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Transgender author Agnes Borinsky deftly explores gender identity and queer romance in this heart-wrenching debut novel. Alex feels like he is in the wrong body. His skin feels strange against his bones. And then comes Tracy, who thinks he's adorably awkward, who wants to kiss him, who makes him feel like a Real Boy. But it is not quite enough. Something is missing. As Alex grapples with his identity, he finds himself trying on dresses and swiping on lipstick in the quiet of his bedroom. He meets Andre, a gay boy who is beautiful and unafraid to be who he is. Slowly, Alex begins to realize: maybe his name isn't Alex at all. Maybe it's Sasha Masha.
NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BUZZ PICK • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Financial Times, The Washington Post, Time, Los Angeles Times, New York Post, Town & Country, Good Housekeeping, Kirkus Reviews “A perfect novel for these times and all times, the single textual artifact from the pandemic era I would place in a time capsule as a representation of all that is good and true and beautiful about literature.”—Molly Young, The New York Times (Editors’ Choice) Eight friends, one country house, and six months in isolation—a novel about love, friendship, family, and betrayal hailed as a “virtuoso performance” (USA Today) and “an homage to Chekhov with four romances and a finale that will break your heart” (The Washington Post) In the rolling hills of upstate New York, a group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months, new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaluate whom they love and what matters most. The unlikely cast of characters includes a Russian-born novelist; his Russian-born psychiatrist wife; their precocious child obsessed with K-pop; a struggling Indian American writer; a wildly successful Korean American app developer; a global dandy with three passports; a Southern flamethrower of an essayist; and a movie star, the Actor, whose arrival upsets the equilibrium of this chosen family. Both elegiac and very, very funny, Our Country Friends is the most ambitious book yet by the author of the beloved bestseller Super Sad True Love Story.
An exploration of how design might be led by marginalized communities, dismantle structural inequality, and advance collective liberation and ecological survival. What is the relationship between design, power, and social justice? “Design justice” is an approach to design that is led by marginalized communities and that aims expilcitly to challenge, rather than reproduce, structural inequalities. It has emerged from a growing community of designers in various fields who work closely with social movements and community-based organizations around the world. This book explores the theory and practice of design justice, demonstrates how universalist design principles and practices erase certain groups of people—specifically, those who are intersectionally disadvantaged or multiply burdened under the matrix of domination (white supremacist heteropatriarchy, ableism, capitalism, and settler colonialism)—and invites readers to “build a better world, a world where many worlds fit; linked worlds of collective liberation and ecological sustainability.” Along the way, the book documents a multitude of real-world community-led design practices, each grounded in a particular social movement. Design Justice goes beyond recent calls for design for good, user-centered design, and employment diversity in the technology and design professions; it connects design to larger struggles for collective liberation and ecological survival.
“When Gessen speaks about autocracy, you listen.” —The New York Times “A reckoning with what has been lost in the past few years and a map forward with our beliefs intact.” —Interview As seen on MSNBC’s Morning Joe and heard on NPR’s All Things Considered: the bestselling, National Book Award–winning journalist offers an essential guide to understanding, resisting, and recovering from the ravages of our tumultuous times. This incisive book provides an essential guide to understanding and recovering from the calamitous corrosion of American democracy over the past few years. Thanks to the special perspective that is the legacy of a Soviet childhood and two decades covering the resurgence of totalitarianism in Russia, Masha Gessen has a sixth sense for the manifestations of autocracy—and the unique cross-cultural fluency to delineate their emergence to Americans. Gessen not only anatomizes the corrosion of the institutions and cultural norms we hoped would save us but also tells us the story of how a short few years changed us from a people who saw ourselves as a nation of immigrants to a populace haggling over a border wall, heirs to a degraded sense of truth, meaning, and possibility. Surviving Autocracy is an inventory of ravages and a call to account but also a beacon to recovery—and to the hope of what comes next.
From the acclaimed author of The Man Without a Face, the previously untold story of the Jews in twentieth-century Russia that reveals the complex, strange, and heart-wrenching truth behind the familiar narrative that begins with pogroms and ends with emigration. In 1929, the Soviet government set aside a sparsely populated area in the Soviet Far East for settlement by Jews. The place was called Birobidzhan.The idea of an autonomous Jewish region was championed by Jewish Communists, Yiddishists, and intellectuals, who envisioned a haven of post-oppression Jewish culture. By the mid-1930s tens of thousands of Soviet Jews, as well as about a thousand Jews from abroad, had moved there. The state-building ended quickly, in the late 1930s, with arrests and purges instigated by Stalin. But after the Second World War, Birobidzhan received another influx of Jews—those who had been dispossessed by the war. In the late 1940s a second wave of arrests and imprisonments swept through the area, traumatizing Birobidzhan’s Jews into silence and effectively shutting down most of the Jewish cultural enterprises that had been created. Where the Jews Aren’t is a haunting account of the dream of Birobidzhan—and how it became the cracked and crooked mirror in which we can see the true story of the Jews in twentieth-century Russia. (Part of the Jewish Encounters series)
This third richly varied collection of plays by Marina Carr was published to coincide with the Royal Shakespeare Company's premiere of Hecuba at the Swan Theatre, Stratford-upon-Avon, in September 2015. Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhov's short life and work. Phaedra Backwards retells the Phaedra myth to discover what shaped her. The Map of Argentina offers a meditation on love and what happens when it is denied, or pursued and hunted down. Hecuba was written in reaction to the bad press this Trojan queen receives, and reimagines how she may have suffered and reacted. Indigo is a dark and passionate romance amongst fairies, demons, ghouls and every sort of fantastic creature out of folklore and myth.
A girl grieves the loss of her dog in an achingly beautiful wordless epic from the Caldecott Honor–winning creator of Journey. This year’s summer vacation will be very different for a young girl and her family without Sascha, the beloved family dog, along for the ride. But a wistful walk along the beach to gather cool, polished stones becomes a brilliant turning point in the girl’s grief. There, at the edge of a vast ocean beneath an infinite sky, she uncovers, alongside the reader, a profound and joyous truth. In his first picture book following the conclusion of his best-selling Journey trilogy, Aaron Becker achieves a tremendous feat, connecting the private, personal loss of one child to a cycle spanning millennia — and delivering a stunningly layered tale that demands to be pored over again and again.
No one in their right mind travels across Siberia in the middle of winter in a modified Russian jeep, with only a CD player (which breaks on the first day) for company. But Jacek Hugo–Bader is no ordinary traveler. As a fiftieth birthday present to himself, Jacek Hugo–Bader sets out to drive from Moscow to Vladivostok, traversing a continent that is two and a half times bigger than America, awash with bandits, and not always fully equipped with roads. But if his mission sounds deranged it is in keeping with the land he is visiting. For Siberia is slowly dying — or, more accurately, killing itself. This is a traumatized post–Communist landscape peopled by the homeless and the hopeless: alcoholism is endemic, as are suicides, murders, and deaths from AIDS. As he gets to know these communities and speaks to the people, Hugo–Bader discovers a great deal of tragedy, but also dark humor to be shared amongst the reindeer shepherds, the former hippies, the modern–day rappers, the homeless and the sick, the shamans, and the followers of ‘one of the six Russian Christs,’ just one of the many arcane religions that flourish in this isolated, impossible region.
Living a life that seems incredible even for a spy novel, Dmitri Bystrolyotov was a sailor, doctor, lawyer, and writer, fluent in many languages, whose success as a spy hinged on the fact that he was a charming, handsome, and very adept at seducing women. He stole military secrets from Germany and Italy and fed Stalin information from all over Europe, with his conquests including a French embassy employee, the wife of a British official, and a disfigured Gestapo officer. His story took an unexpected turn when at the height of Stalin's purges he was arrested, tortured, and sentenced to hard labor in the Gulag, where he risked further punishment by documenting how the regime he once served fully and unquestioningly had descended into a monstrous legacy of crimes against humanity.
The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.
How the Soviet Jew Was Made by Sasha Senderovich Pdf
In post-1917 Russian and Yiddish literature, films, and reportage, Sasha Senderovich finds a new cultural figure: the Soviet Jew. Suddenly mobile after more than a century of restrictions under the tsars, Jewish authors created characters who traversed space and history, carrying with them the dislodged practices and archetypes of a lost world.
It’s a mission that could bring the world to the brink of nuclear war. Now time is running out.It starts with a high-stakes theft: weapons-grade plutonium is stolen from Russia. The Russian army is about to attack Chechnya to get it back. But U.S. intelligence discovers that the stolen shipment is actually on a rogue Russian freighter in the Black Sea. It turns into a global nightmare: a secret mission gone awry; an American submarine commander arrested and hauled before a military tribunal in Moscow; and a game of brinksmanship so dangerous that war might be its only possible conclusion.As the U.S. Navy searches for weapons-grade plutonium that has been smuggled out of Russia by terrorists, a submarine mishap escalates the international crisis. With the world watching, JAG Officer Zack Brewer is called to Moscow to defend submarine skipper Pete Miranda and his entire crew. It is a heart-stopping race against the clock. With Russian missiles activated and programmed for American cities, Brewer stalls for time as the U.S. Navy frantically searches the high seas for a floating hydrogen bomb that could threaten New York Harbor.
Brief Chronicle, Books 6-8 by Alexander Borinsky Pdf
Drama. Poetry. Performance Studies. LGBTQIA Studies. Hybrid Genre. Introduction by Amina Cain. A quietly heartbreaking play that grounds epic themes--unabated longing, violence and imperialism, and the bond between mother and son--in the small ways we hurt and love one another and decide where to go on vacation. In BRIEF CHRONICLE, BOOKS 6-8, Alexander Borinsky delivers a play in a single column that reads as poetry, critique, and philosophy for the practice of everyday life in America. "BRIEF CHRONICLE, BOOKS 6-8 is a remarkable creature of our shattered and shuttered time. Borinsky's theater examines everything that it encounters--including the various artifices of theater itself, i.e. character, costumes, boxes, supposed emotions (real or imagined), action as it would have its way, place/s, and all the supposed ends and means of the theater making apparatus--with a scrupulous but loving attentiveness. There is no one quite like him writing and making theater today."--Mac Wellman "If the world feels a little unknowable after reading this play, if you feel unknowable to yourself, how do you talk about that, how do you narrate what it was like? Still, I will tell you what I thought about when I finished Alexander Borinsky's BRIEF CHRONICLE, BOOKS 6-8 though it changed when I read it again, and it may be different for you too. Intimacy. The many ways (sometimes strange or uncomfortable) in which it's possible to know another person. What it means to appear. What it means to live. When the play opens, it seems we are encountering something that has already been happening, without us, and this is surprisingly relaxing (we are allowed to be 'late'). The ghost will arrive, but in a sense we are making an entrance too. This is not just about the one who watches and the one who is watched; in Borinsky's play, those formalities have been emptied of their meaning. We are all here in this room for whatever will unfold."--Amina Cain 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.
From New York Times bestselling author Olivie Blake comes an intricate web of love, magic, and rival witch families in New York City. In modern-day Manhattan where we lay our scene, two rival witch families fight to maintain control of their respective criminal empires. On one side of the conflict are the Antonova sisters — each one beautiful, cunning, and ruthless — and their mother, the elusive supplier of premium intoxicants, known only as Baba Yaga. On the other side, the influential Fedorov brothers serve their father, the crime boss known as Koschei the Deathless, whose ventures dominate the shadows of magical Manhattan. After twelve years of tenuous co-existence, one family member brutally crosses the line. Bad blood reignites old grudges; at the same time, fate intervenes with a chance encounter between enemies. In the wake of love and vengeance, everyone must choose a side. As each of the siblings struggles to stake their claim, who has what it takes to stay on top? And who has what it takes to stay alive? “Olivie Blake is a mind-blowing talent."―Chloe Gong, author of New York Times bestselling These Violent Delights Also by Olivie Blake Alone with You in the Ether Masters of Death The Atlas Six The Atlas Paradox At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
From the internationally bestselling author of The Atlas Six, One For My Enemy is the Sunday Times bestselling Romeo and Juliet retelling of witches, magic and intrigue. This paperback edition includes illustrations from Little Chmura and the bonus short story 'Love Language'. In New York City, two rival witch families fight for the upper hand. The Antonova sisters are beautiful, cunning and ruthless. But their underground narcotics business is threatened by their long-standing adversaries, the Fedorov brothers. For twelve years, the families have maintained a fraught stalemate. Then everything is thrown into disarray. Bad blood carries them to the brink of disaster, even as a forbidden romance blossoms between two opposing sides. Yet the heirs still struggle for power, and internal conflicts could rot each family from within. That is, if the enmity between empires doesn't destroy both sides first . . . One For My Enemy is an irresistible, romantic tale of ambition, sacrifice and the enduring power of family legacies, set in the criminal underbelly of magical Manhattan. Readers love One For My Enemy . . . 'after reading this book i'm fully convinced olivie blake is a genius' 'this book was a complete masterpiece' 'update: i haven't stopped thinking about this a month later'