September 11 In Popular Culture

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September 11 in Popular Culture

Author : Sara E. Quay,Amy M. Damico
Publisher : Bloomsbury Publishing USA
Page : 342 pages
File Size : 54,9 Mb
Release : 2010-09-14
Category : Social Science
ISBN : 9780313355066

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September 11 in Popular Culture by Sara E. Quay,Amy M. Damico Pdf

This book offers an exploration of the comprehensive impact of the events of September 11, 2001, on every aspect of American culture and society. On Thanksgiving day after September 11, 2001, comic strip creators directed readers to donate money in their artwork, generating $50,000 in relief funds. The world's largest radio network, Clear Channel, sent a memo to all of its affiliated stations recommending 150 songs that should be eliminated from airplay because of assumptions that their lyrics would be perceived as offensive in light of the events of 9/11. On the first anniversary of September 11th, choirs around the world performed Mozart's Requiem at 8:46 am in each time zone, the time of the first attack on the World Trade Center. These examples are just three of the ways the world—but especially the United States—responded to the events of September 11, 2001. Each chapter in this book contains a chronological overview of the sea of changes in everyday life, literature, entertainment, news and media, and visual culture after September 11. Shorter essays focus on specific books, TV shows, songs, and films.

September 11 in Popular Culture

Author : Sara E. Quay,Amy M. Damico
Publisher : Bloomsbury Publishing USA
Page : 548 pages
File Size : 45,7 Mb
Release : 2010-09-14
Category : Social Science
ISBN : 9798216143451

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September 11 in Popular Culture by Sara E. Quay,Amy M. Damico Pdf

This book offers an exploration of the comprehensive impact of the events of September 11, 2001, on every aspect of American culture and society. On Thanksgiving day after September 11, 2001, comic strip creators directed readers to donate money in their artwork, generating $50,000 in relief funds. The world's largest radio network, Clear Channel, sent a memo to all of its affiliated stations recommending 150 songs that should be eliminated from airplay because of assumptions that their lyrics would be perceived as offensive in light of the events of 9/11. On the first anniversary of September 11th, choirs around the world performed Mozart's Requiem at 8:46 am in each time zone, the time of the first attack on the World Trade Center. These examples are just three of the ways the world—but especially the United States—responded to the events of September 11, 2001. Each chapter in this book contains a chronological overview of the sea of changes in everyday life, literature, entertainment, news and media, and visual culture after September 11. Shorter essays focus on specific books, TV shows, songs, and films.

September 11 in Popular Culture: A Guide

Author : Sara E. Quay,Amy M. Damico
Publisher : ABC-CLIO
Page : 342 pages
File Size : 40,6 Mb
Release : 2010-09-14
Category : Social Science
ISBN : 9780313355066

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September 11 in Popular Culture: A Guide by Sara E. Quay,Amy M. Damico Pdf

On Thanksgiving day after September 11, 2001, comic strip creators directed readers to donate money in their artwork, generating $50,000 in relief funds. The world's largest radio network, Clear Channel, sent a memo to all of its affiliated stations recommending 150 songs that should be eliminated from airplay because of assumptions that their lyrics would be perceived as offensive in light of the events of 9/11. On the first anniversary of September 11th, choirs around the world performed Mozart's Requiem at 8:46 am in each time zone, the time of the first attack on the World Trade Center. These examples are just three of the ways the world—but especially the United States—responded to the events of September 11, 2001. Each chapter in this book contains a chronological overview of the sea of changes in everyday life, literature, entertainment, news and media, and visual culture after September 11. Shorter essays focus on specific books, TV shows, songs, and films.

Reframing 9/11

Author : Jeff Birkenstein,Anna Froula,Karen Randell
Publisher : A&C Black
Page : 258 pages
File Size : 40,8 Mb
Release : 2010-05-13
Category : Social Science
ISBN : 9781441119056

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Reframing 9/11 by Jeff Birkenstein,Anna Froula,Karen Randell Pdf

A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.

September 11, 2001 as a Cultural Trauma

Author : Christine Muller
Publisher : Springer
Page : 220 pages
File Size : 44,8 Mb
Release : 2017-01-20
Category : Social Science
ISBN : 9783319501550

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September 11, 2001 as a Cultural Trauma by Christine Muller Pdf

This book investigates the September 11, 2001 attacks as a case study of cultural trauma, as well as how the use of widely-distributed, easily-accessible forms of popular culture can similarly focalize evaluation of other moments of acute and profoundly troubling historical change. The attacks confounded the traditionally dominant narrative of the American Dream, which has persistently and pervasively featured optimism and belief in a just world that affirms and rewards self-determination. This shattering of a worldview fundamental to mainstream experience and cultural understanding in the United States has manifested as a cultural trauma throughout popular culture in the first decade of the twenty-first century. Popular press oral histories, literary fiction, television, and film are among the multiple, ubiquitous sites evidencing preoccupations with existential crisis, vulnerability, and moral ambivalence, with fate, no-win scenarios, and anti-heroes now pervading commonly-told and readily-accessible stories. Christine Muller examines how popular culture affords sites for culturally-traumatic events to manifest and how readers, viewers, and other audiences negotiate their fallout.

The War on Terror and American Popular Culture

Author : Andrew Schopp,Matthew B. Hill
Publisher : Fairleigh Dickinson Univ Press
Page : 301 pages
File Size : 51,8 Mb
Release : 2009
Category : History
ISBN : 9780838642078

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The War on Terror and American Popular Culture by Andrew Schopp,Matthew B. Hill Pdf

The War on Terror and American Popular Culture is a collection of original essays by academics and researchers from around the world that examines the complex interrelation between the Bush administration's "War on Terror" and American popular culture. Written by experts in the fields of literature, film, and cultural studies, this book examines in detail how popular culture reflects concerns and anxieties about the September 11 attacks and the war those attacks generated, how it interrogates the individual and collective impacts that war has wrought, how it might challenge or critique current policy, and how it might reinforce or endorse the war and its sociopolitical paradigms.

American Cinema in the Shadow of 9/11

Author : Terence McSweeney
Publisher : Edinburgh University Press
Page : 352 pages
File Size : 53,6 Mb
Release : 2016-12-05
Category : Performing Arts
ISBN : 9781474413831

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American Cinema in the Shadow of 9/11 by Terence McSweeney Pdf

American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

Imperial Benevolence

Author : Scott Laderman
Publisher : Univ of California Press
Page : 288 pages
File Size : 44,9 Mb
Release : 2018-08-14
Category : History
ISBN : 9780520971028

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Imperial Benevolence by Scott Laderman Pdf

This is a necessary and urgent read for anyone concerned about the United States' endless wars. Investigating multiple genres of popular culture alongside contemporary U.S. foreign policy and political economy, Imperial Benevolence shows that American popular culture continuously suppresses awareness of U.S. imperialism while assuming American exceptionalism and innocence. This is despite the fact that it is rarely a product of the state. Expertly coordinated essays by prominent historians and media scholars address the ways that movies and television series such as Zero Dark Thirty, The Avengers, and even The Walking Dead, as well as video games such as Call of Duty: Black Ops, have largely presented the United States as a global force for good. Popular culture, with few exceptions, has depicted the U.S. as a reluctant hegemon fiercely defending human rights and protecting or expanding democracy from the barbarians determined to destroy it.

Film and Television After 9/11

Author : Wheeler W. Dixon
Publisher : SIU Press
Page : 274 pages
File Size : 41,7 Mb
Release : 2004
Category : History
ISBN : 080932556X

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Film and Television After 9/11 by Wheeler W. Dixon Pdf

Twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate.

9/11 and its Remediations in Popular Culture and Arts in Africa

Author : Heike Behrend,Tobias Wendl
Publisher : LIT Verlag Münster
Page : 141 pages
File Size : 48,5 Mb
Release : 2015
Category : Africa
ISBN : 9783643906274

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9/11 and its Remediations in Popular Culture and Arts in Africa by Heike Behrend,Tobias Wendl Pdf

9/11 has been described as an "absolute event" that radically changed the course of history. It reinforced the opposition between Christian and Muslim worlds and led to the declaration of a unilateral war against a global network of terrorists that broke up the classical definition of war as a war between nation states. Yet, 9/11 also created responses in parts of the world that were not directly involved in the unfolding "war on terror." In Africa, local conflicts were re-mapped into an emerging new geography of anger that also reflects the effects of marginalization in a globalized world. The essays of this volume explore local remediations of 9/11 in African popular culture (posters, photographs, videos, cartoons, etc.) and visual arts. They give evidence of the fundamental ambivalence towards the event of 9/11 and provide insights into the various ways distant conflicts are translated into intense proximities. (Series: African Art and Visual Cultures - Vol. 3) [Subject: African Studies, Cultural Studies, Art]

Representing 9/11

Author : Paul Petrovic
Publisher : Rowman & Littlefield
Page : 251 pages
File Size : 49,5 Mb
Release : 2015-06-17
Category : Performing Arts
ISBN : 9781442252684

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Representing 9/11 by Paul Petrovic Pdf

As the horrific events of September 11, 2001, slip deeper into the past, the significance of 9/11 remains a global cultural touchstone. Initially, filmmakers, writers, and other artists wrangled with its meaning, often relying on fantastical, ethnic, or exceptionalist themes to address the psychic dread of the terrorist attacks. Over time, however, more nuanced and socio-historical perspectives about 9/11 and its impact on America and the world have emerged. In Representing 9/11: Trauma, Ideology, and Nationalism in Literature, Film, and Television, prominent authors from a variety of disciplines demonstrate how emergent American and international texts expand upon and complicate the initial post-9/11 canon. Editor Paul Petrovic has assembled a collection of essays that broadens our understanding of how popular culture has addressed 9/11, particularly as it has evolved over time. Contributors bring fresh readings to popular novels, such as Jonathan Lethem’s Chronic City and Jonathan Franzen’s Freedom; films like Zero Dark Thirty and This Is the End; and television shows such as 24 and Homeland. Showcasing a diverse range of viewpoints, essays in this collection assess, among other topics, how African American identity is challenged by post-9/11 allegories; how superhero films foretell the inevitability of city-wide destruction by terrorists; and how shows like Breaking Bad problematize ideas of liberalism and masculinity. Though primarily aimed at scholars, Representing 9/11 seeks to engage readers interested in how various forms of media have interpreted the events and aftermath of the terrorist attacks in 2001.

Holy Terrors, Second Edition

Author : Bruce Lincoln
Publisher : University of Chicago Press
Page : 161 pages
File Size : 51,8 Mb
Release : 2010-03-15
Category : Religion
ISBN : 9780226482071

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Holy Terrors, Second Edition by Bruce Lincoln Pdf

It is tempting to regard the perpetrators of the September 11th terrorist attacks as evil incarnate. But their motives, as Bruce Lincoln’s acclaimed Holy Terrors makes clear, were profoundly and intensely religious. Thus what we need after the events of 9/11, Lincoln argues, is greater clarity about what we take religion to be. Holy Terrors begins with a gripping dissection of the instruction manual given to each of the 9/11 hijackers. In their evocation of passages from the Quran, we learn how the terrorists justified acts of destruction and mass murder “in the name of God, the most merciful, the most compassionate.” Lincoln then offers a provocative comparison of President Bush’s October 7, 2001 speech announcing U.S. military action in Afghanistan alongside the videotaped speech released by Osama bin Laden just a few hours later. As Lincoln authoritatively demonstrates, a close analysis of the rhetoric used by leaders as different as George W. Bush and Osama bin Laden—as well as Mohamed Atta and even Jerry Falwell—betrays startling similarities. These commonalities have considerable implications for our understanding of religion and its interrelationships with politics and culture in a postcolonial world, implications that Lincoln draws out with skill and sensitivity. With a chapter new to this edition, “Theses on Religion and Violence,” Holy Terrors remains one of the essential books on September 11 and a classic study on the character of religion. “Modernity has ended twice: in its Marxist form in 1989 Berlin, and in its liberal form on September 11, 2001. In order to understand such major historical changes we need both large-scale and focused analyses—a combination seldom to be found in one volume. But here Bruce Lincoln . . . has given us just such a mix of discrete and large-picture analysis.”—Stephen Healey, Christian Century “From time to time there appears a work . . . that serves to focus the wide-ranging, often contentious discussion of religion’s significance within broader cultural dynamics. Bruce Lincoln’s Holy Terrors is one such text. . . . Anyone still struggling toward a more nuanced comprehension of 9/11 would do well to spend time with this book.”—Theodore Pulcini, Middle East Journal

Cultural Resistance, 9/11, and the War on Terror

Author : Jenifer Chao
Publisher : Routledge
Page : 150 pages
File Size : 52,7 Mb
Release : 2019-12-12
Category : Electronic
ISBN : 0367887193

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Cultural Resistance, 9/11, and the War on Terror by Jenifer Chao Pdf

Cultural Resistance, 9/11, and the War on Terror: Sensible Interventions offers a fresh account of the enduring cultural legacies of the September 11, 2001 terror attacks and the global war on terror through the critical lens of cultural resistance. It assesses the intersecting ways that popular culture has been deployed as oppositional practice in the post-9/11 context by documenting a collection of media texts, including a political hip hop album, a TV sitcom, a best-selling novel and studio photographs. Deviating from the conventional discursive and representative axis of mourning, nationalism and commemoration, this multimedia assemblage contests and rearticulates the political meanings, affects and visualizations of the war on terror and its global consequences. Drawing on the theoretical work of Jacques Rancière, the book also argues that these cultural artefacts are extending cultural resistance by shifting the scenes and methods of opposition to the realm of the sensible, or sensorial experiences. Never celebratory, the book encapsulates the potential of cultural practices against restricted post-9/11 regimes of visibility and audibility in the public sphere, but it also remains attentive to their blind spots, contradictions and constraints. This book offers a new angle to consider the events of 9/11, the war on terror and their continual effects, one that blurs established visions of patriotism and grief.

9/11, the War on Terror, and the Sociology of Mass Media

Author : Nickie Wild
Publisher : Unknown
Page : 360 pages
File Size : 55,5 Mb
Release : 2017-12-31
Category : Social Science
ISBN : 1516521722

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9/11, the War on Terror, and the Sociology of Mass Media by Nickie Wild Pdf

9/11, the War on Terror, and the Sociology of Mass Media explores the cultural and political impact of the terrorist attacks on September 11, 2001, with particular emphasis on the media's role in constructing meanings in the wake of the tragedy. The carefully selected readings within this anthology tell the story of how 9/11 was "created"--that is, how the story of the event was told, and how it was not told. In providing students with a comprehensive overview of the various narratives constructed in the aftermath of a defining moment in U.S. history, the book sheds light on how government and media can shape stories, and how those stories contribute to our social reality. The book begins with a selection of articles and chapters that offer students a thorough explanation of the attacks themselves, as well as the effects they had on politics and other official publics. The readings in Part 2 of the text explore society's reaction to 9/11 and the wars it produced, with emphasis on the response of popular culture. Part 3 provides an understanding of the social and historical reasons as to why the attacks happened, both from the perspective of U.S. foreign policy and the terrorists who enacted the attack. The anthology closes with a section that takes a look at the lasting effects of the attacks, exploring cultural impact and the changing landscape of terrorist threats. By encouraging students to rationally explore and ask questions about an event that many feel they've been unable to examine critically before, 9/11, the War on Terror, and the Sociology of Mass Media allows them to exercise their citizenship, nationally and globally. This anthology is well suited for intermediate courses in the sociology of mass media and mass communication, as well as courses in terrorism and cultural sociology. Nickie Michaud Wild is a visiting assistant professor/lecturer of sociology at Mount Holyoke College. She earned her master's and doctorate degrees in sociology from the University of Wisconsin at Milwaukee and the University at Albany, State University of New York, respectively. Dr. Michaud Wild is a faculty fellow at the Yale Center for Cultural Sociology. She has published articles about political humor in the American Journal of Cultural Sociology and the Journal of Broadcasting and Electronic Media, and is currently working on a writing project about how comedy has become an increasingly integral part of the United States' political discourse.

Media Representations of September 11

Author : Steven Chermak Ph.D.,Frankie Y. Bailey,Michelle Brown
Publisher : Bloomsbury Publishing USA
Page : 265 pages
File Size : 43,7 Mb
Release : 2003-10-30
Category : Social Science
ISBN : 9780313016257

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Media Representations of September 11 by Steven Chermak Ph.D.,Frankie Y. Bailey,Michelle Brown Pdf

The terrorist attacks on September 11th were unique and unprecedented in many ways, but the day will stand in our memories particularly because of our ability to watch the spectacle unfold. The blazing towers crumbling into dust, black smoke rising from the Pentagon, the unrecognizable remains of a fourth airplane in a quiet Pennsylvania field—these images, while disturbing and surreal, provide an important vehicle for interdisciplinary dialogue within media studies, showing us how horrific national disasters are depicted in various media. Each contributor to this volume offers a fresh, engaging perspective on how the media transformed the 9/11 crisis into an ideological tour de force, examining why certain readings of these events were preferred, and discussing the significance of those preferred meanings. Yet the contributors do not limit themselves to such standard news mediums such as newspapers and television. This anthology also covers comic books, songs, advertising, Web sites, and other non-traditional media outlets. Using a wide range of interdisciplinary approaches, contributors explore such topics as the amount of time dedicated to coverage, how the attacks were presented in the United States and abroad, how conflicting viewpoints were addressed, and how various artistic outlets dealt with the tragedy. Offering a unique approach to a topic of enduring interest and importance, this volume casts a new light on considerations of that day.