Sears Crosstown In Memphis From Catalogues To A Concourse
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Sears Crosstown in Memphis: From Catalogues to a Concourse by Bill Haltom Pdf
When it opened in 1927, Sears Crosstown, now Crosstown Concourse, was the southeastern regional warehouse and distribution center for the Sears Catalogue mail-order empire. Each day, more than forty-five thousand orders were processed by more than 1,500 workers. As a result, Sears Crosstown became known locally as the Wish Building. For more than half a century, the iconic building and its surrounding neighborhood flourished until the decline of Sears in the 1980s. For decades, the once dynamic destination for commerce was vacant and shuttered. Then a unique group of Memphians emerged to resurrect Sears Crosstown with a plan most thought was impossible. Bill Haltom, a native Memphian and writer, tells the story of the Wish Building--its past, present and future.
Sears Crosstown in Memphis: From Catalogues to a Concourse by Bill Haltom Pdf
When it opened in 1927, Sears Crosstown, now Crosstown Concourse, was the southeastern regional warehouse and distribution center for the Sears Catalogue mail-order empire. Each day, more than forty-five thousand orders were processed by more than 1,500 workers. As a result, Sears Crosstown became known locally as "the Wish Building." For more than half a century, the iconic building and its surrounding neighborhood flourished until the decline of Sears in the 1980s. For decades, the once dynamic destination for commerce was vacant and shuttered. Then a unique group of Memphians emerged to resurrect Sears Crosstown with a plan most thought was impossible. Bill Haltom, a native Memphian and writer, tells the story of "the Wish Building"--its past, present and future.
History Lover's Guide to Memphis & Shelby County, A by Bill Patton Pdf
This tour of Memphis goes well beyond the traditional guidebook to offer a historical journey through the Home of the Blues. Explore the city's African American heritage from Church Park to beautiful Mason Temple, where Dr. Martin Luther King Jr. delivered his final, prophetic speech. Visit Court Square, where a young Thomas Edison delighted children and adults with his popular invention: the cockroach shocker. Discover hidden gems like the nineteenth-century dueling grounds on the banks of the Mississippi and a charming Depression-era country store. From Beale Street to the bluffs, author Bill Patton traces the incomparable history of Memphis.
Stars in the Ring: Jewish Champions in the Golden Age of Boxing by Mike Silver Pdf
For more than sixty years—from the 1890s to the 1950s—boxing was an integral part of American popular culture and a major spectator sport rivaling baseball in popularity. More Jewish athletes have competed as boxers than all other professional sports combined; in the period from 1901 to 1939, 29 Jewish boxers were recognized as world champions and more than 160 Jewish boxers ranked among the top contenders in their respective weight divisions. Stars in the Ring,by renowned boxing historian Mike Silver, presents this vibrant social history in the first illustrated encyclopedic compendium of its kind.
Edison; His Life and Inventions by Frank Lewis Dyer,Thomas Commerford Martin Pdf
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.
Part of the Jewish Encounters series The first general-interest biography of the legendary editor of the Jewish Daily Forward, the newspaper of Yiddish-speaking immigrants that inspired, educated, and entertained millions of readers; helped redefine journalism during its golden age; and transformed American culture. Already a noted journalist writing for both English-language and Yiddish newspapers, Abraham Cahan founded the Yiddish daily in New York City in 1897. Over the next fifty years he turned it into a national newspaper that changed American politics and earned him the adulation of millions of Jewish immigrants and the friendship of the greatest newspapermen of his day, from Lincoln Steffens to H. L. Mencken. Cahan did more than cover the news. He led revolutionary reforms—spreading social democracy, organizing labor unions, battling communism, and assimilating immigrant Jews into American society, most notably via his groundbreaking advice column, A Bintel Brief. Cahan was also a celebrated novelist whose works are read and studied to this day as brilliant examples of fiction that turned the immigrant narrative into an art form. Acclaimed journalist Seth Lipsky gives us the fascinating story of a man of profound contradictions: an avowed socialist who wrote fiction with transcendent sympathy for a wealthy manufacturer, an internationalist who turned against the anti-Zionism of the left, an assimilationist whose final battle was against religious apostasy. Lipsky’s Cahan is a prism through which to understand the paradoxes and transformations of the American Jewish experience. A towering newspaperman in the manner of Horace Greeley and Joseph Pulitzer, Abraham Cahan revolutionized our idea of what newspapers could accomplish. (With 16 pages of black-and-white illustrations.)
Author : James Day Publisher : University of California Press Page : 470 pages File Size : 46,5 Mb Release : 2021-01-08 Category : Performing Arts ISBN : 9780520356634
This spirited history of public television offers an insider's account of its topsy-turvy forty-year odyssey. James Day, a founder of San Francisco's KQED and a past president of New York's WNET, provides a vivid and often amusing behind-the-screens history. Day tells how a program producer, desperate to locate a family willing to live with television cameras for seven months, borrowed a dime—and a suggestion—from a blind date and telephoned the Louds of Santa Barbara. The result was the mesmerizing twelve-hour documentary An American Family. Day relates how Big Bird and his friends were created to spice up Sesame Street when test runs showed a flagging interest in the program's "live-action" segments. And he describes how Frieda Hennock, the first woman appointed to the FCC, overpowered the resistance of her male colleagues to lay the foundation for public television. Day identifies the particular forces that have shaped public television and produced a Byzantine bureaucracy kept on a leash by an untrusting Congress, with a fragmented leadership that lacks a clearly defined mission in today's multimedia environment. Day calls for a bold rethinking of public television's mission, advocating a system that is adequately funded, independent of government, and capable of countering commercial television's "lowest-common-denominator" approach with a full range of substantive programs, comedy as well as culture, entertainment as well as information. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.
The American dream of a single family home on its own lot is still strong, but a different dream of living and prospering in a major city is beginning to take hold. After decades of abandonment by the middle class, a detectable number of people are moving into urban downtown areas. The Intown Living phenomenon is generally powered by people under the age of 40 who are seeking more stimulation than offered in the typical subdivision lifestyle. This book encourages cities and the private development community to team up and expand central city housing opportunities and illustrates the upside of Intown Living to those considering moving to a city. This unique work provides current data on who is buying intown, at what prices, and in what size apartments and condominiums. This piece serves as a firsthand account of what is happening in today's cities and why. It gives details about the financial and programmatic incentives needed to make Intown Living happen, and why they are necessary. Includes 10 detailed maps and an in-depth look at the cities of Atlanta, Dallas, Houston, Memphis, Minneapolis, New Orleans, Portland, Oregon, and Vancouver, B.C.
Gordon's critically acclaimed and richly entertaining exploration of the birthplace of rock and roll is peopled with Delta bluesmen, manic deejays, matinee cowboys and Elvis.
Piney Wood Atlas: the Northwest by Carolina Porras & Pdf
Piney Wood Atlas is a project by Carolina Porras & Alicia Toldi that catalogues small, emerging, and unconventional artist residencies around the United States. This book focuses on the Northwest region.
The Suburb Reader by Becky Nicolaides,Andrew Wiese Pdf
Since the 1920s, the United States has seen a dramatic reversal in living patterns, with a majority of Americans now residing in suburbs. This mass emigration from cities is one of the most fundamental social and geographical transformations in recent US history. Suburbanization has not only produced a distinct physical environment—it has become a major defining force in the construction of twentieth-century American culture. Employing over 200 primary sources, illustrations, and critical essays, The Suburb Reader documents the rise of North American suburbanization from the 1700s through the present day. Through thematically organized chapters it explores multiple facets of suburbia’s creation and addresses its indelible impact on the shaping of gender and family ideologies, politics, race relations, technology, design, and public policy. Becky Nicolaides’ and Andrew Wiese’s concise commentaries introduce the selections and contextualize the major themes of each chapter. Distinctive in its integration of multiple perspectives on the evolution of the suburban landscape, The Suburb Reader pays particular attention to the long, complex experiences of African Americans, immigrants, and working people in suburbia. Encompassing an impressive breadth of chronology and themes, The Suburb Reader is a landmark collection of the best works on the rise of this modern social phenomenon.
Becoming the Beach Boys, 1961-1963 by James B. Murphy Pdf
They were almost The Pendletones--after the Pendleton wool shirts favored on chilly nights at the beach--then The Surfers, before being named The Beach Boys. But what separated them from every other teenage garage band with no musical training? They had raw talent, persistence and a wellspring of creativity that launched them on a legendary career now in its sixth decade. Following the musical vision of Brian Wilson, the Beach Boys blended ethereal vocal harmonies, searing electric guitars and lush arrangements into one of the most distinctive sounds in the history of popular music. Drawing on original interviews and newly uncovered documents, this book untangles the band's convoluted early history and tells the story of how five boys from California formed America's greatest rock 'n' roll band.
The Word Rhythm Dictionary by Timothy Polashek Pdf
This new kind of dictionary reflects the use of “rhythm rhymes” by rappers, poets, and songwriters of today. Users can look up words to find collections of words that have the same rhythm as the original and are useable in ways that are familiar to us in everything from vers libre poetry to the lyrics and music of Bob Dylan and hip hop groups.
Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man," revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it "the Sweatshop." He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.
