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Sinbad and the Great Old Ones by Gavin Chappell Pdf
Shipwrecked while escorting the Princess of Serendip to her bridegroom, Sinbad discovers that she has been abducted by the wicked magician, Abdul Alhazred, who plans to sacrifice her in an attempt to open a dimensional gate and summon the Great Old Ones-demonic gods from beyond the stars. Accompanied by a motley crew of alchemists and slave girls, princes and policemen, Sinbad sets out to foil the evil sorcerer's plot. The journey will take them from lost desert cities to mysterious jungle islands, from the streets of Samarkand to the fabled Plateau of Leng, until at last Sinbad alone stands between the peoples of the Earth and slavery to the forces of cosmic evil...
Swords Against Cthulhu II: Hyperborean Nights by Rogue Planet Press Pdf
IN THE eldritch writings of Ec'h Pi El we learn that the land of Lomar, first chronicled by that aeons-dead author, lay contiguous in time and space to Ancient Hyperborea, sinister kingdom of the North described in the story cycles of the prophet Klarkash Ton. Twin lands beyond the Arctic Circle, home to a cyclopean civilisation long ground to dust by the advancing glaciers, they flourished in blasphemously, inconceivably ancient days when Lemuria and Hyboria and Mu were but a dream... Against this background of savage tribes and more savage gods dwell sorcerers, warriors, rogues and thieves, whose brutal adventures are chronicled by the spiritual heirs of Ec'h Pi El and Klarkash Ton in Rogue Planet Press' new anthology, Swords against Cthulhu II: Hyperborean Nights.
A wonderfully imaginative blend of "buddy book" with Edgar Allan Poe's "The Gold Bug," complete with ghosties and ghoulies and big strong English bulldogs that go bump in the night. Well, only one English bulldog, but there is plenty of Sinbad to go around. Throw in some highly inventive puzzles and code breaking, a hero who is smarter than he thinks he is, a friend with a "million candlepower brain," and assorted bad guys of various levels of toughness, and you have a thrilling, funny, int
I'm Just a DJ But...It Makes Sense to Me by Tom Joyner Pdf
Hall of Fame disc jockey Tom Joyner uses his signature brand of humor to discuss everything from business to careers to relationships as he shares the insights and lessons he's learned along the way.Now the host of a radio show that is the most popular media outlet ever among African Americans, Joyner started his career at a small AM radio station in his home state of Alabama, working his way across the midwest, and eventually landing in Chicago.In 1985, he made headlines as "The Hardest Working Man in Radio" when he worked a morning show in Dallas in addition to his afternoon show in Chicago. His daily commute earned him the nickname "The Fly Jock." In 1994, he convinced ABC Radio to syndicate his program, and The Tom Joyner Show?a mix of comedy music, and guests who range from Stevie Wonder to Tipper Gore?was born.
This book retells the story of Sinbad the Sailor and recounts tales of the voyages on which he acquired his wealth, of the strange peoples and monsters he encountered along the way and of lands beyond the horizon. It places the fiction of Sinbad, popularised in the collection of stories known as the Arabian Nights, into the context of medieval Cairo where these tales were originally told. By retracing the history of these stories and the Arabian voyages of exploration and trade which inspired them, and by examining modern incarnations of Sinbad that have appeared since his stories reached the West, this book breathes new life into these ancient tales of adventure, magic and mystery.
Three timeless tales retold for the stage by one of the UK’s most renowned writers of plays for children and young people, Charles Way. His plays appeal to audiences of all ages, are translated into many languages and perfomed internationally. This collection includes The Golden Goose, The Tinderbox and Sinbad – The Untold Tale. THE TINDERBOX: This is truly magical entertainment, a beautifully crafted show. --The Stage SINBAD - THE UNTOLD TALE This fabulous new adventure by acclaimed children s playwright Charles Way is a Christmas treat families will remember forever. --The Keswick Reminder THE GOLDEN GOOSE: Charles Way transforms A Midsummer Night s Dream into a lively and magical mid-winter adventure. --The Guardian CHARLES WAY Charles began writing plays in 1978 when he joined Leeds Playhouse TIE team. He has written over 40 plays, many of them for young people. His plays 'Sleeping Beauty' and 'The Search for Odysseus' were both nominated as Best Children's Play by the Writer's Guild with 'A Spell of Cold Weather' winning the award in 1996. His play about the percussionist Evelyn Glennie, 'Playing from the heart' was nominated as Best Children's Show by the TMA. Other plays include: 'The Flood', 'One Snowy Night' [Chichester Festival Theatre], and 'The Night Before Christmas ' [Polka Theatre]. Charles' plays for adults include adaptations of Bruce Chatwin's 'On the Black Hill' and Halldor Laxness' 'Independent People'. In Wales, he has long associations with Gwent Theatre, The Sherman Theatre and Hijinx Theatre, for whom he has written 'In the Bleak Midwinter', and 'Ill Met by Moonlight.' He was recently commissioned by the National Theatre to write 'Alice in the News', which children all over Britain have performed. Other new plays include: 'Still Life ' [Plymouth Theatre Royal], and 'The Long Way Home', for New Perspectives Theatre/CIAO Festival. In 2004, Charles won the Arts Council's Children's Award for his play 'Red Red Shoes' [Unicorn Theatre/The Place] and 'Merlin and the Cave of Dreams' [Imagination Stage] was nominated in USA for a Helen Hayes award for the outstanding new play of 2004 . Charles has written many plays for radio, and a TV poem for BBC2, 'No Borders', set on the Welsh borders, where he lives and has spent most of his creative life.
You put up tiles outside, which is for the sake of beauty and atmosphere, but you still put up such places in the window. Isn't this a' wave' fee? And Qin Tianqi's hands just grabbed the tile, which is really killing me!
The Annotated Arabian Nights: Tales from 1001 Nights by Paulo Lemos Horta Pdf
“[A]n electric new translation . . . Each page is adorned with illustrations and photographs from other translations and adaptations of the tales, as well as a wonderfully detailed cascade of notes that illuminate the stories and their settings. . . . The most striking feature of the Arabic tales is their shifting registers—prose, rhymed prose, poetry—and Seale captures the movement between them beautifully.” —Yasmine Al-Sayyad, New Yorker A magnificent and richly illustrated volume—with a groundbreaking translation framed by new commentary and hundreds of images—of the most famous story collection of all time. A cornerstone of world literature and a monument to the power of storytelling, the Arabian Nights has inspired countless authors, from Charles Dickens and Edgar Allan Poe to Naguib Mahfouz, Clarice Lispector, and Angela Carter. Now, in this lavishly designed and illustrated edition of The Annotated Arabian Nights, the acclaimed literary historian Paulo Lemos Horta and the brilliant poet and translator Yasmine Seale present a splendid new selection of tales from the Nights, featuring treasured original stories as well as later additions including “Aladdin and the Wonderful Lamp” and “Ali Baba and the Forty Thieves,” and definitively bringing the Nights out of Victorian antiquarianism and into the twenty-first century. For centuries, readers have been haunted by the homicidal King Shahriyar, thrilled by gripping tales of Sinbad’s seafaring adventures, and held utterly, exquisitely captive by Shahrazad’s stories of passionate romances and otherworldly escapades. Yet for too long, the English-speaking world has relied on dated translations by Richard Burton, Edward Lane, and other nineteenth-century adventurers. Seale’s distinctly contemporary and lyrical translations break decisively with this masculine dynasty, finally stripping away the deliberate exoticism of Orientalist renderings while reclaiming the vitality and delight of the stories, as she works with equal skill in both Arabic and French. Included within are famous tales, from “The Story of Sinbad the Sailor” to “The Story of the Fisherman and the Jinni,” as well as lesser-known stories such as “The Story of Dalila the Crafty,” in which the cunning heroine takes readers into the everyday life of merchants and shopkeepers in a crowded metropolis, and “The Story of the Merchant and the Jinni,” an example of a ransom frame tale in which stories are exchanged to save a life. Grounded in the latest scholarship, The Annotated Arabian Nights also incorporates the Hanna Diyab stories, for centuries seen as French forgeries but now acknowledged, largely as a result of Horta’s pathbreaking research, as being firmly rooted in the Arabic narrative tradition. Horta not only takes us into the astonishing twists and turns of the stories’ evolution. He also offers comprehensive notes on just about everything readers need to know to appreciate the tales in context, and guides us through the origins of ghouls, jinn, and other supernatural elements that have always drawn in and delighted readers. Beautifully illustrated throughout with art from Europe and the Arab and Persian world, the latter often ignored in English-language editions, The Annotated Arabian Nights expands the visual dimensions of the stories, revealing how the Nights have always been—and still are—in dialogue with fine artists. With a poignant autobiographical foreword from best-selling novelist Omar El Akkad and an illuminating afterword on the Middle Eastern roots of Hanna Diyab’s tales from noted scholar Robert Irwin, Horta and Seale have created a stunning edition of the Arabian Nights that will enchant and inform both devoted and novice readers alike.
What if heroes were celebrated for the power of their hearts instead of their swords? In this stunning anthology--elegantly presented in a green, clothbound hard cover with gold-toned metallic debossing--15 favorite fairytales have been retold for a new generation. Meet King Arthur, who rules by listening to others, and Prince Charming, who really wishes people wouldn't typecast him, in this stereotype-busting follow-up to Power to the Princess. Focused on issues including self-image, confidence, LGBTQ, friendship, advocacy, and disability, these stories are perfect for sharing between parents and children, or for older heroes and heroines to read by themselves. Get reacquainted with these caring, considerate, and responsible heroes: King Arthur Tom Thumb Sinbad The Emperor With New Clothes Jack and the Beanstalk Rumpelstiltskin Pinocchio Hercules Prince Charming King Midas The Pied Piper The Hunchback of Notre Dame The Snowman The Shoemaker (and the Elves) Anansi High-five to the hero!
Encyclopedia of Television Shows, 1925 through 2010, 2d ed. by Vincent Terrace Pdf
This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risqué cartoons and experimental programs from 1925 through 1945.
The Story of Sindbad the Sailor by One Thousand and One Nights Pdf
Sinbad the Sailor is among the most famous heroes of the Arabian Nights; his voyages have been adapted many times, including as Marvel comics and a Dreamworks film starring Brad Pitt, and influenced other favourites such as Gulliver’s Travels by Jonathan Swift and Yann Mantel’s Life of Pi. His journeys will see him face shipwreck, real and mythical monsters, and both the best and worst in his fellow humans. This introductory tale shows Sindbad (an older spelling of his name) after his travels, now a rich old man, preparing to share his stories with a lowly porter whose name bears an uncanny resemblance to his host’s. Get ready to embark for adventure in this, the fifteenth of 34 tales in the classic Arabian Nights collection translated by Andrew Lang. A treasure-trove of timeless stories, the One Thousand and One Nights or Arabian Nights have been loved, imitated, and added to over many centuries. Similar to the fairy tales collected by the Brothers Grimm, the Arabian Nights are drawn from the folklore of India, Iran and the Middle East, and were collected in Arabic versions throughout the medieval period; others were added as recently as the eighteenth century. These stories of the exotic East have been popularised for new generations by film adaptations such as Disney’s Aladdin, starring Robin Williams and Gilbert Gottfried in 1992, and Will Smith in 2019, and Dreamworks’ Sinbad, starring Brad Pitt and Michelle Pfeiffer. They continue to inspire writers as varied as Salman Rushdie and Neil Gaiman, while numerous Bollywood and manga versions attest to their popularity around the world. These stories of magic, adventure and romance have shaped readers’ imaginations for generations, and are sure to be retold for years to come. This selection was translated by Andrew Lang from the French versions by Antoine Galland, who was the first to include the stories of Aladdin and Ali Baba. Born in Scotland in 1844, Lang was a scholar of ancient Greek, a journalist, historian, novelist and poet, and the author of 25 popular collections of fairy tales; his edition of the Arabian Nights’ Entertainment was published in 1898. He became a Fellow of the British Academy in 1906, and died in 1912.
First there was Sinbad the sailor, famous for his seven voyages, and for the lavish dinner parties he would hold upon his return, such feasts often lasting a month or more. Then there was Sinbad the porter, a man of humbler origins, with ambitions beyond his means and a yearning to be an accountant. But Sinbad the sailor had financial problems which explains why he had to keep putting out to sea even though each experience was worse than the last. And he was never completely honest in his accounts of his adventures, omitting embarrassing incidents and ever-so-slightly exaggerating the importance of others. All of which, of course, would return to haunt him in later years. Sinbad the porter's ambitions served him in good stead when he set out on an eight and final voyage, attempting to correct the errors his namesake had caused in earlier journeys, not to mention restoring the sailor to his original size. He would have thought twice if he had known he would encounter the dangerously greedy two-headed cyclops, the lecherous pirate queen of the apes, the valley of the talking figs, Sam Ifrit and his All-Genie Orchestra, not to mention the dread Izzat, the fabled form from which even the giant Rukh flies in fear, and the perplexing problem of He-Who-Must-Be-Ignored...