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Shame and Modern Writing by Barry Sheils,Julie Walsh Pdf
Shame and Modern Writing seeks to uncover the presence of shame in and across a vast array of modern writing modalities. This interdisciplinary volume includes essays from distinguished and emergent scholars in the Humanities and Social Sciences, and shorter practice-based reflections from poets and clinical writers. It serves as a timely reflection of shame as presented in modern writing, giving added attention to engagements on race, gender, and the question of new media representation.
Examines the intersection of shame, gender and writing in contemporary literatureConsiders the particular intersection of shame, gender and writing in literature produced since the 1990sViews shame as a constitutive factor in the social construction and experience of femininityAnalyses a diverse range of texts from pulp to literary fiction to life writing and autofiction, with a self-reflexive focus on the formal disjunctions produced by/in the writing of shame, and on the shame attending the act of writing itselfOffers political readings of neglected genres (lesbian pulp fiction), highly topical texts (like Kraus's I Love Dick and Knausgaard's My Struggle), and established authors (such as Mary Gaitskill, A.M. Homes, Rupert Thomson)Through readings of an array of recent texts - literary and popular, fictional and autofictional, realist and experimental - this book maps out a contemporary, Western, shame culture. It unpicks the complex triangulation of shame, gender and writing, and intervenes forcefully in feminist and queer debates of the last three decades. Starting from the premise that shame cannot be overcome or abandoned, and that femininity and shame are utterly and necessarily imbricated, Writing Shame examines writing that explores and inhabits this state of shame, considering the dissonant effects of such explorations on and beyond the page.
Through readings of an array of recent texts - literary and popular, fictional and autofictional, realist and experimental - this book maps out a contemporary, Western, shame culture
Through readings of an array of recent texts - literary and popular, fictional and autofictional, realist and experimental - this book maps out a contemporary, Western, shame culture
Author : Loraine Day Publisher : Peter Lang Page : 324 pages File Size : 48,7 Mb Release : 2007 Category : Language Arts & Disciplines ISBN : 3039102753
This study combines psycho-social and literary perspectives to investigate the interdependency of shame and desire in Annie Ernaux's writing, arguing that shame implies desire and desire vulnerability to shame, and that the interplay between the two generates the energy for personal growth and creative endeavour.
Author : J. Brooks Bouson Publisher : State University of New York Press Page : 239 pages File Size : 43,6 Mb Release : 2010-07-02 Category : Literary Criticism ISBN : 9781438427393
The Event of Postcolonial Shame by Timothy Bewes Pdf
In a postcolonial world, where structures of power, hierarchy, and domination operate on a global scale, writers face an ethical and aesthetic dilemma: How to write without contributing to the inscription of inequality? How to process the colonial past without reverting to a pathology of self-disgust? Can literature ever be free of the shame of the postcolonial epoch--ever be truly postcolonial? As disparities of power seem only to be increasing, such questions are more urgent than ever. In this book, Timothy Bewes argues that shame is a dominant temperament in twentieth-century literature, and the key to understanding the ethics and aesthetics of the contemporary world. Drawing on thinkers such as Jean-Paul Sartre, Frantz Fanon, Theodor Adorno, and Gilles Deleuze, Bewes argues that in literature there is an "event" of shame that brings together these ethical and aesthetic tensions. Reading works by J. M. Coetzee, Joseph Conrad, Nadine Gordimer, V. S. Naipaul, Caryl Phillips, Ngugi wa Thiong'o, and Zoë Wicomb, Bewes presents a startling theory: the practices of postcolonial literature depend upon and repeat the same structures of thought and perception that made colonialism possible in the first place. As long as those structures remain in place, literature and critical thinking will remain steeped in shame. Offering a new mode of postcolonial reading, The Event of Postcolonial Shame demands a literature and a criticism that acknowledge their own ethical deficiency without seeking absolution from it.
Encounters with embarrassment, guilt, self-consciousness, and remorse are unavoidable in everyday life. Although uncomfortable they often have something to teach us. This family of emotions, collectively known as shame, can help highlight our goals and values, and can be used as a tool for self-knowledge. In this accessible and engaging book psychotherapist Joseph Burgo draws on his 35 years of experience in private practice to reclaim this supposedly toxic emotion and transform it into a force of empowerment. Self-esteem canÕt thrive in the soil of nonstop praise and encouragement. Instead it depends upon setting and meeting goals, living up to the expectations we hold for ourselves, and sharing our joy in achievement with the people who matter most to us. This intimate look at the spectrum of shame emotions offers a new, positive route forward from shame to joy, dignity, and self-esteem.
Poetics and Politics of Shame in Postcolonial Literature by David Attwell,Annalisa Pes,Susanna Zinato Pdf
Poetics and Politics of Shame in Postcolonial Literature provides a new and wide-ranging appraisal of shame in colonial and postcolonial literature in English. Bringing together young and established voices in postcolonial studies, these essays tackle shame and racism, shame and agency, shame and ethical recognition, the problem of shamelessness, the shame of willed forgetfulness. Linked by a common thread of reflections on shame and literary writing, the essays consider specifically whether the aesthetic and ethical capacities of literature enable a measure of stability or recuperation in the presence of shame’s destructive potential. The obscenity of the in-human, both in the colonial setting and in aftermaths that show little sign of abating, entails the acute significance of shame as a subject for continuing and urgent critical attention.
This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.
An urgent, illuminating exploration of the social nature of shame and of how it might be used to promote large-scale political change and social reform. “[Jacquet] exposes the ways shame plays into collective ideas of punishment and reward, and the social mechanisms that dictate the ways we dictate our behavior.” —The Boston Globe Examining how we can retrofit the art of shaming for the age of social media, Jennifer Jacquet shows that we can challenge corporations and even governments to change policies and behaviors that are detrimental to the environment. Urgent and illuminating, Is Shame Necessary? offers an entirely new understanding of how shame, when applied in the right way and at the right time, has the capacity to keep us from failing our planet and, ultimately, from failing ourselves.
For fans of John Jeremiah Sullivan, Leslie Jamison, Geoff Dyer, and W. G. Sebald, the twenty-one essays in David Searcy’s debut collection are captivating, daring—and completely unlike anything else you’ve read before. Forging connections between the sublime and the mundane, this is a work of true grace, wisdom, and joy. Expansive in scope but deeply personal in perspective, the pieces in Shame and Wonder are born of a vast, abiding curiosity, one that has led David Searcy into some strange and beautiful territory, where old Uncle Scrooge comic books reveal profound truths, and the vastness of space becomes an expression of pure love. Whether ruminating on an old El Camino pickup truck, those magical prizes lurking in the cereal boxes of our youth, or a lurid online ad for “Sexy Girls Near Dallas,” Searcy brings his unique blend of affection and suspicion to the everyday wonders that surround and seduce us. In “Nameless,” he ruminates on spirituality and the fate of an unknown tightrope walker who falls to his death in Texas in the 1880s, buried as a local legend but without a given name. “The Hudson River School” weaves together Google Maps, classical art, and dental hygiene into a story that explores—with exquisite humor and grace—the seemingly impossible angles at which our lives often intersect. And in “An Enchanted Tree Near Fredericksburg,” countless lovers carve countless hearts into the gnarled trunk of an ancient oak tree, leaving their marks to be healed, lifted upward, and, finally, absorbed. Haunting, hilarious, and full of longing, Shame and Wonder announces the arrival of David Searcy as an essential and surprising new voice in American writing. Praise for Shame and Wonder “Astonishment is a quality central to David Searcy’s Shame and Wonder. . . . What unites these twenty-one essays . . . is the sense of a wildly querying intelligence suspended in a state of awe. . . . Searcy is drawn instinctively to moments, the way parcels of time expand and contract in memory, conjuring from ordinary experience a hidden sense of all that is extraordinary in the world, in being alive.”—The New York Times Book Review “A lovely implicit argument for a particular orientation toward the world: continuous awe and wonder . . . Everywhere, David Searcy finds the strange and marvelous in careful examination of the quotidian.”—NPR “Peculiar and lively . . . Like a down-home Roland Barthes, [Searcy’s] quirky observations and sudden narrative turns remind us of the strangeness we miss every day.”—Minneapolis Star Tribune “Often nostalgic and whimsical . . . brings to life the shadows of our kaleidoscopic world.”—The Dallas Morning News “What makes Searcy such a master storyteller is that he is a master observer, sharing his vision through essays that read like exquisitely crafted short stories.”—San Francisco Chronicle “In twenty-one captivatingly offbeat essays, Searcy finds the exceptional in the everyday . . . and contemplates the mysteries therein with grace and eloquence.”—The Atlanta Journal-Constitution “A collection of essays laced with wisdom and beauty.”—Paste “Slyly brilliant—a self-deprecatory look at life in all its weirdness.”—Austin American-Statesman “A work of genius—a particular kind of genius, to be sure.”—Ben Fountain, author of Billy Lynn’s Long Halftime Walk
Alexander Popper can't stop remembering. Four years old when his father tossed him into Lake Michigan, he was told, Sink or swim, kid. In his mind, he's still bobbing in that frigid water. The rest of this novel's vivid cast of characters also struggle to remain afloat: Popper's mother, stymied by an unhappy marriage, seeks solace in the relentless energy of Chicago; his brother, Leo, shadow boss of the family, retreats into books; paternal grandparents, Seymour and Bernice, once high fliers, now mourn for long lost days; his father, a lawyer and would-be politician obsessed with his own success, fails to see that the family is falling apart; and his college girlfriend, the fiercely independent Kat, wrestles with impossible choices. Covering four generations of the Popper family, Peter Orner illuminates the countless ways that love both makes us whole and completely unravels us. A comic and sorrowful tapestry of memory of connection and disconnection, Love and Shame and Love explores the universals with stunning originality and wisdom.
The definitive career guide for grad students, adjuncts, post-docs and anyone else eager to get tenure or turn their Ph.D. into their ideal job Each year tens of thousands of students will, after years of hard work and enormous amounts of money, earn their Ph.D. And each year only a small percentage of them will land a job that justifies and rewards their investment. For every comfortably tenured professor or well-paid former academic, there are countless underpaid and overworked adjuncts, and many more who simply give up in frustration. Those who do make it share an important asset that separates them from the pack: they have a plan. They understand exactly what they need to do to set themselves up for success. They know what really moves the needle in academic job searches, how to avoid the all-too-common mistakes that sink so many of their peers, and how to decide when to point their Ph.D. toward other, non-academic options. Karen Kelsky has made it her mission to help readers join the select few who get the most out of their Ph.D. As a former tenured professor and department head who oversaw numerous academic job searches, she knows from experience exactly what gets an academic applicant a job. And as the creator of the popular and widely respected advice site The Professor is In, she has helped countless Ph.D.’s turn themselves into stronger applicants and land their dream careers. Now, for the first time ever, Karen has poured all her best advice into a single handy guide that addresses the most important issues facing any Ph.D., including: -When, where, and what to publish -Writing a foolproof grant application -Cultivating references and crafting the perfect CV -Acing the job talk and campus interview -Avoiding the adjunct trap -Making the leap to nonacademic work, when the time is right The Professor Is In addresses all of these issues, and many more.
