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Sly and the Family Stone's There's a Riot Goin' On by Miles Marshall Lewis Pdf
The story behind the making of the album that signaled the descent of Sylvester Sly Stone Stewart into a haze of drug addiction and delirium is captivating enough for the cinema. In the spacious attic of a Beverly Hills mansion belonging to John and Michelle Phillips (of the Mamas and the Papas) during the fall of 1970, Sly Stone began recording his follow-up to 1969's "Stand!" the most popular album of his band's career.
From his anthemic early hits (“I Want to Take You Higher,” “Family Affair,” “Dance to the Music”), through the moody meditations of “There's a Riot Going On” and beyond, Sly & the Family Stone left an indelible stamp on rock, funk, pop, and hip hop, and their enigmatic frontman in particular continues to inspire fascination and speculation. This fully updated edition fills in the gaps since the book’s original 2008 publication, including Sly’s successful legal action against his former manager, the death of band member (and mother of a child with Sly) Cynthia Robinson, and the new projects undertaken by family and former collaborators.
Black Power Music! Protest Songs, Message Music, and the Black Power Movement critically explores the soundtracks of the Black Power Movement as forms of "movement music." That is to say, much of classic Motown, soul, and funk music often mirrored and served as mouthpieces for the views and values, as well as the aspirations and frustrations, of the Black Power Movement. Black Power Music! is also about the intense interconnections between Black popular culture and Black political culture, both before and after the Black Power Movement, and the ways in which the Black Power Movement in many senses symbolizes the culmination of centuries of African American politics creatively combined with, and ingeniously conveyed through, African American music. Consequently, the term "Black Power music" can be seen as a code word for African American protest songs and message music between 1965 and 1975. "Black Power music" is a new concept that captures and conveys the fact that the majority of the messages in Black popular music between 1965 and 1975 seem to have been missed by most people who were not actively involved in, or in some significant way associated with, the Black Power Movement.
Sly and the Family Stone's There's a Riot Goin' On by Miles Marshall Lewis Pdf
The story behind the making of the album that signaled the descent of Sylvester Sly Stone Stewart into a haze of drug addiction and delirium is captivating enough for the cinema. In the spacious attic of a Beverly Hills mansion belonging to John and Michelle Phillips (of the Mamas and the Papas) during the fall of 1970, Sly Stone began recording his follow-up to 1969's "Stand!" the most popular album of his band's career.
The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.
The greatest albums of all time . . . and how they happened. Organised chronologically and spanning seven decades, The MOJO Collection presents an authoritative and engaging guide to the history of the pop album via hundreds of long-playing masterpieces, from the much-loved to the little known. From The Beatles to The Verve, from Duke Ellington to King Tubby and from Peggy Lee to Sly Stone, hundreds of albums are covered in detail with chart histories, full track and personnel listings and further listening suggestions. There's also exhaustive coverage of the soundtrack and hit collections that every home should have. Like all collections, there are records you listen to constantly, albums you've forgotten, albums you hardly play, albums you love guiltily and albums you thought you were alone in treasuring, proving The MOJO Collection to be an essential purchase for those who love and live music.
The A to X of Alternative Music by Steve Taylor Pdf
Covers those bands and artists who have rejected the mainstream in favor of innovation, originality and the pursuit of their own unique musical identity.
Promise That You Will Sing About Me by Miles Marshall Lewis Pdf
A stunning, in-depth look at the power and poetry of one of the most consequential rappers of our time. Kendrick Lamar is one of the most influential rappers, songwriters and record producers of his generation. Widely known for his incredible lyrics and powerful music, he is regarded as one of the greatest rappers of all time. In Promise That You Will Sing About Me, pop culture critic and music journalist Miles Marshall Lewis explores Kendrick Lamar’s life, his roots, his music, his lyrics, and how he has shaped the musical landscape. With incredible graphic design, quotes, lyrics and commentary from Ta-Nehisi Coates, Alicia Garza and more, this book provides an in-depth look at how Kendrick came to be the powerhouse he is today and how he has revolutionized the industry from the inside.
Scars of the Soul Are Why Kids Wear Bandages When They Don't Have Bruises by Miles Marshall Lewis,Saul Williams Pdf
This collection of essays is a confessional, stylistic account (in the Joan Didion tradition) of coming of age in the Bronx alongside the birth and evolution of hip-hop culture. This collection presents a mosaic of seminal figures in hip-hop, documentary essays exploring the social decay of hip-hop, and a substantial element of memoir, as well as observations on the generational issues of urban America. With a foreword by acclaimed poet Saul Williams, Scars exposes the motivations and aspirations of a culture whose spiritual centre was the Bronx.
'Don't Call Me Nigger, Whitey' by Andrew Darlington Pdf
Inter-racial. Inter-gender. Into drugs. What is it... this thing called Sly & The Family Stone? It's about time. It's about space. It's about the ups and downs of Funk, Psychedelic Soul and R&B. But more than anything else, it's about music and it's about people who are obsessed by music. In this first-ever full-length biography of Sylvester 'Sly Stone' Stewart, music-writer Andrew Darlington ('I Was Elvis Presley's Bastard Love-Child') exhaustively details the story, while adding intriguing new slants. Relating the hits-"Dance To The Music," "Stand," "Family Affair" and the seismic album There's A Riot Goin' On, to the Civil Rights protests, the Black Power radicals and the insurrectionary counter-culture politics of their turbulent time. This is the true story of a music legend and the events that shaped the music that defines the moment. Andrew Darlington is a renowned music journalist and critic whose work has been widely published in newspapers and magazines. He also writes fiction-particularly science fiction-and poetry. He lives in West Yorkshire, England. He is a dedicated blogger and maintains a blog at http: //andrewdarlington.blogspot.co.uk/ where he writes on books, music and anything else that appeals to him.
Author Joe Mansfield selected 75 drum machines from his collection of 150 and had them impeccably photographed. He then documented their related collateral, including original packaging and advertising and wrote piquant essays about the machines' history, original release, and subsequent usage (often totally"off-label"). Starting with Wurlitzer's Side Man, originally released in 1959, Mansfield proceeds to document some of the most prominent andwell known drum machines like the Roland TR-808 alongside lesser known and yet-to-be discovered gems such as the Band Master Powerhouse, ending the lesson with the Sequential Circuits' Studio 440 unit, released in 1987. The incredible design of the machines themselves is thoughtfully augmented by a great layout and interviews with early adopters of the technology Schooly D, Davy DMX, and Marshall Jefferson. Limited edition in leatherette case includes download card, 7" record and cassette tape.
1,000 Recordings to Hear Before You Die by Tom Moon Pdf
The musical adventure of a lifetime. The most exciting book on music in years. A book of treasure, a book of discovery, a book to open your ears to new worlds of pleasure. Doing for music what Patricia Schultz—author of the phenomenal 1,000 Places to See Before You Die—does for travel, Tom Moon recommends 1,000 recordings guaranteed to give listeners the joy, the mystery, the revelation, the sheer fun of great music. This is a book both broad and deep, drawing from the diverse worlds of classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, world, opera, soundtracks, and more. It's arranged alphabetically by artist to create the kind of unexpected juxtapositions that break down genre bias and broaden listeners’ horizons— it makes every listener a seeker, actively pursuing new artists and new sounds, and reconfirming the greatness of the classics. Flanking J. S. Bach and his six entries, for example, are the little-known R&B singer Baby Huey and the '80s Rastafarian hard-core punk band Bad Brains. Farther down the list: The Band, Samuel Barber, Cecelia Bartoli, Count Basie, and Afropop star Waldemer Bastos. Each entry is passionately written, with expert listening notes, fascinating anecdotes, and the occasional perfect quote—"Your collection could be filled with nothing but music from Ray Charles," said Tom Waits, "and you'd have a completely balanced diet." Every entry identifies key tracks, additional works by the artist, and where to go next. And in the back, indexes and playlists for different moods and occasions.
The Billboard Book of Number One Albums by Craig Rosen Pdf
This up-close look of the stories behind some of the most influential rock-and-roll albums is packed with revealing anecdotes -- many never published before.
The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
