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Uniquely adept at capturing the idiomatic poetry of his native South, Linney maneuvers with equal grace through the vernacular of New York's contemporary intelligentsia and the voices of a wide range of historical figures. "...one of our most perceptive chroniclers of the folkways of rural America, finding humanity and nobility in the most remote of places."--Mel Gussow, The New York Times
Collected for the first time in one volume are six inventive theater pieces created by Obie Award-winning theater company The Civilians. Based on the creative investigation of actual experience, and often intertwined with experimental cabaret, their pieces are boldly theatrical and always unique -- from a story about a Hollywood movie and a lost flock of geese (Canard, Canard, Goose?); to a tale about things lost and found, charting a musical landscape of loss (Gone Missing); to a dark ride through the landscape of American public culture, asking a thorny question: how do we know what we know when everyone in power seems to be lying? ((I Am) Nobody's Lunch). Includes the plays Canard, Canard, Goose? by The Civilians, Gone Missing by The Civilians, (I Am) Nobody's Lunch by The Civilians, The Ladies by Anne Washburn, Paris Commune by Steven Cosson and Michael Friedman, Shadow of Himself by Neal Bell. With a foreword by Oskar Eustis, Artistic Director of the Public Theater.
Citizens of Tokyo is the first collection in English of plays by one of Japan's most important contemporary playwrights, Oriza Hirata, whose works have been performed all over the world. The first part of Citizens of Tokyo, "At Home and Abroad," presents two plays--Toyko Notes and Kings of the Road--that are exemplary of Hirata's unique neorealist dramaturgy, which created one of the most important trends in Japanese theater since the 1990s: Quiet Theatre. The second part of the book presents two short comedies that satirize the politics of decision-making in Japan and abroad: "Loyal Rōnin: The Working Girls' Version" and "The Yalta Conference." The final part, "Robots and Androids are People Too," presents two short plays created in collaboration with Ishiguro Hiroshi and the Osaka University Robot Theatre Project. The plays are accompanied by a context-setting introduction from editor and cotranslator M. Cody Poulton.
(Vocal Selections). Six has received rave reviews around the world for its modern take on the stories of the six wives of Henry VIII and it's finally opening on Broadway! From Tudor queens to pop princesses, the six wives take the mic to remix five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power! Songs include: All You Wanna Do * Don't Lose Ur Head * Ex-Wives * Get Down * Haus of Holbein * Heart of Stone * I Don't Need Your Love * No Way * Six.
This anthology features six plays by celebrated Chicago playwright Mickle Maher, who has been described by the Houston Chronicle as “one of the most original voices in American theater today,” and by the Chicago Reader as “a master at creating complex, paradoxical works that encompass their own contradictions.” Maher’s plays engage classic literature as a jumping off point for seriously unusual comedic dramas, often dealing with the absurdity, difficulties, and rewards of artistic endeavor. His work has been influenced by or compared to Eugène Ionesco, Maria Irene Fornes, Kenneth Koch, and Edward Albee, among others. This edition is designed to be useful for schools and other organizations that wish to mount productions of Maher’s plays, which generally feature small casts and simple scenery and stagings, and thus can be easy to produce. The anthology includes: An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening On the night Faustus concludes his bargain with Mephistopheles, he apologizes to a group of random people for his failure to keep a diary of his fabulous life. The Hunchback Variations Ludwig von Beethoven and Quasimodo present a panel discussion on their failure to create an impossible sound called for in a stage direction in Chekhov’s The Cherry Orchard. Song About Himself In a dystopian future, a woman made extraordinary by her ability to speak relatively clearly tries to connect with others on a mysterious social media site created by a rogue artificial intelligence. There Is a Happiness That Morning Is Having engaged the evening before in a highly inappropriate display of public affection on the main lawn of their rural New England campus, two lecturers on the poems of William Blake must now, in class, either apologize for their behavior or effectively justify it to keep their jobs. It Is Magic Deb and Sandy are auditioning Tim for the role of the Wolf in a production of The Three Little Pigs, but there’s a mysterious haze in the basement of the Mortier Civic Playhouse and that, in addition to interruptions from the director of the Scottish play that’s going on upstairs, is making things difficult. Then, Liz shows up and throws the whole room into (further) chaos. It Is Magic reveals the deep, ancient evil at the heart of the community theater audition process. Spirits to Enforce Twelve telefundraisers with secret identities work to raise money for a superheroic production of The Tempest in a bid to save Fathomtown from Professor Cannibal and his band of evil doers.
This volume brings together four long out-of-print Honig translations: Secret Vengeance for Secret Insult, Devotion to the Cross, The Phantom Lady, and The Mayor of Zalamea, joined by the ever popular Life is a Dream and the newly translated, never before published version of The Crown of Absalom. Six Plays will make Calderon's work available to a new generation of readers.
(I Am) Nobody's Lunch / Gone Missing by Steven Cosson Pdf
Written and directed by Steven Cosson for The Civilians, a New York-based theater company, with songs by Michael Friedman, Nobody's Lunch is a dark ride through the landscape of American public culture. Turning extensive interviews into a mercurial cabaret-play, the versatile cast inhabits an eccentric cast of characters, all taken from real life.
Although their Mongol overlords (beginning with the founding of the Yuan dynasty by Kublai Khan in 1280) tyrannized the Chinese in nearly every area of life, the arts enjoyed a new-found freedom. On the one hand oppressed, on the other released from the straight-jacket of Confucianism, the Chinese made the most of recent developments in poetry and drama. Yuan plays were a tonic, an amazing spectacle—colorful outbursts of singing, dancing, music, acting and mime. They poured new life into old stories—oppressors were ridiculed, servants became masters, scenes changed, day followed night in the twinkling of an eye—and audiences flocked to enjoy what must have been complete entertainment. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Six Elizabethan and Jacobean Tragedies by Bloomsbury Publishing Pdf
This anthology contains scholarly and annotated editions of six major Elizabethan and Jacobean plays: The Spanish Tragedy Doctor Faustus Sejanus Women Beware Women The White Devil 'Tis Pity She's a Whore
This is an anthology of six plays from the workers’ theatre movement of the 1920s and 1930s. The book explains the movement and traces its influence on American drama, from David Mamet and August Wilson to the work of Anna Deavere Smith and Vermont's Bread and Puppet Theatre. The six selections also include have explanations providing historical, cultural, and literary context. Processional by John Howard Lawson and Upton Sinclair's Singing Jailbirds reflect the large-scale arrests of strikers and union organizers during and after World War I. Two other plays were produced at labor colleges. Bonchi Friedman's 1926 play The Miners combines expressionism and realism in a drama about a violent strike that has an unusual female union leader as its hero. In Mill Shadows by Tom Tippett, a town changes from a simple industrial village into a place of rebellion and eventually a union community. The last two plays are representative of those produced by the International Ladies Garment Workers Union. In contrast to Irwin Swerdlow's one-act agitprop In Union There Is Strength, the musical revue Pins and Needles-until Oklahoma the longest-running musical on Broadway-is a collection of satirical sketches that parodies workers' theatre while simultaneously taking on serious issues like the treatment of blue- and white-collar workers and the rise of fascism overseas.
Reissued to tie-in with a new production of Flight at the Royal National Theatre, this volume contains six plays by Mikhail Bulgakov, a Soviet playwright whose work often brought him into conflict with the Soviet authorities.
