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Serpentine Gallery Pavilion 2006 by Rem Koolhaas Pdf
Five years ago, the Serpentine Gallery invited the world's leading innovative architects to create a pavilion, even an elegance or a folly, that represented the ethos of their work. This book looks at some of creations that resulted from the gallery's challenge.
Herzog and de Meuron / Ai Weiwei: Serpentine Gallery Pavilion 2012 by Hans Ulrich Obrist Pdf
The design team responsible for the celebrated Beijing National Stadium, which was built for the 2008 Olympic Games, comes together again in London in 2012 for the Serpentine's acclaimed annual commission, being presented as part of the London 2012 Festival, the culmination of the Cultural Olympiad. The Pavilion is Herzog & de Meuron and Ai Weiwei's first collaborative built structure in the UK.This year's Pavilion will take visitors beneath the Serpentine's lawn to explore the hidden history of its previous Pavilions. Eleven columns characterising each past Pavilion and a twelfth column representing the current structure will support a floating platform roof 1.4 metres above ground.The Pavilion's interior is clad in cork, a sustainable building material chosen for its unique qualities and to echo the excavated earth.
In the Darkest Hour There May be Light by Serpentine Gallery Pdf
Published to accompany the exhibition at the Serpentine Gallery, London in November 2006, In the darkest hour there may be light provides a revealing and concise overview of Damien Hirst's murderme collection to date. As Julia Peyton-Jones puts it in the Director's Foreword to this beautifully produced catalogue, "Damien Hirst's groundbreaking and controversial work has made him one of the world's best-known living artists. From the start of his career, Hirst adopted the role of curator, organising a series of exhibitions with a group of young artists who would come to define cutting-edge art in the 1990s." Hirst has continually bought and collected works by artists who have inspired and influenced him, such as Francis Bacon, Andy Warhol and Richard Prince, by artists from his own generation such as Sarah Lucas, Angus Fairhurst and Marcus Harvey, and by those at the early stages of their careers such as Rachel Howard, Nicholas Lumb and Tom Ormond. Accompanying the 75 excellent full-color plates of works by the 24 artists exhibited in the show is a humorous but poignant essay by artist and writer Harland Miller reflecting on the idea of collecting from childhood, how obsessive it is, and what a collection is to a collector and to those who see a collection. But it is the interview between Hirst and Hans Ulrich Obrist that gives a direct insight into the motivation and reason behind the murderme collection, and how it relates to Hirst the artist and Hirst the curator. Completed over three months during the summer of 2006, this interview discusses everything from his most famous works, his drawings, influences, practice and attitude towards art, to new projects such as Toddington Manor and the Newport Street Gallery. In many respects 'In the darkest hour there may be light' is perhaps the most comprehensive and intriguing project Hirst has done yet: "Collecting is the way the world works, as a human being. As you go through life, you just collect ... I always think collections are like a map of a man's life."
Experiment Marathon by Hans Ulrich Obrist,Olafur Eliasson Pdf
This publication records the project which was comprised of public events and a large exhibition held at the Reykjavik Art Museum (2008) and at the Serpentine Gallery in London (2007).
The New Curator: Exhibiting Architecture and Design by Fleur Watson Pdf
The New Curator: Exhibiting Architecture and Design examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento. Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.
Serpentine Gallery Pavilion 2007 by Olafur Eliasson,Kjetil Thorsen,Doreen B. Massey,Andreas Ruby,Ilka Ruby,Serpentine Gallery Pdf
Olafur Eliasson is based in Berlin where he has established Studio Olafur Eliasson, a laboratory for spatial research. His work explores the relationship between individuals and their surroundings, as experienced in his awe-inspiring large-scale installation The weather project (2003) at Tate Modern, London. Kjetil Thorsen is co-founder of Snoehetta, one of Scandinavia's leading architectural practices, with offices in Oslo and New York. The Bibliotheca Alexandrina, Egypt 1995-2001, is the commission that brought Snoehetta to international acclaim.
Sou Fujimoto by Sōsuke Fujimoto,Serpentine Gallery Pdf
From the Gallery website: The Serpentine Gallery Pavilion 2013 is designed by multi award-winning Japanese architect Sou Fujimoto. He is the thirteenth and, at 41, youngest architect to accept the invitation to design a temporary structure for the Serpentine Gallery. The most ambitious architectural programme of its kind worldwide, the Serpentine's annual Pavilion commission is one of the most anticipated events on the cultural calendar. Past Pavilions have included designs by Herzog & de Meuron and Ai Weiwei (2012), Frank Gehry (2008), the late Oscar Niemeyer (2003) and Zaha Hadid, who designed the inaugural structure in 2000. We are thrilled to be working with one of the most fascinating architects in the world today. A visionary, who has conceived an extraordinary response to our invitation to design the Serpentine Gallery Pavilion, Sou Fujimoto has designed a structure that will enthral everyone that encounters it throughout the summer. --Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery
Turning the World Upside Down by Anish Kapoor,Julia Peyton-Jones,Darian Leader,Hans-Ulrich Obrist,Marcus Du Sautoy,Stephanie Dieckvoss Pdf
The major outdoor sculptures by acclaimed London-based artist Anish Kapoor are currently on show in the beautiful settings of Kensington Gardens, sited to contrast and reflect the changing colours, foliage and weather. Despite their monumental scale, the works appear as pure reflection of their surroundings: the sky, trees, water, wildlife and changing seasons. The distortions in the works mirror-like surfaces call into question the viewers relationship to both the work itself and the surrounding environment. This catalogue of Kapoors installation is brilliantly illustrated with photographs of the works in situ. It is also the first monograph to feature a comprehensive overview of every one of Kapoors stainless steel sculptures.
John Latham (1921 - 2006) is widely considered a pioneer of British conceptual art.His multifaceted practice encompasses sculpture, installation, painting, film, land art, engineering, found-object, assemblage, performance happenings and theoretical writings, the diversity of which is galvanised by his unique understanding of our place in the universe.This publication traces the trajectory of Latham's practice and brings together archival material, including documentary photographs, texts, correspondence and various ephemera, in order to build a picture of the artist's life and work. Latham saw the artist as holding up a mirror to society: an individual whose dissent from the norm could lead to a profound reconfiguration of reality as we know it.Latham has been associated with several national and international artistic movements, including the first phase of conceptual art in the 1960s. He was an important contributor to the Destruction in Art Symposium of 1966, and also a co-founding member of the Artist Placement Group APG (1966-89).The Serpentine Gallery exhibition (and this accompanying catalogue) spans Latham's career to include his iconic spray and roller paintings; his one-second drawings; films such as Erth (1971), and Latham's monumental work, Five Sisters (1976) from his Scottish Office placement with APG.Published on the occasion of the exhibition, A World View: John Latham at Serpentine Gallery, London, 2 March - 21 May 2017.
