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As a self-created god, Set is a powerful archetype of the Adversary and an attractive model for a practitioner seeking initiation into mysteries of self-deification. Feared by the faint-hearted and worshipped by those who sought power, he has become a symbol of storm and change, movement and transformation, force and energy. His fiery nature represents lust and fury, which is the driving force on the path, and his Black Flame is the inner spark of Godhood that successively becomes the fiery pillar of ascent on the path of self-initiation. His forked knife cuts attachments to the surrounding world, liberating the initiate from bonds of slavery and mindless ignorance, and his scepter represents authority and power, showing us how to devour our gods and be the masters of our destiny.These portrayals of Set and many more are the subject of this anthology. Here you will find glimpses into his mysteries, provided by active practitioners of Draconian magic and initiates of the Left Hand Path. Essays and poetry, portraits and sigil art, rituals and meditations - all these contribute to the portrayal of Set as a god that is still alive and active in modern times, perhaps even more than ever before. We will look into his origins, ancient myths and legends, and modern interpretations of his role on the Left Hand Path - all this written from the perspective of the Draconian Tradition. Compiled and edited by Asenath Mason & Bill Duvendack, with contributions from Edgar Kerval. Mimi Hazim, Fra Diavolo, Soror Sortela, Cătălina Deaconu, Keona Kai'Nathera, V. Ghallego-Iglesias & special contribution by Michael W. Ford.
Long ago the brother gods Osiris and Set ruled peacefully over the lands of Upper and Lower Egypt, each in his own kingdom. But over time Set came to covet his brother's lands and crown, and eventually the temptation overwhelmed him. Usurping Osiris's throne, Set began a blood feud that spread war, death and mutilation through both the heavens and the earth. Gods and men chose sides and took up arms on behalf of both Set and Horus, the heir of Osiris. This book retells the mythic struggle between Horus and Set, exploring the variations and background to the feud, and examining the earthly realities that inspired, or reflected, the actions and allegiances of the Gods, such as the political rivalries between the two kingdoms, and the invasion of Egypt by Cambyses II. Ancient Egyptian weapons and strategies are also examined, showing how their gods and men did battle.
Hecate is a goddess of witchcraft, lunar magic, and necromancy. She appears with torches in her hands, accompanied by howling dogs, serpents, and ghosts of the dead - terrifying retinue that roams the land under the cloak of the night. Her powers are many, and her cult involves both life and death - mystical transformation through the ultimate rite of passage and rebirth in the womb of the earth. She is benevolent and generous, both to nature and her worshippers, as well as ruthless and responsible for all nocturnal atrocities and rites of malefica. In ancient times she was believed to endow witches with the power over the forces of nature, reveal secrets of herbs and poisonous plants, and introduce her followers to mysteries of lycanthropy and shape-shifting.In the Draconian Tradition, she is the guardian of the mystical point of crossing, where all worlds, planes, and dimensions meet and intersect. Initiation into her path involves the descent into inner darkness, the personal "underworld," where knowledge of ourselves and our universe lies concealed, waiting to be rediscovered. She is the first initiatrix, the psychopomp, and the sentinel who meets the aspiring Initiate at the Crossroads of the Worlds, leading us into the Womb of the Dragon through the gateways of the Nightside.This anthology contains all those portrayals of Hecate and many more, introducing the reader to the magic and mythology of this mysterious goddess. Here you will find descriptions of personal gnosis revealed through the work of authors featured in this book, as well as references to her appearance in ancient lore and magic of old times. Like the other anthologies by the Temple of Ascending Flame, all this is written from the perspective of the Draconian Initiate, involving a modern approach suitable for the practitioner of the Left Hand Path.Edited and compiled by Asenath Mason, it includes essays and articles by Bill Duvendack, Mike Musoke, Denerah Erzebet, Keona Kai'Nathera, Edgar Kerval, Selene-Lilith vel Belayla Rakoczy, Roberto Ruiz Blum, Inara Cauldwell, Satoriel Abraxas, Noctulius Isaac, and a special contribution from Jack Grayle.
Chants of Belial by Asenath Mason,Edgar Kerval Pdf
Belial as an evil spirit appears in a number of sources, from the Bible and Jewish apocryphal literature to modern Satanism. He is believed to be the prince of darkness, the devil, the father of idolatry, the demon of impurity, the angel of lawlessness, and the ruler of the world. In this grimoire, written by two experienced magicians and authors, Asenath Mason and Edgar Kerval, this demon king is presented as the Guardian of the Abyss and a being of multiple faces. You will find here an introduction to his mythology, as well as evocative rituals that will help you explore his gnosis in your personal practice.
Chanel: The Impossible Collection by Alexander Fury Pdf
This book is a literary museum exhibition, a curated selection of 100 iconic and signature looks of the house of Chanel, from the timeless Little Black Dress to the impeccably simple tweed suit, the apothecary-style perfume bottle, two-tone pumps, abundant strands of faux pearls and stones, and diamond-quilted leather handbag, from Mademoiselle’s revolutionary designs to Karl Lagerfeld’s unexpected and even irreverent variations on her original codes.
The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. Set was always seen as 'Great of Power', even when he was feared. Putting all his imagery together, placing it in chronological context, sheds new light on the Dark god.
Mummies, grave-robbing ghouls, hopping vampires, and evil monks beset a young archaeologist, in this fast-paced Indiana Jones-style adventure Saqqara, Egypt, 1888, and in the booby-trapped tomb of an ancient sorcerer, Rom, a young Egyptologist, makes the discovery of a lifetime: five coffins and an eerie, oversized sarcophagus. But the expedition seems cursed, for after unearthing the mummies, all but Rom die horribly. He faithfully returns to America with his disturbing cargo, continuing by train to Los Angeles, home of his reclusive sponsor. When the train is hijacked by murderous banditos in the Arizona desert, who steal the mummies and flee over the border, Rom – with his benefactor’s rebellious daughter, an orphaned Chinese busboy, and a cold-blooded gunslinger – must ride into Mexico to bring the malevolent mummies back. If only mummies were their biggest problem… File Under: Fantasy
In 1250 B.C. the teenaged son of the Egyptian high priest sets off a series of harrowing events when he accidentally kills the sacred cat of Bubastes and, accompanied by his sister and two foreign slaves, embarks on a dangerous journey to find safe haven beyond the borders of Egypt.
"Autumn of Fury reads like a political thriller. It is also a salutory revelation. For years Sadat, the actor manqué, played a part before Western audiences, who were happy to see only what they wanted to see. For years Sadat's censors prevented Mr Heikal from telling the truth as he knew it. Now the truth can be told. Sadat dramatically transformed Nasser's Egypt. He expelled the Russians; he almost archived victory over Israel in October 1973; he allied himself with the Americans; and he made a separate peace with Israel."--Jacket.
Salvador Dalí: The Impossible Collection by Paul Moorhouse Pdf
In the popular imagination, possibly no other artist’s work is more recognizable than that of Salvador Dalí. Indeed, for many he is the ultimate mad artist, whose singular vision remorselessly probed his own psychological depths. His nightmarish visions and bizarre landscapes express the angst and turbulence of the twentieth century. Dalí’s creativity embraced many different modes of expression and was never constrained by any one style. Over eight decades, the prodigious range of Dalí’s activity spanned every conceivable medium, from painting and drawing to sculpture, film, furniture, books, stage design and jewelry, not to mention his highly eccentric public persona, which could be considered an art form in itself.
Author : John A. Wilson Publisher : University of Chicago Press Page : 385 pages File Size : 54,5 Mb Release : 2013-10-17 Category : History ISBN : 9780226148229
The Culture of Ancient Egypt by John A. Wilson Pdf
The story of Egypt is the story of history itself—the endless rise and fall, the life and death and life again of the eternal human effort to endure, enjoy, and understand the mystery of our universe. Emerging from the ancient mists of time, Egypt met the challenge of the mystery in a glorious evolution of religious, intellectual, and political institutions and for two millenniums flourished with all the vigor that the human heart can invest in a social and cultural order. Then Egypt began to crumble into the desert sands and the waters of the Nile, and her remarkable achievements in civilization became her lingering epitaph. John A. Wilson has written a rich and interpretive biography of one of the greatest cultural periods in human experience. He answers—as best the modern Egyptologist can—the questions inevitably asked concerning the dissolution of Egypt's glory. Here is scholarship in its finest form, concerned with the humanity that has preceded us, and finding in man's past grandeur and failure much meaning for men of today.
A brand-new Egyptian novel from the master of adventure fiction, Wilbur Smith A brand-new Ancient Egyptian novel from the master of adventure fiction and global number 1 bestselling author, Wilbur Smith. In the heart of Egypt Under the watchful eye of the gods A new power is rising In the city of Lahun, Hui lives an enchanted life. The favoured son of a doting father, and ruler-in-waiting of the great city, his fate is set. But behind the beautiful façades a sinister evil is plotting. Craving power and embittered by jealousy, Hui's stepmother, the great sorceress Isetnofret, and Hui's own brother Qen, orchestrate the downfall of Hui's father, condemning Hui and seizing power in the city. Cast out and alone, Hui finds himself a captive of a skilled and powerful army of outlaws, the Hyksos. Determined to seek vengeance for the death of his father and rescue his sister, Ipwet, Hui swears his allegiance to these enemies of Egypt. Through them he learns the art of war, learning how to fight and becoming an envied charioteer. But soon Hui finds himself in an even greater battle - one for the very heart of Egypt itself. As the pieces fall into place and the Gods themselves join the fray, Hui finds himself fighting alongside the Egyptian General Tanus and renowned Mage, Taita. Now Hui must choose his path - will he be a hero in the old world, or a master in a new kingdom? The New Kingdomis a brand-new Egyptian Series thriller by the master of adventure, Wilbur Smith. Don't miss the rest of the Egyptian Series, River God, The Seventh Scroll, Warlock, The Quest, Pharaoh and Desert God. Available now.
Spanning ancient Egyptian culture--from 3200 BC to AD 400--Pinch opens a door to this hidden world and casts light on the nature of myths and how they relate to the evolution of Egyptian culture. She includes a timeline covering the seven stages in the mythical history of Egypt and outlining the major events of each stage. A substantial A to Z section covers the principal themes and concepts of Egyptian mythology as well as the most important deities, demons, and other characters. This is an ideal introduction for students interested in learning about Egyptian myths, and the culture that created them.
The Historians' History of the World in Twenty-Five Volumes: Prolegomena; Egypt, Mesopotamia by Various Authors Pdf
The countries that laid the foundation of our civilisation are not of those through which traffic passes on its way from land to land. Neither Babylon nor Egypt lies on one of the natural highways of the world; they lie hidden, encircled by mountains or deserts, and the seas that wash their shores are such as the ordinary seafarer avoids rather than frequents. But this very seclusion, which to us, with our modern ideas, seems a thing prejudicial to culture, did its part toward furthering the development of mankind in these ancient lands; it assured to their inhabitants a less troublous life than otherwise falls to the lot of nations under primitive conditions. Egypt, more particularly, had no determined adversary, nor any that could meet her on equal terms close at hand. To west of her stretched a desert, leading by interminable wanderings to sparsely populated lands. On the east the desert was less wide indeed, but beyond it lay the Red Sea, and he who crossed it did but reach another desert, the Arabian waste. Southward for hundreds of miles stretched the barren land of Nubia, where even the waterway of the Nile withholds its wonted service, so that the races of the Sudan are likewise shut off from Egypt. And even the route from Palestine to the Nile, which we are apt to think of as so short and easy, involved a march of several days through waterless desert and marshy ground. These neighbour countries, barren as they are, were certainly inhabited, but the dwellers there were poor nomads; they might conquer Egypt now and again, but they could not permanently injure her civilisation. Thus the people which dwelt in Egypt could enjoy undisturbed all the good things their country had to bestow. For in this singular river valley it was easier for men to live and thrive than in most other countries of the world. Not that the life was such as is led in those tropic lands where the fruits of earth simply drop into the mouth, and the human race grows enervated in a pleasant indolence; the dweller in Egypt had to cultivate his fields, to tend his cattle, but if he did so he was bounteously repaid for his labour. Every year the river fertilised his fields that they might bring forth barley and spelt and fodder for his oxen. He became a settled husbandman, a grave and diligent man, who was spared the disquiet and hardships endured by the nomadic tribes. Hence in this place there early developed a civilisation which far surpassed that of other nations, and with which only that of far-off Babylonia, where somewhat similar local conditions obtained, could in any degree vie. And this civilisation, and the national characteristics of the Egyptian nation which went hand in hand with it, were so strong that they could weather even a grievous storm. For long ago, in the remote antiquity which lies far beyond all tradition, Egypt was once overtaken by the same calamity which was destined to befall her twice within historic times—she was conquered by Arab Bedouins, who lorded it over the country so long that the Egyptians adopted their language, though they altered and adapted it curiously in the process. This transplantation of an Asiatic language to African soil is the lasting, but likewise the only, trace left by this primeval invasion; in all other respects the conquerors were merged into the Egyptian people, to whom they, as barbarians, had nothing to offer. There is nothing in the ideas and reminiscences of later Egyptians to indicate that a Bedouin element had been absorbed into the race; in spite of their language the aspect they present to us is that of the true children of their singular country, a people to whom the desert and its inhabitants are something alien and incomprehensible. It is the same scene, mutatis mutandis, that was enacted in the full light of history at the rise of Islam; then, too, the unwarlike land was subdued by the swift onset of the Bedouins, who also imposed their language on it in the days of their rule; and yet the Egyptian people remains ever the same, and the people who speak Arabic to-day in the valley of the Nile have little in common with the Arabs of the desert.
