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Ryan's Mammoth Collection of Fiddle Tunes by Patrick Sky Pdf
This comprehensive book is a facsimile edition of the original collection published in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th century instrumental collections as well as a resource for students of American vernacular music. Examining the cultural exchange between minstrelshow, ethnic music and even classical music influenced some of the genres of what we now call American music. Ryan's Mammoth Collection contains a significant number of reels, jigs, hornpipes, clogs, walk-arounds, essences, strathspeys, highland flings, and contradances that arestill played by both traditional and professional fiddlers. A special section containing historical notes and comments is included
The Phillips Collection of Traditional American Fiddle Tunes Volume 1 by Stacy Phillips Pdf
Meticulously collected from recordings, square and contra dances, fiddle contests, jam sessions and individual fiddlers- this book is meant to provide a snapshot of what American fiddlers were playing and listening to in the latter part of the 20th Century. As the vinyl record format disappears from the marketplace, a great deal of recorded fiddle music will no longer be available. In this book, Stacy Phillips shares the fruits of some timely collecting for all fiddlers to enjoy. Bowings, fingerings, and guitar chords are provided for each melody line.
Old-Time Festival Tunes For Fiddle & Mandolin by Dan Levenson Pdf
This book and two CD set is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche', others unusual, some easy, some difficult. This mandolin book includes two lines of standard notation - basic and advanced - as well as a mandolin tab line that can be interpreted for fiddle also. the basic version should be playable by those with general skills. the advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages.Download the free mandolin versions of the songs from this book.Download the free fiddle versions of songs from this book.
A unique and illuminating overview of the traditions of Southern fiddling, covering the key performers and compositions that defined that genre during its golden age--from the 1920s to the 1950s--and that continue to influence popular music today. It was called "the devil's box" because the instrument was thought to be sinful to play. Yet in spite of (or perhaps partially because of) that stigma, the fiddle has long been one of America's favorite instruments. Easily portable, stylistically versatile, and possessing an enchanting timbre, it accompanied the European settlers across America. In the 1800s, the fiddle entertained on the battlefield and on the campaign trail. When country music made its first appearance on records in the 1920s, fiddlers called the tune. To this day, the fiddle remains a distinctive element of country music, and fiddlers like Alison Krauss and Mark O'Connor are among the music's biggest stars and most innovative artists. The key players and favorite tunes in the commercial emergence of Southern fiddling in the first half of the twentieth century are the focus of this lucid and engaging study. Among the lively portraits that emerge in The Devil's Box are those of: Eck Robertson, the audacious Texas fiddler who jump-started the country music recording industry in 1922 by showing up unannounced at the studios of Victor Records and demanding to be recorded; Uncle Jimmy Thompson, the feisty, white-bearded, rural fiddler whose appearance on radio station WSM in Nashville inaugurated the Grand Ole Opry; Clayton McMichen, the dazzlingly talented but disgruntled fiddler's fiddler who preferred jazz to country music and who could never live down his early years in country music's first supergroup, the Skillet Lickers; and Bob Wills, who popularized western swing by combining fiddle music with the sounds of big band swing and who never abandoned the fiddle music of his youth, even after dance music became far more lucrative. Elsewhere, Wolfe discusses the background of such famous fiddle tunes as "Black Mountain Rag" and "Over the Waves," tracing their meandering and curious paths to widespread popularity, and explains how Stephen Vincent Benet's 1925 classic poem "The Mountain Whippoorwill" was inspired by country fiddler Lowe Stokes winning an Atlanta fiddle contest in 1924. Drawing on such seldom-tapped resources as small regional newspapers, personal correspondence, and rare interviews with the fiddlers themselves as well as their families, Wolfe conjures up vivid portraits of the individuals who fashioned this distinctly American music. Along the way, he places the fiddlers and their music in a rich historical context, illuminating the threads that connect country music to blues, jazz, folk, and classical music--and, indeed, to the history of America itself. Co-published with the Country Music Foundation Press
Learn from the music of Bill Monroe, Bobby Osbourne, Jesse McReynolds, Frank Wakefield and John Duffy. Covers everything from simple basics to fancy fingerwork.
From the author’s preface: “This book was conceived four years ago, almost to the day, at a time when I was teaching fiddle and mandolin in New York City. It was my idea then, with my students in mind, to compile a book of the most often played, most important and most interesting fiddle tunes from the various Celtic and North American traditions. The tunes were chosen by cataloging a large number of recordings by tune title. A tally was taken to find out which had been recorded most often. This established a foundation of material that could not be left out. To this list I added the names of other pieces which had not been recorded as frequently, but which I knew were played regularly and with respect. I admit to sprinkling the collection with a few lesser known tunes which happen to be personal favorites, but I am sure they will hold their own when placed next to the old war horses of the fiddler’s repertoire. . . . Although I started out with my students in mind this book has turned out to be the book that I’ve always wanted and I hope that it will serve the advanced player as well as the beginner.”
The Companion to Irish Traditional Music by Fintan Vallely Pdf
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo by Ken Perlman Pdf
The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablature Over 40 musical examples & exercises Instruction on basic and advanced techniques Fingering diagrams & detailed fingering suggestions A systematic approach to playing up-the-neck A thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammer Guides on how to approach playing various kinds of fiddle tunes A framework for understanding the modes encountered in fiddle music Historical notes on the tunes and musical traditions Biographical information on source fiddlers 169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
300 Gems of Irish Music for All Instruments by GREY E. LARSEN Pdf
From the author of The Essential Guide to Irish Flute and Tin Whistle, comes 300Gems of Irish Music for All Instruments. These 300 tunes, selected from among the author's favorites, are notated in a style that makes them accessible to players of fiddle, flute, whistle, accordion, concertina, harp, keyboard, guitar, mandolin, banjo, uilleann pipes - to all melody players. Here you will find some of the most beautiful tunes in the storehouse of Irish music - session standards and rare treasures alike - tunes that will help both the performer and the Irish session participant build a vibrant and varied repertoire. Many of the transcriptions pay homage to recordings by famous Irish musicians and groups such as Matt Molloy (of the Chieftains), Martin Hayes, Sharon Shannon, Mary Bergin, Kevin Burke, James Kelly, Willie Clancy, Altan, the Bothy Band and the Mulcahy Family, as well as to early 20th century recordings from revered Irish masters Michael Coleman, Paddy Killoran, Dennis Murphy, BobbyCasey, Paddy Canny and others.
John Hartford's Mammoth Collection of Fiddle Tunes by John Hartford,Matt Combs,Greg Reish,Katie Harford Hogue Pdf
"John Hartford's Mammoth Collection of Fiddle Tunes" contains 176 of John's original compositions, most never before available, taken from the sixty-eight handwritten music journals he kept between 1983 and 2001. Interspersed with stories, quotes, rare photos, and his own personal artwork, this is a fiddle anthology unlike any other. A peek inside the unique mind of a prolific musician and composer, "Hartford's Mammoth Collection" will inspire musicians, artists, music historians, and anyone who loves the creative process.
North American Fiddle Music by Drew Beisswenger Pdf
North American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
The Ingalls Wilder Family Songbook by Dale Cockrell Pdf
URL: https://www.areditions.com/rr/rra/a071.html The eight Little House books by Laura Ingalls Wilder (1867¿1957), anchored in her family¿s history and filled with memories of frontier life, are cornerstone classics in American children¿s literature. Embedded in them are citations to 127 pieces of music--from parlor songs, stage songs, minstrel show songs, patriotic songs, Scottish and Irish songs, hymns and spirituals, to fiddle tunes, singing school songs, play party songs, folk songs, broadside ballads, catches and rounds. No books in American literature of comparable standing and popularity feature America¿s vernacular music so centrally, assign it such a major narrative role, and index it in such rich abundance. This edition is a reconstruction of "the family songbook," based on the music referenced in Wilder¿s books. Although no such object ever existed, her representations of music-making have likely informed the imaginations of more Americans than many a paper-and-bindings anthology, for what millions of readers have come to know about America¿s musical heritage is what they learned from the Little House books¿the titles and lyrics to songs; how songs and tunes functioned; where they were heard; what they meant; the importance of music to individuals, families, and communities. Wilder¿s references and her evocative images of music-making thus form the basis of understanding about "American music" to many readers. The Ingalls Wilder Family Songbook is an effort to give fresh voice and sound to the music inscribed in these great books and new appreciation about how music functioned during a place and time important in American history and mythology.
This book is the ideal primer for anyone wishing to participate in an Irish session. This musical gathering is apparently quite different than a blues, jazz or bluegrass jam session in that it is customary at Irish sessions to play in tight unison with the other musicians, adapting appropriate tempos, rhythms, and ornaments in an attempt to fit in with the groove. the Irish Session Tune Book features 300 reels, hornpipes, polkas, slides, and slip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. the author shares a wealth of melodies collected over the past 10 years, the majority learned by ear at Irish sessions: fiddle, accordion, tinwhistle, tenor banjo, mandolin, bouzouki, etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus.
Play Me Something Quick and Devilish by Howard Wight Marshall Pdf
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
