Schnitzler S Century The Making Of Middle Class Culture 1815 1914
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Author : Peter Gay Publisher : W. W. Norton & Company Page : 367 pages File Size : 48,8 Mb Release : 2002-11-17 Category : History ISBN : 9780393347821
Schnitzler's Century: The Making of Middle-Class Culture 1815-1914 by Peter Gay Pdf
"This is cultural history of the first order, and it is liberal and humane history at its very best."—David Cannadine An essential work for anyone who wishes to understand the social history of the nineteenth century, Schnitzler's Century is the culmination of Peter Gay's thirty-five years of scholarship on bourgeois culture and society. Using Arthur Schnitzler, the sexually emboldened Viennese playwright, as his master of ceremonies, Gay offers a brilliant reexamination of the hundred-year period that began with the defeat of Napoleon and concluded with the conflagration of 1914. This is a defining work by one of America's greatest historians.
A selection of essays exploring the role of social institutions and political, economic and technological change in shaping the sport of middle class Victorians and Edwardians.
Arthur Schnitzler and Twentieth-century Criticism by Andrew C. Wisely Pdf
An analysis of the scholarly criticism of the great Viennese writer up to the year 2000. Schnitzler, one of the most prolific Austrian writers of the 20th century, ruthlessly dissected his society's erotic posturing and phobias about sex and death. His most penetrating analyses include Lieutenant Gustl, the first stream-of-consciousness novella in German; Reigen, a devastating cycle of one-acts mapping the social limits of a sexual daisy-chain; and Der Weg ins Freie, a novel that combines a love story with a discussion ofthe roadblocks facing Austria's Jews. Today, his popularity is reflected by new editions and translations and by adaptations for theater, television, and film by artists such as Tom Stoppard and Stanley Kubrick. This book examinesSchnitzler reception up to 2000, beginning with the journalistic reception of the early plays. Before being suspended by a decade of Nazism, criticism in the 1920s and 30s emphasized Schnitzler's determinism and decadence. Not until the early 60s was humanist scholarship able to challenge this verdict by pointing out Schnitzler's ethical indictment of impressionism in the late novellas. During the same period, Schnitzler, whom Freud considered his literary "Doppelgänger," was often subjected to Freudian psychoanalytical criticism; but by the 80s, scholarship was citing his own thoroughgoing objections to such categories. Since the 70s, Schnitzler's remonstrance toward the Austrianestablishment has been examined by social historians and feminist critics alike, and the recently completed ten-volume edition of Schnitzler's diary has met with vibrant interest. Andrew C. Wisely is associate professor of German at Baylor University.
A chronicle of Vienna's Golden Age and the influence of Sigmund Freud on the modern world by a clinical psychologist whose mystery novels form the basis of PBS's Vienna Blood series. Some cities are like stars. When the conditions are right, they ignite, and burn with such fierce intensity that they outshine every other city on the planet. Vienna was one such city and, at the beginning of the twentieth century, was the birthplace of the modern mind and the way we live today. Long coffee menus and celebrity interviews are Viennese inventions. ‘Modern’ buildings were appearing in Vienna long before they started appearing in New York and the idea of practical modern home design originated in the work of Viennese architect Adolf Loos. The place, however, where one finds the most indelible and profound impression of Viennese influence is inside your head. How we think about ourselves has been largely determined by Vienna’s most celebrated resident, Sigmund Freud. In Mortal Secrets, Frank Tallis brilliantly illuminates Sigmund Freud and his times, taking readers into the mind of one of the most influential thinkers of the twentieth century, chronicling the evolution of psychoanalysis and opening up Freud’s life to embrace the Vienna he lived in and the lives of the people he mingled with from Gustav Klimt to Arnold Schönberg, Egon Schiele to Gustav Mahler. Mortal Secrets is a thrilling book about a heady time in one of the world’s most beautiful cities and its long shadow that extends through the twentieth century up until the present day.
Stereotype and Destiny in Arthur Schnitzlers Prose by Marie Kolkenbrock Pdf
What was the function of the invocation of destiny in the increasingly secularized era of turn-of-the-century Vienna? By exploring this question, Stereotype and Destiny in Arthur Schnitzler's Prose offers a new psycho-sociological perspective on the narrative works of Arthur Schnitzler. While Vienna 1900 as a site of crisis has been established in the scholarship, this book focuses on the presence of forces that deny the existence of said crisis and work to contain its subversive and critical potential. Stereotype and destiny emerge in Schnitzler's prose texts as a form of these counter-critical forces. In her readings, Kolkenbrock shows that stereotype and destiny serve as an interrelated coping mechanism for a central psychological conflict of modernity: the paradoxical need to be recognized as 'normal' and 'special' at the same time. While, through the complex of "stereotype and destiny," Schnitzler's prose addresses central modern questions of identity and subjecthood, Kolkenbrock's close readings also reveal how the texts inscribe themselves aesthetically in the literary tradition of Romanticism and as such offer crucial sources for understanding Schnitzler's representations of embattled subjecthood within broader social and aesthetic traditions.
A Companion to the Works of Arthur Schnitzler by Dagmar C. G. Lorenz Pdf
A fresh collection of essays on the work of one of the leading figures of the Viennese fin de siècle.This volume of specially commissioned essays takes a fresh look at the Viennese Jewish dramatist and prose writer Arthur Schnitzler. Fascinatingly, Schnitzler''s productive years spanned the final phase of the Habsburg monarchy, World War I, the First Austrian Republic, and the rise of National Socialism, and he realized earlier than many of his contemporaries the threat that racist anti-Semitism posed to the then almost complete assimilation of Austrian Jews. His writings also reflect the irresolvable conflict between emerging feminism and the relentless "scientific" discourse of misogyny, and he chronicles the collapse of traditional social structures at the end of the Habsburg monarchy and the struggles of the newly founded republic. In the 1950s Schnitzler''s powerful literary record assumed model character for Viennese Jewish intellectuals born after the Shoah, and his portrayal of gender relations and role expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.e expectations and casual sex are received with the same fascination today as they were by the audiences of his own time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.n time. Schnitzler remains a major figure in contemporary European culture, as his works are still widely read, performed, and adapted -- witness Stanley Kubrick''s adaptation of Schnitzler''s Traumnovelle as the 1999 film Eyes Wide Shut. In this volume a team of international scholars explores Schnitzler''s dramas and prose worksfrom contemporary critical vantage points, but within the context of Austria''s multicultural society at a time of unprecedented change. Contributors: Gerd Schneider, Evelyn Deutsch-Schreiner, Elizabeth Loentz, Iris Bruce, Felix Tweraser, Elizabeth Ametsbichler, Hillary Hope Herzog, Katherine Arens, John Neubauer, Imke Meyer, Susan C. Anderson, Eva Kuttenberg, and Matthias Konzett. Dagmar C. G. Lorenz is professor of German at the University of Illinois-Chicago.
Assessing the impact of fin-de-siècle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling “unheimlich heimisch” (eerily at home) in Vienna.
The Rhetoric of Topics and Forms by Gianna Zocco Pdf
The fourth volume of the collected papers of the ICLA congress “The Many Languages of Comparative Literature” includes articles that study thematic and formal elements of literary texts. Although the question of prioritizing either the level of content or that of form has often provoked controversies, most contributions here treat them as internally connected. While theoretical considerations inform many of the readings, the main interest of most articles can be described as rhetorical (in the widest sense) – given that the ancient discipline of rhetoric did not only include the study of rhetorical figures and tropes such as metaphor, irony, or satire, but also that of topoi, which were originally viewed as the ‘places’ where certain arguments could be found, but later came to represent the arguments or intellectual themes themselves. Another feature shared by most of the articles is the tendency of ‘undeclared thematology’, which not only reflects the persistence of the charge of positivism, but also shows that most scholars prefer to locate themselves within more specific, often interdisciplinary fields of literary study. In this sense, this volume does not only prove the ongoing relevance of traditional fields such as rhetoric and thematology, but provides contributions to currently flourishing research areas, among them literary multilingualism, literature and emotions, and ecocriticism.
A History of Western Public Law by Bruno Aguilera-Barchet Pdf
The book outlines the historical development of Public Law and the state from ancient times to the modern day, offering an account of relevant events in parallel with a general historical background, establishing and explaining the relationships between political, religious, and economic events.
Childrens Emotions in Europe, 1500 1900 by Jeroen J. H. Dekker Pdf
This book gives you the historical sensation of coming face to face with the bodily expression and regulation of children's emotions over time. The study does this by encouraging you to look through the eyes of well-known artists, like Albrecht Dürer, Domenico Ghirlandaio, Jan Steen, Antony van Dyck, Rembrandt, and Titian in early modern Europe, and Jean-Baptiste Siméon Chardin, Thomas Lawrence,Jean-Honoré Fragonard, Philipp Otto Runge, Willem Bartel van der Kooi, Paul Gauguin, Auguste Renoir, and Jozef Israëls in the late 18th and 19th centuries. These sources are supplemented by works from less-famous artists, as well as popular emblem books, child-advice manuals, observations from the emerging child sciences, and personal documents. Jeroen Dekker observes children's emotions mainly in the child's world and in the domestic emotional space, and connects them with history's ongoing, underlying discourse on education and the emotions. This discourse was developed by theologians, philosophers, and moralists like Augustine, Aquinas, Erasmus, Descartes, Jacob Cats, John Locke and Jean-Jacques Rousseau, by Romantic educationalists like Friedrich Fröbel and Ellen Key, and by scientists like Charles Darwin and William James who emphasized the biological instead of the moral fundament of children's emotions. The story of children's emotions is told in the context of cultural movements like the Renaissance, Humanism, the Reformation, the Enlightenment, Romanticism, and the starting Age of Child Science. Children's Emotions in Europe, 1500 1900 crucially highlights the continuous co-existence of regulation-oriented and child-oriented educational views on children's emotions.
Along the Archival Grain offers a unique methodological and analytic opening to the affective registers of imperial governance and the political content of archival forms. In a series of nuanced mediations on the nature of colonial documents from the nineteenth-century Netherlands Indies, Ann Laura Stoler identifies the social epistemologies that guided perception and practice, revealing the problematic racial ontologies of that confused epistemic space. Navigating familiar and extraordinary paths through the lettered lives of those who ruled, she seizes on moments when common sense failed and prevailing categories no longer seemed to work. She asks not what colonial agents knew, but what happened when what they thought they knew they found they did not. Rejecting the notion that archival labor be approached as an extractive enterprise, Stoler sets her sights on archival production as a consequential act of governance, as a field of force with violent effect, and not least as a vivid space to do ethnography.
Ernst L. Freud (1892–1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos’s private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms—including the customary couches—a subject dealt with here for the first time. By interweaving an account of Freud’s professional and personal life in Vienna, Berlin, and London with a critical discussion of selected examples of his domestic architecture, interior designs, and psychoanalytic consulting rooms, the author offers a rich tapestry of Ernst L. Freud’s world. His clients constituted a “Who’s Who” of the Jewish and non-Jewish bourgeoisie in 1920s Berlin and later in London, among them the S. Fischer publisher family, Melanie Klein, Ernest Jones, the Spenders, and Julian Huxley. While moving within a social class known for its cultural and avant-garde activities, Freud refrained from spatial, formal, or technological experiments. Instead, he focused on creating modern homes for his bourgeois clients.
Liberal Intellectuals and Public Culture in Modern Britain, 1815-1914 by William C. Lubenow Pdf
Public life in Great Britain underwent a major transformation after the repeal of the Test and Corporation Acts in 1828 and the passage of the Catholic Relief Act of 1829, which eliminated the requirement that men in public positions swear to uphold the doctrines of the Anglican Church. According to Lubenow (Stockton College), these legislative changes initiated a fundamental reallocation of power, opening many careers to men of talent and educational qualifications, including those whose perspectives and intellectual dispositions led them to question the validity of uniform religious dogma. Lubenow identifies members of the Benson, Strachey, Balfour, Lyttelton, and Sitwell families among the "Men of Letters" who epitomized the 19th century's new secular meritocracy, noting that when religious uniformity was removed as a requirement for positions in the public sphere, religion became more important, if more fluid, in the lives of such Britons. Thus, men of intellectual merit, rather than only those from the more conservative landowning or military traditions, were able to rise in politics, civil service, the clergy, the professions, and the universities, taking their liberal values regarding liberty, moral cultivation, and philosophy into the wider public sphere. Summing Up: Recommended. Graduate students, faculty. Graduate Students; Researchers/Faculty. Reviewed by E. J. Jenkins.
Eyes Wide Shut by Robert P. Kolker,Nathan Abrams Pdf
Twenty years since its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about domesticity, sexual disturbance, and dreams. It was on the director's mind for some 50 years before he finally put it into production. Using the Stanley Kubrick Archive at the University of the Arts, London, and interviews with participants in the production, the authors create an archeology of the film that traces the progress of the film from its origins to its completion, reception, and afterlife. The book is also an appreciation of this enigmatic work and its equally enigmatic creator.
