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For 50 years, samurai movies have wowed the Japanese and the world with gory sword fights and tear-jerking tales of honor and sacrifice. From Kurosawa's Seven Samurai to anime's Samurai X, this first-ever collection of original samurai movie art pays tribute to a cinematic genre that is truly Japanese. Silver Screen Samurai is a must-have for samurai fans, movie-buffs and lovers of poster art!
How do contemporary films depict Buddhists and Buddhism? What aspects of the Buddhist tradition are these films keeping from our view? By repeatedly romanticizing the meditating monk, what kinds of Buddhisms and Buddhists are missing in these films and why? Silver Screen Buddha is the first book to explore the intersecting representations of Buddhism, race, and gender in contemporary films. Sharon A. Suh examines the cinematic encounter with Buddhism that has flourished in Asia and in the West in the past century – from images of Shangri-La in Frank Capra's 1937 Lost Horizon to Kim Ki-Duk's 2003 international box office success Spring, Summer, Fall, Winter...and Spring. The book helps readers see that representations of Buddhism in Asia and in the West are fraught with political, gendered, and racist undertones. Silver Screen Buddha draws significant attention to ordinary lay Buddhism, a form of the tradition given little play in popular film. By uncovering the differences between a fictionalized, commodified, and exoticized Buddhism, Silver Screen Buddha brings to light expressions of the tradition that highlight laity and women, on the one hand, and Asian and Asian Americans, on the other. Suh engages in a re-visioning of Buddhism that expands the popular understanding of the tradition, moving from the dominance of meditating monks to the everyday world of raced, gendered, and embodied lay Buddhists.
"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--
A Foreigner’s Cinematic Dream of Japan by Iris Haukamp Pdf
In early 1936, a German film team arrived in Japan to participate in a film coproduction, intended to show the 'real' Japan to the world and to launch Japanese films into international markets. The two directors, one Japanese and the other German, clashed over the authenticity of the represented Japan and eventually directed two versions, The Samurai's Daughter and New Earth, based on a common script. The resulting films hold a firm place in film history as an exercise in - or reaction against - politically motivated propaganda, respectively. A Foreigner's Cinematic Dream of Japan contests the resulting oversimplification into nationalised and politicised dichotomies. Drawing on a wide range of Japanese and German original sources, as well as a comparative analysis of the 'German-Japanese version' and the elusive 'Japanese-English version', Iris Haukamp reveals the complexities of this international co-production. This exclusive research sheds light not only on the films themselves, but also on the timeframe of its production, with both countries at the brink of war.
The Paths of Zatoichi charts the history and influence of the Japanese film and television franchise about Zatoichi the blind swordsman. The franchise is comprised of 29 films and 100 TV episodes (starring the famous Shintaro Katsu, who starred in 26 of the 29 feature films). They all follow the adventures of a blind masseur in medieval Japan, who wanders from village to village and often has to defend himself with his deadly sword skills. The first film was released in 1962 and the most recent in 2010. These dates demonstrate how the franchise can be used as a means of charting Japanese cinema history, via the shifts in production practices and audience preferences which affected the Zatoichi series and numerous other film and TV texts. Zatoichi signifies a huge area of Japanese film history which has largely been ignored in much existing scholarly research, and yet it can reveal much about the appeal of long-running characters, franchises, and their constant adaptation and influence within global popular culture.
Directory of World Cinema: Japan by John Berra Pdf
From the revered classics of Akira Kurosawa to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. As the inaugural volume of an ambitious series from Intellect documenting world cinema, the directory aims to play a part in moving intelligent, scholarly criticism beyond the academy by building a forum for the study of film that relies on a disciplined theoretical base. It takes the form of an A–Z collection of reviews, longer essays and research resources, accompanied by fifty full-colour film stills highlighting significant films and players. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters take their place alongside the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.
Lukewarm Christian to Warrior for Christ by Charles J. Pettitt Pdf
The United States of America is at a tipping point. Like the teeter-totter I played on as a child, our beloved country is about to go from a godly country to an ungodly one. If we do not act now, the liberties that we Christians have enjoyed since the birth of our nation are at risk of being eliminated. If we do not ?ght in unity, we will lose our country to secularists who believe Christianity is for the weak. We need warriors, Christian warriors to take to the battle?eld and defeat the enemy. BUT HOW DOES ONE BECOME A WARRIOR FOR CHRIST? The samurai are arguably the greatest warriors ever. Imagine incorporating their dedication and self-sacri?ce into your Christian walk; what a great Warrior for Christ you could become! It will not be easy, and you will be tested, but God is with you, as he was with Joshua: Be strong and of good courage; do not be afraid, nor be dismayed, for the LORD your God is with you wherever you go. JOSHUA 1:9 ITS TIME TO PREPARE FOR BATTLE.
Jutsu: the hidden art in karate by Vinicio Antony Pdf
Idealized by sensei Vinicio Antony, all Jutsu material - The Hidden Art in Karate aims to be a new vehicle for sharing the knowledge he has acquired throughout his long career as an athlete and master of Karate. "My intention is that this work can reach a greater number of people who (like me!) Have chosen the way to guide other paths.
From the late 1920s through World War II, film became a crucial tool in the state of Japan. Detailing the way Japanese directors, scriptwriters, company officials, and bureaucrats colluded to produce films that supported the war effort, Imperial Screen is a highly readable account of the realities of cultural life in wartime Japan. High's treatment of the Japanese film world as a microcosm of the entire sphere of Japanese wartime culture demonstrates what happens when conscientious artists and intellectuals become enmeshed in a totalitarian regime. This English language edition is revised and expanded from the original Japanese edition.
This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations’ cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children’s literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres—feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions.
Take a colorful tour of Japan's capital with this alternative Japan travel guide that explores Tokyo's distinctive architecture, fashion, food, and so much more. Tokyo - Capital of Cool delves into Tokyo's Edo-era roots, its thirst to modernize while retaining its traditions, its amazing culinary heritage, and the impact of its creative youth population. From the chic streets of Omotesando to the Tosho-gu shrine complex in Nikko, award-winning travel and fiction writer Rob Goss takes readers to the patchwork of districts and sights that comprise Tokyo and its neighboring towns. You will be amazed and enthralled at the vivid photographs and the in-depth discussion of Japanese history and culture that exceed the boundaries of a traditional guidebook in offering insights into one of the world's most significant and most innovative cities.
This is the first comprehensive, fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia (literal translation: martial chivalry) - a genre which audiences around the world became familiar with through the phenomenal 'crossover' hit Crouching Tiger, Hidden Dragon (2000). The book unveils rich layers of the wuxia tradition as it developed in the early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries. Key attractions of the book are analyses of:*The history of the tradition as it began in the Shanghai cinema, its rise and popularity as a serialized form in the silent cinema of the late 1920s, and its eventual prohibition by the government in 1931.*The fantastic characteristics of the genre, their relationship with folklore, myth and religion, and their similarities and differences with the kung fu sub-genre of martial arts cinema.*The protagonists and heroes of the genre, in particular the figure of the female knight-errant.*The chief personalities and masterpieces of the genre - directors such as King Hu, Chu Yuan, Zhang Che, Ang Lee, Zhang Yimou, and films such as Come Drink With Me (1966), The One-Armed Swordsman (1967), A Touch of Zen (1970-71), Hero (2002), House of Flying Daggers (2004), and Curse of the Golden Flower (2006).
'Keeping the Dream Alive' is a unique and intriguing memoir charting the life and times of how someone growing up on the wrong side of the tracks in a very poor working class environment in post-War Britain was able to journey to the glittering arena of Hollywood, providing an inspirational insight into how the one most likely to fail at school due to a special need battled and succeeded against all the odds to travel the world, founding and overseeing a prolific international independent television production company. A humorous insight into the fertile imagination of a writer's mind and surviving in the global motion picture and television industry. Reveals the unique story of how the cult series 'The Tribe' came into being. But it is also a humorous journal and insight into the fertile imagination of a writer's mind and what life is like away from the red carpet and spotlight in the global world of motion pictures and television. 'Keeping The Dream Alive' reveals the unique story of how the cult series 'The Tribe' came into being. Along with a personal quest to exist and survive amidst the ups and downs and pressures of a long and successful career as a writer/producer, culminating in being appointed an Adjunct Professor and featuring in the New Years Honours List, recognized by Her Majesty Queen Elizabeth II for services to television.
