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Winter in South Africa - a time of searing drought, angry stirrings in Soweto, and the shadow of the Angolan conflict cast across the scorched bush. Martin Mynhardt, a wealthy Afrikaner, plans a weekend at his old family farm. But his visit coincides with a time of crisis in his personal life. In a few days, the security of a lifetime is destroyed and, with only the uncertain values of his past to guide him, Mynhardt is left to face the wreckage of his future.
Martin Mynhardt seems invincible. Violence surrounds him, yet he remains unscathed: a woman asks him the time, then leaps in front of a train; after a mine riot, he watches hoses sweep scattered body parts off the floor. Just before the shocking violence that brings South African apartheid to an end, Martin decides to return to the family farm for a weekend. A highly successful businessman and Afrikaans Nationalist, he hopes to sell the property to the government in a deal both highly profitable and corrupt. The moment he steps onto the farm, his plans are derailed. The repercussions of a society's endemic violence catch up to him, and shake the relationships that frame his life. His closest friend, a brilliant, idealistic lawyer, is sentenced to prison for his anti-apartheid "terrorist" activities in part because Martin refused to help him. His son, recently returned from the Angolan war, is in silent revolt against the values of his father and his nation. His mistress, Bea, an intelligent, strong-willed woman who offers Martin the hope of redemption through her own capacity for empathy, is also caught up in the gathering political storm. This is Andre Brink's story of a society on the edge of collapse, spurred to profound self realization.
Martin Mynhardt seems invincible. Violence surrounds him, yet he remains unscathed: a woman asks him the time, then leaps in front of a train; after a mine riot, he watches hoses sweep scattered body parts off the floor. Just before the shocking violence that brings South African apartheid to an end, Martin decides to return to the family farm for a weekend. A highly successful businessman and Afrikaans Nationalist, he hopes to sell the property to the government in a deal both highly profitable and corrupt. The moment he steps onto the farm, his plans are derailed. The repercussions of a society's endemic violence catch up to him, and shake the relationships that frame his life.
Back from the Dead: The Rising of an African Spirit is a celebration of life, its different seasons, and the struggle to overcome. It is an anthology consisting of fifty poems; some poems are images of personal struggles, others visualize the celebration of love, and a few are odes to great leaders and historical reflections. The single message this book intends to transfer to the reader is that a sense of self-love and appreciation does a world of good. Throughout the book, references are made to Africa with the sole intention of encouraging people, Africans on the continent and across the Diaspora, to reflect on their rich identity, take responsibility for their self-concept, and to be proud of their heritage in order to inject a greater sense of self-worth and responsibility in their daily lives.
Sitting on a riverbank, with rod and line, must count as one of the most relaxing and enjoyable – yet occasionally frustrating – experiences known to man. Chris Yates discovered the joys of fishing early in life and was quickly hooked by its pleasures. Many years later, he is still content to sit, day after day, observing the quirks of different fish and losing track of time. For him, fishing is much more than just a question of technique; sometimes it’s about listening to nothing but your instincts, and at other times it’s about enjoying the perfect cup of tea. And it’s always about not knowing how the day is going to unfold . . . There’s no better guide for the uninitiated – and no better companion for those already familiar with the satisfactions of fishing – than Chris Yates. And immersing yourself in How To Fish is almost as delightful an activity as fishing itself.
Every Step of the Way celebrates the tenth anniversary of South Africa's first democratic election but also seeks to widen and promote a conversation about South Africa's contested pasts.
Playing in the Rain: Lindsey Buckingham & Fleetwood Mac by Tyler Martin Sehnal Pdf
Turn on the radio or take the time to flip through the stacks of used CDs at your local Goodwill or thrift store. Google ?rock ?n? roll music, ? even. Better yet, visit any public place that plays popular music from the last 50 years or so as the soundtrack to your Saturday afternoon grocery-shopping, clothes-buying or indie record store-scouting experience and you?ll find that no matter where you go, there's an ever-enduring presence that since the late 1960s has been a mainstay in the world of pop culture and popular music: a former blues band turned rock ?n? roll atom bomb called Fleetwood Mac. Though much of the band's popularity stems from their work in the late seventies and eighties, from an era when gas was 50 cents a gallon and singers were their own songwriters, there's a reason why the band has been able to maintain their status as rock ?n? roll royalty even more than 50 years after making their debut as a London-based blues group. His name is Lindsey Buckingham.
The Postmodernist novel has become famous for the extremes of its narcissistic involvement with language. In this challenging and wide-ranging new study, André Brink argues that this self-consciousness has been a characteristic of the novel since its earliest stirrings. More specifically, every novel appears both to construct, and to be constructed by, its own notion of language, elaborated through all the strategies of narrative. Taking as his starting point 'the propensity for story' embedded in language, he offers stimulating new readings of novels from Cervantes to Calvino, demonstrating that in many respects the old familiar texts may be more startlingly modern, and the Postmodernist texts more firmly rooted in convention, than we tend to think.
Award-winning songwriter and pioneering guitarist Bruce Cockburn has been shaped by politics, protest, romance and spiritual discovery. He has toured the globe, visiting far-flung places such as Guatemala, Mali, Mozambique, Afghanistan and Nepal, performing and speaking out on important issues, from native rights and land mines to the environment and Third World debt. His journeys have been reflected in his music and evolving styles: folk, jazz, blues, rock and world beat. Drawing from his experiences, he continues to create memorable songs about his ever-expanding universe of wonders. As an artist with thirty-one albums, Cockburn has won numerous awards and the devotion of legions of fans across Canada and around the world. Yet the man himself has remained a mystery. In this memoir, Cockburn invites us into his private world and takes us on a lively cultural and musical tour through the late twentieth century, sharing his Christian convictions, his personal relationships and the social and political activism that has defined him and has both invigorated and incited his fans.
The year is 1832 and the Cape is rife with rumours about the liberation of slaves. Philida is the mother of four children by Francois Brink, the son of her master. Francois has reneged on his promise to set her free and his father has ordered him to marry a white woman from a prominent family, selling Philida on to owners in the harsh country in the north. Unwilling to accept this fate, Philida tests the limits of her freedom by setting off on a journey. She travels across the great wilderness to the far north of Cape Town - determined to survive and be free. LONGLISTED FOR THE MAN BOOKER PRIZE 2012.