Self Nation Text In Salman Rushdie S Midnight S Children
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Self, Nation, Text in Salman Rushdie's "Midnight's Children" by Neil ten Kortenaar Pdf
Neil Ten Kortenaar examines the key critical concepts associated with contemporary postcolonial theory, including hybridity, mimicry, national allegory, and cosmopolitanism, through a close reading of Salman Rushdie's 'Midnight's Children'.
Self, Nation, Text in Salman Rushdie's "Midnight's Children" by Neil ten Kortenaar Pdf
Neil ten Kortenaar examines the key critical concepts associated with contemporary postcolonial theory, including hybridity, mimicry, national allegory, and cosmopolitanism, through a close reading of Salman Rushdie'sMidnight's Children. He offers successive readings of Rushdie's novel - first as an allegory of history, then as a Bildungsroman and psychological study of the burgeoning of a national consciousness, and, finally, as a representation of the nation.He shows that the hybridity of Rushdie's fictional India is not created by different elements combining to form a single whole but rather by the relations among the elements: Rushdie's India is more self-conscious than are communal identities based on langua it is haunted by a dark twin called Pakistan; it is a nation in the way England is a nation, but is imagined against Engl it mistrusts the openness of Tagore's Hindu India; and it is at once cosmopolitan and a particular subjective location. The citizen in turn is imagined in terms of the nation. Saleem Sinai's heroic identification of himself with the state is beaten out of him until at the end he sees himself as the Common Man at the mercy of the state.Self, Nation, Text in Salman Rushdie's Midnight Childrenexplains the many historical and cultural references in a book that makes many demands on non-Indian readers and will be of interest to all who teach postcolonial and postmodern literature and to their students, graduate and undergraduate. Moreover, as an original argument about how nation-states are imagined and how national consciousness is formed in the citizen, it will be of interest to scholars in the area of cultural studies and postcolonial theory, whether in history, literature, cultural studies, or South Asian studies.
A Study Guide for Salman Rushdie's Midnight's Children by Gale, Cengage Learning Pdf
A Study Guide for Salman Rushdie's "Midnight's Children," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
Nabokov, Rushdie, and the Transnational Imagination by R. Trousdale Pdf
Using Vladimir Nabokov and Salman Rushdie's work, this study argues that transnational fiction refuses the simple oppositions of postcolonial theory and suggests the possibility of an inclusive global literature.
Salman Rushdie's Midnight's Children by Reena Mitra Pdf
Salman Rushdie S Midnight S Children, Ever Since Its Publication In 1980, Has Been Considered An Ingenious Piece Of Literary Art And A Trendsetter In The Field Of Indian Fiction In English. The Stupendous Success Of This Novel Broke All Previous Records And Rushdie Was Hailed As One Who Engendered A Whole New Generation Of Fiction Writers That Embraced Magical Realism As A Mode For The Depiction Of History. The Variant Mode Of The Portrayal Of Historical Reality That Rushdie Adopts In Midnight S Children Is Characteristically His Own And His Fantasizing Of Facts In This Novel Inspired A Host Of Other Writers To Offer, In Their Respective Works, Their Own Blends Of Fact And Fiction.Midnight S Children Is A Multi-Faceted Novel Which Lends Itself To Analysis From Various Angles And Perspectives. Be It From The Point Of View Of Structure Or Content, The Work Yields A Richness That Has Been Variously Explored By The Scholars Who Have Contributed To This Anthology Of Essays On It.
This original study is the first major critical appraisal of Ireland’s post-colonial experience in relation to that of other emergent nations. The parallels between Ireland, India, Latin America, Africa and Europe establish bridges in literary and musical contexts which offer a unique insight into independence and freedom, and the ways in which they are articulated by emergent nations. They explore the master-servant relationship, the functions of narrative, and the concepts of nationalism, map-making, exile, schizophrenia, hybridity, magical realism and disillusion. The author offers many incisive answers to the question: What happens to an emerging nation after it has emerged?
Winner of the Booker prize and twice winner of the Booker of Bookers, Midnight's Children is "one of the most important books to come out of the English-speaking world in this generation" (New York Review of Books). Reissued for the 40th anniversary of the original publication--with a new introduction from the author--Salman Rushdie's widely acclaimed novel is a masterpiece in literature. Saleem Sinai is born at the stroke of midnight on August 15, 1947, the very moment of India’s independence. Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India’s 1,000 other “midnight’s children,” all born in that initial hour and endowed with magical gifts. This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people–a brilliant incarnation of the universal human comedy. Midnight’s Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.
This introduction places the fiction of Salman Rushdie in a clear historical and theoretical context. Morton explores Rushdie's biography, the histories that inform his major works and his relevance to contemporary culture. Including a timeline of key dates, this study offers an overview of the varied critical reception Rushdie's work has provoked
These essays represent a selection of 40 years’ commentary on the political dimensions of cultural life. They address the entire spectrum of culture, from theories of international communication to the provision of cultural and leisure facilities at local level. As a former consultant to the Council of Europe, the author has developed a penetrating insight into the decision-making process between local authorities and citizens’ groups, which is discussed in two seminal papers from the 1980s which pioneered the concept of Cultural Democracy. In addition, the book’s close readings of novels and plays by Irish and Greek writers explore the way that all writing and forms of self-expression have a political message and repercussions.
This volume offers a collection of essays focused upon the representation of one of the most traumatic events in the history of India―the 1947 Partition―in literature and cinematographic adaptations. The focus here is placed on various strategies of representation and different types of memory at work in the process of remembering/re-membering Partition. All these avoid the traditional Hindu vs. Muslim perspective, and analyse other sides of the same story, seen from the perspective of marginal people belonging to other religious minorities, whose stories have generally been ignored and silenced by the official historical discourse. The book also demonstrates that the multiple “truths” engendered by this crucial event in India’s history lie along “improbable lines” randomly generated between history, amnesia and memory, between personal drama and collective trauma, loss and rupture, religion and nationalism, and longing and belonging.
Over the past fifty years, debates about human rights have assumed an increasingly prominent place in postcolonial literature and theory. Writers from Salman Rushdie to Nawal El Saadawi have used the novel to explore both the possibilities and challenges of enacting and protecting human rights, particularly in the Global South. In Fictions of Dignity, Elizabeth S. Anker shows how the dual enabling fictions of human dignity and bodily integrity contribute to an anxiety about the body that helps to explain many of the contemporary and historical failures of human rights, revealing why and how lives are excluded from human rights protections along the lines of race, gender, class, disability, and species membership. In the process, Anker examines the vital work performed by a particular kind of narrative imagination in fostering respect for human rights. Drawing on phenomenology, Anker suggests how an embodied politics of reading might restore a vital fleshiness to the overly abstract, decorporealized subject of liberal rights. Each of the novels Anker examines approaches human rights in terms of limits and paradoxes. Rushdie's Midnight's Children addresses the obstacles to incorporating rights into a formerly colonized nation's legal culture. El Saadawi's Woman at Point Zero takes up controversies over women's freedoms in Islamic society. In Disgrace, J. M. Coetzee considers the disappointments of post-apartheid reconciliation in South Africa. And in The God of Small Things, Arundhati Roy confronts an array of human rights abuses widespread in contemporary India. Each of these literary case studies further demonstrates the relevance of embodiment to both comprehending and redressing the failures of human rights, even while those narratives refuse simplistic ideals or solutions.
This book engages with critical issues which create a proper understanding of how identities and belonging are imagined and constructed in postcolonial India. The contributors have examined various texts and movies to discuss the implicit communal nature of postcolonial India. The book attempts to discuss the different ways in which India is badly plagued by communal politics and terrorism, and to offer a cogent alternative for creating a strong solidarity among different communities in India.
Transcultural Memory and Globalised Modernity in Contemporary Indo-English Novels by Nadia Butt Pdf
This book places transcultural memory in the South Asian cultural and literary context. Divided into two parts, the book first defines transcultural memory in the age of globalised modernity both as a theory and social practice. Then it examines contemporary Indo-English novels from India and Pakistan with the theoretical and methodological tool of transcultural memory to shed new light on the connection between memory and modernity, and memory and South Asian cultures in the wake of new social and political transformations on the Indian subcontinent. A special focus on commemorative tropes in the novels not only show the possibility of a dialogue with different versions of the past, but also how such a dialogue shapes processes of remembrance between and beyond borders. Hence, the books comes up with alternative ways of reading the Indo-English novels, divesting the concept of (trans)cultural memory from its Euro- centrism and claiming it as equally significant in comprehending the new configurations of memory and modernity in non-Western locations.
Salman Rushdie's Midnight's Children by Salman Rushdie Pdf
The original stage adaptation of Salman Rushdie’s Midnight’s Children, winner of the 1993 Booker of Bookers, the best book to win the Booker Prize in its first twenty-five years. In the moments of upheaval that surround the stroke of midnight on August 14--15, 1947, the day India proclaimed its independence from Great Britain, 1,001 children are born--each of whom is gifted with supernatural powers. Midnight’s Children focuses on the fates of two of them--the illegitimate son of a poor Hindu woman and the male heir of a wealthy Muslim family--who become inextricably linked when a midwife switches the boys at birth. An allegory of modern India, Midnight’s Children is a family saga set against the volatile events of the thirty years following the country’s independence--the partitioning of India and Pakistan, the rule of Indira Gandhi, the onset of violence and war, and the imposition of martial law. It is a magical and haunting tale, of fragmentation and of the struggle for identity and belonging that links personal life with national history. In collaboration with Simon Reade, Tim Supple and the Royal Shakespeare Society, Salman Rushdie has adapted his masterpiece for the stage.
The Oxford Encyclopedia of British Literature by David Scott Kastan Pdf
A comprehensive reference presents over five hundred full essays on authors and a variety of topics, including censorship, genre, patronage, and dictionaries.