Semiotics Of Popular Music

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Semiotics of Popular Music

Author : Martina Elicker
Publisher : Gunter Narr Verlag
Page : 230 pages
File Size : 50,5 Mb
Release : 1997
Category : Loneliness
ISBN : 382334658X

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Semiotics of Popular Music by Martina Elicker Pdf

Linguistics and Semiotics in Music

Author : Raymond Monelle
Publisher : Routledge
Page : 366 pages
File Size : 40,9 Mb
Release : 2014-04-08
Category : Music
ISBN : 9781134346660

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Linguistics and Semiotics in Music by Raymond Monelle Pdf

This handbook for advanced students explains the various applications to music of methods derived from linguistics and semiotics. The book is aimed at musicians familiar with the ordinary range of aesthetic and theoretical ideas in music; no specialized knowledge of linguistic or semiotic terminology is necessary. In the two introductory chapters, semiotics is related to the tradition of music aesthetics and to well-known works like Deryck Cooke's The Language of Music, and the methods of linguistics are explained in language intelligible to musicians. There is no limitation to one school or tradition; linguistic applications not avowedly semiotic, and semiotic theories not connected with linguistics, are all included. The book gives clear and simple descriptions with ample diagrams and music examples of the 'neutral level', 'semiotic analysis', transformation and generation, structural semantics and narrative grammar, intonation theory, the ideas of C.S. Peirce, and applications in ethnomusicology.

Analysing Popular Music

Author : David Machin
Publisher : SAGE
Page : 242 pages
File Size : 43,9 Mb
Release : 2010-03-15
Category : Art
ISBN : 9781446241349

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Analysing Popular Music by David Machin Pdf

Popular music is far more than just songs we listen to; its meanings are also in album covers, lyrics, subcultures, voices and video soundscapes. Like language these elements can be used to communicate complex cultural ideas, values, concepts and identities. Analysing Popular Music is a lively look at the semiotic resources found in the sounds, visuals and words that comprise the ′code book′ of popular music. It explains exactly how popular music comes to mean so much. Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers. Written for students with no prior musical knowledge, Analysing Popular Music is the perfect toolkit for students in sociology, media and communication studies to analyse, understand - and celebrate - popular music.

Signs of Music

Author : Eero Tarasti
Publisher : Walter de Gruyter
Page : 232 pages
File Size : 52,7 Mb
Release : 2012-05-15
Category : Language Arts & Disciplines
ISBN : 9783110899870

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Signs of Music by Eero Tarasti Pdf

Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.

Music Semiotics

Author : Esti Sheinberg
Publisher : Ashgate Publishing, Ltd.
Page : 376 pages
File Size : 45,5 Mb
Release : 2012
Category : Music
ISBN : 1409411028

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Music Semiotics by Esti Sheinberg Pdf

An international group of contributors, including leading authorities on music and culture, come together in this volume to investigate different ways in which music signifies.Looking at the nature of musical texts and music's narrativity, a number of the essays in this collection delve into the relationship between music and philosophy, literature, poetry, folk traditions and the theatre, with opera a genre that particularly lends itself to this mode of investigation. Other contributions look at theories of musical markedness, metaphor and irony. Musical works discussed include those by Haydn, Mozart, Beethoven, Schumann, Wagner, Stravinsky, Bartók, Xenakis, Kutavicius and John Adams.

Music, Analysis, Experience

Author : Costantino Maeder,Mark Reybrouck
Publisher : Leuven University Press
Page : 357 pages
File Size : 55,8 Mb
Release : 2015-12-07
Category : Music
ISBN : 9789462700444

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Music, Analysis, Experience by Costantino Maeder,Mark Reybrouck Pdf

Transdisciplinary and intermedial analysis of the experience of music Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy. ContributorsPaulo Chagas (University of California, Riverside), Isaac and Zelia Chueke (Universidade Federal do Paraná, OMF/Paris-Sorbonne), Maurizio Corbella (Università degli Studi di Milano), Ian Cross (University of Cambridge), Paulo F. de Castro (CESEM/Departamento de Ciências Musicais; FCSH Universidade Nova de Lisboa), Robert S. Hatten (University of Texas at Austin), David Huron (School of Music, Ohio State University), Jamie Liddle (The Open University), Gabriele Marino (University of Turin), Dario Martinelli (Kaunas University of Technology; International Semiotics Institute), Nicolas Marty (Université Paris-Sorbonne), Maarten Nellestijn (Utrecht University), Małgorzata Pawłowska (Academy of Music in Krakow), Mônica Pedrosa de Pádua (Federal University of Minas Gerais, UFMG), Piotr Podlipniak (Adam Mickiewicz University, Poznan), Rebecca Thumpston (Keele University), Mieczysław Tomaszewski (Academy of Music in Krakow), Lea Maria Lucas Wierød (Aarhus University), Lawrence M. Zbikowski (University of Chicago)

Semiotics of Classical Music

Author : Eero Tarasti
Publisher : Walter de Gruyter
Page : 508 pages
File Size : 48,9 Mb
Release : 2012-10-01
Category : Language Arts & Disciplines
ISBN : 9781614511410

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Semiotics of Classical Music by Eero Tarasti Pdf

Musical semiotics is a new discipline and paradigm of both semiotics and musicology. In its tradition, the current volume constitutes a radically new solution to the theoretical problem of how musical meanings emerge and how they are transmitted by musical signs even in most "absolute" and abstract musical works of Western classical heritage. Works from symphonies, lied, chamber music to opera are approached and studied here with methods of semiotic inspiration. Its analyses stem from systematic methods in the author's previous work, yet totally new analytic concepts are also launched in order to elucidate profound musical significations verbally. The book reflects the new phase in the author's semiotic approach, the one characterized by the so-called "existential semiotics" elaborated on the basis of philosophers from Kant , Hegel and Kierkegaard to Jaspers, Heidegger, Sartre and Marcel. The key notions like musical subject, Schein, becoming, temporality, modalities, Dasein, transcendence put musical facts in a completely new light and perspectives of interpretation. The volume attempts to make explicit what is implicit in every musical interpretation, intuition and understanding: to explain how compositions and composers "talk" to us. Its analyses are accessible due to the book's universal approach. Music is experienced as a language, communicating from one subject to another.

A Theory of Musical Semiotics

Author : Eero Tarasti
Publisher : Indiana University Press
Page : 356 pages
File Size : 43,8 Mb
Release : 1994-12-22
Category : Literary Criticism
ISBN : 0253356490

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A Theory of Musical Semiotics by Eero Tarasti Pdf

"Since [Tarasti's] is unquestionably the most fully developed narrative theory in the literature, this book is an important landmark . . . " —Music & Letters Eero Tarasti advances a semiotic theory of music based on information provided by the history of Western music and by various sign theories. A Theory of Musical Semiotics provides a model for the semiotic analysis of both musical structure and semantics. It introduces English-language readers to musical narratology, which has been largely the province of European researchers.

Music as Multimodal Discourse

Author : Lyndon C. S. Way,Simon McKerrell
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 48,6 Mb
Release : 2017-01-26
Category : Language Arts & Disciplines
ISBN : 9781474264440

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Music as Multimodal Discourse by Lyndon C. S. Way,Simon McKerrell Pdf

We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. The music industry, governments and artists have always relied on posters, films and album covers to enhance music's semiotic meaning. Music as Multimodal Discourse: Semiotics, Power and Protest considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes, drawing upon, and extending the conceptual territory of social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from Critical Discourse Analysis, Social Semiotics and Music Studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. These analyses reveal how each mode works in various contexts from around the world often articulating counter-hegemonic and subversive discourses of identity and belonging.

Music as Discourse

Author : Kofi Agawu,Victor Kofi Agawu
Publisher : Oxford University Press
Page : 345 pages
File Size : 47,9 Mb
Release : 2014-10-29
Category : Music
ISBN : 9780190206406

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Music as Discourse by Kofi Agawu,Victor Kofi Agawu Pdf

The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. This book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself.

Semiotics of Musical Time

Author : Thomas Reiner
Publisher : Peter Lang Incorporated, International Academic Publishers
Page : 272 pages
File Size : 48,9 Mb
Release : 2000
Category : Language Arts & Disciplines
ISBN : STANFORD:36105028517758

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Semiotics of Musical Time by Thomas Reiner Pdf

Semiotics of Musical Time investigates the link between musical time and the world of signs and symbols. It examines the extent to which musical time is a product of signs, sign systems, and sign-oriented behavior. Sound is discussed as a potential sign of time and of musical time. Inherent and recognizable temporal features are identified in a number of musical works. Time as a compositional concern is examined in the case of Igor Stravinsky and Karlheinz Stockhausen. A principal distinction between hearing associated with perception and listening associated with cognition provides the basis for the proposition that musical time is both unheard and imperceptible. The role of concepts, and their designations, is investigated to demonstrate that consciousness of musical time involves semiotic processes.

The Dawn of Music Semiology

Author : Jonathan Dunsby,Jonathan Goldman
Publisher : Boydell & Brewer
Page : 230 pages
File Size : 49,6 Mb
Release : 2017
Category : Music
ISBN : 9781580465625

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The Dawn of Music Semiology by Jonathan Dunsby,Jonathan Goldman Pdf

Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives.

The Sense of Music

Author : Raymond Monelle
Publisher : Princeton University Press
Page : 265 pages
File Size : 48,9 Mb
Release : 2010-09-17
Category : Music
ISBN : 9781400824038

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The Sense of Music by Raymond Monelle Pdf

The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history.

Playing with Signs

Author : V. Kofi Agawu
Publisher : Princeton University Press
Page : 167 pages
File Size : 44,9 Mb
Release : 2014-07-14
Category : Music
ISBN : 9781400861835

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Playing with Signs by V. Kofi Agawu Pdf

Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few attempts to analyze the so-called Classic Style have embraced the semiotic implications of this condition. Playing with Signs proposes a listener-oriented theory of Classic instrumental music that encompasses its two most fundamental communicative dimensions: expression and structure. Units of expression, defined in reference to topoi, are shown here to interact with, confront, and merge into units of structure, defined in terms of the rhetorical conventions of beginning, continuing, and ending. The book draws on examples from works by Mozart, Haydn, and Beethoven to show that the explicitly referential, even theatrical, surface of Classic music derives from a play with signs. Although addressed primarily to readers interested in musical analysis, the book opens up fruitful avenues for further research into musical semiotics, aesthetics, and Classicism. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Semiotics of Popular Culture

Author : Rossolatos, George
Publisher : kassel university press GmbH
Page : 7 pages
File Size : 46,6 Mb
Release : 2015
Category : Popular culture
ISBN : 9783862195565

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Semiotics of Popular Culture by Rossolatos, George Pdf

Cultural studies constitutes one of the most multi-perspectival research fields. Amidst a polyvocal theoretical landscape that spans different disciplines semiotics is of foundational value. In an attempt to effectively address the conceptual richness of the semiotic discipline, a wide roster of perspectives is evoked in this book against the background of a diverse set of cultural phenomena, including structuralist and post-structuralist semiotics, semiotically informed psychoanalysis, cultural semiotics, film semiotics, sociosemiotics, but also, to a lesser extent, music semiotics and more niche, but certainly promising perspectives, such as postmodern semiotics, ethnosemiotics, phenomenological semiotics and rhetorical semiotics. The recruitment of semiotic frameworks and concepts is enacted against the background of advances in cultural studies (thus reinstating the dialogue with a discipline that took form by drawing on semiotics in the first place) and the various research streams that have become consolidated within the wider cultural studies territory, such as memory studies, celebrity studies, death studies, cultural geography, visual studies. At the same time, the offered readings engage dialogically with Consumer Culture Theory.