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Author : William Poel
Publisher : London ; Toronto : Sidgwick and Jackson
Page : 247 pages
File Size : 44,7 Mb
Release : 1913
Category : Theater
ISBN : 0665809409
Author : Anonim
Publisher : University Microfilms
Page : 33 pages
File Size : 41,5 Mb
Release : 1991-01-01
Category : Acting
ISBN : 0835721566
Author : William Shakespeare,HARVARD COLLEGE LIBRARY.
Publisher : Unknown
Page : 128 pages
File Size : 43,9 Mb
Release : 2024-07-02
Category : Electronic
ISBN : OCLC:878915645
Author : William Poel
Publisher : Library of Alexandria
Page : 255 pages
File Size : 49,8 Mb
Release : 2020-09-28
Category : Fiction
ISBN : 9781465587619
Author : Anonim
Publisher : Unknown
Page : 798 pages
File Size : 41,6 Mb
Release : 2002
Category : Microforms
ISBN : UOM:39015046436930
Author : Sally Barnden
Publisher : Cambridge University Press
Page : 263 pages
File Size : 46,7 Mb
Release : 2019-12-19
Category : Drama
ISBN : 9781108487931
Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.
Author : S. John Teague
Publisher : Elsevier
Page : 160 pages
File Size : 50,6 Mb
Release : 2013-10-22
Category : Language Arts & Disciplines
ISBN : 9781483103280
Microform, Video and Electronic Media Librarianship focuses on techniques, measures, and processes in librarianship. The book first discusses librarianship, microforms and microform librarianship, non-book media in libraries, and history of microforms. The text also looks at the place of microforms in libraries. User reaction to microforms; economic advantages of microform acquisitions; and contrast, resolution, and density of microforms are discussed. The book also discusses micropublishing. Changes in publishing methods, abstracting and indexing services, bibliographical services, archives, synoptic journals, and government reports are described. The text underscores library catalogues. British National Bibliography; Scottish Libraries Co-operative Automation Project (SCOLCAP); South West Academic Libraries Co-operative Automation Project (SWALCAP); and benefits of computer-based cataloguing systems are discussed. The book also looks at data services, copyright laws, relationship of information technology and libraries, and archival potential of non-book media. The text is a good reference for readers interested in librarianship.
Author : William Poel
Publisher : Palala Press
Page : 272 pages
File Size : 40,6 Mb
Release : 2015-11-19
Category : Electronic
ISBN : 1346858349
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Hugh Macrae Richmond
Publisher : A&C Black
Page : 584 pages
File Size : 46,8 Mb
Release : 2003-01-01
Category : Literary Criticism
ISBN : 9781847146113
Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters.
Author : Richard David
Publisher : Unknown
Page : 263 pages
File Size : 45,6 Mb
Release : 1978
Category : Electronic
ISBN : OCLC:603101110
Author : Diana E. Henderson
Publisher : Cornell University Press
Page : 304 pages
File Size : 45,8 Mb
Release : 2018-09-05
Category : Literary Criticism
ISBN : 9781501727283
"Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the Introduction Focusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate. Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.
Author : Wendy Greenhill
Publisher : Heinemann Library
Page : 32 pages
File Size : 53,8 Mb
Release : 2007-04
Category : Theater
ISBN : 0431078149
This series looks at the background to Shakespeare and his theatre and plays.
Author : Robert Ormsby
Publisher : Library and Archives Canada = Bibliothèque et Archives Canada
Page : 578 pages
File Size : 44,8 Mb
Release : 2005
Category : Electronic
ISBN : 0494027649
The first two productions I discuss, those of the Royal Shakespeare Company in 1972 and the National Theatre in 1984, were the work of theatre practitioners who developed the "Shakespeare-plus-relevance" model of Shakespearean theatre. That is, they claimed to serve Shakespeare's creation of coherent individual psychologies, while demonstrating the playwright's universal relevance. This thesis examines four English and North American productions of William Shakespeare's Coriolanus staged between 1972 and 1994. I begin by developing a model of performance and audience response by offering an historicized reading of the play, taking into consideration the function of the performing body and the unevenness of the productive role audiences play in theatrical events. The second pair I discuss departed from this conception of performance. The New York Shakespeare Festival's 1988--89 Coriolanus challenged this model with director Steven Berkoff's collectivist, body-centred performance style. Robert Lepage's 1992--1994 Coriolan displayed a complex relation to traditional conceptions of theatre, combining a belief in Shakespeare's intentions with an insistence upon the imperatives of Quebecois culture. My analysis suggests that the prevailing understanding of Shakespearean performance in the late twentieth century has been formed unevenly between theatrical producers and communities of reviewers and that the archival evidence for such productions should be understood as providing access to diverse and contradictory aspects of this ideology, rather than simply providing access to the producers' intended meanings or a singular image of what happened onstage. I apply this model of performance to modern Shakespearean theatrical production, in which actors, directors, and critics typically conceive of performance as subordinate to the playwright's intentions. Shakespearean scholars have traditionally shared this belief in the subordination of performance to the dramatic script, and have treated the often contradictory evidence in theatre archives as material that must be worked into a united picture of what theatre artists intended a given production to mean. I depart from this approach by focusing on the contradictions embodied in the archival evidence that I examine.
Author : Michael Mullin,Karen Morris Muriello
Publisher : Unknown
Page : 1100 pages
File Size : 45,9 Mb
Release : 1980
Category : Theater
ISBN : OCLC:7312828
Author : K. Knowles
Publisher : Springer
Page : 266 pages
File Size : 55,7 Mb
Release : 2014-01-02
Category : Literary Criticism
ISBN : 9781137005373
Shakespeare's Boys: A Cultural History offers the first extensive exploration of boy characters in Shakespeare's plays, examining a range of characters from across the Shakespearean canon in their original early modern contexts and surveying their subsequent performance histories on stage and screen from the Restoration until the present day.