Shakespearean Metadrama

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Shakespearean Metadrama

Author : James L. Calderwood
Publisher : U of Minnesota Press
Page : 206 pages
File Size : 44,6 Mb
Release : 1971-03-10
Category : Literary Criticism
ISBN : 9780816657179

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Shakespearean Metadrama by James L. Calderwood Pdf

Shakespearean Metadrama was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a new approach to Shakespeare criticism, the author interprets five of Shakespeare's early plays as metadramas, dramas that are not only about the various moral, social, political, and other thematic issues with which critics have so long been concerned but also about the plays themselves. Professor Calderwood demonstrates that in these five plays Shakespeare writes about his dramatic art -- its nature, its media of language and theater, its generic forms and conventions, its relationship to truth and the social order. In an introductory chapter the author explains his theory of metadrama, placing it in a general critical context as well as in the specific framework of Shakespeare's plays. He distinguishes between the meaning of metadrama and the similar terms "metaplay" and "metatheare." He points out that the dominant metadramatic aspect of the five plays under study is the interplay of language and action in drama. A separate chapter is devoted to the interpretation of each of the plays. Professor Calderwood is aware that in presenting his critical theory and interpretations he may be met with skepticism by other scholars and critics. He anticipates such a situation in the introduction: "To the critic trying on introductory styles for a book on Shakespearean metadrama," he writes, "the plight of Falstaff at the Boar's Head Tavern comes all to readily to mind. 'What trick," he must ask himself, 'what device, what starting-hole, canst thou now find out to hide thee from this open and apparent shame?'"

Metadrama and the Informer in Shakespeare and Jonson

Author : Bill Angus
Publisher : Edinburgh University Press
Page : 240 pages
File Size : 44,5 Mb
Release : 2016-09-20
Category : Literary Criticism
ISBN : 9781474415132

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Metadrama and the Informer in Shakespeare and Jonson by Bill Angus Pdf

Have you ever wondered what was really going on in the inner-plays, secret overhearing, and tacit observations of early modern drama? Taking on the shadowy figure of the early modern informer, this book argues that far more than mere artistic experimentation is happening here. In case studies of metadramatic plays, and the devices which Shakespeare and Jonson constantly revisit, this book offers critical insight into intrinsic connections between informers and authors, discovering an uneasy sense of common practice at the core of the metadrama, which drives both its self-awareness and its paranoia. Drama is most self-revealing at these moments where it reflects upon its own dramatic register: where it is most metadramatic. To understand their metadrama is therefore to understand these most seminal authors in a new way.

Shakespeare's Dramatic Transactions

Author : Michael Mooney
Publisher : Duke University Press
Page : 246 pages
File Size : 50,7 Mb
Release : 1991-07-31
Category : Drama
ISBN : 9780822382836

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Shakespeare's Dramatic Transactions by Michael Mooney Pdf

Shakespeare’s Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of “mimesis” and “representation,” this book describes how the actor’s stage presentation affects the actor’s representational role and the ways in which viewers experience Shakespearean tragedy. Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition—the correlation between an actor’s stage location and the speech, action, and stylization associated with that position—to understand the actor/stage location relationship in Shakespeare’s plays. In his examination of the original staging of Shakespeare’s tragedies, Mooney looks at the traditional interplay between a downstage “place” and upstage “location” to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art. The innovative and insightful approach of Shakespeare’s Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney’s compelling argument enhances our understanding of Shakespeare and the theater.

The Cambridge Companion to Shakespearean Comedy

Author : Alexander Leggatt
Publisher : Cambridge University Press
Page : 260 pages
File Size : 44,7 Mb
Release : 2002
Category : Drama
ISBN : 0521779421

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The Cambridge Companion to Shakespearean Comedy by Alexander Leggatt Pdf

An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.

Shakespeare's Theatres and the Effects of Performance

Author : Farah Karim Cooper,Tiffany Stern
Publisher : Bloomsbury Publishing
Page : 317 pages
File Size : 48,6 Mb
Release : 2015-01-05
Category : Drama
ISBN : 9781408174647

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Shakespeare's Theatres and the Effects of Performance by Farah Karim Cooper,Tiffany Stern Pdf

How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.

Shakespeare's Histories

Author : Emma Smith
Publisher : John Wiley & Sons
Page : 304 pages
File Size : 41,5 Mb
Release : 2008-04-15
Category : Literary Criticism
ISBN : 9780470776889

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Shakespeare's Histories by Emma Smith Pdf

This Guide steers students through four centuries of critical writing on Shakespeare’s history plays, enhancing their enjoyment and broadening their critical repertoire. Guides students through four centuries of critical writing on Shakespeare’s history plays. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.

O'Neill's Shakespeare

Author : Normand Berlin
Publisher : University of Michigan Press
Page : 286 pages
File Size : 54,6 Mb
Release : 1994
Category : American drama
ISBN : 0472104691

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O'Neill's Shakespeare by Normand Berlin Pdf

Reveals unexplored links between Shakespeare's plays and the work of Eugene O'Neill

Shakespeare Left and Right

Author : Ivo Kamps
Publisher : Routledge
Page : 348 pages
File Size : 51,5 Mb
Release : 2015-06-18
Category : Literary Criticism
ISBN : 9781317392941

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Shakespeare Left and Right by Ivo Kamps Pdf

Shakespeare Left and Right brings together critics, strikingly different in their politics and methodologies, who are acutely aware of the importance of politics on literary practice and theory. Should, for example, feminist criticism be subjected to a critique by voices it construes as hostile to its political agenda? Is it possible to present a critique of feminist criticism without implicitly impeding its politics? And, in the light of recent political events should the Right pronounce the demise of Marxism as a social science and interpretive tool? The essays in Shakespeare Left and Right, first published in 1991, present a tug of war about ideology, acted out over the body of Shakespeare. Part One focuses on the challenge thrown down by Richard Levin's widely discussed "Feminist Thematics and Shakespearean Tragedy". Part Two considers these issues in relation to critical practice and the reading of specific plays. This book should be of interest to undergraduates and academics interested in Shakespeare studies.

Shakespeare's Double Plays

Author : Brett Gamboa
Publisher : Cambridge University Press
Page : 303 pages
File Size : 51,7 Mb
Release : 2018-05-03
Category : Drama
ISBN : 9781108417433

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Shakespeare's Double Plays by Brett Gamboa Pdf

Machine generated contents note: Introduction; 1. 'Improbable fictions: Shakespeare's plays without the plays; 2. Versatility and verisimilitude on sixteenth-century stages; 3. Doubling in The Winter's Tale; 4. Dramaturgical directives and Shakespeare's cast size; 5. Doubling in A Midsummer Night's Dream and Romeo and Juliet; 6. Where the boys aren't; 7. Doubling in Twelfth Night and Othello; Epilogue: Ragozine and Shakespearean substitution; Appendix; Bibliography; Index.

Narrating the Visual in Shakespeare

Author : Richard Meek
Publisher : Routledge
Page : 227 pages
File Size : 50,9 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351915946

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Narrating the Visual in Shakespeare by Richard Meek Pdf

This book examines Shakespeare's fascination with the art of narrative and the visuality of language. Richard Meek complicates our conception of Shakespeare as either a 'man of the theatre' or a 'literary dramatist', suggesting ways in which his works themselves debate the question of text versus performance. Beginning with an exploration of the pictorialism of Shakespeare's narrative poems, the book goes on to examine several moments in Shakespeare's dramatic works when characters break off the action to describe an absent, 'offstage' event, place or work of art. Meek argues that Shakespeare does not simply prioritise drama over other forms of representation, but rather that he repeatedly exploits the interplay between different types of mimesis - narrative, dramatic and pictorial - in order to beguile his audiences and readers. Setting Shakespeare's works in their literary and rhetorical contexts, and engaging with contemporary literary theory, the book offers new readings of Venus and Adonis, The Rape of Lucrece, Hamlet, King Lear and The Winter's Tale. The book will be of particular relevance to readers interested in the relationship between verbal and visual art, theories of representation and mimesis, Renaissance literary and rhetorical culture, and debates regarding Shakespeare's status as a literary dramatist.

Shakespeare's Universe of Discourse

Author : Keir Elam
Publisher : Cambridge University Press
Page : 360 pages
File Size : 41,6 Mb
Release : 1984-06-21
Category : Literary Criticism
ISBN : 0521225922

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Shakespeare's Universe of Discourse by Keir Elam Pdf

This book makes ample use of approaches to language within linguistics, semiotics, the philosophy of language and sociology, in order to do justice to the subtlety of Shakespeare's verbal artistry. Keir Elam adopts a fresh approach to the language of Shakespeare's comedies, considering it not simply as 'style' but as the principal dramatic and comic substance of the plays. Traditional analysis of the language as 'diction', 'expression' or 'verbal structure' is not adequate to describe the range and importance of linguistic functions in these plays. This book shows that in Shakespearean comedy language, or rather 'discourse', language in use, is always a dynamic, active protagonist of the drama. The author explores the extraordinary gamut of verbal activities or 'language-games' that contribute to the rich rhetorical make-up of the comedies. The historical framework complements the application of critical theory which will assure a readership among students and teachers of Shakespeare as well as those interested in liguistics and semiotics.

Metadrama in Shakespeare's Henriad

Author : James L. Calderwood
Publisher : Univ of California Press
Page : 242 pages
File Size : 55,6 Mb
Release : 1979-01-01
Category : Literary Criticism
ISBN : 0520036522

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Metadrama in Shakespeare's Henriad by James L. Calderwood Pdf

The Shakespearean International Yearbook

Author : David Schalkwyk
Publisher : Routledge
Page : 470 pages
File Size : 49,5 Mb
Release : 2017-05-15
Category : Literary Criticism
ISBN : 9781351963558

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The Shakespearean International Yearbook by David Schalkwyk Pdf

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

Shakespeare’s Imagined Persons

Author : P. Murray
Publisher : Springer
Page : 265 pages
File Size : 50,7 Mb
Release : 1996-05-10
Category : Literary Criticism
ISBN : 9780230376755

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Shakespeare’s Imagined Persons by P. Murray Pdf

Challenging our understanding of ideas about psychology in Shakespeare's time, Shakespeare's Imagined Persons proposes we should view his characters as imagined persons. A new reading of B.F. Skinner's radical behaviourism brings out how - contrary to the impression he created - Skinner ascribes an important role in human behaviour to cognitive activity. Using this analysis, Peter Murray demonstrates the consistency of radical behaviourism with the psychology of character formation and acting in writers from Plato to Shakespeare - an approach little explored in the current debates about subjectivity in Elizabethan culture. Murray also shows that radical behaviourism can explain the phenomena observed in modern studies of acting and social role-playing. Drawing on these analyses of earlier and modern psychology, Murray goes on to reveal the dynamics of Shakespeare's characterizations of Hamlet, Prince Hal, Rosalind, and Perdita in a fascinating new light.

Shakespeare and Character

Author : P. Yachnin,J. Slights
Publisher : Springer
Page : 259 pages
File Size : 46,5 Mb
Release : 2008-12-18
Category : Literary Criticism
ISBN : 9780230584150

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Shakespeare and Character by P. Yachnin,J. Slights Pdf

Shakespeare and Character brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare's achievement as an artist and thinker.