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Author : Edward Berry
Publisher : Cambridge University Press
Page : 234 pages
File Size : 54,5 Mb
Release : 1984-10-18
Category : Literary Criticism
ISBN : 9780521263030
Professor Berry combines social history, anthropology and literary criticism to Shakespeare's romantic comedies.
Author : Thomas Allen Nelson
Publisher : Walter de Gruyter GmbH & Co KG
Page : 100 pages
File Size : 40,5 Mb
Release : 2019-03-18
Category : Language Arts & Disciplines
ISBN : 9783111629728
No detailed description available for "Shakespeare's comic theory".
Author : Frances N. Teague
Publisher : Fairleigh Dickinson Univ Press
Page : 204 pages
File Size : 53,8 Mb
Release : 1994
Category : Drama
ISBN : 0838635245
Finally, these assumptions lead to the corollary that such hierarchies are natural and immutable and not fashioned by critics.
Author : Larry S. Champion
Publisher : Harvard University Press
Page : 260 pages
File Size : 53,6 Mb
Release : 1970
Category : Literary Criticism
ISBN : 0674271416
The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was "consistently in the direction of complexity or depth of characterization." His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a "transformation of values." Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a "comic pointer" who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view.
Author : Ruth Nevo
Publisher : Routledge
Page : 251 pages
File Size : 55,8 Mb
Release : 2013-10-11
Category : Literary Criticism
ISBN : 9781136557057
First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.
Author : William C. Carroll
Publisher : Princeton University Press
Page : 304 pages
File Size : 54,5 Mb
Release : 2014-07-14
Category : Drama
ISBN : 9781400854813
This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : Camille Wells Slights
Publisher : University of Toronto Press
Page : 316 pages
File Size : 47,9 Mb
Release : 1993-01-01
Category : Literary Criticism
ISBN : 0802029248
Challenging the traditional view that Shakespeare's early comedies are about the experience of romantic love and constitute a genre called romantic comedy, Camille Wells Slights demonstrates that they dramatize individual action in the context of social dynamics, reflecting and commenting on the culture in which they originated. Shakespeare's Comic Commonwealths sheds new light on ten Shakespearean comedies: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, Much Ado about Nothing, As You Like It and Twelfth Night. In a diversity of comic forms - from rollicking farce to tragicomedy - these plays offer varying perspectives on the forces that make and mar human communities. Dramatizing tensions between savagery and civilization, autonomy and dependence, and isolation and community, Shakespeare's comedies both reflect and comment on the society that produces them. Slights eschews viewing these comedies as endorsements of the prevailing ideologies of sixteenth-century England or as subversions of that hierarchical, patriarchal culture. They can be most fruitfully understood as imaginative forms that present cultural practices, institutions and beliefs as human constructions susceptible to critical scrutiny. While exposing the injustice and brutality as well as the assurances and satisfactions of social experiences, Shakespeare's comedies represent people as inescapably social beings. By combining historical scholarship with formal analysis and incorporating insights from social anthropology and feminist theory, Shakespeare's Comic Commonwealths offers new readings of Shakespeare's early comedies and analyses the interaction between the plays and the social structures and processes of early modern England.
Author : Beatrice Batson
Publisher : Cambridge Scholars Publishing
Page : 199 pages
File Size : 55,6 Mb
Release : 2010-05-11
Category : Drama
ISBN : 9781443822374
This book is an attempt to show something of the ways in which the Bible and the Christian tradition intersect the language of Shakespeare. Word and Rite also focuses on the manner in which rites are efforts to illuminate mysteries: the mystery of marriage, the mystery of baptism, the mystery of confession, the mystery of the Eucharist, the mystery of funerals, and even the mystery of words, in their relation to the Word. Holy objects such as the Fountain of blood may also be considered. Maimed rites frequently occur in Shakespeare, but through ceremony there are attempts to turn mayhem into mystery--especially in comedies. In the words of the author of the Foreword to this book:" In Shakespeare word and rite are as inseparable as word and sacrament in worship...so outward signs of inward truth are linked with words of these plays and with Scripture and with the Word incarnate." This book also explores the ramifications of observing this insight.
Author : Edward Berry
Publisher : Cambridge University Press
Page : 288 pages
File Size : 54,7 Mb
Release : 2001-04-19
Category : Drama
ISBN : 0521800706
A book-length 2001 study of Shakespeare's works in relation to the culture of the hunt in Elizabethan and Jacobean society.
Author : Douglas Bruster,Robert Weimann
Publisher : Routledge
Page : 181 pages
File Size : 43,7 Mb
Release : 2004-08-02
Category : Art
ISBN : 9781134313716
This remarkable study shows how prologues ushered audience and actors through a rite of passage and how they can be seen to offer rich insight into what the early modern theatre was thought capable of achieving.
Author : Richard Dutton,Jean E. Howard
Publisher : John Wiley & Sons
Page : 480 pages
File Size : 41,9 Mb
Release : 2008-04-15
Category : Literary Criticism
ISBN : 9780470997291
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeare’s comedies on film, Shakespeare’s relation to other comic writers of his time, Shakespeare’s cross-dressing comedies, and the geographies of Shakespearean comedy.
Author : Joseph Allen Bryant
Publisher : University Press of Kentucky
Page : 300 pages
File Size : 40,8 Mb
Release : 1986
Category : Literary Criticism
ISBN : 0813130956
In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.
Author : Daniel Swift
Publisher : Oxford University Press
Page : 304 pages
File Size : 51,9 Mb
Release : 2012-10-05
Category : History
ISBN : 9780199977031
Societies and entire nations draw their identities from certain founding documents, whether charters, declarations, or manifestos. The Book of Common Prayer figures as one of the most crucial in the history of the English-speaking peoples. First published in 1549 to make accessible the devotional language of the late Henry the VIII's new church, the prayer book was a work of monumental religious, political, and cultural importance. Within its rituals, prescriptions, proscriptions, and expressions were fought the religious wars of the age of Shakespeare. This diminutive book--continuously reformed and revised--was how that age defined itself. In Shakespeare's Common Prayers, Daniel Swift makes dazzling and original use of this foundational text, employing it as an entry-point into the works of England's most celebrated writer. Though commonly neglected as a source for Shakespeare's work, Swift persuasively and conclusively argues that the Book of Common Prayer was absolutely essential to the playwright. It was in the Book's ambiguities and its fierce contestations that Shakespeare found the ready elements of drama: dispute over words and their practical consequences, hope for sanctification tempered by fear of simple meaninglessness, and the demand for improvised performance as compensation for the failure of language to fulfill its promises. What emerges is nothing less than a portrait of Shakespeare at work: absorbing, manipulating, reforming, and struggling with the explosive chemistry of word and action that comprised early modern liturgy. Swift argues that the Book of Common Prayer mediates between the secular and the devotional, producing a tension that makes Shakespeare's plays so powerful and exceptional. Tracing the prayer book's lines and motions through As You Like It, Hamlet, Twelfth Night, Measure for Measure, Othello, and particularly Macbeth, Swift reveals how the greatest writer of the age--of perhaps any age--was influenced and guided by its most important book.
Author : Robert Maslen
Publisher : A&C Black
Page : 281 pages
File Size : 43,5 Mb
Release : 2014-03-20
Category : Literary Criticism
ISBN : 9781408143650
Comedy was at the centre of a critical storm that raged throughout the early modern period. Shakespeare's plays made capital of this controversy. In them he deliberately invokes the case against comedy made by the Elizabethan theatre haters. They are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay and aggressive acts of comic revenge. Through a detailed study which considers tragedies and histories as well as comedies, Maslen contends that Shakespeare's use of the comic mode is always calculatedly unsettling, and that this is part of what makes it pleasurable.
Author : Dorothea Kehler,Susan Baker
Publisher : Scarecrow Press
Page : 358 pages
File Size : 43,7 Mb
Release : 1991
Category : Drama
ISBN : 0810824183
This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies.