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Author : Virinder S. Kalra
Publisher : Bloomsbury Publishing
Page : 257 pages
File Size : 49,6 Mb
Release : 2015-01-15
Category : Social Science
ISBN : 9781441121325
An exploration of the?sacred and secular opposition?as it appears in specific forms in African American, South Asian and European music.
Author : Dr Jonathan Arnold
Publisher : Ashgate Publishing, Ltd.
Page : 193 pages
File Size : 54,7 Mb
Release : 2014-03-28
Category : Music
ISBN : 9781472406736
Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. This book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.
Author : April Stace
Publisher : Lexington Books
Page : 134 pages
File Size : 42,7 Mb
Release : 2017-06-13
Category : Religion
ISBN : 9781498542180
Easter Sunday, 2009, was the Sunday heard ‘round the evangelical internet: NewSpring Church, the second-largest church in the Southern Baptist Convention and among the top one hundred largest churches in the US, had begun their service with the song “Highway to Hell” by hard rock band AC/DC. They had brazenly crossed the sacred/secular musical divide on the most important Sunday of the year, and commentary abounded on the value of such a step. Many were offended at the “desecration” of such a holy day, deriding Newspring as the “theater of the absurd.” Others cheered NewSpring’s engagement with “the culture” and suggested that music could be used to convert non-Christians. No mere debate over stylistic preferences, many expressed that foundational aspects of evangelical identity were at stake. While many books have been written about religious music that utilizes popular music styles (a.k.a. “contemporary Christian music”), there has yet to be a scholarly treatment of how and why popular, secular music is utilized by churches. This book addresses that lacuna by examining this emerging trend in evangelical and “emerging” churches in America. What is the motivation behind using music that seemingly has no connection to Christian theology, values, or themes—such as music by Katy Perry, AC/DC, or Van Halen—and what can we learn about post-denominational evangelical churches in America by uncovering these motives? In this book, April Stace uncovers several themes from an ethnographic study of these churches: the increasingly-porous boundary between the sacred and the secular, the importance placed on “authenticity” in contemporary American culture, how evangelicals are responding to what they perceive is an increasingly-secular society, the “turn to the subject” of contemporary culture, the desire to leave a space for expression of doubt in the worship service without fully authorizing that doubt, and the individualization of the construction of religious identity in the modern era.
Author : Tom Beaudoin
Publisher : Liturgical Press
Page : 201 pages
File Size : 51,6 Mb
Release : 2013-05-01
Category : Religion
ISBN : 9780814680254
When the basic conceptions of the world held by whole generations in the West are formed by popular culture, and in particular by the music that serves as its soundtrack, can theology remain unchanged? The authors of the essays in this important volume insist that the answer is no. These gifted theologians help readers make sense of what happens to religious experience in a world heavily influenced by popular media culture, a world in which songs, musicians, and celebrities influence our individual and collective imaginations about how we might live. Readers will consider the theological relationship between music and the creative process, investigate ways that music helps create communities of heightened moral consciousness, and explore the theological significance of songs. Contributors to this fascinating collection include: David Dalt Maeve Heaney Daniel White Hodge Michael J. Iafrate Jeffrey F. Keuss Mary McDonough Gina Messina-Dysert Christian Scharen Myles Werntz Tom Beaudoin is associate professor of theology at Fordham University, specializing inpractical theology. His books include Witness to Dispossession: The Vocation of a Postmodern Theologian; Consuming Faith: Integrating Who We Are with What We Buy; and Virtual Faith: The Irreverent Spiritual Faith of Generation X. He has given nearly 200 papers, lectures, or presentations on religion and culture over the last thirteen years. He has been playing bass in rock bands since 1986 and directs the Rock and Theology Project for Liturgical Press (www.rockandtheology.com). "
Author : Greta Mary Hair,Robyn E. Smith
Publisher : Routledge
Page : 308 pages
File Size : 40,7 Mb
Release : 2016-09-16
Category : Music
ISBN : 9781134314256
The Musical Repertories of the Liturgy of Southern Italy and Beneventan Sources, Alleluia Melodies after 1100, and the change in transmission of instrumental music in Fifteenth-Century Europe are provided. John McCaughey's concert programme of medieval troped chants for Pentecost juxtaposed with traditional monophonic work songs from Vietnam, Thailand and Western Java as well as various contemporary compositions are also included. Songs of the Dove and the Nightingale provides a comprehensive survey of sacred and secular music within the context of a multilingual and intercultural milieu where influences and exchanges of liturgico-musical materials took place between many different ethnic groups. Structural relations between music and text are explored through the analysis of textual punctuation and the structured repetition of the refrain.
Author : Jonathan Arnold
Publisher : Routledge
Page : 188 pages
File Size : 47,7 Mb
Release : 2016-04-08
Category : Music
ISBN : 9781317060253
If music has ever given you 'a glimpse of something beyond the horizons of our materialism or our contemporary values' (James MacMillan), then you will find this book essential reading. Sacred Music in Secular Society is a new and challenging work asking why Christian sacred music is now appealing afresh to a wide and varied audience, both religious and secular. Jonathan Arnold offers unique insights as a professional singer of sacred music in liturgical and concert settings worldwide, as an ordained Anglican priest and as a senior research fellow. Blending scholarship, theological reflection and interviews with some of the greatest musicians and spiritual leaders of our day, including James MacMillan and Rowan Williams, Arnold suggests that the intrinsically theological and spiritual nature of sacred music remains an immense attraction particularly in secular society. Intended by the composer and inspired by religious intentions this theological and spiritual heart reflects our inherent need to express our humanity and search for the mystical or the transcendent. Offering a unique examination of the relationship between sacred music and secular society, this book will appeal to readers interested in contemporary spirituality, Christianity, music, worship, faith and society, whether believers or not, including theologians, musicians and sociologists.
Author : Virinder S. Kalra
Publisher : Bloomsbury Publishing
Page : 251 pages
File Size : 45,6 Mb
Release : 2014-11-20
Category : Religion
ISBN : 9781441108661
How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Drawing on examples which include Qawwali, kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab. Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music.
Author : David J. Rothenberg
Publisher : OUP USA
Page : 283 pages
File Size : 40,9 Mb
Release : 2011-10-05
Category : Art
ISBN : 9780195399714
In spite of their widely disparate uses, Marian prayers and courtly love songs from the Middle Ages and Renaissance often show a stylistic similarity. This book examines the convergence of these two styles in polyphonic music and its broader poetic, artistic, and devotional context from c.1200-c.1500.
Author : Jennifer Walker
Publisher : Oxford University Press
Page : 369 pages
File Size : 44,5 Mb
Release : 2021
Category : Music
ISBN : 9780197578056
Sacred Sounds, Secular Spaces provides the first fundamental reconsideration of music's role in the relationship between the French state and the Catholic Church in the Third Republic, revealing how composers and critics from often opposing ideological factions undermined the secular/sacred binary through composition and musical performance [editor].
Author : Teresa L. Reed
Publisher : University Press of Kentucky
Page : 204 pages
File Size : 41,8 Mb
Release : 2003
Category : Music
ISBN : 0813127939
Author : Benjamin Carr
Publisher : A-R Editions, Inc.
Page : 114 pages
File Size : 42,7 Mb
Release : 1986-01-01
Category : Music
ISBN : 9780895792044
Author : Jon Michael Spencer
Publisher : Unknown
Page : 326 pages
File Size : 52,9 Mb
Release : 1992
Category : African Americans
ISBN : UCSD:31822015203649
What do Robert Johnson, Duke Ellington, Marvin Gaye, Madonna, and 2 Live Crew have in common? Each of their respective music forms--blues, jazz, soul, rock, and rap--contains varying degrees of religious essence and theological meaning. By examining the religious roots and historical circumstances of popular music, scholars and essayists--including Cornel West, Michael Eric Dyson, and Andrew Greeley--delve into the religious imagination of the American populace through an analysis of popular music. In sections devoted to popular music forms once identified as "the devil’s music," religious concepts and controversies are discussed: music as "soul therapy," the darker side of pop, secular angst, and sacred aspiration.
Author : Thomas Bossius,Andreas Häger,Keith Kahn-Harris
Publisher : Unknown
Page : 0 pages
File Size : 55,6 Mb
Release : 2011
Category : Popular music
ISBN : 0755698541
Jerusalem in Uppsala : some accounts of the relationship between a Christian rock group and its congregation / Andreas Häger -- Christian metal in Finland : institutional religion and popular music in the midst of religious change / Marcus Moberg -- Shout to the Lord : Christian worship music as popular culture, church music, and lifestyle / Thomas Bossius -- Jews united and divided by music : contemporary Jewish music in the UK and America / Keith Kahn-Harris -- The return of ziryab : Yusuf Islam on music / Göran Larsson -- The meanings of the religious talk in French rap music / Stéphanie Molinero -- Why didn't the churches begin to burn a thousand years earlier? / Gry Mørk -- 21st-century trance cult : electronic dance music culture and its role in replacing the traditional roles of religion in Western European popular youth culture / Rupert Till.
Author : Robert F. Hayburn
Publisher : Collegeville, Minn. : Liturgical Press
Page : 656 pages
File Size : 47,6 Mb
Release : 1979
Category : Music
ISBN : STANFORD:36105042355193
Every papal document dealing with church music from Saint Clement (92-101) to Paul VI (1963-1978) was sought for this collection. The texts are presented in English translation accompanied by the author's commentary. Also included are decrees from the Council of Trent, the Congregation of Sacred Rites and other bodies dealing with the musical concerns of the Holy See. Much of the volume chronicles the restoration of Gregorian chant after Trent and completed four hundred years later when reforms under Pius X confirmed the work of the Solesmes Benedictines.
Author : Eftychia Papanikolaou,Markus Rathey
Publisher : Rowman & Littlefield
Page : 439 pages
File Size : 49,5 Mb
Release : 2022-06-21
Category : Music
ISBN : 9781666906059
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
