prefatory Lives, novels, plays, biographical dictionaries, poetry, and memoirs, this study investigates how the figure of Ovid was used to debate literary taste and modernity and to reflect on translation practice. It shows how the narrative of Ovid's life was deployed to explore the politics and poetics of exile writing; and to question the relationship between fiction and history. In so doing, this book identifies two paradoxes: although an ancient poet, Ovid became key to the formulation of aspects of self-consciously 'modern' cultural movements; and while Ovid's work might have adorned the royal palaces of Versailles, the poetry he wrote after being exiled by the Emperor Augustus made him a figure through which to question the relationship between authority and narrative. The Lives of Ovid in Seventeenth-Century French Culture not only nuances understanding of both Ovid and life-writing in this period, but also offers a fresh perspective on classical reception: its paradoxes, uses, and quarrels.
The Unbridled Tongue looks at gossip, rumour, and talking too much in Renaissance France in order to uncover what was specific about these practices in the period. Taking its cue from Erasmus's Lingua, in which both the subjective and political consequences of an idle and unbridled tongue are emphasised, the book investigates the impact of gossip and rumour on contemporary conceptions of identity and political engagement. Emily Butterworth discusses prescriptive literature on the tongue and theological discussions of Pentecost and prophecy, and then covers nearly a century in chapters focused on a single text: Rabelais's Tiers Livre, Marguerite de Navarre's Heptaméron, Ronsard's Discours des misères de ce temps, Montaigne's 'Des boyteux', Brantôme's Dames galantes and the anonymous Caquets de l'accouchée. In covering the 'long sixteenth century', the book is able to investigate the impact of the French Wars of Religion on perceptions of gossip and rumour, and place them in the context of an emerging public sphere of political critique and discussion, principally through the figure of the 'public voice' which, although it was associated with unruly utterance, was nevertheless a powerful rhetorical tool for the expression of grievances. The Cynic virtue of parrhesia, or free speech, is similarly ambivalent in many accounts, oscillating between bold truth-telling (liberté) and disordered babble (licence). Drawing on modern and pre-modern theories of the uses and function of gossip, the book argues that, despite this ambivalence in descriptions of the tongue, gossip and idle talk were finally excluded from the public sphere by being associated with the feminine and the irrational.
German writer, journalist, and playwright Neubauer looks at the long history of rumors. He finds their nests in an ancient barber's shop, the Parisian squares of the revolution, the trenches of the First World War, and the Internet. The original Fama: Eine Geschichte des Geruchts was published by Berlin Verlag in 1998. US distribution is by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR