Shakespeare And Adaptation Theory

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Shakespeare and Adaptation Theory

Author : Sujata Iyengar
Publisher : Bloomsbury Publishing
Page : 265 pages
File Size : 45,7 Mb
Release : 2022-12-15
Category : Literary Criticism
ISBN : 9781350073593

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Shakespeare and Adaptation Theory by Sujata Iyengar Pdf

Shakespeare and Adaptation Theory reconsiders, after 20 years of intense critical and creative activity, the theory and practice of adapting Shakespeare to different genres and media. Organized around clusters of key metaphors, the book explicates the principal theories informing the field of Shakespearean adaptation and surveys the growing field of case studies by Shakespeare scholars. Each chapter also looks anew at a specific Shakespeare play from the perspective of a prevailing set of theories and metaphors. Having identified the key critics responsible for developing these metaphors and for framing the discussion in this way, Iyengar moves on to analyze afresh the implications of these critical frames for adaptation studies as a whole and for particular Shakespeare plays. Focusing each chapter around a different play, the book contrasts comic, tragic, and tragicomic modes in Shakespeare's oeuvre and within the major genres of adaptation (e.g., film, stage-production, novel and digital media). Each chapter seasons its theoretical discussions with a lively sprinkling of allusions to Shakespeare - ranging from TikTok to tissue-boxes, from folios and fine arts to fan work. To conclude each chapter, the author provides a case-study of three or four significant and interesting adaptations from different genres or media. A glossary of terms compiled by Philip Gilreath and the author completes the book.

The Re-Imagined Text

Author : Jean I. Marsden
Publisher : University Press of Kentucky
Page : 283 pages
File Size : 55,5 Mb
Release : 2021-10-21
Category : Drama
ISBN : 9780813185552

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The Re-Imagined Text by Jean I. Marsden Pdf

Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.

The Arden Research Handbook of Shakespeare and Adaptation

Author : Diana E. Henderson,Stephen O'Neill
Publisher : Bloomsbury Publishing
Page : 433 pages
File Size : 46,5 Mb
Release : 2022-03-24
Category : Literary Criticism
ISBN : 9781350110328

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The Arden Research Handbook of Shakespeare and Adaptation by Diana E. Henderson,Stephen O'Neill Pdf

The Arden Research Handbook of Shakespeare and Adaptation explores the dynamics of adapted Shakespeare across a range of literary genres and new media forms. This comprehensive reference and research resource maps the field of Shakespeare adaptation studies, identifying theories of adaptation, their application in practice and the methodologies that underpin them. It investigates current research and points towards future lines of enquiry for students, researchers and creative practitioners of Shakespeare adaptation. The opening section on research methods and problems considers definitions and theories of Shakespeare adaptation and emphasises how Shakespeare is both adaptor and adapted.A central section develops these theoretical concerns through a series of case studies that move across a range of genres, media forms and cultures to ask not only how Shakespeare is variously transfigured, hybridised and valorised through adaptational play, but also how adaptations produce interpretive communities, and within these potentially new literacies, modes of engagement and sensory pleasures. The volume's third section provides the reader with uniquely detailed insights into creative adaptation, with writers and practice-based researchers reflecting on their close collaborations with Shakespeare's works as an aesthetic, ethical and political encounter. The Handbook further establishes the conceptual parameters of the field through detailed, practical resources that will aid the specialist and non-specialist reader alike, including a guide to research resources and an annotated bibliography.

The Arden Research Handbook of Shakespeare and Adaptation

Author : Diana E. Henderson,Stephen O'Neill
Publisher : Bloomsbury Publishing
Page : 433 pages
File Size : 54,9 Mb
Release : 2022-03-24
Category : Literary Criticism
ISBN : 9781350110311

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The Arden Research Handbook of Shakespeare and Adaptation by Diana E. Henderson,Stephen O'Neill Pdf

The Arden Research Handbook of Shakespeare and Adaptation explores the dynamics of adapted Shakespeare across a range of literary genres and new media forms. This comprehensive reference and research resource maps the field of Shakespeare adaptation studies, identifying theories of adaptation, their application in practice and the methodologies that underpin them. It investigates current research and points towards future lines of enquiry for students, researchers and creative practitioners of Shakespeare adaptation. The opening section on research methods and problems considers definitions and theories of Shakespeare adaptation and emphasises how Shakespeare is both adaptor and adapted.A central section develops these theoretical concerns through a series of case studies that move across a range of genres, media forms and cultures to ask not only how Shakespeare is variously transfigured, hybridised and valorised through adaptational play, but also how adaptations produce interpretive communities, and within these potentially new literacies, modes of engagement and sensory pleasures. The volume's third section provides the reader with uniquely detailed insights into creative adaptation, with writers and practice-based researchers reflecting on their close collaborations with Shakespeare's works as an aesthetic, ethical and political encounter. The Handbook further establishes the conceptual parameters of the field through detailed, practical resources that will aid the specialist and non-specialist reader alike, including a guide to research resources and an annotated bibliography.

Playfulness in Shakespearean Adaptations

Author : Marina Gerzic,Aidan Norrie
Publisher : Routledge
Page : 258 pages
File Size : 42,6 Mb
Release : 2020-04-30
Category : Literary Criticism
ISBN : 9781000073126

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Playfulness in Shakespearean Adaptations by Marina Gerzic,Aidan Norrie Pdf

Four hundred years after William Shakespeare’s death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new ‘Shakespeares’ to emerge, revealing Shakespeare’s ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations—adaptations of both the works of Shakespeare, and of Shakespeare the man—and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare’s works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare’s works, and more generally how play and playfulness can make Shakespeare ‘relatable,’ ‘relevant,’ and entertaining for successive generations of audiences and readers.

Shakespeare and the Problem of Adaptation

Author : Margaret Jane Kidnie
Publisher : Taylor & Francis
Page : 234 pages
File Size : 48,9 Mb
Release : 2009
Category : Art
ISBN : 9780415308670

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Shakespeare and the Problem of Adaptation by Margaret Jane Kidnie Pdf

Kidnie brings current debates in performance criticism in contact with recent developments in textual studies to explore what it is that distinguishes Shakespearean work from its apparent other, the adaptation.

Liberating Shakespeare

Author : Jennifer Flaherty,Mark Thornton Burnett,Deborah Uman
Publisher : Arden Shakespeare
Page : 0 pages
File Size : 55,9 Mb
Release : 2023-06-15
Category : Drama
ISBN : 9781350320260

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Liberating Shakespeare by Jennifer Flaherty,Mark Thornton Burnett,Deborah Uman Pdf

"The collective trauma of the COVID-19 pandemic. Digital shaming. Violence against women. Sexual bullying. Racial slurs and injustice. These are just some of the issues faced by young adults and confronted in Liberating Shakespeare. Exploring how adaptations of Shakespeare's plays can be used to empower young audiences by addressing issues of oppression, trauma and resistance, this collection showcases a wide variety of approaches to understanding, adapting and teaching Shakespeare. In the past 25 years, the number of Shakespeare adaptations targeting adolescent audiences has grown significantly. This book explores YA novels based on Shakespeare's plays, teen films such as 10 Things I Hate about You and Romeo + Juliet, video games such as Elsinore and the Life is Strange series, and many other adaptations that have invited young audiences to see themselves in Shakespeare's characters. It also looks at more recent digital adaptations, produced by and for young people, which reimagine Shakespeare's plays as first-person video diaries. These creative works use Shakespeare to address some of the most pressing questions in contemporary culture - exploring themes of violence, race relations and intersectionality. The chapters in this collection consider whether the representations of characters and situations in YA Shakespeare can function as empowering models for students and how these works might be used as companion texts within educational settings. It argues that YA Shakespeare represents the diverse concerns of today's youth and should be taken seriously as art that speaks to the complexities of a broken world and offers moments of hope for an uncertain future"--

Shakespeare’s Fans

Author : Johnathan H. Pope
Publisher : Springer Nature
Page : 191 pages
File Size : 48,5 Mb
Release : 2019-12-05
Category : Performing Arts
ISBN : 9783030337261

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Shakespeare’s Fans by Johnathan H. Pope Pdf

This book examines Shakespearean adaptations through the critical lens of fan studies and asks what it means to be a fan of Shakespeare in the context of contemporary media fandom. Although Shakespeare studies and fan studies have remained largely separate from one another for the past thirty years, this book establishes a sustained dialogue between the two fields. In the process, it reveals and seeks to overcome the problematic assumptions about the history of fan cultures, Shakespeare’s place in that history, and how fan works are defined. While fandom is normally perceived as a recent phenomenon focused primarily on science fiction and fantasy, this book traces fans’ practices back to the eighteenth century, particularly David Garrick’s Shakespeare Jubilee in 1769. Shakespeare’s Fans connects historical and scholarly debates over who owns Shakespeare and what constitutes an appropriate adaptation of his work to online fan fiction and commercially available fan works.

Arden Research Handbook of Shakespeare and Adaptation

Author : Peter Kirwan,Kathryn Prince
Publisher : Unknown
Page : 416 pages
File Size : 51,6 Mb
Release : 2021
Category : Electronic books
ISBN : 1350110337

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Arden Research Handbook of Shakespeare and Adaptation by Peter Kirwan,Kathryn Prince Pdf

"The Arden Research Handbook of Shakespeare and Adaptation is the first comprehensive reference resource to explore the dynamics of adapted Shakespeare across a range of media forms. The volume maps the field of Shakespeare adaptation studies, identifying theories of adaptation, their application in practice, and the methodologies that underpin them. It considers how adaptation is a key driver of Shakespeare's ongoing vitality in the contemporary world as Shakespeare is encountered through novels, films, television, and internet culture. It investigates current research and points towards future lines of inquiry for students, researchers and practitioners of Shakespeare adaptation. The opening section on research methods and problems considers definitions of adaptation. A central section develops these theoretical concerns through a series of case studies that move across a range of genres, media forms, and locations to ask not only how Shakespeare is variously transfigured, hybridised and valorised through adaptational play, but also how adaptations produce interpretive communities, and within these potentially new literacies, modes of engagement, and sensory pleasures. The Handbook devotes separate chapters to artists and practitioners of Shakespeare adaptation, including novelists, dramatists and YouTube vloggers, and thus provides a uniquely detailed insight for the reader into the creative impulses and energies at work in adapted Shakespeare. The Handbook establishes the conceptual parameters of the field through detailed, practical resources that will aid the specialist and non-specialist reader alike, including an A-Z of key terms in Shakespeare adaptation studies, a chronology of the field, a guide to research resources, and an annotated bibliography."--

Stage and Screen

Author : Bert Cardullo
Publisher : A&C Black
Page : 290 pages
File Size : 51,5 Mb
Release : 2011-11-17
Category : Performing Arts
ISBN : 9781441168696

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Stage and Screen by Bert Cardullo Pdf

Classic and new essays examining the historical, cultural, and aesthetic relationships between theater and film.

Shakespeare's Histories on Screen

Author : Jennie M. Votava
Publisher : Unknown
Page : 0 pages
File Size : 40,6 Mb
Release : 2023
Category : Identity (Psychology) in motion pictures
ISBN : 1350326674

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Shakespeare's Histories on Screen by Jennie M. Votava Pdf

Shakespeare's Theory of Drama

Author : Pauline Kiernan
Publisher : Cambridge University Press
Page : 236 pages
File Size : 52,5 Mb
Release : 1998-07-23
Category : Drama
ISBN : 0521633583

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Shakespeare's Theory of Drama by Pauline Kiernan Pdf

Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study, first published in 1996, examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why.

Ovid and Adaptation in Early Modern English Theatre

Author : Starks Lisa Starks
Publisher : Edinburgh University Press
Page : 320 pages
File Size : 48,9 Mb
Release : 2019-08-28
Category : Drama
ISBN : 9781474430098

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Ovid and Adaptation in Early Modern English Theatre by Starks Lisa Starks Pdf

Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing early modern transformations of OvidFocuses on the appropriations of "e;Ovid"e; (as an umbrella term for "e;all things Ovidian"e;) on the early modern English stageIncludes chapters on Shakespeare and Marlowe as well as other early modern dramatistsDid you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.

OuterSpeares

Author : Daniel Fischlin
Publisher : University of Toronto Press
Page : 414 pages
File Size : 50,5 Mb
Release : 2014-01-01
Category : Drama
ISBN : 9781442615939

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OuterSpeares by Daniel Fischlin Pdf

For Shakespeare and Shakespearean adaptation, the global digital media environment is a “brave new world” of opportunity and revolution. InOuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation, noted scholars of Shakespeare and new media consider the ways in which various media affect how we understand Shakespeare and his works. Daniel Fischlin and his collaborators explore a wide selection of adaptations that occupy the space between and across traditional genres – what artist Dick Higgins calls “intermedia” – ranging from adaptations that use social networking, cloud computing, and mobile devices to the many handicrafts branded and sold in connection with the Bard. With essays on YouTube and iTunes, as well as radio, television, and film, OuterSpeares is the first book to examine the full spectrum of past and present adaptations, and one that offers a unique perspective on the transcultural and transdisciplinary aspects of Shakespeare in the contemporary world.

SHAKESPEARE’S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION

Author : Sonya Freeman Loftis,Allison Kellar,Lisa Ulevich
Publisher : Routledge
Page : 248 pages
File Size : 55,6 Mb
Release : 2017-11-27
Category : Literary Criticism
ISBN : 9781351967457

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SHAKESPEARE’S HAMLET IN AN ERA OF TEXTUAL EXHAUSTION by Sonya Freeman Loftis,Allison Kellar,Lisa Ulevich Pdf

"Post-Hamlet: Shakespeare in an Era of Textual Exhaustion" examines how postmodern audiences continue to reengage with Hamlet in spite of our culture’s oversaturation with this most canonical of texts. Combining adaptation theory and performance theory with examinations of avant-garde performances and other unconventional appropriations of Shakespeare’s play, Post-Hamlet examines Shakespeare’s Hamlet as a central symbol of our era’s "textual exhaustion," an era in which the reader/viewer is bombarded by text—printed, digital, and otherwise. The essays in this edited collection, divided into four sections, focus on the radical employment of Hamlet as a cultural artifact that adaptors and readers use to depart from textual "authority" in, for instance, radical English-language performance, international film and stage performance, pop-culture and multi-media appropriation, and pedagogy.