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Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
From the author of The Beneficiary: Fortune, Misfortune and the Story of My Father comes a major publishing event: an unprecedented look into the life of the woman who most singularly shaped Barack Obama-his mother. Barack Obama has written extensively about his father, but little is known about Stanley Ann Dunham, the fiercely independent woman who raised him, the person he credits for, as he says, "what is best in me." Here is the missing piece of the story. Award-winning reporter Janny Scott interviewed nearly two hundred of Dunham's friends, colleagues, and relatives (including both her children), and combed through boxes of personal and professional papers, letters to friends, and photo albums, to uncover the full breadth of this woman's inspiring and untraditional life, and to show the remarkable extent to which she shaped the man Obama is today. Dunham's story moves from Kansas and Washington state to Hawaii and Indonesia. It begins in a time when interracial marriage was still a felony in much of the United States, and culminates in the present, with her son as our president- something she never got to see. It is a poignant look at how character is passed from parent to child, and offers insight into how Obama's destiny was created early, by his mother's extraordinary faith in his gifts, and by her unconventional mothering. Finally, it is a heartbreaking story of a woman who died at age fifty-two, before her son would go on to his greatest accomplishments and reflections of what she taught him.
A celebration of Chanel haute couture photographed by one of fashion's most acclaimed hotographers. As the fashion cognoscenti would say, there's magic in true haute couture--the creations that entail thousands of hours of handwork, crafting, embellishing. In an exclusive shoot with the house of Chanel, photographer Cathleen Naundorf gained rare access to their physical archives to photograph couture gowns against theatrical backdrops. The result: a book of ethereal, cinematic photographs that capture the exquisiteness of the ensembles and the magical allure of haute couture. This is what sartorial dreams are made of. For more than two decades, Naundorf has used her expert photographic skills to pay homage to the haute couture aesthetic. Combining her experiences in travel, art, and photojournalism, Naundorf elaborately arranges each detail of her photographs, using storyboards and extensively researching the lighting, setting, backdrops, props, hairpieces, makeup, and design for every image. Each photograph is a singular vision suggesting romance, surrealism, exoticism, and above all else, fantasy.
Dianne Haley Vots on her sister Lynne: "I knew she thought of me because wherever she went she always brought me presents. While I treasure all of those presents, I see now that she herself was the most precious gift."
Emily Harrington offers a new history of women’s poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy. Writing about relationships that are familial, divine, sexual, literary, and musical, these poets reconsidered the dynamics of absence and presence, and subject and object, that are at the heart of the lyric enterprise. Harrington locates these poets' theories of intimacy not only in their formal poetic practice but also in diverse prose works such as prefaces, literary and devotional essays, and unpublished letters and diaries. By analyzing various patterns of versification and modes of address, she articulates new ways of thinking about the bonds of verse and enlarges our understanding of verse culture in the late nineteenth century.
Recently impoverished orphan Titania Stanhope must marry money if she plans to survive. The Earl of Oakley has money, but, in an attempt to keep gold diggers away, keeps it a secret. Then he meets Titania, whose sharp wit and keen mind are rivaled only by her lovely face. Original.
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
"Three short plays for one (female) actor - all featuring mothers on the edge. Two have been staged to great acclaim, the third - a new piece by Catherine Johnson - has yet to be performed. Jordan by Anna Reynolds with Moira Buffini: based on the true story of a young mother who kills her baby boy rather than have him taken away by his abusive father, it won the Writers' Guild Award for Best Fringe Play. The Lost Art of Keeping a Secret by Catherine Johnson: the alternating stories of two women (played by one actress) who 'lose' their sons, one apparently murdered, the other a runaway. Catherine Johnson wrote the book for Mamma Mia! as well as several plays for theatres in London and Bristol. Unsuspecting Susan by Stewart Permutt: a middle-aged, upper-middle-class woman, originally played by Celia Imrie, reveals more than she means to about her increasingly odd 33-year-old son."--BOOK JACKET.
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
Brings to life one of the most significant figures in the crusade for women's rights in America This comprehensive biography of Susan B. Anthony traces the life of a feminist icon, bringing new depth to our understanding of her influence on the course of women’s history. Beginning with her humble Quaker childhood in rural Massachusetts, taking readers through her late twenties when she left a secure teaching position to pursue activism, and ultimately tracing her evolution into a champion of women’s rights, this book offers an in-depth look at the ways Anthony’s life experiences shaped who she would become. Drawing on countless letters, diaries, and other documents, Kathleen Barry offers new interpretations of Anthony’s relationship with feminist Elizabeth Cady Stanton, and illuminating insights on Anthony’s views of men, marriage, and children. She paints a vivid picture of the political, economic, and cultural milieu of 19th-century America. And, above all, she brings a very real Susan B. Anthony to life. Here we find a powerful portrait of this most singular woman—who she was, what she felt, and how she thought. Complete with a new preface to honor the 100th anniversary of women’s suffrage and Anthony’s vital role in the fight for voting rights, this thorough biography gives us essential new insight into the life and legacy of an enduring American heroine.
Full of wise, witty and sardonic observations from the beloved blog SingularExistence.com - the definitive single person's rebuttal to the popular notion that a relationship is the only means to happiness. Drawing on personal experience, Leslie Talbot uses her own contrarian perspective to eviscerate the media fads, self-help quackery, chick lit formulae and bogus social science that plague the unpaired. Redefining the difference between alone and lonely, Talbot will appeal to smart women everywhere.
Marjorie Julian Spruill,Valinda W. Littlefield,Joan Marie Johnson
Author : Marjorie Julian Spruill,Valinda W. Littlefield,Joan Marie Johnson Publisher : University of Georgia Press Page : 484 pages File Size : 54,6 Mb Release : 2009 Category : History ISBN : 9780820342153
South Carolina Women by Marjorie Julian Spruill,Valinda W. Littlefield,Joan Marie Johnson Pdf
Covering an era from the early twentieth century to the present, this volume features twenty-seven South Carolina women of varied backgrounds whose stories reflect the ever-widening array of activities and occupations in which women were engaged in a transformative era that included depression, world wars, and dramatic changes in the role of women. Some striking revelations emerge from these biographical portraits--in particular, the breadth of interracial cooperation between women in the decades preceding the civil rights movement and ways that women carved out diverse career opportunities, sometimes by breaking down formidable occupational barriers. Some women in the volume proceeded cautiously, working within the norms of their day to promote reform even as traditional ideas about race and gender held powerful sway. Others spoke out more directly and forcefully and demanded change. Most of the women featured in these essays were leaders within their respective communities and the state. Many of them, such as Wil Lou Gray, Hilla Sheriff, and Ruby Forsythe, dedicated themselves to improving the quality of education and health care for South Carolinians. Septima Clark, Alice Spearman Wright, Modjeska Simkins, and many others sought to improve conditions and obtain social justice for African Americans. Others, including Victoria Eslinger and Tootsie Holland, were devoted to the cause of women's rights. Louise Smith, Mary Elizabeth Massey, and Mary Blackwell Butler entered traditionally male-dominated fields, while Polly Woodham and Mary Jane Manigault created their own small businesses. A few, including Mary Gordon Ellis, Dolly Hamby, and Harriet Keyserling exercised political influence. Familiar figures like Jean Toal, current chief justice of the South Carolina Supreme Court, are included, but readers also learn about lesser-known women such as Julia and Alice Delk, sisters employed in the Charleston Naval Yard during World War II.
