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Shakespeare's Philosopher King by Guy Story Brown Pdf
The Tragedy of King Lear precedes Cymbeline King of Britain as the earliest of Shakespeare's English history plays in the sense that it represents a primordial age when the "sceptered isle" of "England" was hardly yet even clearly differentiated from "Britain." The decay and fall of the world is visible, i.e., is originally conceivable as a subject, only from a vantage that is in some sense not itself limited to error or fault. This resolution cannot be a thesis that is merely proved from outside but a vantage that emerges in a careful reading of the 1623 Folio text from the beginning that is alert both to the whole of Shakespeare's corpus and its cultural context. The reading shows The Tragedy of King Lear to be a Thomistic portrayal of the problem and reality of kingship, in which there emerges an increasingly explicit and profoundbut unsentimentalChristianity that seems as much Augustinian as Thomistic.
The Philosopher's English King by Leon Harold Craig Pdf
This book on Shakespeare's Henriad studies the tetralogy as a work of political thought. Leon Craig, author of two previous volumes on Shakespeare's political thought, argues that the four plays present Shakespeare's teaching on the question of who has the right to rule, one of the perennial questions of political philosophy. Offering original interpretations of each of the plays, Craig discusses divine right in Richard II, political upheaval and disputed rule in Henry IV Parts 1 and 2, and just rule in Henry V. In addition Craig shows how the four plays constitute one narrative -- starting in Richard II and concluding in Henry V -- telling the story of the making of a legitimate ruler, England's most famous warrior king, Henry V. The Philosopher's English King provides a meticulous account of Shakespeare's philosophy of legitimate rule, contributing to the burgeoning scholarship on Shakespeare as a political thinker and showing yet again that the poet deserves to be placed among the ranks of such political philosophers as Plato, Machiavelli, and Hobbes. Leon Craig is professor emeritus of political science at the University of Alberta.
Of Philosophers and Kings by Leon Harold Craig Pdf
This innovative work argues that Shakespeare was as great a philosopher as he was a poet, and that his greatness as a poet derived even more from his power as a thinker than from his genius for linguistic expression. Accordingly, Leon Craig's interpretation of the plays - focusing primarily on Macbeth and King Lear, but including extensive comments on Othello, The Winter's Tale, and Measure for Measure - are intended to demonstrate what can be gained from reading Shakespeare 'philosophically.' Shakespeare, Craig argues, had a persistent fascination with the relationship between politics and philosophy, and even more precisely, with the idea of a philosophical ruler. Macbeth and King Lear are given detailed exposition for the special light they cast on tensions between philosophy and politics, knowledge and power. They show how the pursuit of an adequate understanding of certain practical issues - transient yet recurring - necessarily leads to considerations that far transcend the particular circumstances in which these practical problems arise. Metaphysics, cosmology, and man's confrontation with nature, were made dramatically manifest by Shakespeare to challenge and promote philosophic activity among his audience and readers. Unconventional in its approach, but working within the tradition of such critics as Allan Bloom and Harry Jaffa, Craig's book makes a substantial contribution to understanding the general principles of Shakespearean drama.
The philosophy of William Shakespeare delineating in seven hundred and fifty passages, selected from his plays, the multiform phases of the human mind by William Shakespeare Pdf
Shakespeare’s plays are usually studied by literary scholars and historians and the books about him from those perspectives are legion. It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare’s greatest plays–A Midsummer Night’s Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest. In his brilliant commentary, McGinn explores Shakespeare’s philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy. As McGinn says about Shakespeare, “There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgment of a philosopher, and the soul of a poet.” McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially for students who are discovering the greatest writer in English.
Rethinking Shakespeare's Political Philosophy by Alex Schulman Pdf
What were Shakespeare's politics? As this study demonstrates, contained in Shakespeare's plays is an astonishingly powerful reckoning with the tradition of Western political thought, one whose depth and scope places Shakespeare alongside Plato, Aristotle, Machiavelli, Hobbes and others. This book is the first attempt by a political theorist to read Shakespeare within the trajectory of political thought as one of the authors of modernity. From Shakespeare's interpretation of ancient and medieval politics to his wrestling with issues of legitimacy, religious toleration, family conflict, and economic change, Alex Schulman shows how Shakespeare produces a fascinating map of modern politics at its crisis-filled birth. As a result, there are brand new readings of Troilus and Cressida, Coriolanus, Julius Caesar, Antony and Cleopatra, King Lear, Richard II and Henry IV, parts I and II , The Merchant of Venice and Measure for Measure.
Shakespeare’s plays are usually studied by literary scholars and historians and the books about him from those perspectives are legion. It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare’s greatest plays–A Midsummer Night’s Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest. In his brilliant commentary, McGinn explores Shakespeare’s philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy. As McGinn says about Shakespeare, “There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgment of a philosopher, and the soul of a poet.” McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially for students who are discovering the greatest writer in English.
Shakespeare and the Good Life by David Lowenthal Pdf
In separate chapters on The Tempest, King Lear, Julius Caesar, The Merchant of Venice, Macbeth, Measure for Measure, and A Midsummer Night's Dream (many of which have appeared elsewhere in journals or essay collections), the author explores Shakespeare's philosophy and examines its treatment by other critics, from Ben Jonson to A.C. Bradley. He contends that Shakespeare was an independently thinking follower of the classical philosophers Socrates, Plato, and Aristotle, and explores such themes as the playwright's treatment of the philosopher king, natural versus conventional justice, contending views of the best regime and the best life, the moral character of the universe, the Biblical alternative to classical philosophy, and the Christian view of temperance. Annotation copyrighted by Book News, Inc., Portland, OR
The Famous History of the Life of King Henry the Eighth is Shakespeare's most thoughtful history play it was about this play that Schlegel made his famous comment that "Shakespeare was as profound a historian as a poet." Yet, this last play, Shakespeare's lone Tudor history, was popular at its first playing and has proven a crowd pleaser whenever it has been performed. Ever seductive in its trappings of power and emphatic pomp and pageantry, it delineates in a political way the characters of England's most surpassing statesman and her finest queen, as well as of the king thought most infamous of all by celebrated later English writers like Hazlitt and Dickens. The dramatist here takes only the highest view of all these personages and presents each of them in such an order that they may be seen by all for who and what they truly are. The study proceeds as an interpretive commentary, act-by-act and scene-by-scene, and should be considered with the text of the play at one's elbow.
Philosophical Readings of Shakespeare by Margherita Pascucci Pdf
This book offers a close philosophical reading of King Lear and Timon of Athens which provides insights into the groundbreaking ontological discourse on poverty and money. Analysis of the discourse of poverty and the critique of money helps to read Shakespeare philosophically and opens new reflections on central questions of our own time.
The Routledge Companion to Shakespeare and Philosophy by Craig Bourne,Emily Caddick Bourne Pdf
Iago’s ‘I am not what I am’ epitomises how Shakespeare’s work is rich in philosophy, from issues of deception and moral deviance to those concerning the complex nature of the self, the notions of being and identity, and the possibility or impossibility of self-knowledge and knowledge of others. Shakespeare’s plays and poems address subjects including ethics, epistemology, metaphysics, philosophy of mind, and social and political philosophy. They also raise major philosophical questions about the nature of theatre, literature, tragedy, representation and fiction. The Routledge Companion to Shakespeare and Philosophy is the first major guide and reference source to Shakespeare and philosophy. It examines the following important topics: What roles can be played in an approach to Shakespeare by drawing on philosophical frameworks and the work of philosophers? What can philosophical theories of meaning and communication show about the dynamics of Shakespearean interactions and vice versa? How are notions such as political and social obligation, justice, equality, love, agency and the ethics of interpersonal relationships demonstrated in Shakespeare’s works? What do the plays and poems invite us to say about the nature of knowledge, belief, doubt, deception and epistemic responsibility? How can the ways in which Shakespeare’s characters behave illuminate existential issues concerning meaning, absurdity, death and nothingness? What might Shakespeare’s characters and their actions show about the nature of the self, the mind and the identity of individuals? How can Shakespeare’s works inform philosophical approaches to notions such as beauty, humour, horror and tragedy? How do Shakespeare’s works illuminate philosophical questions about the nature of fiction, the attitudes and expectations involved in engagement with theatre, and the role of acting and actors in creating representations? The Routledge Companion to Shakespeare and Philosophy is essential reading for students and researchers in aesthetics, philosophy of literature and philosophy of theatre, as well as those exploring Shakespeare in disciplines such as literature and theatre and drama studies. It is also relevant reading for those in areas of philosophy such as ethics, epistemology and philosophy of language.