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Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
This book places the current wave of religion-based terrorism in a historical perspective, explaining why religion is associated with terrorism, comparing religion-based terrorism to other forms of terrorism, and documenting how religion-based terrorism is a product of powerful political, socioeconomic, and psychological forces. Religion-based terrorism is perceived as one of the most significant threats to U.S. homeland security in the 21st century. Sacred Terror: How Faith Becomes Lethal makes the central argument that religion-based violence and terrorism is primarily a result of political, socioeconomic, and psychological forces, thereby demystifying religion-based terrorism and revealing its inherent similarity to other forms of terrorism and war. Daniel Price examines religious texts and traditions in Judaism, Christianity, and Islam; looks at the history of religion-based terrorism; and explores why religion facilitates violence. He builds upon this foundation to explain how religion as an ideological force that motivates violence is not as powerful as commonly believed, and that religious fervor is not unlike other non-religious ideologies such as Marxism, nationalism, and anarchism. The work also presents in-depth analysis of the political, socioeconomic, and psychological forces that are behind religion-based violence, and discusses case studies from multiple religions that illustrate the author's argument.
Author : Daniel Benjamin,Steven Simon Publisher : Random House Trade Paperbacks Page : 562 pages File Size : 45,9 Mb Release : 2003-10-14 Category : Political Science ISBN : 9780812969849
The Age of Sacred Terror by Daniel Benjamin,Steven Simon Pdf
Winner of the 2004 Arthur Ross Book Award from the Council on Foreign Relations From two of the world’s foremost experts on the new terrorism comes the definitive book on the rise of al-Qaeda and America’s efforts to combat the most innovative and dangerous terrorist group ever. Daniel Benjamin and Steven Simon trace the growth of radical Islam from its medieval origins and, drawing on their years of counter-terrorism work at the National Security Council, provide essential insights into the thinking of Usama bin Laden and his followers. With unique authority, they analyze why America was unable to defend itself against this revolutionary threat on September 11, 2001, why bin Laden’s apocalyptic creed is gaining ground in the Islamic world, and what the United States must do to stop the new terror.
Author : Daniel Benjamin,Steven Simon Publisher : Random House Page : 442 pages File Size : 55,9 Mb Release : 2002-10-01 Category : Political Science ISBN : 9781588362599
The Age of Sacred Terror by Daniel Benjamin,Steven Simon Pdf
Daniel Benjamin and Steven Simon began working on this book shortly after leaving the National Security Council, where, as director and senior director for counterterrorism, they watched the rise of al-Qaeda and helped coordinate America’s fight against Usama bin Laden and his organization. They warned in articles and interviews about the appearance of a new breed of terrorists who were determined to kill on the grand scale. More than a year before September 11, 2001, they began writing The Age of Sacred Terror to sound the alarm for a nation that had not recognized the gravest threat of our time. One of their book’s original goals has remained: to provide the insights to understand an enemy unlike any seen in living memory—one with an extraordinary ability to detect weakness and exploit it, one with a determination to inflict catastrophic damage, one that will not be deterred. But after September 11, a second, equally crucial goal was added: to understand how America let its defenses down, how warnings went unheeded, and how key parts of the government failed at vital tasks. The Age of Sacred Terror also describes the road ahead, where the terrorists will look to draw strength, and what the United States must do, at home and abroad, to stop them. For a year after the attacks that redefined terrorism and devastated the public’s sense of security, America has been searching for answers about those responsible for one of the darkest days in our history and explanations for the glaring gaps in our defenses. The Age of Sacred Terror provides both, with unique authority. It is the book that Americans must read to understand the foremost challenge we face.
Holy Terror by Eric S. Christianson,Christopher Partridge Pdf
The authors of religious scriptures had little difficulty enhancing sacred narratives with the rhetoric of violence. The phenomenon continues in the habitual linkage of violence and religion in contemporary film, music and literature. 'Holy Terror' brings together scholars of religious studies, biblical studies, film studies and sociology to examine the social function of violence in popular discourse. The book questions how violent rhetoric shapes belief and values, how audience empathy with violent protagonists can be understood, and the significance of the association of violence with particular religious groups and ideas. A range of phenomena are analysed, including terrorism in Scripture, apocalyptic texts in film and violence in sport.
Holy Terror is a profound and timely investigation of the idea of terror, drawing upon political, philosophical, literary, and theological sources to trace a genealogy from the ancient world to the modern day. Rather than add to the mounting pile of political studies of terrorism, Terry Eagleton offers here a metaphysics of terror with a serious historical perspective. Writing with remarkable clarity and persuasive insight he examines a concept whose cultural impact predates 9/11 by millennia. From its earliest manifestations in rite and ritual, through the French Revolution to the 'War on Terror' of today, terror has been regarded with both horror and fascination. Eagleton examines the duality of the sacred (both life-giving and death-dealing) and relates it, via current and past ideas of freedom, to the idea of terror itself. Stretching from the cult of Dionysus to the thought of Jacques Lacan, the book takes in en route ideas of God, freedom, the sublime, and the unconscious. It also examines the problem of evil, and devotes a concluding chapter to the idea of tragic sacrifice and the scapegoat. Written by one of the world's foremost cultural critics, Holy Terror is a provocative and ambitious examination of one of the most urgent issues of our time.
From the #1 New York Times bestselling author Vince Flynn calls “the real deal,” Richard Marcinko delivers a Rogue Warrior thriller that finds Demo Dick darkening the aisles of St. Peter’s Basilica in Vatican City—tracking a group of terrorists who want to turn the world’s largest Catholic church into the world’s biggest Roman candle. Nothing and no one is sacred when the Rogue Warrior smokes out a terrorist network with plans to turn the Vatican to ash. In Holy Terror, the former SEAL commander fires his first shots at a NATO conference in Rome, where he caps off his blistering anti-terror speech with a helpful visual aid—eliminating a "waiter" and playing volleyball with a live grenade. As Demo Dick and his team trail terrorist kingpin Saladin, the manhunt pulls them into tracking stolen nukes in Sicily, facing down a predator in the jungles of Thailand, and flying on a prayer aboard a hijacked jet. Marcinko's mission is one final, explosive showdown with the bad guys—and there will be hell to pay.
Collects feminist writings from a range of international contributors on religious fundamentalism and women's oppression, citing the causes of violence against women in Muslim countries and in the west while considering its role in current and historical events. Original.
In Sacred Violence, the distinguished political and legal theorist Paul W. Kahn investigates the reasons for the resort to violence characteristic of premodern states. In a startling argument, he contends that law will never offer an adequate account of political violence. Instead, we must turn to political theology, which reveals that torture and terror are, essentially, forms of sacrifice. Kahn forces us to acknowledge what we don't want to see: that we remain deeply committed to a violent politics beyond law. Paul W. Kahn is Robert W. Winner Professor of Law and the Humanities at Yale Law School and Director of the Orville H. Schell, Jr. Center for International Human Rights. Cover Illustration: "Abu Ghraib 67, 2005" by Fernando Botero. Courtesy of the artist and the American University Museum.
About the Series The goal of this new, unique Series is to offer readable, teachable "thinking frames" on today’s social problems and social issues by leading scholars, all in short 60-page-or-shorter formats, and available for view on http://routledge.customgateway.com/routledge-social-issues.html. For instructors teaching a wide range of courses in the social sciences, the Routledge Social Issues Collection now offers the best of both worlds: originally written short texts that provide "overviews" to important social issues as well as teachable excerpts from larger works previously published by Routledge and other presses. About the Book In this short text, Worrell shines a unique, unorthodox light on ‘Terror’ from the standpoint of critical social theory. He explains how the social, political and economic effects of terrorism fit into the dynamics and structures of the modern world as a whole.
When Cook's newborn baby entered the world, he had nothing but hope for its future. However, it was immediately clear that this was no ordinary child-it's murderous screams seemed a dark portent. As it grew, things only got worse, and the child's mother began to despair. The new parents hoped their child would grow out of it, but soon came to realise that its inauspicious beginnings were only a sign of things to come. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
Holy Terror is a profound and timely investigation of the idea of terror, drawing upon political, philosophical, literary, and theological sources to trace a genealogy from the ancient world to the modern day. Rather than add to the mounting pile of political studies of terrorism, Terry Eagleton offers here a metaphysics of terror with a serious historical perspective. Writing with remarkable clarity and persuasive insight he examines a concept whose cultural impact predates 9/11 by millennia. From its earliest manifestations in rite and ritual, through the French Revolution to the 'War on Terror' of today, terror has been regarded with both horror and fascination. Eagleton examines the duality of the sacred (both life-giving and death-dealing) and relates it, via current and past ideas of freedom, to the idea of terror itself. Stretching from the cult of Dionysus to the thought of Jacques Lacan, the book takes in en route ideas of God, freedom, the sublime, and the unconscious. It also examines the problem of evil, and devotes a concluding chapter to the idea of tragic sacrifice and the scapegoat. Written by one of the world's foremost cultural critics, Holy Terror is a provocative and ambitious examination of one of the most urgent issues of our time.
‘This work goes where other books fear to tread. It reaches the parts other scholars might imagine in their dreams but would neither have the international reach nor the critical acumen and forensic flourish to deliver.’ Alan Read, King's College London ‘This book is not only timely. It is overdue – and it is a masterpiece unrivalled by any book I know of.’ Erika Fischer-Lichte, Freie Universität Berlin ‘The first and only book that focuses on the intersections of performance, terror and terrorism as played out beyond a Euro-American context post-9/11. It is an important work, both substantively and methodologically.’ Jenny Hughes, University of Manchester ‘A profound and tightly bound sequence of reflections ... a rigorously provocative book.’ Stephen Barber, Kingston University London In this exceptional investigation Rustom Bharucha considers the realities of Islamophobia, the legacies of Truth and Reconciliation, the deadly certitudes of State-controlled security systems and the legitimacy of counter-terror terrorism, drawing on a vast spectrum of human cruelties across the global South. The outcome is a brilliantly argued case for seeing terror as a volatile and mutant phenomenon that is deeply lived, experienced, and performed within the cultures of everyday life.