Samuel Richardson S Fictions Of Gender

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Samuel Richardson's Fictions of Gender

Author : Tassie Gwilliam
Publisher : Stanford University Press
Page : 218 pages
File Size : 51,6 Mb
Release : 1995
Category : Literary Criticism
ISBN : 9780804725224

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Samuel Richardson's Fictions of Gender by Tassie Gwilliam Pdf

In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and imaginative in Richardson's fiction and create an equally powerful repression in the form of punishment of transgressive characters and desires. She also illustrates, through a reading of recurrent fantasies about the composition of bodies - especially women's bodies - the complex interaction between those fantasies and the construction of masculinity and femininity. The genesis of Richardson's own writing is located in a dynamic, reciprocal idea of gender that allows him to see femininity from the inside while retaining the privileges of the masculine viewpoint; the relation between this origin and the novels themselves forms the basis for the discussions of the novels. Each of the three chapters in the book seeks to investigate particular turn of gender construction and a particular mode of the reiterative story of sexual differences. The first chapter, on Pamela, calls on eighteenth-century discourse about opposing ideologies of gender and sexuality to elucidate Richardson's project. The next chapter, on Clarissa, shifts to a more intricate analysis of fantasies about sex and gender, in particular the double reading of masculinity and femininity in the form of of masculinity reading itself through the feminine. The final chapter, on The History of Sir Charles Grandison, examines Richardson's attempt to solidify masculinity in the person of the "good man."

Making Gender, Culture, and the Self in the Fiction of Samuel Richardson

Author : Bonnie Latimer
Publisher : Routledge
Page : 261 pages
File Size : 45,6 Mb
Release : 2016-05-13
Category : Literary Criticism
ISBN : 9781317102397

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Making Gender, Culture, and the Self in the Fiction of Samuel Richardson by Bonnie Latimer Pdf

Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Bonnie Latimer shows that Richardson's heroines are uniquely conceived as individuals who embody the agency and self-determination implied by that term. In addition to placing Richardson within the context of his own culture, recouping for contemporary readers the influence of Grandison on later writers, including Maria Edgeworth, Sarah Scott, and Mary Wollstonecraft, is central to her study. Latimer argues that Grandison has been unfairly marginalised in favor of Clarissa and Pamela, and suggests that a rigorous rereading of the novel not only provides a basis for reassessing significant aspects of Richardson's fictional oeuvre, but also has implications for fresh thinking about the eighteenth-century novel. Latimer's study is not a specialist study of Grandison but rather a reconsideration of Richardson's novelistic canon that places Grandison at its centre as Richardson's final word on his re-envisioning of the gendered self.

Making Gender, Culture, and the Self in the Fiction of Samuel Richardson

Author : Bonnie Latimer
Publisher : Routledge
Page : 228 pages
File Size : 40,5 Mb
Release : 2016-05-13
Category : Literary Criticism
ISBN : 9781317102403

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Making Gender, Culture, and the Self in the Fiction of Samuel Richardson by Bonnie Latimer Pdf

Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Bonnie Latimer shows that Richardson's heroines are uniquely conceived as individuals who embody the agency and self-determination implied by that term. In addition to placing Richardson within the context of his own culture, recouping for contemporary readers the influence of Grandison on later writers, including Maria Edgeworth, Sarah Scott, and Mary Wollstonecraft, is central to her study. Latimer argues that Grandison has been unfairly marginalised in favor of Clarissa and Pamela, and suggests that a rigorous rereading of the novel not only provides a basis for reassessing significant aspects of Richardson's fictional oeuvre, but also has implications for fresh thinking about the eighteenth-century novel. Latimer's study is not a specialist study of Grandison but rather a reconsideration of Richardson's novelistic canon that places Grandison at its centre as Richardson's final word on his re-envisioning of the gendered self.

Discourses of Desire

Author : Linda Kauffman
Publisher : Cornell University Press
Page : 342 pages
File Size : 48,7 Mb
Release : 2019-06-30
Category : Literary Criticism
ISBN : 9781501743931

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Discourses of Desire by Linda Kauffman Pdf

In Discourses of Desire, Linda S. Kauffman looks at a neglected genre—the love letters written by literary heroines. Tracing the development of the genre from Ovid to the twentieth-century novel, Kauffman explores through provocative and incisive readings the important implications of these amatory discourses for an understanding of fictive representation in general. Among the texts Kauffman treats are Ovid's Heroides, Heloise's letters to Abelard, The Letters of a Portuguese Nun, Clarissa, Jane Eyre, The Turn of the Screw, Absalom, Absalom!, and The Three Marias: New Portuguese Letters. Drawing on the work of such theorists as Todorov, Genette, Barthes, Bakhtin, Lacan, and Derrida, Kauffman demonstrates how the codes of love shape intertextual dialogues among these works, in which each innovation in the genre is simultaneously a response to and a departure from the one preceding it. Throughout, she pays particular attention to the unsettling questions that the genre's shared thematic preoccupations and formal characteristics pose for concepts of gender, authorship, genre, and mimesis. Drawing on poststructuralism and psychoanalytic criticism to extend the boundaries of feminist theory, Kauffman makes a significant contribution to contemporary critical discussions of writing and gender, mimesis and narrative discourse, and poetics and politics. Her book, broad in its scope and far-reaching in its implications, will be valuable reading for anyone interested in feminist criticism, literary theory, and literary history.

Passion and Virtue

Author : David Blewett
Publisher : University of Toronto Press
Page : 374 pages
File Size : 41,7 Mb
Release : 2001-01-01
Category : Literary Criticism
ISBN : 0802035035

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Passion and Virtue by David Blewett Pdf

Richardson's novels reveal the conflict of human passion in all its aspects - love, lust, and suffering. This conflict is considered and critically analysed in fourteen essays, all originally published in Eighteenth-Century Fiction.

Samuel Richardson, Comedic Narrative and the Culture of Domestic Violence

Author : Christopher D. Johnson
Publisher : Cambridge Scholars Publishing
Page : 297 pages
File Size : 54,8 Mb
Release : 2023-04-26
Category : Family & Relationships
ISBN : 9781527502468

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Samuel Richardson, Comedic Narrative and the Culture of Domestic Violence by Christopher D. Johnson Pdf

This book provides a comprehensive reading of Samuel Richardson's novels. Using a combination of literary theory and criminology, Christopher D. Johnson demonstrates that Richardson not only understood the horrific dynamics of domestic violence, but also recognized the degree to which his first novel, Pamela: or, Virtue Rewarded (1740) could inadvertently normalize abusive relationships. This recognition informed Richardson's subsequent novels and fueled his distrust of novelistic fiction, especially those comedic works that depend on sudden transformations. It also caused him to draw careful delineations between the practical instruction he hoped to provide and the ideals of his Christian faith, particularly as they pertain to earthly suffering and self-sacrifice. The Richardson who emerges from the study becomes both a staunch defender of what he saw as a benevolent patriarchy and a fierce advocate for women's subjectivity, happiness and safety.

Styles of Meaning and Meanings of Style in Richardson's Clarissa

Author : Gordon Fulton
Publisher : McGill-Queen's Press - MQUP
Page : 265 pages
File Size : 54,7 Mb
Release : 1999-06-08
Category : Literary Criticism
ISBN : 9780773567849

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Styles of Meaning and Meanings of Style in Richardson's Clarissa by Gordon Fulton Pdf

Using socially and culturally engaged discourse stylistics, Fulton explores ideologies of social formation, gender, and sexuality in the novel. The first part of the study, "Styles of Meaning," discusses Richardson's use of the genres of sententiousness (moral sentiments and proverbs) to engage questions of ideology. Fulton shows how Richardson draws on the socially significant difference between proverbs and maxims to develop contrasting styles in which his characters establish and defend personal identities in relation to family and friends. The second part, "Meanings of Style," explores ways in which meanings created through linguistic choices in the critical domains of gender and sexuality both sustain and sometimes betray characters struggling either to control or to resist being controlled by others. A contribution to both critical discussion of eighteenth-century fiction and to discourse stylistics committed to relating literary texts to their social and cultural contexts, this study introduces a mode of literary stylistic analysis with exciting possibilities for cultural studies.

Consensual Fictions

Author : Wendy S. Jones
Publisher : University of Toronto Press
Page : 290 pages
File Size : 45,5 Mb
Release : 2005-12-15
Category : Literary Criticism
ISBN : 9781442658585

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Consensual Fictions by Wendy S. Jones Pdf

In eighteenth and nineteenth-century England, consensual marriages became increasingly popular, according women a 'contractual subjectivity' in which the liberal ideal of individual choice was key. Representations of consensual marriage thus provide a firm grounding for the re-evaluation of women's place within society. Because this new progressive form of marriage was based on emotion rather than considerations of status or money, it challenged the hierarchical status quo of English society that the traditional patriarchal marriage had upheld. This phenomenon shows how necessary it is to historicize evaluations of political theory; while the relationship between liberalism and feminism is fiercely debated today, it was the foundation for radical feminism and social change from early modern times through much of the twentieth century. In Consensual Fictions, Wendy S. Jones focuses on the English novel of the period to explore the relationship between married love, classic liberal thought, and novelistic form. Jones argues that these works of fiction use the mulitplot form to explore the specific set of cultural problems associated with the ways in which liberalism reconceived marriage, love, and gender by exploring alternative resolutions to cultural problems through different narrative lines.

Words, Books, Images, and the Long Eighteenth Century

Author : Antoinina Bevan Zlatar,Mark Ittensohn,Enit Karafili Steiner,Olga Timofeeva
Publisher : John Benjamins Publishing Company
Page : 270 pages
File Size : 49,6 Mb
Release : 2021-12-15
Category : Literary Criticism
ISBN : 9789027258441

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Words, Books, Images, and the Long Eighteenth Century by Antoinina Bevan Zlatar,Mark Ittensohn,Enit Karafili Steiner,Olga Timofeeva Pdf

The essays collected in this volume engage in a conversation among lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The source of inspiration for each piece is Allen Reddick’s scholarship on Samuel Johnson (1709-1784), the great English lexicographer whose Dictionary (1755) included thousands upon thousands of illustrative quotations from the “best” authors, and, more recently, on Thomas Hollis (1720-1774), the much less well-known bibliophile who sent gifts of books by a pantheon of Whig authors to individuals and libraries in Britain, Protestant bastions in continental Europe, and America. Between the covers of Words, Books, Images readers will encounter canonical English authors of prose and poetry—Bacon, Milton, Defoe, Dryden, Pope, Richardson, Swift, Byron, Mary Shelley, and Edward Lear. But they will also become acquainted with the agents of their canonization and commemoration—the printers and publishers of Grub Street, the biographer John Aubrey, the lexicographer and biographer Johnson, the bibliophile Hollis, and the portrait painter Reynolds. No less crucially, they will meet fellow readers of then and now—women and men who peruse, poach, snip, and savour a book’s every word and image.

Designing Women

Author : Tita Chico
Publisher : Bucknell University Press
Page : 316 pages
File Size : 43,5 Mb
Release : 2005
Category : Literary Criticism
ISBN : 0838756050

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Designing Women by Tita Chico Pdf

"Drawing on extensive archival research, Chico argues that the dressing room embodies contradictory connotations, linked to the eroticism and theatricality of the playhouse tiring-room as well as to the learning and privilege of the gentleman's closet.

Making Love

Author : Paul Kelleher
Publisher : Bucknell University Press
Page : 270 pages
File Size : 42,8 Mb
Release : 2015-07-16
Category : Literary Criticism
ISBN : 9781611486940

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Making Love by Paul Kelleher Pdf

Making Love closely reexamines the literary history of sentimentalism in order to open up new ways of understanding the history of sexuality.

Women and Gift Exchange in Eighteenth-Century Fiction

Author : Linda Zionkowski
Publisher : Routledge
Page : 252 pages
File Size : 47,9 Mb
Release : 2016-05-26
Category : Literary Criticism
ISBN : 9781317240488

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Women and Gift Exchange in Eighteenth-Century Fiction by Linda Zionkowski Pdf

This book analyzes why the most influential novelists of the long eighteenth century centered their narratives on the theory and practice of gift exchange. Throughout this period, fundamental shifts in economic theories regarding the sources of individual and national wealth along with transformations in the practices of personal and institutional charity profoundly altered cultural understandings of the gift's rationale, purpose, and function. Drawing on materials such as sermons, conduct books, works of political philosophy, and tracts on social reform, Zionkowski challenges the idea that capitalist discourse was the dominant influence on the development of prose fiction. Instead, by shifting attention to the gift system as it was imagined and enacted in the formative years of the novel, the volume offers an innovative understanding of how the economy of obligation shaped writers' portrayals of class and gender identity, property, and community. Through theoretically-informed readings of Richardson's Clarissa and Sir Charles Grandison, Burney's Cecilia and The Wanderer, and Austen's Mansfield Park and Emma, the book foregrounds the issues of donation, reciprocity, indebtedness, and gratitude as it investigates the conflicts between the market and moral economies and analyzes women's position at the center of these conflicts. As this study reveals, the exchanges that eighteenth-century fiction prescribed for women confirm the continuing power and importance of gift transactions in the midst of an increasingly commercial culture. The volume will be essential reading for scholars of the eighteenth-century novel, economic literary criticism, women and gender studies, and book history.

Sacred Engagements

Author : Alison Conway
Publisher : JHU Press
Page : 236 pages
File Size : 51,8 Mb
Release : 2023-02-14
Category : Literary Criticism
ISBN : 9781421445144

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Sacred Engagements by Alison Conway Pdf

"The marriage plot is a ubiquitous theme across the history of the novel, beginning from the earliest examples of long-form prose published in the eighteenth century. What Sacred Engagements brings to this well-trodden area of literary studies is a unique feminist perspective on the relationship between fiction and interfaith marriage during a moment of broader cultural discourse about religious tolerance in England. Conway reads quite broadly for the marriage plot, including among her readings novels by Samuel Richardson, Frances Brooke, Elizabeth Inchbald, and Maria Edgeworth in which minor characters marry outside of their own religious institution, or the novel's hero and heroine have a failed courtship and do not marry by the novel's end. Her intervention at the nexus of literature and religion is also unique; existing studies in this subfield often focus on a particular religious sect and literary representations of it, whereas Conway reads for relationships forged across religious boundaries. While a political history of England in this period reveals a partial picture of how tolerance came to be during the Enlightenment, Conway's study of the novel shows a more nuanced story about the challenges of peaceful coexistence through its representations of interfaith marriage. By foregrounding women's right to liberty of conscience, interfaith marriage counters the privatization of religious affect and the naturalization of women's subordination in marriage. The interfaith marriage plot invites us to review the terms governing our narratives of marriage and community, and the ethics of sociability that sustain them, both in relation to the history of the novel and to our contemporary moment"--

One Great Family: Domestic Relationships in Samuel Richardson's Novels

Author : Simone Höhn
Publisher : Narr Francke Attempto Verlag
Page : 297 pages
File Size : 48,8 Mb
Release : 2021-01-25
Category : Literary Criticism
ISBN : 9783772057311

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One Great Family: Domestic Relationships in Samuel Richardson's Novels by Simone Höhn Pdf

This study examines concepts of morality and structures of domestic relationships in Samuel Richardson's novels, situating them in the context of eighteenth-century moral writings and reader reactions. Based on a detailed analysis of Richardson's work, this book maintains that he sought both to uphold hierarchical concepts of individual duty, and to warn of the consequences if such hierarchies were abused. In his final novel, Richardson aimed at a synthesis between social hierarchy and individual liberty, patriarchy and female self-fulfilment. His work, albeit rooted in patriarchal values, paved the way for proto-feminist conceptions of female character.

The Work of Print

Author : Lisa M. Maruca
Publisher : University of Washington Press
Page : 240 pages
File Size : 55,7 Mb
Release : 2012-03-15
Category : Literary Criticism
ISBN : 9780295801759

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The Work of Print by Lisa M. Maruca Pdf

The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of texts. Printers' manuals, tracts on typography, legal documents, and booksellers' autobiographies reveal that print workers conceived of their roles as central to the production of literature. Maruca's insightful readings of these documents alongside traditional works of fiction and authors' correspondence show that the claims of print workers and booksellers were part of a struggle for ownership and control as the concept of author as proprietor of his or her intellectual property began to take hold in the mid-1700s, gradually eclipsing print workers' contributions to the process of textual creation. The print trade asserted its authority using a rhetoric of hierarchical and binary sexuality and gender, which affected women working in the industry and limited the type of work they were allowed to perform. In response, women developed strategies to redeploy conventional ideas of gender to gain concessions for themselves as publishers and distributors of printed material, strategies that formed a foundation for the rise of female authorship later in the eighteenth century. Encompassing the histories of literature, labor, technology, publishing, and gender, The Work of Print ultimately offers significant insights into the ideology of authorship and intellectual property and our understanding of textuality and print in the digital age.