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Demonstrating the influence of scholar-teacher Stanley Weintraub on his students, Shaw and Other Matters reflects the scope of that influence in its concern with a variety of literary figures - from Shaw to Joe Orton - and of topics such as war memoirs and golem/robots. The variety is there, as well, in the approaches to the subjects: Rodelle Weintraub's dream analysis of Arms and the Man; Julie Sparks's comparison of Shaw with Bellamy, Morris, and Bulwer-Lytton as world "betterers"; Michael Pharand's evaluation of Shaw's changing views of Napoleon; Kinley Roby's tracing of Shaw's exchanges of views on playwriting with Arnold Bennett; and Kay Li's archetypal exploration of characters in Heartbreak House.
This special issue of Shaw offers ten articles that focus on the theme of "Shaw and History." That focus illuminates Shaw's concept of history as art and its uses for dramatic purposes. It is a focus that is broadly applied to the historical perspective. Views range from Shaw's uses of historical sources in the Shavianizing of history, his uses of historical, geographical, and political places and events in his work, to views that place selected Shavian works within a historical context. Stanley Weintraub discusses Shaw's references to Cetewayo, Zulu chieftain, in Cashel Byron's Profession as the first incorporation of a contemporary historical figure into his work. John Allett explores the liberal, socialist, and radical feminist views of prostitution in nineteenth-century England and demonstrates how those political views are developed within the unfolding action ofMrs Warren's Profession. Sidney P. Albert studies the Utopian movement, "The Garden City," to determine the extent to which that movement influenced Shaw's conception of Perivale St. Andres inMajor Barbara. He also narrates his personal attempt to identify the Ballycorus smelting works and its surroundings as well as the campanile, or Folly, at Faringdon as sites that provided the scenic sources for Perivale St. Andres inMajor Barbara. Gale K. Larson has edited a partially unpublished Shavian manuscript that addresses Shaw's relationship with Frank Harris and, among other matters, sets the historical record right as to who deserves the credit for attributing the identity of the Dark Lady of the Sonnets to Mary Fitton. He also examines the historical sources that influenced Shaw's views on Charles II, the "Merry Monarch," in"In Good King Charles's Golden Days" and demonstrates Shaw's reclamation of yet another historical figure from the traditional historians. David Gunby examines the first-night performance of O'Flaherty, V.C. for purposes of setting the historical record straight as to the facts of that production. Wendi Chen presents the stage history of the production of Mrs Warren's Professionin China during the early 1920s and argues its central role in shaping modern Chinese drama. Rodelle Weintraub assesses Too True to Be Good as a dream play within the context of the nightmarish times of World War I. Michael M. O'Hara surveys the Federal Theatre's productions of Androcles and the Lionin the 1930s to reveal the political and religious repressions that those productions underscore. Shaw 19 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
1992, Shaw and the Last Hundred Years by Bernard Frank Dukore Pdf
In 1892 the first production of Bernard Shaw's first play, Widowers' Houses, heralded the birth of modern drama in the English language. One hundred years later a group of Shavians gathered to examine the significance and influence of Shaw's drama in the English-speaking world. The conference, sponsored by Virginia Polytechnic Institute and State University, brought together theater scholars, critics, and artists from Canada, England, Ireland, and the United States. The conference also featured productions of The Shewing-up of Blanco Posnet, The Man of Destiny, and Farfetched Tales, each followed by a symposium. The centennial conference not only marked the importance of the event but also stimulated new ways of regarding that historic moment, reexaminations of the significance of Shaw's plays, and explorations of their consequences. Some speakers reevaluated the genesis of the first production of Widowers' Houses and its social, cultural, and theatrical context. Some brought to bear on the subject of Shavian drama recent critical perspectives, such as feminism, deconstructionism, and the type of close textual and intertextual scrutiny seldom accorded Shaw. Others explored his impact in England, America, Ireland, and the Antipodes. Still others examined the relationship of comedy and ideas, subtext, and how this Victorian dramatist remains pertinent today. The conference concluded with a symposium that aimed to assess what might lie ahead for Shaw on page and stage in the next hundred years. This volume records the proceedings of the conference as well as reviews and the continuing checklist of Shaviana. Contributors are Peter Barnes, Charles A. Berst, Montgomery Davis, Bernard F. Dukore, Martin Esslin, Joanne E. Gates, Nicholas Grene, Christopher Innes, Katherine E. Kelly, Frederick P. W. McDowell, Rhoda Nathan, Christopher Newton, Michael O'Hara, Jean Reynolds, Irving Wardle, Stanley Weintraub, and J. L. Wisenthal.
SHAW 21 offers readers an eclectic perspective on Shaw, his works, and his contemporaries. Basil Langton, actor and director, reminisces about his early development as an actor, his meeting with Shaw, and his career as director of many of Shaw's plays. He focuses upon Shaw's stagecraft, augmenting his views with those of Sybil Thorndike and Sir Lewis Casson, whom he interviewed in 1960. Galen Goodwin Longstreth analyzes the correspondence between Shaw and Ellen Terry and argues that the exchange is itself a literary genre, a dramatic performance that reveals their personal identities. The next two contributors, Stanley Weintraub and Andrea Adolph, examine the Shaw/Virginia Woolf relationship. Weintraub focuses on those occasions when their respective lives touched each other, what their feelings for each other were, and how those occasions were obliquely woven into Shaw's plays, most notably Heartbreak House. Professor Adoph argues that in Woolf's only dramatic text, Freshwater: A Comedy, she was conforming to the traditional theatrical mode of the day, dominated, of course, by Shaw, but that she subverted his traditional literary depiction of paternity as, for example, the paternity dramatized in Major Barbara. Sidney Albert and Bernard Dukore provide unique perspectives on reading Major Barbara. Albert shows how John Bunyan's The Pilgrim's Progress serves as Shaw's source for Barbara's progress toward enlightened understanding. Dukore, focusing on the perspective of the familial relationship within the play, concludes that Shaw's dialectic gives the kids the future and not the dad. It will be the next generation, not Father Undershaft, who will determine where society will go next. Julie Sparks and Martin Bucco approach Shaw from a comparative basis, juxtaposing him with two American writers, contemporaries of Shaw, Mark Twain and Sinclair Lewis, respectively. Sparks explores the commonality that exists in Shaw's and Twain's thinking about evolution, namely, their heretical visions of a post-Darwinian Eden. Both viewed conventional Christianity iconoclastically, but both arrived at different conclusions about human origin and destiny, a view Sparks describes as emanating from the deist-pessimist-evolutionary-determinist perspective versus the mystic-optimistic-creative-evolutionist perspective, or the Personal Godhead versus the Impersonal Force. Professor Bucco enumerates the many references Sinclair Lewis makes to Bernard Shaw throughout his writings, both prose and fiction, to underscore the American novelist's admiration for the Irish playwright, both recipients of the Nobel Prize for Literature. The final two contributors to SHAW 21, Rodelle Weintraub and William Doan, provide the readers with distinctive perspectives on John Bull's Other Island and The Doctor's Dilemma, respectively. Weintraub recasts the play into a dream sequence whereby Doyle's dream becomes an artifice for problem solving. Implied within Father Keegan's lines in the play, "Every dream is a prophecy: every jest is an earnest in the womb of Time," is the resolution of Doyle's problem with Nora, the girl he had left behind, and of the dream of modernizing Roscullen. Doan suggests that in The Doctor's Dilemma Shaw uses the idea of unconsummated adultery to argue for the efficacy of art over science. In the conflict between the artist and the scientist, the latter plans to have the artist's muse. In the end, not only is he deprived of the wife but also of the works of art themselves and the spirit that animates them. SHAW 21 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
SHAW 18 offers fourteen articles that illuminate aspects of Shaw's family history, relations with contemporaries, evolving reputation, and dramatic works. Dan H. Laurence presents an authoritative genealogy of the Shaw and Gurly sides of Shaw's family. Among discoveries that have long eluded Shaw's biographers is the birthdate of Elinor Agnes "Yuppy" Shaw, Shaw's sister. Michael W. Pharand assesses Shaw's intense dislike of Sarah Bernhardt. Stanley Weintraub analyzes Shaw's presence in the plays of Eugene O'Neill. Shaw's Advice to Irishmen, a newspaper account of Shaw's 1918 Dublin lecture "Literature in Ireland," records Shaw's comments on George Moore, J. M. Synge, and James Joyce. Robert G. Everding surveys Shaw festivals from 1916 in Ireland to the present-day Shaw festivals in Ontario and Milwaukee. In a review of Frank Harris on Bernard Shaw (1931), Richard Aldington dismisses Shaw as human being, thinker, and dramatist: "You must be a Shavian to admire and love Shaw the artist." In an interview with Leon Hugo, biographer Michael Holroyd discusses his biography of G.B.S., responses to his biography, and future work involving G.B.S. Jeffrey M. Wallmann argues that alienation in Shaw's plays enhances their contemporary value. Bernard F. Dukore investigates Shaw's reasons for discarding the original final act of The Philanderer. Rodelle Weintraub argues persuasively that You Never Can Tell requires the audience to choose between "Crampton's reality" and "Crampton's dream." Mark H. Sterner, weighing the various charges against Ann Whitefield's character in Man and Superman, concludes that Shaw's treatment of her and Tanner "as significantly different, but nevertheless equal . . . in itself was a revolutionary change in the status of sexual power relationships." Julie A. Sparks identifies W. W. Henley's sonnet "'Liza" as a likely source not only for some of Eliza's traits in Pygmalion but also for images in Man and Superman and Major Barbara. Charles A. Carpenter considers Buoyant Billions and Farfetched Fables in the context of Shaw's response to the birth of the atomic age. Paul Bauschatz, evaluating the differences between My Fair Lady and Pygmalion, illustrates why the film can reflect Shaw's play "only uneasily." SHAW 18 includes five reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
The Politics and Plays of Bernard Shaw by Judith Evans Pdf
Do politics and the playhouse go together? For Bernard Shaw they most certainly did. As a playwright with a message he saw the theatre as the ideal medium for conveying his view of life, which was essentially socialistic. The theatre was to Shaw a latter-day temple of the arts within a community. But Shaw was, of course, multi-voiced, not only through the characters he created but also in his own persona as public speaker, essayist, tract writer and author of works on political economy. Much of the thinking that is expressed in his non-dramatic works is contained also in his plays. This work offers a readily accessible means of looking at the nature and the progression of Shaw's thinking. All the plays included in the major canon are reviewed and, except for brief plays and playlets (which are grouped), they are presented in sequential order.
Albert Shaw of the Review of Reviews by Lloyd J. Graybar Pdf
The life of Albert Shaw (1857-1947) reflected in microcosm the changes that American society was undergoing through a critical period. This first full-length study focuses on two themes: Shaw's career as editor and publisher of the Review of Reviews, an influential monthly journal in the early years of the twentieth century, and Shaw's career as a public figure. Shaw was a member of the Progressive movement from its inception, but his concern and interests were wide-ranging, centering to a large degree on the question of what the industrialization of America meant. Lloyd J. Graybar shows incisively the ways in which Shaw's professional concerns interacted with his attitude toward public issues.
Bernard Shaw on the American Stage by L. W. Conolly Pdf
Bernard Shaw on the American Stage is the first comprehensive study of the production of Bernard Shaw’s plays in America. During his lifetime (1856-1950), Shaw was America’s most popular living playwright; productions of his plays were outnumbered only by Shakespeare. Forty-four of Shaw’s plays were staged in America before his death, eight more posthumously. Eleven of the productions were world premieres. Bernard Shaw on the American Stage tells the story of the fifty-two premieres, which, apart from a few fragments, is his total dramatic oeuvre. The book also includes, again for the first time, production data and concise overviews of dozens of the most notable American revivals of the plays, from the 1890s to the beginning of the 2020 pandemic. Illustrations—production photographs, programmes, theatre buildings, playbills, actors’ studio portraits— inform the study throughout.
A.M. Gibbs provides an authoritative and comprehensive account of the life, career and associations of George Bernard Shaw (1856-1950), one of the most eminent and influential literary figures of the modern age. Drawing on a wide range of published and unpublished material, this work illuminates the complex fabric of Shaw's extraordinary career as playwright, novelist, critic, orator, political activist, social commentator, avant-garde thinker and controversialist. Images of Shaw's daily private life, and of his tangled love affairs, flirtations and friendships, are intertwined with the records of his prodigiously productive career as public figure and creative writer, in a fully documented study which is both a scholarly resource and a lively biographical portrait. An introductory chapter explores theoretical issues in biography raised by the chronology form; and a chapter on Shaw's ancestry and family supplies new evidence about his Irish background. A Who's Who section contains thumbnail sketches of over two hundred contemporaries of Shaw who had significant associations with him.
Study Guide to Major Barbara by George Bernard Shaw by Intelligent Education Pdf
A comprehensive study guide offering in-depth explanation, essay, and test prep for George Bernard Shaw’s Major Barbara, considered a literary classic due to the novel’s religious themes contradicting the religious ideas of the time period. As an early nineteenth century play, Major Barbara provides political commentary on the matter of whether it is morally right or wrong to obtain something that is used for a good cause from death and destruction. Moreover, it encourages conversation among students about whether a charitable act maintains its value even when its roots were immoral. This Bright Notes Study Guide explores the context and history of Shaw’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.
Bernard Shaw's Book Reviews: 1884-1950 by Bernard Shaw,Brian Tyson Pdf
This new volume of Bernard Shaw's book reviews is a companion to Brian Tyson's previously edited collection of Shaw's earlier book reviews. Here Tyson collects seventy-three of the best remaining literary book reviews written by Shaw throughout his lifetime. Two-thirds of the reviews appear in book form for the first time, the originals residing in the archives of newspaper libraries, and only three of the remainder have been reprinted within the last twenty years. Politics feature largely in the works that Shaw reviewed: there are books of socialist theory and its practical appearance in the Soviet Union, as well as books on the individualism of J. H. Levy, the anti-socialism of Thomas McKay, and the economics of E. C. K. Gonner and Philip Wicksteed. There is often an immediacy about the books reviewed, too: discussion of books on World War I, the Soviet Revolution, women's suffrage, the British General Strike of 1926, and World War II all take place concurrently with the events. Many of the works reviewed are biographies, which give Shaw the opportunity to reveal his personal acquaintance with their subjects, including Samuel Butler, William Morris, and Dean Inge. This widely varied collection sparkles with wit and wisdom, taking us briskly through Shaw's own writing life, beginning when he was relatively unknown and concluding when he was a legend.