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Shane MacGowan: London Irish Punk Life and Music by Joe Merrick Pdf
As lead singer of The Pogues and as a solo artist, Shane MacGowan is a defining figure of modern Irish music. Among the greatest songwriters of his generation, he has infused traditional Irish folk with the spirit of punk and a bleary-eyed romanticism to create a compelling and unique musical brew. Joe Merrick's biography is an incredible story, sometimes sad, sometimes wonderful, and often soaked in a mixture of alcohol and genius.
This paperback edition has been fully updated to include Shane's final months and the response to his passing. Punk protagonist, legendary drinker, Irish musical icon. This is the complete and extraordinary journey of the Pogues' notorious frontman from outcast to national treasure. A Furious Devotion vividly recounts the experiences that shaped the greatest songwriter of his generation, including the formative trips to his mother's homestead in Tipperary and the explosion of punk which changed his life. As well as exclusive interviews with Shane himself, author Richard Balls secured contributions from his wife and family, and people who have never spoken publicly about Shane before: close associates, former girlfriends and the English teacher who first spotted his literary gift. Nick Cave, Aidan Gillen, Cillian Murphy, Christy Moore and Sinead O'Connor are on the rollcall of those paying tribute to the gifted songwriter and poet. This frank and extensive biography includes many previously unseen personal photographs.
Ireland and the Americas [3 volumes] by Philip Coleman,James Byrne,Jason King Pdf
This work is a distinctive, multidisciplinary encyclopedia covering the cultural, political, economic, musical, and literary impact that Ireland and the nations of the Americas have had on one another since the time of Brendan the Navigator. Ireland and the Americas: Culture, Politics, and History aims to broaden the traditional notion of 'Irish-American' beyond Boston, New York, and Chicago. In additional to full coverage of Irish culture in those settings, it reveals the pervasive Irish influence in everything from the settling of the American West, to the spread of Christianity throughout the hemisphere, to Irish involvement in revolutionary movements from the American colonies to Mexico to South America. In addition, the encyclopedia shows the profound impact of Irish Americans on their homeland, in everything from art and literature informed by the emigrant experience, to efforts by Irish Americans to influence Irish politics. Ranging from colonial times to the present, and informed by the surge of academic interest in the past 30 years, Ireland and the Americas is the definitive resource on the profound ties that bind the cultures of Ireland, the United States, Canada, and Latin America.
A Drink with Shane MacGowan by Shane MacGowan,Victoria Mary Clarke Pdf
"But as A Drink with Shane MacGowan shows, the inspiration for his artistry and beliefs is as varied as his range of mind - embracing Ireland, religion, his family, esoteric philosophy and history."--Jacket.
A fascinating survey of popular culture in Europe, from Celtic punk and British TV shows to Spanish fashion and Italian sports. From One Direction and Adele to Penelope Cruz and Alexander Skarsgard, many Europeans are becoming household names in the United States. This ready-reference guide covers international pop culture spanning music, literature, movies, television and radio, the Internet, sports, video games, and fashion, from the mid-20th century through the present day. The organization of the book—with entries arranged alphabetically within thematic chapters—allows readers to quickly find the topic they are seeking. Additionally, indexing allows for cross-cultural comparisons to be made between pop culture in Europe to that of the United States. An extensive chronology and lengthy introduction provide important contextual information, such as the United States' influence on movies, music, and the Internet; the effect of censorship on Internet and social media use; and the history of pop culture over the years. Topics feature key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, clothing fads and designers, and much more.
Did Ireland produce a more radical and ambitious literature in the straitened circumstances of the first half of the twentieth century than it has managed to do since it began to ‘modernize’ and become more affluent from the 1960s onwards? Has Irish modernism ceded place to a prevailing naturalism that seems gritty and tough-minded, but that is aesthetically conservative and politically self-thwarted? Does the fixation with ‘de Valera’s Ireland’ in recent narrative represent a necessary settling of accounts with a dark, abusive history or is it indicative of a worrying inability on the part of Irish artists and intellectuals to respond to the very different predicaments of the post-Cold War world? These are some of the questions addressed in Outrageous Fortune. Scanning literature, theatre, film and music, Joe Cleary probes the connections between capital, culture and criticism in modern Ireland. He includes readings of James Joyce and the Irish modernists, the naturalists Patrick Kavanagh, John McGahern and Edna O’Brien, and comments too on what he terms the ‘neo-naturalism’ of Marina Carr, Patrick McCabe and Martin McDonagh. He concludes with a provocative analysis of the cultural achievement of the Pogues.
From Black Sabbath to Big Black, a ride through the evolution, diversity, and influence of genre-defying heavy music. It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way. Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.
October 1982: ABC, Culture Club, Shalamar and Survivor dominate the top twenty when the Pogues barrel out from the backstreets of King's Cross, a furious, pioneering mix of punk energy, traditional melodies and the powerfully poetic songwriting of Shane MacGowan. Reviled by traditionalists for their frequently fast, often riotous interpretations of Irish folk songs, the Pogues rose from the sweaty chaos of backroom gigs in Camden pubs to world tours with the likes of Elvis Costello, U2 and Bob Dylan, and had huge commercial success with everyone's favourite Christmas song, 'Fairytale of New York'. Yet, the exuberance of their live performances coupled with relentless touring spiralled into years of hard drinking and excess which eventually took their toll - most famously on Shane, but also on the rest of the band - causing them to part ways seven years later. Here, their story is told with beauty, lyricism and great candour by James Fearnley, founding member and accordion player. He brings to life the youthful friendships, the bust-ups, the amazing gigs, the terrible gigs, the fantastic highs and the dramatic lows in a hugely compelling, humorous, moving and honest account of life in one of our most treasured and original bands.
Drink with Shane Macgowan by Shane Macgowan,Victoria Mary Clarke Pdf
The co-founder of the Irish band The Pogues presents his autobiography as a series of interviews between him and his wife, Clarke, where he recounts growing up on an Irish farm, living in London in the mid 1970s, and reflects on the success of The Pogues and why he left the band. Photos.
Ethnic and Cultural Identity in Music and Song Lyrics by Victor Kennedy Pdf
Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.
Rake at the Gates of Hell: Shane MacGowan in Context by Robert Mamrak Pdf
Rake at the Gates of Hell: Shane MacGowan in Context is a mix of Irish history and culture, biography, and music criticism. It explores Shane MacGowan "s art by juxtaposing details of his life with those elements of Irish culture and history that inform the themes in his work. The book presents MacGowan "s life chronologically, supplementing information on Irish history and culture at those points where it can best illuminate MacGowan "s story. His career with the Nips, the Pogues, and the Popes is covered extensively. The book includes critical assessments of significant live performances and all studio recordings made with each of these three bands. MacGowan "s life story is told warts and all. His hedonistic lifestyle and history of substance abuse is reported in a way that neither sensationalizes nor minimizes the facts. The text is enlivened by extensive quotations, primarily from MacGowan himself, which were either taken from conversations with the author or culled from published interviews. The book explores several themes prominent in MacGowan "s work. Foremost among these are Irish Republicanism, the Irish Republican Army, Irish emigration, and various factors that contribute to Irish emigration. While the discussion of these topics is not exhaustive, it is detailed enough to enhance appreciation of Shane MacGowan "s art. Moreover, Rake at the Gates of Hell: Shane MacGowan in Context is the only book yet written that chronicles MacGowan "s remarkable comeback with the Pogues, the band that fired him nearly two decades ago.
The presence of Irish writers is almost invisible in literary studies of London. The Irish Writing London redresses the critical deficit. A range of experts on particular Irish writers reflect on the diverse experiences and impact this immigrant group has had on the city. Such sustained attention to a location and concern of Irish writing, long passed over, opens up new terrain to not only reveal but create a history of Irish-London writing. Alongside discussions of MacNeice, Boland and McGahern, the autobiography of Brendan Behan and identity of Irish-language writers in London is considered. Written by an internal array of scholars, these new essays on key figures challenge the deep-seated stereotype of what constitutes the proper domain of Irish writing, producing a study that is both culturally and critically alert and a dynamic contribution to literary criticism of the city.
Providing a full account of second-generation Irish cultural music production in post-war England, this book examines the work of artists such as Shane MacGowan, Kevin Rowland, Johnny Marr and Morrissey.
