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Sir Gawain and the Green Knight (A New Verse Translation) by Anonim Pdf
One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).
Sir Gawain and the Green Knight by Michael Morpurgo Pdf
“Morpurgo's dramatic telling captures the vitality of the tale as well as its beauty and mystery.” — Booklist (starred review) Welcome to a medieval world full of sword fights and shape-shifting, monsters and magic, and timeless characters both gallant and wonderfully human. Written anonymously in the fourteenth century, Sir Gawain and the Green Knight is retold in its entirety by Michael Morpurgo in a lively and accessible narration that captures all the tale’s drama and humor. Vivid illustrations by the celebrated Michael Foreman infuse this classic tale with dragons, swords, and medieval pageantry.
This volume is the first affordable, modern collection of all eleven of the known Middle English Gawain tales, and aims to make these texts accessible to a wider, contemporary audience. These poems-The Wedding of Sir Gawain and Dame Ragnelle, Sir Gawain and the Carle of Carlisle, The Avowyng of Arthur, The Awyntrs off Arthur, The Knightly Tale of Gologras and Gawain, The Greene Knight, The Turke and Sir Gawain, The Marriage of Sir Gawain, The Carle of Carlisle, The Jeaste of Sir Gawain, and King Arthur and King Cornwall-are united by their common concern with the theme of chivalry. Sir Gawain was by far the most popular of Arthur's knights in medieval England, and the verses collected here offer a window not only into English views on Gawain but also attitudes towards the knightly ideal and chivalry. Incorporating glosses and introductions for each text as well as an extensive glossary, this edition is excellent for students of Middle English romance.
Restores Gawain of Camelot to his true role as the foremost representative and servant of the Goddess. • The full story of Gawain of Camelot that restores a lost piece of the great Arthurian tapestry. • Traces the historical trends that demoted Gawain from the foremost knight of the Round Table to a villain and womanizer. • The result of more than 20 years of research by one of the world's leading scholars of Arthurian mythology. Sir Gawain, the nephew of King Arthur, was once the most important knight at Arthur's court, a shining example of all that was best in chivalry. He even outranked the famous Lancelot. Yet as the popularity of the Arthurian romances grew, the character of Gawain became increasingly diminished in popular literature. John Matthews explores the phenomenon that influenced the recasting of Gawain from hero to womanizing villain, providing a scholarly context through which Gawain's role as the representative of the Goddess upon Earth--the real Green Knight of Camelot and Sovereignty's Champion--may be restored. In addition, the author presents a unique view of the mythology of Britain and its connections with the historical changes that took place over many hundreds of years in the religious and mystical traditions of the country.
Sir Gawain and the Classical Tradition by E.L. Risden Pdf
The 14th century English alliterative poem Sir Gawain and the Green Knight is admired for its morally complex plot and brilliant poetics. A chivalric romance placed in an Arthurian setting, it has since received acclaim for its commentary regarding important socio-political and religious concerns. The poem’s technical brilliance blends psychological depth and vivid language to produce an effect widely considered superior to any other work of the time. Although the poem is a combination of English alliterative meter, romanticism, and a wide-ranging knowledge of Celtic lore, continental materials and Latin classics, the extent to which Classical antecedents affected or directed the poem is a point of continued controversy among literary scholars. This collection of essays by scholars of diverse interests addresses this puzzling and fascinating question. The introduction provides an expansive background for the topic, and subsequent essays explore the extent to which classical Greek, Roman, Arabic, Christian and Celtic influences are revealed in the poem's opening and closing allusions, themes, and composition. Essays discuss the way in which the anonymous author of Sir Gawain employs figural echoes of classical materials, cultural memoirs of past British tradition, and romantic re-textualizations of Trojan and British literature. It is argued that Sir Gawain may be understood as an Aeneas, Achilles, or Odysseus figure, while the British situation in the 14th century may be understood as analogous to that of ancient Troy.
Sir Gawain and the Green Knight is a masterpiece of medieval English literature and one of the finest Arthurian tales in any language. Though its ingenious plotting and verbal artistry continue to dazzle readers, it is written in a challenging regional dialect and uses many words that were already archaic when the poem was written in the late fourteenth century. This edition is designed to make the poem, in its original Middle English, accessible to students and general readers. Following standards adopted for editing other Middle English poets, the edition lightly normalizes spellings to make words more recognizable for a modern audience. Extensive marginal glossing of difficult words, thorough on-page explanatory notes, and a comprehensive glossary offer further support for readers. The historical appendices include other examples of medieval romance from France and Britain.
CliffsNotes on Sir Gawain and the Green Knight by John Gardner Pdf
This Middle-English poem about the moral testing of a young hero is commonly described as the greatest Arthurian romance in our literary tradition. It is a question still as to who the author is, but this poet is considered second only to Chaucer.
Sir Gawain and the Green Knight by John Gardner Pdf
The classic tale of adventure, romance, and chivalry--now a major motion picture starring Dev Patel! The adventures and challenges of Sir Gawain, King Arthur’s nephew and a knight at the Round Table, including his duel with the mysterious Green Knight, are among the oldest and best known of Arthurian stories. Here the distinguished author and poet John Gardner has captured the humor, elegance, and richness of the original Middle English in flowing modern verse translations of this literary masterpiece. Besides the tale of Sir Gawain and the Green Knight, this edition includes two allegorical poems, “Purity” and “Patience”; the beautiful dream allegory “Pearl”; and the miracle story “Saint Erkenwald,” all attributed to the same anonymous poet, a contemporary of Chaucer and an artist of the first rank. “Mr. Gardner has translated into modern English and edited a text of these five poems that could hardly be improved. . . . The entire work is preceded by a very fine and complete general introduction and a critical commentary on each poem.”—Library Journal
Sir Gawain and the Green Knight by Bernard O'Donoghue Pdf
Composed during the fourteenth century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve. Sir Gawain takes up the challenge, decapitating the stranger - only to see the Green Knight seize up his own severed head and ride away, leaving Gawain to seek him out and honour their pact. Blending Celtic myth and Christian faith, Gawain is among the greatest Middle English poems: a tale of magic, chivalry and seduction.
Sir Gawain's Little Green Book by Mark J. Mitchell Pdf
Sir Gawains Little Green Book retells two of the classic stories about one of King Arthurs foremost knights. The Green Knight takes its title and its story from the Middle English poem Sir Gawain and the Green Knight. In The Green Knight Sir Gawain reminisces, looking back on his life from his point of view as an aging legend. He recalls his youth, when he was much greener, and his first adventure, the only one that has remained his through all the centuries. One Christmas the knights of King Arthur are waiting for the Yuletide banquet. Arthur, as is his custom, will not start a meal on a great feast until some wonder has been seen or miracle performed. This Christmas he is rewarded by a huge, green giant riding into his castle on his green horse, carrying a huge green axe. The giant proposes a simple game, an exchange of blows. One knight gets to try to chop the giants head off with the green axe. In a year and a day that knight will seek out the Green Knight, offering his neck for a return stroke. No one is eager to take up this challenge, and just when it looks like it will fall to Arthur, Gawain, and the kings nephew, volunteers. He takes the green axe and neatly and completely slices off the head of the green giant. The intruder walks over to where his head had fallen, picks it up and it announces that he is the knight of the Green Chapel and that is where Sir Gawain should seek him in a year and day to receive his return blow. He then remounts his horse and, carrying his head, rides away. For the rest of the year Gawain dallies. He wants to ride out in search of the Green Knight, but Arthur keeps him close to court out of love. Spring become fall and Gawain finally sets out. In the course of his journey he meets several different types of people: A peasant wife, a knight guarding a ford and a wild man of the woods. None of them have ever heard of a place called the Green Chapel. Finally, just before Christmas, he finds himself before a great castle. He is welcomed and made much of as a famous knight from a great court. He is told that the Green Chapel is very nearby. His host proposes a game. Gawain should rest until New Years Day, when he must keep his appointment. In that time he would exchange whatever he won around the castle with the lord of the castle for whatever he got in the course of a days hunting. Each morning for the next three days, when Gawain awakes, the lady of the castle is in his room. She throws herself at him, asking for lessons in love. Gawain is honorable, and does not give in. He does accept kisses from her. Meanwhile her husband is hunting, first deer, then a boar, then a fox. Each evening Gawain gives the host kisses in return for his hunting prizes. On the final morning Gawain weakens. While he doesnt give in to the ladys demands for love he does accept a gift from her, a green belt, that she tells him will keep him from being wounded in any way. When that nights exchange takes place, Gawain doesnt mention this prize. Finally, Gawain sets out for the Green Chapel. It is a cold and gray day. The page sent along to guide tries to scare him off, but Gawain goes on alone. He descends into the valley where the Green Chapel is said to be but doesnt see anything. Eventually he hears the sound of a sharpening wheel. Then the Green Knight makes himself known, vaulting down to the valley floor on the haft of a new axe. Gawain, true to his word, opens his collar and offers his neck to the giant. The knight takes his swing, but Gawain flinches. The giant tries again, but it is a feint. Finally a third blow comes, which nicks Gawains neck, causing just a scratch. Gawain leaps back, ready to fight, but the Green Knight just stands laughing at him. The Green Knight then reveals himself as the lord of the castle that had harbored Gawain. He had been changed into this form by Gawai
Sir Gawain and the Green Knight by John Ridland Pdf
Sir Gawain and the Green Knight by the anonymous Gawain-Poet (or Pearl-Poet) is, like Beowulf, one of the greatest classics of English literature. Hailed as the finest Arthurian romance, this technically brilliant tale of enchantment, faith, temptation, and chivalry is tautly constructed, with a wonderfully rich vocabulary and vivid language that blends sophisticated atmosphere with psychological depth. John Ridland’s new Modern English translation, unlike most presentations, is complete, covering every passage and word of the Middle English, Northwest Midland dialect original with the same line numbering, contents and meaning. His is the only version written in a familiar modern meter—pleasurable to modern ears, yet retaining the spirit of repetition and alliteration of the medieval original. And Dr. Ridland’s introduction and notes are enlightening. This translation is a must-have for unlocking all the pleasures and delights of the original classic. PRAISE FOR JOHN RIDLAND’S TRANSLATION: With his loving rendition of a great classic into vigorous metrical lines, John Ridland has given Sir Gawain and the Green Knight a fresh lease on life. I’ve seen several other versions of this masterpiece, but none so engagingly readable as Ridland’s. His preface, too, is useful and illuminating. Here is a book to enjoy right now and to cherish forever. —X.J. Kennedy John Ridland gives us a recognizably English Gawain, and a very pleasurable one at that. The language is ours. It is slightly elevated, as befits a work so finely crafted, but only enough to demand our attention. Originally written in the same alliterative verse as Beowulf, Sir Gawain and the Green Knight was archaic in its own day; now, over six-hundred years later, alliterative verse can be as inaccessible as the pentatonic harp tunes that apparently accompanied it. Ridland gives the poem a long, loose line that sings in the lyrical passages, creeps in the spooky ones, and cavorts in the comic ones. Just as important, the densely mythic ethos, fully intact, enriches every word. —Richard Wakefield Panoramas of banqueting and hunting, closely observed rituals of dressing, arming, and game preparation, and rich descriptions of landscape and weather—Ridland’s translation presents these in all their delightful, over-the-top particularity. —Maryann Corbett (from the foreword) The language in which the consummate poet and translator John Ridland serves up this delicious story in verse is exactly what it deserves. The descriptions are exuberant, the narrative flows and exhilarates like the wine at the courts we’re asked to imagine, and the exchanges between complex characters so subtly flavored by intelligent diplomacy that it makes the dialogue of much current fiction seem, by contrast, like a six-pack on the front stoop. Read this book. I suspect that, like all enchantments, it shifts and assumes different forms to different eyes. But I do guarantee surprises, and inexhaustible delight. —Rhina P. Espaillat
Sir Gawain and the Green Knight by Joseph Glaser Pdf
A dazzling recreation of the most memorable Middle English poem, and one that captures the original alliterative verse in all its dimensions: sense, sound, and rhythm. --Ad Putter, Professor of Medieval English Literature, University of Bristol
