Science On American Television

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Science on American Television

Author : Marcel Chotkowski
Publisher : University of Chicago Press
Page : 317 pages
File Size : 51,8 Mb
Release : 2013-01-10
Category : History
ISBN : 9780226922010

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Science on American Television by Marcel Chotkowski Pdf

As television emerged as a major cultural and economic force, many imagined that the medium would enhance civic education for topics like science. And, indeed, television soon offered a breathtaking banquet of scientific images and ideas—both factual and fictional. Mr. Wizard performed experiments with milk bottles. Viewers watched live coverage of solar eclipses and atomic bomb blasts. Television cameras followed astronauts to the moon, Carl Sagan through the Cosmos, and Jane Goodall into the jungle. Via electrons and embryos, blood testing and blasting caps, fictional Frankensteins and chatty Nobel laureates, television opened windows onto the world of science. But what promised to be a wonderful way of presenting science to huge audiences turned out to be a disappointment, argues historian Marcel Chotkowski LaFollette in Science on American Television. LaFollette narrates the history of science on television, from the 1940s to the turn of the twenty-first century, to demonstrate how disagreements between scientists and television executives inhibited the medium’s potential to engage in meaningful science education. In addition to examining the content of shows, she also explores audience and advertiser responses, the role of news in engaging the public in science, and the making of scientific celebrities. Lively and provocative, Science on American Television establishes a new approach to grappling with the popularization of science in the television age, when the medium’s ubiquity and influence shaped how science was presented and the scientific community had increasingly less control over what appeared on the air.

The Columbia History of American Television

Author : Gary Richard Edgerton
Publisher : Columbia University Press
Page : 513 pages
File Size : 43,5 Mb
Release : 2007
Category : History
ISBN : 9780231121651

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The Columbia History of American Television by Gary Richard Edgerton Pdf

Richly researched and engaging, The Columbia History of American Television tracks the growth of TV into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. Renowned media historian Gary R. Edgerton follows the technological progress and increasing cultural relevance of television from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. In conclusion, Edgerton takes a discerning look at our current Digital Era and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape.

Science on the Air

Author : Marcel Chotkowski LaFollette
Publisher : University of Chicago Press
Page : 325 pages
File Size : 44,7 Mb
Release : 2009-08-01
Category : Technology & Engineering
ISBN : 9780226466958

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Science on the Air by Marcel Chotkowski LaFollette Pdf

Mr. Wizard’s World. Bill Nye the Science Guy. NPR’s Science Friday. These popular television and radio programs broadcast science into the homes of millions of viewers and listeners. But these modern series owe much of their success to the pioneering efforts of early-twentieth-century science shows like Adventures in Science and “Our Friend the Atom.” Science on the Air is the fascinating history of the evolution of popular science in the first decades of the broadcasting era. Marcel Chotkowski LaFollette transports readers to the early days of radio, when the new medium allowed innovative and optimistic scientists the opportunity to broadcast serious and dignified presentations over the airwaves. But the exponential growth of listenership in the 1920s, from thousands to millions, and the networks’ recognition that each listener represented a potential consumer, turned science on the radio into an opportunity to entertain, not just educate. Science on the Air chronicles the efforts of science popularizers, from 1923 until the mid-1950s, as they negotiated topic, content, and tone in order to gain precious time on the air. Offering a new perspective on the collision between science’s idealistic and elitist view of public communication and the unbending economics of broadcasting, LaFollette rewrites the history of the public reception of science in the twentieth century and the role that scientists and their institutions have played in both encouraging and inhibiting popularization. By looking at the broadcasting of the past, Science on the Air raises issues of concern to all those who seek to cultivate a scientifically literate society today.

American Science Fiction TV

Author : Jan Johnson-Smith
Publisher : Wesleyan University Press
Page : 322 pages
File Size : 55,8 Mb
Release : 2005
Category : Literary Criticism
ISBN : 0819567388

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American Science Fiction TV by Jan Johnson-Smith Pdf

Science fiction TV and the American psyche.

American Science Fiction Film and Television

Author : Lincoln Geraghty
Publisher : Berg
Page : 124 pages
File Size : 40,9 Mb
Release : 2009-10-01
Category : Performing Arts
ISBN : 9780857850768

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American Science Fiction Film and Television by Lincoln Geraghty Pdf

American Science Fiction Film and Television presents a critical history of late 20th Century SF together with an analysis of the cultural and thematic concerns of this popular genre. Science fiction film and television were initially inspired by the classic literature of HG Wells and Jules Verne. The potential and fears born with the Atomic age fuelled the popularity of the genre, upping the stakes for both technology and apocalypse. From the Cold War through to America's current War on Terror, science fiction has proved a subtle vehicle for the hopes, fears and preoccupations of a nation at war. The definitive introduction to American science fiction, this is also the first study to analyse SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including The Day the Earth Stood Still, Planet of the Apes, Star Trek: The Next Generation, The X-Files, and Battlestar Galactica.

The Influence of Star Trek on Television, Film and Culture

Author : Lincoln Geraghty,Donald E. Palumbo,C.W. Sullivan III
Publisher : McFarland
Page : 252 pages
File Size : 45,7 Mb
Release : 2014-07-15
Category : Social Science
ISBN : 9781476612799

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The Influence of Star Trek on Television, Film and Culture by Lincoln Geraghty,Donald E. Palumbo,C.W. Sullivan III Pdf

When the first season of Star Trek opened to American television viewers in 1966, the thematically insightful sci-fi story line presented audiences with the exciting vision of a bold voyage into the final frontiers of space and strange, new galactic worlds. Perpetuating this enchanting vision, the story has become one of the longest running and most multifaceted franchises in television history. Moreover, it has presented an inspiring message for the future, addressing everything from social, political, philosophical, and ethical issues to progressive and humanist representations of race, gender, and class. This book contends that Star Trek is not just a set of television series, but has become a pervasive part of the identity of the millions of people who watch, read and consume the films, television episodes, network specials, novelizations, and fan stories. Examining Star Trek from various critical angles, the essays in this collection provide vital new insights into the myriad ways that the franchise has affected the culture it represents, the people who watch the series, and the industry that created it.

American Science Fiction Television Series of the 1950s

Author : Patrick Lucanio,Gary Coville
Publisher : Unknown
Page : 272 pages
File Size : 52,6 Mb
Release : 1998
Category : Performing Arts
ISBN : UOM:39015047124386

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American Science Fiction Television Series of the 1950s by Patrick Lucanio,Gary Coville Pdf

As Americans grappled with the real problems of the atomic age in the 1950s, the science fiction television series provided escapist fare. At first essentially fantasy and adventure, the shows reflected the progress of the decade, using in the late 1950s extrapolations from the theories and findings of true science. From Adventures of Superman to World of Giants, this reference work covers all science fiction television series of the 1950s. A lengthy essay details character development, technical innovations, critical commentary and other matters. The episode guides that follow first provide primary cast and production credits for the entire season and then coverage of each individual episode, with title, airdate, writer, director, and a plot synopsis. Much of the information was derived from actual viewing, and many errors from other works are corrected here.

Television and the American Child

Author : George A. Comstock,Hae-Jung Paik
Publisher : Unknown
Page : 410 pages
File Size : 50,9 Mb
Release : 1991
Category : Medical
ISBN : UOM:39015066089346

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Television and the American Child by George A. Comstock,Hae-Jung Paik Pdf

Comstock explores the effects of television viewing on children's daily experience, scholastic achievement, belief and perception formation, consumer behavior, and psychology. He draws on numerous studies to show how American society has changed and will change further as the result of television viewing.

The Columbia History of American Television

Author : Gary Edgerton
Publisher : Columbia University Press
Page : 512 pages
File Size : 53,5 Mb
Release : 2007-10-12
Category : Performing Arts
ISBN : 9780231512183

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The Columbia History of American Television by Gary Edgerton Pdf

Television is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future. Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the laying of the first telegraph line in 1844, which gave rise to the idea that images and sounds could be transmitted over long distances. He then considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. He talks of the birth of prime time and cable, the influence of innovators like Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as television's entrance into the international market, describing the ascent of such programs as Dallas and The Cosby Show, and the impact these exports have had on transmitting American culture abroad. Edgerton concludes with a discerning look at our current Digital Era (1995-present) and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape. Richly researched and engaging, Edgerton's history tracks television's growth into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. It took only ten years for television to penetrate thirty-five million households, and by 1983, the average home kept their set on for more than seven hours a day. The Columbia History of American Television illuminates our complex relationship with this singular medium and provides historical and critical knowledge for understanding TV as a technology, an industry, an art form, and an institutional force.

Star Trek and American Television

Author : Roberta Pearson,M‡ire Messenger Davies
Publisher : Univ of California Press
Page : 254 pages
File Size : 54,6 Mb
Release : 2014-04-25
Category : Performing Arts
ISBN : 9780520276215

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Star Trek and American Television by Roberta Pearson,M‡ire Messenger Davies Pdf

At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the programÕs first captain, William Shatner, in an interview with the authors: ÒItÕs a television show.Ó In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star TrekÕs existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative ÒstoryworldÓ of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.

A Companion to the History of Science

Author : Bernard Lightman
Publisher : John Wiley & Sons
Page : 596 pages
File Size : 49,5 Mb
Release : 2016-01-28
Category : Science
ISBN : 9781118620748

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A Companion to the History of Science by Bernard Lightman Pdf

The Wiley Blackwell Companion to the History of Science is a single volume companion that discusses the history of science as it is done today, providing a survey of the debates and issues that dominate current scholarly discussion, with contributions from leading international scholars. Provides a single-volume overview of current scholarship in the history of science edited by one of the leading figures in the field Features forty essays by leading international scholars providing an overview of the key debates and developments in the history of science Reflects the shift towards deeper historical contextualization within the field Helps communicate and integrate perspectives from the history of science with other areas of historical inquiry Includes discussion of non-Western themes which are integrated throughout the chapters Divided into four sections based on key analytic categories that reflect new approaches in the field

Instructional Television Research Reports

Author : U.S. Naval Training Device Center
Publisher : Unknown
Page : 458 pages
File Size : 52,9 Mb
Release : 1956
Category : Naval research
ISBN : STANFORD:36105211313205

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Instructional Television Research Reports by U.S. Naval Training Device Center Pdf

Televisuality

Author : John T Caldwell
Publisher : Rutgers University Press
Page : 667 pages
File Size : 52,6 Mb
Release : 2020-08-14
Category : Social Science
ISBN : 9781978816220

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Televisuality by John T Caldwell Pdf

Although the "decline" of network television in the face of cable programming was an institutional crisis of television history, John Caldwell's classic volume Televisuality reveals that this decline spawned a flurry of new production initiatives to reassert network authority. Television in the 1980s hyped an extensive array of exhibitionist practices to raise the prime-time marquee above the multi-channel flow. Televisuality demonstrates the cultural logic of stylistic exhibitionism in everything from prestige series (Northern Exposure) and "loss-leader" event-status programming (War and Remembrance) to lower "trash" and "tabloid" forms (Pee-Wee's Playhouse and reality TV). Caldwell shows how "import-auteurs" like Oliver Stone and David Lynch were stylized for prime time as videographics packaged and tamed crisis news coverage. By drawing on production experience and critical and cultural analysis, and by tying technologies to aesthetics and ideology, Televisuality is a powerful call for desegregation of theory and practice in media scholarship and an end to the willful blindness of "high theory."

Science Wars through the Stargate

Author : Steven Gil
Publisher : Rowman & Littlefield
Page : 211 pages
File Size : 52,8 Mb
Release : 2015-10-08
Category : Performing Arts
ISBN : 9781442256200

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Science Wars through the Stargate by Steven Gil Pdf

The story of an elite team of scientists and soldiers who travel to other worlds through an alien-built portal, Stargate SG-1 gave its viewers a weekly dose of spectacle and high adventure. Over its ten-season run (1997-2007), the series explored the interactions of the scientific and military cultures represented by its characters, as well as the place of science in society. The initial airing of Stargate SG-1 coincided with the “Science Wars,” a highly public clash among scholars and public intellectuals over the nature and value of scientific knowledge. Critics of science argued that it was merely one form of knowledge among many, subject to biases and blind spots imposed by the culture in which it was created. Defenders of science—mostly scientists themselves—contended that it possessed a unique ability to uncover universal truths, and thus was uniquely valuable to society. In Science Wars through the Stargate: Explorations of Science and Society in Stargate SG-1, Steven Gil offers the first in-depth analysis of the series and places it in the context of contemporary debates about the nature of scientific thought. Gil contends that representations of science within SG-1 can be more fully understood through the prism of the Science Wars. Scientific ideas put forth in SG-1 demonstrate how such complex intellectual exchanges and debates have a place in popular culture and can be further understood through these fictional articulations. Although SG-1 serves as the principal case study, the analysis also casts light on the role and position of science in science fiction television more generally. The long-form narrative of Stargate SG-1 enabled it to engage, in sophisticated ways, with many of the questions at issue in the Science Wars. As the author illustrates, the show presented a complex, sophisticated portrait of science and scientists at a time when the scientific enterprise was under intense public scrutiny. Science Wars through the Stargate will be of interest to science fiction scholars and fans of the series, but also to those interested in the public’s evolving understanding of science and its role in society.

Latin American Television

Author : John Sinclair
Publisher : OUP Oxford
Page : 198 pages
File Size : 55,7 Mb
Release : 1998-12-17
Category : Performing Arts
ISBN : 9780191584145

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Latin American Television by John Sinclair Pdf

Latin American Television makes English speakers aware of the dimensions, operation, and significance of the globalization of television in the Spanish-speaking world. Second only in scale to the market for English-language programming, the Spanish-language market embraces not just most nations of South and Central America but also Spain, and even the United States—the sixth largest Spanish-speaking country in the world. This intercontinental space is connected physically by satellite communication, and culturally by a common language and heritage which binds it as both a `geolinguistic region' and an `imagined community' which certain media corporations, Latin American and North American, seek to exploit. A similar phenomenon with regard to Brazil and the Portuguese-speaking world is also examined, with special attention to its comparable features and points of exchange with the Spanish-speaking world. The book chronicles and analyses the development and structure of the globalization of these markets as a `Latin world'.