Shakespeare S Dramatic Genres

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Shakespeare's Dramatic Genres

Author : Lawrence Danson
Publisher : Oxford Shakespeare Topics
Page : 172 pages
File Size : 43,6 Mb
Release : 2000
Category : Drama
ISBN : 0198711727

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Shakespeare's Dramatic Genres by Lawrence Danson Pdf

Oxford Shakespeare Topics provides students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. The history of the genres, or kinds, of drama is one of contradictory traditions and complex cultural assumptions. The divisions established by the original edition of Mr. William Shakespeare's Comedies, Histories, and Tragedies (the First Folio, 1623) give shape to whole curricula; but, as Lawrence Danson reminds us in this lively book, there is nothing inevitable, and much unsatisfying, about that tripartite scheme. Yet students of Shakespeare cannot avoid thinking about questions of genre; often they are the unspoken reason why classrooms full of smart people fail to agree on basic interpretative issues. Danson's guide to the kinds of Shakespearian drama provides an accessible account of genre-theory in Shakespeare's day, an overview of the genres on the Elizabethan stage, and a provocative look at the full range of Shakespeare's comedies, histories, and tragedies.

Love and Dramatic Genre - Approaches to the Topic of Love in Three Shakespearean Plays

Author : Thomas Eger
Publisher : GRIN Verlag
Page : 65 pages
File Size : 47,7 Mb
Release : 2007-08
Category : Electronic
ISBN : 9783638744966

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Love and Dramatic Genre - Approaches to the Topic of Love in Three Shakespearean Plays by Thomas Eger Pdf

Examination Thesis from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,3, Bielefeld University, 71 entries in the bibliography, language: English, abstract: "Love" is a central topic in Shakespeare′s plays. Many of his couples have gained a status of immortality: Antony and Cleopatra, Romeo and Juliet, or Beatrice and Benedick are only a few examples. These lovers share one experience, which Lysander in "A Midsummer Night′s Dream" sums up very clearly: "The course of true love never did run smooth ..." (1,1,134) This dilemma is the "raw material" I am interested in. I will take three Shakespearean plays with "love" as their central issue and examine the protagonists′ courses of love in them. This involves the beginning, the obstacles in the way, the reactions to these obstacles and the final failure or success to overcome them. The plays chosen are "Romeo and Juliet", "All′s Well that Ends Well", and "The Taming of the Shrew". In the First Folio edition the first one is classified as belonging to the literary form of "tragedy", the latter two as "comedies". This leads me to the second element in the title, which is "dramatic genre". What Northrop Frye says about comedy is also valid for tragedy: "If a play in a theatre is subtitled ′a comedy′, information is conveyed to a potential audience about what kind of thing to expect, and this type of information has been intelligible since before the days of Aristophanes." One such expectation concerns a play′s mood. Here lies a fundamental difference between tragedy and comedy. Generally speaking, the audience expects that a comedy creates a happy mood and a tragedy a sad one. However, I am not alone finding that "Romeo" is a rather happy play over long stretches, whereas "The Taming" and "All′s Well" are anything but thoroughly happy pieces. In these three dramas Shakespeare only partly fulfils the expectations, which are evoked. Their generic structure does not generate

Shakespeare and the Dramaturgy of Power

Author : John D. Cox
Publisher : Princeton University Press
Page : 301 pages
File Size : 52,7 Mb
Release : 2014-07-14
Category : Literary Criticism
ISBN : 9781400860012

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Shakespeare and the Dramaturgy of Power by John D. Cox Pdf

Ranging over all the dramatic genres in the Shakespearean canon, this book focuses on plays where medieval drama most clearly illuminates Shakespeare's treatment of political power and social privilege. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Comic Women, Tragic Men

Author : Linda Bamber
Publisher : Stanford University Press
Page : 223 pages
File Size : 43,5 Mb
Release : 1982-06-01
Category : Drama
ISBN : 9780804765695

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Comic Women, Tragic Men by Linda Bamber Pdf

This book proceeds from the assumption that Shakespeare, so often perceived as the one writer who appears to have transcended the limits of gender, inevitably writes from the perspective of his own gender. From this perspective, whatever represents the Self is necessarily male; and the Other, which challenges the Self, is female. The author's approach gives us a fresh understanding of both Shakespeare's characters and the structure of the plays. The author defines genre in terms of the nature of the challenge offered by the Other to the Self. Using specific plays and characters of Shakespeare, the author shows how in tragedy the Other betrays or appears to betray the Self; in comedy the Other evades the social hierarchies dominated by versions of the male Self; in romance the Other comes and goes, leaving the Self bereft when she is gone and astounding him with happiness when she reappears. History is defined as a genre in which the masculine heroes confront no challenge from the Other but only from each other, from other versions of the Self. The book consists of a long theoretical introduction followed by chapters on comedy, history, and some individual plays: Hamlet, Antony and Cleopatra, Macbeth, Coriolanus, and The Tempest.

Mixing of Genres. Comic Aspects in William Shakespeare's Tragedy "Othello"

Author : Annika Klement
Publisher : GRIN Verlag
Page : 9 pages
File Size : 52,5 Mb
Release : 2018-09-10
Category : Literary Criticism
ISBN : 9783668792937

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Mixing of Genres. Comic Aspects in William Shakespeare's Tragedy "Othello" by Annika Klement Pdf

Seminar paper from the year 2016 in the subject English - Literature, Works, grade: 1,7, Johannes Gutenberg University Mainz, course: Modes and Forms of Literature, language: English, abstract: This following term paper deals with generic definitions as well as with comic aspects in Othello, how they are entangled in the tragic action and how they serve to shape the tragedy. Firstly, I shall try to assign Othello to a specific category, namely tragedy. Therefore, Tragedy and Comedy will be clearly defined. In chapter 3, the play will be analysed in terms of its comic aspects. The focus is primarily put on the subject of love in Othello and secondly on the multi-layered character Iago. The aim of this chapter, as it is of the whole term paper, is to illustrate that the tragedy Othello contains comic features.

Theater and World

Author : Jonathan Hart
Publisher : Routledge
Page : 327 pages
File Size : 44,7 Mb
Release : 2021-11-26
Category : Literary Criticism
ISBN : 9781000389722

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Theater and World by Jonathan Hart Pdf

First published in 1992, Theater and World is a detailed exploration of Shakespeare’s representation of history and how it affects the relation between theatre and world. The book focuses primarily on the Second Tetralogy (Richard II, Henry IV Part I, Henry IV Part II, and Henry V) and includes a wealth of analysis and interpretation of the plays. In doing so, it explores a wide range of topics, including the relation between literary and theatrical representations and the world; the nature of illusion and reality; genre; the connection between history and fiction (especially plays); historiography and literary criticism or theory; poetry and philosophy; and irony, both rhetorical and philosophical. Theater and World continues to have lasting relevance for anyone with an interest in Shakespeare’s words and his representation of history in particular.

Shakespeare and Dramatic Tradition

Author : Samuel Frederick Johnson
Publisher : University of Delaware Press
Page : 316 pages
File Size : 51,5 Mb
Release : 1989
Category : Drama
ISBN : 0874133335

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Shakespeare and Dramatic Tradition by Samuel Frederick Johnson Pdf

Eighteen new essays by respected critics on Shakespeare and his dramatic antecedents, contemporaries, and successors, offering an up-to-date survey-history of Renaissance theater and examples of scholarly and critical methodology.

Playing the Globe

Author : John Gillies,Virginia Mason Vaughan
Publisher : Fairleigh Dickinson Univ Press
Page : 308 pages
File Size : 50,8 Mb
Release : 1998
Category : Drama
ISBN : 0838637396

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Playing the Globe by John Gillies,Virginia Mason Vaughan Pdf

The essays collected here explore the representation of contemporary cartographic knowledge within a variety of English Renaissance dramatic texts. Including a preface and introduction that contextualize English cartographic awareness in the late sixteenth century, Playing the Globe provides a wide-ranging exploration of the rich variety of mental maps that shaped England's attitudes toward itself and others and continues to affect the ways in which the Anglo-American world imagines itself.

The Complete Works of William Shakespeare

Author : William Shakespeare
Publisher : DigiCat
Page : 6753 pages
File Size : 43,5 Mb
Release : 2022-11-13
Category : Drama
ISBN : EAN:8596547390428

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The Complete Works of William Shakespeare by William Shakespeare Pdf

DigiCat presents to you this unique and meticulously edited Shakespeare collection: Comedies All's Well That Ends Well As You Like It The Comedy of Errors Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre The Taming of the Shrew The Tempest Twelfth Night or What You Will Two Gentlemen of Verona The Two Noble Kinsmen The Winter's Tale Tragedies Romeo and Juliet Coriolanus Titus Andronicus Timon of Athens Julius Caesar Macbeth Hamlet Troilus and Cressida King Lear Othello Antony and Cleopatra Cymbeline Histories King John Richard II Henry IV, Part 1 Henry IV, Part 2 Henry V Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Richard III Henry VIII Poetry The Sonnets Venus and Adonis The Rape of Lucrece The Passionate Pilgrim The Phoenix and the Turtle A Lover's Complaint Apocryphal Plays Arden of Faversham A Yorkshire Tragedy The Lamentable Tragedy of Locrine Mucedorus The King's Son of Valentia, and Amadine, The King's Daughter of Arragon The London Prodigal The Puritaine Widdow The Second Maiden's Tragedy Sir John Oldcastle Lord Cromwell King Edward The Third Edmund Ironside Sir Tomas More Faire Em A Fairy Tale in Two Acts The Merry Devill of Edmonton Thomas of Woodstock The Life of William Shakespeare William Shakespeare (1564-1616) was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet, and the "Bard of Avon". His extant works consist of approximately 38 plays, 154 sonnets, two long narrative poems, and a few other verses. His plays have been translated into every major living language and are performed more often than those of any other playwright.

Shakespeare and Genre

Author : A. Guneratne
Publisher : Springer
Page : 314 pages
File Size : 49,7 Mb
Release : 2012-01-02
Category : Literary Criticism
ISBN : 9781137010353

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Shakespeare and Genre by A. Guneratne Pdf

Provides a comprehensive survey of approaches to genre in Shakespeare's work. Contributors probe deeply into genre theory and genre history by relating Renaissance conceptions. In this sense, the volume proposes to read Shakespeare through genre and, just as importantly, read genre through Shakespeare.

Dreams, Sleep, and Shakespeare’s Genres

Author : Claude Fretz
Publisher : Springer Nature
Page : 273 pages
File Size : 52,9 Mb
Release : 2020-02-05
Category : Literary Criticism
ISBN : 9783030135195

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Dreams, Sleep, and Shakespeare’s Genres by Claude Fretz Pdf

This book explores how Shakespeare uses images of dreams and sleep to define his dramatic worlds. Surveying Shakespeare’s comedies, tragedies, histories, and late plays, it argues that Shakespeare systematically exploits early modern physiological, religious, and political understandings of dreams and sleep in order to reshape conventions of dramatic genre, and to experiment with dream-inspired plots. The book discusses the significance of dreams and sleep in early modern culture, and explores the dramatic opportunities that this offered to Shakespeare and his contemporaries. It also offers new insights into how Shakespeare adapted earlier literary models of dreams and sleep – including those found in classical drama, in medieval dream visions, and in native English dramatic traditions. The book appeals to academics, students, teachers, and practitioners in the fields of literature, drama, and cultural history, as well as to general readers interested in Shakespeare’s works and their cultural context.

Shakespeare and the Drama of His Time

Author : Martin Wiggins
Publisher : Oxford Shakespeare Topics
Page : 166 pages
File Size : 55,5 Mb
Release : 2000
Category : Literary Criticism
ISBN : 0198711603

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Shakespeare and the Drama of His Time by Martin Wiggins Pdf

'Extremely informative... There are some nice touches here, and Wiggins is good on the effects of the cultural shifts that he describes, making telling comparisons such as: 'To the Elizabethans, Marlowe's plays must have had all the aural impact of a symphony orchestra taking over from a barrel-organ'.' -Modern Language Review'Oxford University Press offer a mix of engagingly written introductions to a variety of Topics intended largely for undergraduates. Each author has clearly been reading and listening to the most recent scholarship, but they wear their learning lightly.' -Ruth Morse, Times Literary Supplement'Provides a superb, concise, and approachable overview of Shakespeare's contextual place among the plays and playwrights of early modern London.' -Sixteenth Century JournalOxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. This book examines the plays of Shakespeare in their context as part of English Renaissance drama as a whole. Separate chapters deal with the origins of that drama; tragedy; comedy; the artistic conventions of play-writing in the period; and tragicomedy. Throughout, Shakespeare's plays are shown to be intimately associated with those of his contemporaries, notably Christopher Marlowe, Thomas Kyd, George Chapman, Ben Jonson, John Marston, and John Fletcher.

English Tragedy before Shakespeare (Routledge Revivals)

Author : Wolfgang Clemen
Publisher : Routledge
Page : 305 pages
File Size : 51,9 Mb
Release : 2013-05-13
Category : Drama
ISBN : 9781136811098

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English Tragedy before Shakespeare (Routledge Revivals) by Wolfgang Clemen Pdf

First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre.

Problem Fathers in Shakespeare and Renaissance Drama

Author : Tom MacFaul
Publisher : Cambridge University Press
Page : 269 pages
File Size : 48,5 Mb
Release : 2012-09-20
Category : Drama
ISBN : 9781107028944

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Problem Fathers in Shakespeare and Renaissance Drama by Tom MacFaul Pdf

This book explores the central role of fathers in the plays of Shakespeare and a wide range of Elizabethan and Jacobean drama.

The Politics of Tragicomedy

Author : Gordon McMullan,Jonathan Hope
Publisher : Routledge
Page : 192 pages
File Size : 50,7 Mb
Release : 2021-03-30
Category : Literary Criticism
ISBN : 9781000350081

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The Politics of Tragicomedy by Gordon McMullan,Jonathan Hope Pdf

The Politics of Tragicomedy: Shakespeare and After offers a series of sophisticated and powerful readings of tragicomedy from Shakespeare’s late plays to the drama of the Interregnum. Rejecting both the customary chronological span bounded by the years 1603-42 (which presumes dramatic activity stopped with the closing of the theatres) and the negative critical attitudes that have dogged the study of tragicomedy, the essays in this collection examine a series of issues central to the possibility of a politics for the genre. Individual essays offer important contributions to continuing debates over the role of the drama in the years preceding the Civil War, the colonial contexts of The Tempest, the political character of Jonson’s late plays, and the agency of women as public and theatre actors. The introduction presents a strong challenge to previous definitions of tragicomedy in the English context, and the collection as a whole is characterized by its rejection of absolutist strategies for reading tragicomedy. This collection will prove essential reading for all with an interest in the politics of Renaissance drama; for specialists in the work of Shakespeare, Fletcher, and Jonson; for those interested in genre and dramatic forms; and for historians of early Stuart England.