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Author : Harlow Robinson
Publisher : UPNE
Page : 340 pages
File Size : 50,6 Mb
Release : 2007
Category : Biography & Autobiography
ISBN : 1555536867
The story of Russian emigres in Hollywood and the depiction of Russians in Hollywood films
Author : George Martin Day
Publisher : Unknown
Page : 130 pages
File Size : 45,5 Mb
Release : 1934
Category : Political refugees
ISBN : UOM:39015027940876
Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
Page : 264 pages
File Size : 52,8 Mb
Release : 2020-12-15
Category : Performing Arts
ISBN : 9781496831132
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.
Author : Ayn Rand
Publisher : Ayn Rand Institute
Page : 0 pages
File Size : 45,6 Mb
Release : 1999
Category : Motion pictures
ISBN : 0962533637
Author : Birgit Beumers
Publisher : John Wiley & Sons
Page : 672 pages
File Size : 46,7 Mb
Release : 2016-05-17
Category : Performing Arts
ISBN : 9781118424735
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
Page : 246 pages
File Size : 43,6 Mb
Release : 2020-11-24
Category : Performing Arts
ISBN : 9781496831118
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.
Author : Franz, Norbert P.
Publisher : Universitätsverlag Potsdam
Page : 208 pages
File Size : 55,6 Mb
Release : 2020
Category : Language Arts & Disciplines
ISBN : 9783869564906
This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.
Author : Michael S. Shull
Publisher : McFarland
Page : 488 pages
File Size : 49,9 Mb
Release : 2006-07-27
Category : Performing Arts
ISBN : 9781476621784
From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled “The Crisis Abroad, 1937–1941,” focuses on movies that reflected America’s increasing uneasiness. Part two, “Waging War, 1942–1945,” reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.
Author : V. Hohman
Publisher : Springer
Page : 209 pages
File Size : 47,7 Mb
Release : 2011-08-29
Category : Performing Arts
ISBN : 9780230119901
Examining the work of impresarios, financiers, and the press as well as the artists themselves, Hohman demonstrates how a variety of Russian theatrical styles were introduced and incorporated into American theatre and dance during the beginning of the twentieth century.
Author : Andy Byford,Connor Doak,Stephen Hutchings
Publisher : Transnational Modern Languages
Page : 376 pages
File Size : 51,8 Mb
Release : 2020-01-30
Category : National characteristics, Russian
ISBN : 9781789620870
Transnational Russian Studies offers an approach to understanding Russia based on the idea that language, society and culture do not neatly coincide, but should be seen as flows of meaning across ever-shifting boundaries. Our book moves beyond static conceptions of Russia as a discrete nation with a singular language, culture, and history. Instead, we understand it as a multinational society that has perpetually redefined Russianness in reaction to the wider world. We treat Russian culture as an expanding field, whose sphere of influence transcends the geopolitical boundaries of the Russian Federation, reaching as far as London, Cape Town, and Tehran. Our transnational approach to Russian Studies generates new perspectives on the history of Russian culture and its engagements with, and transformation by, other cultures. The volume thereby simultaneously illuminates broader conceptions of the transnational from the perspective of Russian Studies. Over twenty chapters, we provide case studies based on original research, treating topics that include Russia's imperial and postcolonial entanglements; the paradoxical role that language plays in both defining culture in national terms, and facilitating transnational communication; the life of things 'Russian' in the global arena; and Russia's positioning in the contemporary globalized world. Our volume is aimed primarily at students and researchers in Russian Studies, but it will also be relevant to all Modern Linguists, and to those who employ transnational paradigms within the broader humanities.
Author : Marina Korneeva,David Gillespie
Publisher : Bloomsbury Publishing USA
Page : 650 pages
File Size : 44,9 Mb
Release : 2023-12-28
Category : Performing Arts
ISBN : 9781501316906
Unlike most previous studies of literature and film, which tend to privilege particular authors, texts, or literary periods, David Gillespie and Marina Korneeva consider the multiple functions of filmed Russian literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In this first and only comprehensive study of cinema's various engagements of Russian literature focusing on the large period 1895-2015, The History of Russian Literature on Film highlights the ways these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.
Author : M.B.B. Biskupski
Publisher : University Press of Kentucky
Page : 391 pages
File Size : 53,7 Mb
Release : 2010-01-08
Category : History
ISBN : 9780813173528
During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.
Author : Alastair Phillips,Ginette Vincendeau
Publisher : Bloomsbury Publishing
Page : 350 pages
File Size : 54,7 Mb
Release : 2019-07-25
Category : Juvenile Nonfiction
ISBN : 9781838716578
A comprehensive guide to European actors in American film, this book brings together 15 chapters with A-Z entries on over 900 individuals. It includes case studies of prominent individuals and phenomena associated with the emigres, such as the stereotyping of European actresses in 'bad women' roles, and the irony of Jewish actors playing Nazis.
Author : Artem Medvedev
Publisher : Independently Published
Page : 31 pages
File Size : 47,7 Mb
Release : 2018-01-22
Category : Electronic
ISBN : 152056743X
It's 2017. I live in one of the world's most developed countries. I'm writing about Russophobia.Why? Because I've been experiencing it more and more over the past few years. Because it's making me sick to my stomach. Because it has to stop.It's very hard to watch or read the news nowadays without coming across the image of "the Russians". These "Russians" are around every corner, inside every computer programme, behind every hacking, scandal, crisis, and so on and so forth. These "Russians" helped Donald Trump win the US Presidential Election. These "Russians" wish to undermine democracy, humiliate the West, flame the horrors of war, and overall be the monsters that they are indefinitely. The "Russians" here. The "Russians" there. The media, the politicians, the public are all getting so engrossed into the idea of this apparently clear-cut mutual enemy that they do not recognize just how much pain and confusion they are actually causing. Most of the time, the enemy they actually mean to target is Vladimir Putin and his regime, but, oh well, who said that collateral damage is something to worry about? Let's just use a more inclusive term, "the Russians"? Everyone good with that?The vivid imagery of the clumsy angry bear, the weird fur hats, the tanks rolling in, the half-human monsters, the Hollywood-created "Russian" accent, courtesy of the definitive "Russians" Arnold Schwarzenegger and Dolph Lundgren... all of that is back. Meanwhile, of course, Putin and his "Russia" continue to bomb hospitals, violate international treaties, and find new ways to show the world that they are to be reckoned with. That doesn't make the situation any easier to deal with or the Russophobia any easier to fight against. Many would say that that facts are there to condemn and charge the "Russians". This book is meant as an attempt to reframe the discussion and point out that by fuelling further Russophobia, the media and other influencers are playing right into Putin's hands. For years, he has been searching for a national philosophy that would unite the people behind him. By turning not just him and his regime, but the Russian people and Russia as a country into a pariah and a monster, the West gives Vladimir Putin what he has been seeking all this time - the battle cry of courage under fire and unity in the face of universal treachery and the global plot to strangle Russia. A different kind of Russians is talked about here. These are all real people that have nothing to do with Putin's crimes, plans, thoughts, or feelings (if such exist). These are not the "Russians" you hear about on TV or read about in the blogs. They are the real Russians that, in their lifetimes, made the world a better place, and whose influence continues to this day. The chapters can be read in any order. It is my hope that reading about these ten remarkable individuals will help you shed some of the stereotypes and imagery being carefully fostered today.
Author : Amy Skinner
Publisher : Bloomsbury Publishing
Page : 296 pages
File Size : 44,6 Mb
Release : 2019-04-18
Category : Performing Arts
ISBN : 9781474284448
Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.