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Russian Legends, Folk Tales and Fairy Tales by Patty Wageman Pdf
"Legends, folk tales and fairy tales all had a profound impact on Russian painting of the nineteenth and early twentieth century. The Russian artists who dealt with these subjects chose sometimes to paint large canvases in which the greatness and grandeur of the Russian countryside fuses with the magical world of the imagination. The paintings of Viktor Vasnetsov, Nikolai Roerikh, and Mikhail Vrubel, the illustrations of Ivan Bilibin and Elena Polenova, and the works of Vasily Kandinsky register most impressively the worlds of fantasy and the imagination." "This book presents more than 90 illustrations of these fascinating works, while the essays shed interesting light on how these stories contributed to and influenced the visual arts. The book also contains summaries of the fairy tales depicted in these paintings, whereby the reader is given an overview of the major Russian folk tales."--BOOK JACKET.
Beautifully illustrated, here is the most comprehensive collection of classic Russian tales available in English. This comprehensive collection introduces readers to universal fairy-tale figures and to such uniquely Russian characters such as Koshchey the Deathless, Baba Yaga, the Swan Maiden, and the glorious Firebird. The more than 175 tales culled from a landmark multi-volume collection by the outstanding Russian ethnographer Aleksandr Afanas'ev reveal a rich, robust world of the imagination. Translated by Norbert Guterman Illustrated by Alexander Alexeieff With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library
RUSSIAN LEGENDS & FAIRYTALES (With Original Illustrations) by Valery Carrick,W. R. S. Ralston,Nisbat Bain,Arthur Ransome Pdf
The Russians very well know how to weave intriguing stories that keep readers hooked till the end. This ebook represents a thoughtful and beautifully illustrated collection of some of the finest Russian fairy and folk tales for people of all ages: Picture Fables for the Little Ones: The Cock and the Bean, The Goat and the Ram, The Hungry Wolf, The Peasant and the Bear, The Dog and the Cock, King Frost, The Bear's Paw, The Bear and the Old Man's Daughters, The Straw Ox, The Fox and the Blackbird; Fairy Tales: Snegorotchka, Fire Bird, Winged Wolf, Self-Playing Harp, Seven Brothers Ivan, Story of the Golden Mountain, Robber Nightingale, Renowned Hero, Mild Man, Duck with Golden Eggs, Bulat the Brave, Tsarevich and Ivashka with White Smock, Knight Yaroslav and Princess Anastasia, The Golden Mountain Morozko, Flying Ship, Muzhichek-As-Big-As-Your-Thumb, Tsarevich Ivan, Tale of Little Fool Ivan, The Feather of Fenist, Peasant Demyan, Enchanted Ring; Folk Tales: The Fiend, The Dead Mother, The Dead Witch, The Treasure, The Cross-Surety, The Awful Drunkard, The Bad Wife, The Golovikha, The Three Copecks, The Miser, The Fool and the Birch-Tree, The Mizgir, The Smith and the Demon, The Water Snake, The Water King and Vasilissa the Wise..
Russian Fairy Folk Tales by Alexander Afanasyev Pdf
"Russian Fairy Folk Tales" by Alexander Afanasyev is the most comprehensive collection of classic Russian tales available in English. Narodnyye russkiye skazki ("Russian Popular Fairy Tales"), compiled by Aleksandr Afanas'ev (Alexander Afanasyev) between 1855 and 1864 and including over 600 tales introduces readers to universal fairy-tale figures and to such uniquely Russian characters such as Koshchey the Deathless, Baba Yaga, the Swan Maiden, and the glorious Firebird. Narodnyye russkiye legendy ("Russian Popular Legends") was banned by the government censor until 1914, and Lyubimyye Skazki ("Beloved Fairy Tales") collection, which included children's stories satirizing landowners and members of the clergy, was originally published anonymously in Geneva. Aleksandr Nikolayevich Afanas'ev (also Alexander Afanasyev) born 1826, Boguchar, Voronezh province [now in Russia]-died 1871, historian and scholar of Russian folklore known for his compilation of Russian folktales are the part of the World Pantheon Fairy Tale and Folklore Heritage.
An Anthology of Russian Folktales by Jack V. Haney Pdf
This anthology gathers a broad selection of Russian folktales, legends, and anecdotes, and includes helpful features that make them more accessible and engaging for English-language readers. Editor Jack V. Haney has selected some of the best tales from his seven-volume "Complete Russian Folktale" collection and added examples of anecdotes and the long 'serial tales' told in the far north.The 114 tales included here represent every genre found in the Russian tradition. They date from the eighteenth through the twentieth centuries and come from all geographic regions of the Russian-speaking world. The collection is enhanced by a detailed introduction to the folktale and its types, brief introductions to each grouping of tales, head notes with interesting background for individual tales, and a glossary explaining Russian terms.
Russian Folk-Tales by Alexander Nikolaevich Afanasyev Pdf
The principal source for Russian folk-tales is the great collection of Afanáśev, a coeval of Rybnikov, Kirěyevski, Sakharov, Bezsonov, and others who all from about 1850 to 1870 laboriously took down from the lips of the peasants of all parts of Russia what they could of the endless store of traditional song, ballad, and folk-tale. These great collectors were actuated only by the desire for accuracy; they appended laboriously erudite notes; but they were not literary men and did not sophisticate, or improve on their material. But, before venturing on a brief account of the tales, something must be premised as to the position occupied by folk-tales in the cultural development of a people. In Pagan times, there always existed a double religion, the ceremonial worship of the gods of nature and the tribal deities,—a realm of thought in which all current philosophy and idealism entered into a set form that symbolized the State,—and also local cults and superstitions, the adoration of the spirits of streams, wells, hills, etc. To all Aryan peoples, Nature has always been alive, but never universalized, or romanticized, as in modern days; wherever you were, the brook, the wind, the knoll, the stream were all inhabited by agencies, which could be propitiated, cajoled, threatened, but, under all conditions, were personal forces, who could not be disregarded. When Christianity transformed the face of the world, it necessarily left much below the surface unaffected. The great national divinities were proscribed and submerged; some of their features reappearing in the legendary feats of the saints. The local cults continued, with this difference, that they were now condemned by the Church and became clandestine magic; or else they were adopted by the Church, and the rites and sanctuaries transferred. The memory of them subsisted; the fear of these local gods degenerated into superstition; the magic of the folk-tales becomes half-fantastic, half-conventional, belief in which is surreptitious, usual, and optional. At this stage of disorganization of local custom, folk-tales arise, and into them, transmitted as they are orally and under the ban of the Church, contaminations of all sorts creep, such as mistaken etymologies, faint memories of real history, reminiscences of lost folk-songs, Christian legend and morals, etc. The Russian people have handed down three categories of records. First of all, the Chronicles, which are very full, very accurate, and, within the limits of the temporary concepts of possibility and science, absolutely true. Secondly, the ballads or bylíny; epic songs in an ancient metre, narrating historical episodes as they occur; and also comprising a cycle of heroic romance, comparable with the chansons de geste of Charlemagne, the cycles of Finn and Cuchúlain of the Irish, and possibly with the little minor epics out of which it is supposed that some supreme Greek genius built up the artistic epics of the Iliad and the Odyssey. These bylíny may be ranked as fiction: i.e. as facts of real life (as then understood), applied to non-existent, unvouched, or legendary individuals. They are not bare records of fact, like the Chronicles; imagination enters into their scope; non-human, miraculous incidents are allowable; their content is not a matter for faith or factual record; they may be called historical fiction, which, broadly taken, corresponded to actual events, and typified the national strivings and ideals. The traditional ceremonial songs, magical incantations and popular melodies are of the same date and in the same style.
RUSSIAN FAIRY TALES FROM THE SKAZKI OF POLEVOI - 24 Russian Fairy Tales by Anon E. Mouse Pdf
The existence of the Russian Skazki or Märchen (Stories, Folklore or Fairy Tales) was first made generally known to the British Public in about 1880 by William Ralston in his Russian Folk Tales. A year after the appearance of Ralston's book, the eminent Russian historian and archæologist, Peter Nikolaevich Polevoi selected, from the inexhaustible stores of Afanasiev, some three dozen of the Skazki (stories) most suitable for children, and worked them up into a fairy tale book which was published at St. Petersburg in 1874, under the title of Narodnuiya Russkiya Skazki (Popular Russian Stories). To manipulate these quaintly vigorous old world stories for nursery purposes was, no easy task, but, on the whole, M. Polevoi did his work excellently well, softening the crudities and smoothing out the occasional roughness, turning these charming stories into entirely readable stories for children. It is from the first Russian edition of M. Polevoi's book that the following selection of 24 Russian stories has been made. With the single exception of "Morozko," a variant of which may be familiar to those who know Mr. Ralston's volume. Some of the stories in this volume are: The Golden Mountain Morozko The Flying Ship The Story of the Tsarevich Ivan, and of The Harp that Harped Without A Harper The Story of Gore-Gorinskoe Go I Know Not Whither—Fetch I Know Not What Kuz’ma Skorobogaty The Tsarevna Loveliness-Inexhaustible Verlioka; and many more. As to the merits of these Skazki, they must be left to speak for themselves. So, we invite you to down this book of 24 unique Russian Fairy Tales and curl up in a comfy chair with a mug for of steaming hot chocolate and be whisked away to a country that is still as mysterious as it is large. 10% of the profit from the sale of this eBook will be donated to charities. ============ KEYWORDS/TAGS: Russian, Russia, Skazki, Folklore, fairy tales, myths, legends, folk tales, story, children’s stories, bedtime, fables, culture, cultural, golden mountain, morozko, flying ship, muzhichek, big as your thumb, moustaches, seven versts, long, tsarevich ivan, harp gore gorinskoe, go, fetch, kuz’ma, Kuzma, skorobogaty, tsarevna, loveliness, inexhaustible, verlioka, frog, tsarevna, two sons, ivan, soldier, woman, accuser, Thomas, berennikov, white duck, little fool, little feather, fenist, bright falcon, peasant, demyan, enchanted, ring, brave, labourer, sage, damsel, prophetic, dream, two out, knapsack, marko the rich, vasily the luckless, R, Nisbet Bain, C. M. Gere
The Russian Garland of Fairy Tales; Being Russian Folk Legends by Robert Steele,R. de Rosciszewski Pdf
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FOLK TALES FROM THE RUSSIAN - Russian Folk and Fairy Tales by Anon E. Mouse Pdf
In Russia, as elsewhere in the world, folklore is rapidly scattering before the practical spirit of modern progress. The traveling peasant bard or story teller, and the devoted "nyanya", the beloved nurse of many a generation, are rapidly dying out, and with them the tales and legends, the last echoes of a nation's early joys and sufferings, hopes and fears, are passing away. In this volume you will find the stories of: The Tsarevna Frog Seven Simeons The Language Of The Birds Ivanoushka The Simpleton Woe Bogotir Baba Yaga Dimian The Peasant The Golden Mountain Father Frost It is also accompanied by 10 full page pen and ink illustrations plus many finely crafted vignettes which bring the stories to life. The student of folk-lore knows that the time has come when haste is needed to catch these vanishing stories and songs of the nation's youth and to preserve them for the delight of future generations. In sending forth the stories in the present volume, all of which thankfully captured and down in print in this volume. It was the hope of the compiler that they may enable Western children to share with the children of Russia the pleasure of glancing into the magic world of the old Slavic nation. 10% of the profit from the sale of this book will be donated to charities.
Russian Folk Tales - Kolobok and Teremok by Elena Poe Pdf
Save your family's culture, language and customs throughout the generations with these much-loved traditional Russian stories. This beautiful Russian fairy tales book showcases spectacular illustrations by the talented Alexandra Novokreschenova and well-written parallel bilingual (English and Russian) text. It contains two of the most popular Russian fairy tales for children - Kolobok (ginger bread, little bun) and Teremok (little house in the forest). These fun and educational fairy tales with repetitions are easy to remember and enjoy. Kolobok (ginger bread) is a fairy tale familiar to everyone in Slavic culture. Small children can quickly learn the simple words of Kolobok's songs and happily sing along with their parents. Children will learn how grandma baked Kolobok and put it on the window to cool. Kolobok decided to jump off the window and start his adventure. On his journey he meets a bunny, a wolf, a bear and a fox. This tale teaches children a very important lesson about safety. Teremok heroes are united by goodwill and mutual understanding, and they teach children to take care of their comrades, to help others, and to treat everyone with kindness. This sweet story is all about teamwork. With bilingual text in English and Russian everyone in your family can enjoy these amazing stories!
