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THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!
"Fans of Karen M. McManus and Katie Alender will devour this darkly funny, fast-paced mystery."--SLJ A hilarious Agatha Christie-inspired YA thriller-comedy about three best friends who sneak into an influencers-only festival event (gone wrong), only to discover a killer is in their midst--and they have to uncover the truth and solve the mystery before it's too late. Perfect for fans of One of Us Is Lying and Truly Devious. Plum Winter has always come in second to her sister, the unbelievably cool, famous influencer Peach Winter. And when Peach is invited to an all-expenses-paid trip to a luxurious art-and-music festival for influencers on a private island in the Caribbean, Plum decides it's finally her time to shine. So she intercepts the invite--and asks her two best friends, Sofia and Marlowe, to come along to the fest with her. It'll be a spring break they'll never forget. But when Plum and her friends get to the island, it's not anything like it seemed in the invite. The island is run-down, creepy, and there doesn't even seem to be a festival--it's just seven other quasi-celebrities and influencers, and none of the glitz and glamour she expected. Then people start to die... Plum and her friends soon realize that someone has lured each of them to the "festival" to kill them. Someone has a vendetta against every person on the island--and no one is supposed to leave alive. So, together, Plum, Sofia, and Marlowe will do whatever it takes to unravel the mystery of the killer, and fight to save themselves and as many influencers as they can, before it's too late. Praise for You're So Dead: “You're So Dead is the hilarious, swoony, Surprisingly Stabby book of my dreams! Ash Parsons delivers a sharp send-up of influencer culture wrapped in a clever whodunnit that also has a lot of heart. While I never want to go to "Pyre Festival," I'd hang out with Plum, Marlowe, and Sofia any day.”—Rachel Hawkins, New York Times Bestselling author of The Wife Upstairs “Parsons (Girls Save the World in This One) gently satirizes online culture and the ill-fated Fyre Festival in this frothy homage to Agatha Christie’s And Then There Were None. The cheeky mystery is both clever and satisfying.” --Publishers Weekly "Parsons effectively mixes social media commentary and thrilling murder mystery with a dash of ridiculous humor . . . A #trendy and #entertaining whodunit." --Kirkus Reviews "[A]riveting thriller-comedy...writing in short, energetic bursts with a witty voice, Parsons keeps the twists coming, her motley crew’s energy running frantic as the body count rises and they try to discover the killer in their midst." --Booklist
Unmarked graves are found on the grounds of an old orphanage in this “riveting” British crime thriller by an Edgar Award finalist (Publishers Weekly, starred review). With profiler Tony Hill behind bars and Carol Jordan no longer with the police, he’s finding unexpected outlets for his talents in jail and she’s joined forces with a group of lawyers and forensics experts looking into suspected miscarriages of justice. But they’re doing it without each other; being in the same room at visiting hour is too painful to contemplate. Meanwhile, construction is suddenly halted on the redevelopment of an orphanage after dozens of skeletons are found buried at the site. Forensic examination reveals they date from between twenty and forty years ago, when the nuns were running their repressive regime. But then a different set of skeletons is discovered in a far corner—young men from as recent as ten years ago. When newly promoted DI Paula McIntyre discovers that one of the male skeletons is that of a killer who is supposedly alive and behind bars—and the subject of one of Carol’s miscarriage investigations—it brings Tony and Carol irresistibly into each other’s orbit once again in this masterfully plotted novel by “the queen of psychological thrillers” (Irish Independent).
Summer has begun, the beach is calling . . . . . . but Francesca Schnell is going nowhere. Four years ago, Francesca’s little brother, Simon, drowned when she should have been watching. Now she is about to turn sixteen, but guilt keeps her stuck in the past. Meanwhile, her best friend is moving on—with the boy Francesca secretly wants—and her father may be having an affair. Then Francesca begins babysitting Frankie Sky, a four-year-old who bears an almost eerie resemblance to Simon. She even wonders if Frankie could be Simon’s reincarnation. Their surprising friendship helps Francesca think she might begin to forgive herself, grow up, and even fall in love, whether or not she solves the riddle of Frankie Sky. “Resonates with real feeling.” —The New York Times Book Review “Haunting, heart-lifting, and impossible to put down.” —A. S. King, author of Please Ignore Vera Dietz “A beautiful story of heartbreak and hope.” —Daisy Whitney, author of The Mockingbirds
It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more -- though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was -- lovely and amazing and deeply flawed -- can she begin to discover her own path in this stunning debut from Ava Dellaira, Love Letters to the Dead.
Author : Dara Horn Publisher : W. W. Norton & Company Page : 272 pages File Size : 46,9 Mb Release : 2021-09-07 Category : Social Science ISBN : 9780393531572
People Love Dead Jews: Reports from a Haunted Present by Dara Horn Pdf
Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.
A tale of obsession. Death. Love beyond the grave. When Samantha Barnes finds herself attracted to a mysterious woman from a dark & haunting past, she is whisked into a nightmare world of vampires, blood, murder & an unholy pact which could cost the lives of those who love her most.
Everyone in This Room Will Someday Be Dead by Emily Austin Pdf
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
Would you believe that in an arcane book of vampire lore, a savior among vampires was promised that would die, rise again and bring salvation to all the undead? In this First book of The Karnov Trilogy, you're introduced to the Karnov Family, a powerful Clan of vampires still living on Earth, and to Samantha Barnes, an unhappy artist whose obsession with Lara Karnov brings the vampire back to life. Falling under the spell of the charismatic vampire, Samantha is thrust into a world of blood and murder. Unknown to Samantha, Lara Karnov is part of an ancient prophecy, feared and adored by the Karnov Clan. Samantha must confront her darkest fears and innermost desires as she races to save those she loves and tries to prevent the unleashing of the dark prophecy.
THE FINAL NOVEL IN THE #1 NEW YORK TIMES BESTSELLING SOOKIE STACKHOUSE SERIES—the inspiration for the HBO® original series True Blood. When a shocking murder rocks the small town of Bon Temps, Louisiana, psychic cocktail waitress Sookie Stackhouse learns that she has more than one enemy waiting to get vengeance for the past. Beacuse nothing is ever clear-cut in Bon Temps. What passes for truth is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough...
My Love is a Dead Arctic Explorer by Paige Ackerson-Kiely Pdf
Poetry. Poems of a loneliness that quarrels with itself from the far edge of love, this is a collection of would-be love poems chastened by experience. I was a Promethean dilettante disabused of tinder, says the speaker, who later observes, After you reach adulthood / no one bets you'll set this world / on fire. Ackerson-Kiely returns with a second book of perfectly trenchant heartbreak and longing.
Author : Linda Joy Singleton Publisher : North Star Editions, Inc. Page : 144 pages File Size : 43,9 Mb Release : 2010-11-08 Category : Young Adult Fiction ISBN : 9780738722108
This Temp-Lifer assignment will be easy. See, my dead grandmother keeps finding people who need help and then I step into their life—and their body—to help them solve their problems. This time, I’m in the body of my BFF, Alyce, so I won’t have to do a lot of detective work. But, as Alyce, I have one big question: What am I doing in this coffin?
Of the many charges laid against contemporary literary scholars, one of the most commonand perhaps the most woundingis that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation ofLoving Literature. How did it come to be that professional literary scholars are expected not just to study, but tolove literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have long played a role in the formation of private lifethat the love of literature, in other words, is neither incidental to, nor inextricable from, the history of literature. Yet at the same time, there is nothing self-evident or ahistorical about our love of literature: our views of books as objects of affection have clear roots in late eighteenth-century and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase the love of literature” as if its meaning were transparent, its essence happy and healthy. Lynch writes, It is as if those on the side of love of literature had forgotten what literary texts themselves say about love's edginess and complexities.” With this masterly volume, Lynch restores those edges, and allows us to revel in those complexities.
