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A cult novelist named Rudy Rucker investigates an alien abduction...and is drawn into freaky, transreal scenes. Futurism, autobiographical novel, a tour of Californai freakdom, and richly funny. With many, many line-drawing illos. "Rucker’s sensibility is a combination of gonzo humor, fictionalized autobiography in the Kerouacian mode (what Rucker calls “transrealism”), and the sheer, bugs-in-your-teeth thrill of scientific extrapolation taken to blitz-punk extremes." — Salon.com.
An account of alien abduction and the future of the universe. The book is based on a series of meetings with a man whom the author met at a lecture, and who claims to have been abducted and shown the future.
Ride the wave with Rudy Rucker---author, programmer, mathematician, professor, cyberpunk, hipster, transrealist, and family man. A writer’s journey. Rucker composed "Journals: 1990-2014" over twenty-five years. A long-running adventure. Entries include: Introspection and philosophizing, sketches of daily life, descriptions of Rucker's travels, and notes on writing.
Nested Scrolls reveals the true life adventures of Rudolf von Bitter "Rudy" Rucker—mathematician, transrealist author, punk rocker, and computer hacker. It begins with a young boy growing up in Louisville, Kentucky, the son of a businessman father who becomes a clergyman, and a mother descended from the philosopher Hegel. His career goals? To explore infinity, popularize the fourth dimension, seek the gnarl, become a beatnik writer, and father a family. All the while Rudy is reading science fiction and beat poetry, and beginning to write some pretty strange fiction of his own—a blend of Philip K. Dick and hard SF that qualifies him as part of the original circle of writers in the early 1980s that includes Bruce Sterling, William Gibson, John Shirley, and Lewis Shiner, who were the founders of cyberpunk. At one level, Rucker's genial and unfettered memoir brings us a first-hand account of how he and his contemporaries ushered in our postmodern world. At another, this is the wry and moving tale of a man making his way from one turbulent century to the next. Nested Scrolls is like its author: sweet, gentle, honest, and intellectually fierce. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The bastard-offspring of They Live and The Day the Earth Stood Still, as told by Jean Paul Sartre. Shape-changing aliens may have landed on the Whitehouse lawn and subsequently integrated into human society, but humanity is still full of self-centered and self-absorbed individuals. Laura’s just scraping by on her art teacher’s salary. Donald, a bestselling author and UFOlogist who provided counseling to abductees, has tried to distance himself from the saucer landings and is looking to move on with his life. But everything changes when Shelly, an alien enrolled in Laura’s art class, mysteriously switches places with Laura. Life begins to unravel. Laura then realizes this isn’t the first time Shelly has moved into another person’s body, and fragments of other people’s memories have jumped with her, including those of Donald’s wife. Laura begins to grasp that reality, or at least humanity’s perception of it, may be more flexible than anyone wants to admit. And though she can’t explain how or why, she suspects the aliens are behind it and will need Donald’s help to stop them. In an egocentric society that sleepwalks through the rituals of daily life, would people even notice if the world around them suddenly and inexplicably changes? Part Jonathan Lethem (Amnesia Moon) and part Kurt Vonnegut (Slaughterhouse Five), Douglas Lain’s latest novel uses science fiction’s alien invasion rubric to examine and undermine the world we take for granted. This deeply unsettling satire places him alongside contemporaries like Jeff VanderMeer and Charles Yu as one of his generation’s most exciting and challenging speculative fiction voices.
Author : Roy Christopher Publisher : Roy Christopher Page : 393 pages File Size : 50,7 Mb Release : 2007 Category : Communication and culture ISBN : 9780977697700
Book Description: Follow for Now: Interviews with Friends and Heroes is an anthology of forty-three interviews with minds of all kinds. Spanning over seven years, Follow for Now includes interviews with such luminaries as Bruce Sterling, Douglas Rushkoff, DJ Spooky, Philip K. Dick, Aesop Rock, Erik Davis, Howard Bloom, David X. Cohen, Richard Saul Wurman, N. Katherine Hayles, Manuel De Landa, Rudy Rucker, Milemarker, Steve Aylett, Doug Stanhope, Paul Roberts, Shepard Fairey, Tod Swank, dalek, Eric Zimmerman, Steven Johnson, Mark Dery, Geert Lovink, Brenda Laurel, and many, many more. Follow for Now is an eclectic, independently-minded snapshot of the intellectual landscape at the beginning of the twenty-first century. It also includes an extensive bibliography, a full index, and weighs in at nearly 400 pages.
Transrealist writing treats immediate perceptions in a fantastic way, according to science fiction writer and mathematician Rudy Rucker, who originated the term. In the expanded sense argued in this book, it also intensifies imaginative fiction by writing the fantastic from the standpoint of richly personalized experience. Transrealism is also related to slipstream writing, another category introduced into studies of speculative fiction to account for texts that seem to follow trajectories mapped by the huge body of science fiction accumulated in the last century, while retaining a central interest in traditional literary strategies. This book examines a variety of work from the transrealist perspective, something that has not been done previously. It emphasizes the texts of Philip K. Dick and Rucker himself, while it additionally engages the texts of such slipstream writers as Kurt Vonnegut, J.G. Ballard, and John Barth. It places its argument against the antihumanist trend in science fiction and builds comparisons with more traditional varieties of science fiction works.
The essays and memoirs collected in Seek! trace Rudy Rucker's trajectory through the final decade of the second millennium. His topics include artificial life, chaos, the big bang, Pieter Brueghel, the church of the subgenius, live sex, mathematics, science fiction, and TV evangelism. A computer scientist and programmer, Rucker is an articulate, engaging guide to the world on either side of the computer screen.
Science Fact and Science Fiction by Brian Stableford Pdf
Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.
Collected together in one ebook: every single one of Rudy Rucker's science-fiction stories, a trove of gnarl and wonder, dating over more than forty years. This, the updated 2021 edition of Complete Stories, includes stories from 1976 through 2021 Along with Rucker's solo stories, we have collaborations with Bruce Sterling, Marc Laidlaw, Paul Di Filippo, John Shirley, Terry Bisson, and Eileen Gunn.
In the year 3003, nothing in the world is the same, except maybe that adolescents are still embarrassed by their parents. Society and the biosphere alike have been transformed by biotechnology, and the natural world is almost gone. Frek Huggins is a boy from a broken family, a misfit because he's a natural child, conceived without technological help or genetic modifications. His dad, Carb, is a malcontent who left behind Frek's mom and the Earth itself several years ago. Everything changes when Frek finds the Anvil, a small flying saucer, under his bed, and it tells him he is destined to save the world. The repressive forces of Gov, the mysterious absolute ruler of Earth, descend on Frek, take away the Anvil, and interrogate him forcefully enough to damage his memory. Frek flees with Wow, his talking dog, to seek out Carb and some answers. But the untrustworthy alien in the saucer has other plans, including claiming exclusive rights to market humanity to the galaxy at large, and making Frek a hero. Frek and the Elixir is a profound, playful SF epic by the wild and ambitious Rudy Rucker. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The story of how hip-hop created, and came to dominate, the twenty-first century. In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium. Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.
"... Consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from Eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future--how the future has been imagined, planned for, and established as a vector throughout the history of new media arts." --book jacket.
Third Person by Pat Harrigan,Noah Wardrip-Fruin Pdf
Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire. The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives—featuring an ongoing and intricately developed storyline, many characters, and multiple settings—did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors—media and television scholars, novelists, comic creators, game designers, and others—investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment; narrative techniques for a 3,000,000-page novel; continuity (or the impossibility of it) in Doctor Who; managing multiple intertwined narratives in superhero comics; the spatial experience of the Final Fantasy role-playing games; World of Warcraft adventure texts created by designers and fans; and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.