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“Full of dark mystery and unexpected twists.” —Meg Kassel, author of Keeper of the Bees A sound awakens her. There's darkness all around. And then she's falling... She has no idea who or where she is. Or why she's dead. The only clue to her identity hangs around her neck: a single rusted key. This is how she and the others receive their names—from whatever belongings they had when they fell out of their graves. Under is a place of dirt and secrets, and Key is determined to discover the truth of her past in order to escape it. She needs help, but who can she trust? Ribbon seems content in Under, uninterested in finding answers. Doll’s silence hints at deep sorrow, which could be why she doesn't utter a word. There's Smoke, the boy with a fierceness that rivals even the living. And Journal, who stays apart from everyone else. Key's instincts tell her there is something remarkable about each of them, even if she can't remember why. Then the murders start. Bodies that are burned to a crisp. And after being burned, the dead stay dead. Key is running out of time to discover who she was—and what secret someone is willing to kill to keep hidden—before she loses her life for good...
The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?
Smoke - An Android Echo Chat Software Application: by Casio Moonlander Pdf
Smoke is a Personal Chat Messenger - an Android Echo Software Application which is known as worldwide the first mobile McEliece Messenger (McEliece, Fujisaka and Pointcheval). This Volume I is about the Chat Client Smoke. Volume II of the same author is about the referring SmokeStack Chat Server. This Open Source Technical Website Reference Documentation on paper addresses to students, teachers, and developers to create a Personal Chat Messenger based on Java for learning and teaching purposes. The book introduces into TCP over Echo (TCPE), Cr. Discovery, FF Keys, an Argon2id key-derivation function, the Steam file transfer protocol and the Juggling Juggernaut Protocol for Juggernaut Keys and further topics.
When a determined doctor meets the rebellious heir to a Texas oil dynasty, sparks fly . . . but the flames of passion blazing between them could destroy an empire. No one knows why Dr. Lara Mallory opened up her medical practice in the rowdy Texas town controlled by Tackett Oil. But everyone remembers her role in the well-publicized scandal that caused the downfall of White House hopeful Senator Clark Tackett. Now the iron-fisted matriarch of Tackett Oil intends to use her money and power to drive Lara out of town . . . especially when Lara meets Key, the hell-raising -- and handsome -- youngest Tackett son. Following a cataclysmic meeting, this determined doctor and brash, daring pilot find themselves hurtling on a dangerous quest for the one secret that can destroy the Tackett empire -- and anyone who dares to challenge its power. But Lara decides to find the truth behind the corruption in town, even if it costs her everything.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
His style was iconic, and vintage ‘80s: aviator goggles, Jheri curls, neck roll, boxy pads. Eric Dickerson is the greatest player in Los Angeles Rams history and the NFL’s single season record holder for most rushing yards. In 2019, Dickerson was named to the National Football League’s 100th Anniversary All-Time Team. With an elegant upright running style that produced some of football’s most-watched highlights, it was said he was so smooth you couldn’t hear his pads clack as he glided past you. But during his Hall of Fame career, his greatness was often overshadowed by his contentious disputes with Rams management about his contract. In the pre-free agency era, tensions over his exploitative contract often overshadowed his accomplishments. What’s his problem? went the familiar refrain from the media. Can’t he just shut up and run? It’s time to reexamine how Eric Dickerson was portrayed. For the first time, he’s telling his story. And he’s not holding anything back.
In 1665 London, fourteen-year-old Christopher Rowe, apprentice to an apothecary, and his best friend, Tom, try to uncover the truth behind a mysterious cult, following a trail of puzzles, codes, pranks, and danger toward an unearthly secret with the power to tear the world apart.
When she returns home to start a new medical practice, Lara finds she can't escape her troubled past. to open up her medical practice after all these years. Soon she finds herself in the sights of a powerful oil executive who wants nothing more than to be rid of Lara. Lara decides to find the truth behind the corruption and secrets in town- even if it could cost her everything.
Mercy Thompson, car mechanic and shapeshifter, faces a threat unlike any other in this thrilling entry in the #1 New York Times bestselling series. I am Mercedes Athena Thompson Hauptman. My only “superpowers” are that I turn into a thirty-five pound coyote and fix Volkswagens. But I have friends in odd places and a pack of werewolves at my back. It looks like I'm going to need them. Centuries ago, the fae dwelt in Underhill—until she locked her doors against them. They left behind their great castles and troves of magical artifacts. They abandoned their prisoners and their pets. Without the fae to mind them, those creatures who remained behind roamed freely through Underhill wreaking havoc. Only the deadliest survived. Now one of those prisoners has escaped. It can look like anyone, any creature it chooses. But if it bites you, it controls you. It lives for chaos and destruction. It can make you do anything—even kill the person you love the most. Now it is here, in the Tri-Cities. In my territory. It won't, can't, remain. Not if I have anything to say about it.
During WWII, Meg was told her husband had been killed. After the war Meg meets Geoffery and gets engaged. She finally feels like she can let go of the past and be happy again. That is until she starts receiving current photos of a man that looks very much like her dead husband. She turns to Albert and Amanda Campion for help. Meanwhile, the police are searching for an escaped convict who is on a murdering spree. Murders that are connected to Meg's dead husband, and Geoffery has gone missing...
"Land of Smoke is one of my favourite books by one of my favourite Argentinian authors." – Samanta Schweblin, author of Seven Empty Houses Dazzling, hallucinatory short stories by a rediscovered Argentinian contemporary of García Márquez, whose groundbreaking novel January is being published in English for the first time Resplendent with otherworldly imagery and beguiling prose, Land of Smoke presents a uniquely compelling voice in Latin American literature. An old man wakes up one morning to find that his beloved garden, the envy of all his neighbours, is floating away with him on board. A young woman moves to Buenos Aires, bringing with her a replacement head. A meek German missionary leaves Paraguay for the Pampas, completely unprepared for what he will encounter there. Dazzling and hallucinatory, the stories collected here recall the masters of magical realism – but with Gallardo’s distinctive, idiosyncratic slant.
Unlike the more forthrightly mythic origins of other urban centers—think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli—Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles’s checkered history and reflect on Hollywood’s own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors. Part I is a review of the city’s history through the early 1900s, focusing on the seminal 1884 novel Ramona and its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annual Ramona pageant, and analysis of its feature film adaptations. Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood’s emergence as the world’s movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films as Sunset Blvd., Singin’ in the Rain, and The Truman Show. Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940s and 1950s and continues today. The city’s status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films as Double Indemnity, Chinatown, and Crash. In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city’s major ethno-racial and other minority groups, looking at such films as Mi Familia (Latinos), Boyz N the Hood (African Americans), Charlotte Sometimes (Asians), Falling Down (Whites), and The Kids Are All Right (LGBT).
In 1666, after four months away, friends Christopher Rowe, Tom, and Sally return to London triumphantly but, guided by coded riddles, face a conspiracy that threatens Christopher, as well as the King himself.