Shakespearean Stage Production

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Shakespearean Stage Production

Author : Cécile de Banke
Publisher : Routledge
Page : 327 pages
File Size : 40,8 Mb
Release : 2014-08-13
Category : Performing Arts
ISBN : 9781317652809

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Shakespearean Stage Production by Cécile de Banke Pdf

An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.

Shakespeare's Theatre

Author : Peter Thomson
Publisher : Routledge
Page : 221 pages
File Size : 41,6 Mb
Release : 2013-06-17
Category : Performing Arts
ISBN : 9781136113567

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Shakespeare's Theatre by Peter Thomson Pdf

Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies

Shakespearean Stage Production: Then & Now

Author : Cécile De Banke
Publisher : Unknown
Page : 388 pages
File Size : 47,7 Mb
Release : 1953
Category : Electronic
ISBN : UIUC:30112010601133

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Shakespearean Stage Production: Then & Now by Cécile De Banke Pdf

Donated by Sydney Harris.

Shakespearean Stage Production

Author : Cécile de Banke
Publisher : Forgotten Books
Page : 372 pages
File Size : 42,8 Mb
Release : 2018-01-16
Category : Music
ISBN : 0483184322

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Shakespearean Stage Production by Cécile de Banke Pdf

Excerpt from Shakespearean Stage Production: Then and Now: A Manual for the Scholar-Player He wants to know what the theater was like that Shakespeare had in mind when he was writing the plays. And he wants to know because the answer to this inquiry may solve the problems of staging stated or implied in the text. In spite of the fact that these plays have been performed on almost every known type of stage during the last three hundred and fifty years, isn't it possible that only on the stage for which they were written can their uninterrupted tempo and certitude of performance be realized? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Costuming the Shakespearean Stage

Author : Robert I. Lublin
Publisher : Routledge
Page : 210 pages
File Size : 45,9 Mb
Release : 2016-05-13
Category : Drama
ISBN : 9781317159018

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Costuming the Shakespearean Stage by Robert I. Lublin Pdf

Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality, and religion. The fifth chapter examines one play, Thomas Middleton's A Game at Chess, to show how costumes signified across the categories of seeing to establish a play's distinctive semiotics and visual aesthetic.

Shakespeare on Stage

Author : Julian Curry
Publisher : Nick Hern Books
Page : 0 pages
File Size : 49,6 Mb
Release : 2010
Category : Drama
ISBN : 1848420773

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Shakespeare on Stage by Julian Curry Pdf

Thirteen leading actors take us behind the scenes, each recreating in detail a memorable performance in one of Shakespeare's major roles. * Brian Cox on Titus Andronicus in Deborah Warner's visceral RSC production * Judi Dench on being directed by Franco Zeffirelli as a twenty-three-year-old Juliet * Ralph Fiennes on Shakespeare's least sympathetic hero Coriolanus * Rebecca Hall on Rosalind in As You Like It, directed by her father, Sir Peter * Derek Jacobi on his hilariously poker-backed Malvolio for Michael Grandage * Jude Law on his Hamlet, a palpable hit in the West End and on Broadway * Adrian Lester on a modern-dress Henry V at the National, during the invasion of Iraq * Ian McKellen on his Macbeth, opposite Judi Dench in Trevor Nunn's RSC production * Helen Mirren on a role she was born for, and has played three times: Cleopatra * Tim Pigott-Smith on Leontes in Peter Hall's Restoration Winter's Tale at the National * Kevin Spacey on his high-tech, modern-dress Richard II * Patrick Stewart on Prospero in Rupert Goold's arctic Tempest for the RSC * Penelope Wilton on Isabella in Jonathan Miller's 'chamber' Measure for Measure The actors discuss their characters, working through the play scene by scene, with refreshing candour and in forensic detail. The result is a masterclass on playing each role, invaluable for other actors and directors, as well as students of Shakespeare - and fascinating for audiences of the plays. Together, the interviews give one of the most comprehensive pictures yet of these characters in performance, and of the choices that these great actors have made in bringing them thrillingly to life. 'These passages of times remembered contribute vividly to the sense of a teemingly creative period when Shakespeare seemed to have been rediscovered.' Trevor Nunn, from his Foreword

Shakespeare for Young People

Author : Abigail Rokison
Publisher : A&C Black
Page : 255 pages
File Size : 47,5 Mb
Release : 2013-05-09
Category : Literary Criticism
ISBN : 9781441125569

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Shakespeare for Young People by Abigail Rokison Pdf

Comprehensive overview of productions, versions and adaptations of Shakespeare for children and young people

Work and Play on the Shakespearean Stage

Author : Tom Rutter
Publisher : Cambridge University Press
Page : 0 pages
File Size : 54,9 Mb
Release : 2011-11-24
Category : Literary Criticism
ISBN : 1107402484

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Work and Play on the Shakespearean Stage by Tom Rutter Pdf

Time and again, early modern plays show people at work: shoemaking, grave-digging, and professional acting are just some of the forms of labour that theatregoers could have seen depicted on stage in 1599 and 1600. Tom Rutter demonstrates how such representations were shaped by the theatre's own problematic relationship with work: actors earned their living through playing, a practice that many considered idle and illegitimate, while plays were criticised for enticing servants and apprentices from their labour. As a result, the drama of Shakespeare's time became the focal point of wider debates over what counted as work, who should have to do it, and how it should be valued. This book describes changing beliefs about work in the sixteenth century, and shows how different ways of conceptualising the work of the governing class inform Shakespeare's histories. It identifies important contrasts between plays written for the adult and child repertories.

Shakespeare and the Cultures of Performance

Author : Paul Yachnin,Patricia Badir
Publisher : Routledge
Page : 224 pages
File Size : 51,8 Mb
Release : 2017-05-15
Category : Literary Criticism
ISBN : 9781317056492

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Shakespeare and the Cultures of Performance by Paul Yachnin,Patricia Badir Pdf

Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity. They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.

Shakespeare’s Things

Author : Brett Gamboa,Lawrence Switzky
Publisher : Routledge
Page : 251 pages
File Size : 44,7 Mb
Release : 2019-11-19
Category : Literary Criticism
ISBN : 9781000750928

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Shakespeare’s Things by Brett Gamboa,Lawrence Switzky Pdf

Floating daggers, enchanted handkerchiefs, supernatural storms, and moving statues have tantalized Shakespeare’s readers and audiences for centuries. The essays in Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance renew attention to non-human influence and agency in the plays, exploring how Shakespeare anticipates new materialist thought, thing theory, and object studies while presenting accounts of intention, action, and expression that we have not yet noticed or named. By focusing on the things that populate the plays—from commodities to props, corpses to relics—they find that canonical Shakespeare, inventor of the human, gives way to a lesser-known figure, a chronicler of the ceaseless collaboration among persons, language, the stage, the object world, audiences, the weather, the earth, and the heavens.

Making Shakespeare

Author : Tiffany Stern
Publisher : Psychology Press
Page : 203 pages
File Size : 55,7 Mb
Release : 2004
Category : Drama
ISBN : 9780415319652

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Making Shakespeare by Tiffany Stern Pdf

This volume offers a lively introduction to the major issues of the stage and print history of the plays, and discusses what a Shakespeare play actually is.

Gender in Play on the Shakespearean Stage

Author : Michael Shapiro
Publisher : University of Michigan Press
Page : 300 pages
File Size : 47,6 Mb
Release : 1994
Category : Child actors
ISBN : 0472084054

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Gender in Play on the Shakespearean Stage by Michael Shapiro Pdf

Cross-dressing in Shakespeare: a context for Elizabethan gender studies

Shakespeare's Theatre

Author : Peter Thomson
Publisher : Routledge
Page : 224 pages
File Size : 43,6 Mb
Release : 2013-06-17
Category : Performing Arts
ISBN : 9781136113642

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Shakespeare's Theatre by Peter Thomson Pdf

Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies

Staging Shakespearean Theatre

Author : Elaine Novak
Publisher : Penguin
Page : 192 pages
File Size : 41,5 Mb
Release : 2011-05-30
Category : Performing Arts
ISBN : 9781440320088

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Staging Shakespearean Theatre by Elaine Novak Pdf

From auditions and rehearsals to publicity, this guide leads even inexperienced directors, producers, choreographers and actors through the complicated and sometimes fearsome task of staking Shakespeare. Comprehensive information is presented in a browsable format including historical background of the Elizabeth period, descriptions of major plays, a glossary of terms, suggestions for modern interpretations, step-by-step instruction for choreographing fight scenes, and a full treatment of Romeo & Juliet

Shakespeare in Performance

Author : Eric C. Brown,Estelle Rivier-Arnaud
Publisher : Cambridge Scholars Publishing
Page : 270 pages
File Size : 49,9 Mb
Release : 2014-08-11
Category : Literary Criticism
ISBN : 9781443865791

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Shakespeare in Performance by Eric C. Brown,Estelle Rivier-Arnaud Pdf

The fourteen essays included in this collection offer a range of contributions from both new and well-established scholars to the topic of Shakespeare and performance. From traditional studies of theatrical history and adaptation to explorations of Shakespeare’s plays in the circus, musical extravaganzas, the cinema, and drama at large, the collection embraces a number of performance spaces, times, and media. Shakespeare in Performance includes essays looking not only at sixteenth- and seventeenth-century stagings of the plays in England, but at productions of Shakespeare across time in the United States, France, Italy, Hungary, and Africa, underscoring the multiple embodiments and voices of Shakespeare’s art and including a variety of cultural approaches. The work is ultimately occupied with a number of questions generated by these continual iterations of Shakespeare. How can we write and trace what is ephemeral? To what purpose do we maintain the memory of past performances? How does the transmediation of Shakespeare inform the most basic interpretive acts? What motivates Shakespearean theatre across political borders? What kinds of meaning are produced by décor, movement, the actor’s virtuosity, the producer’s choices, or the audience’s response? Each essay thus, to some degree, describes and voices the now unseen.