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New Orleans on Parade tells the story of the Big Easy in the twentieth century. In this urban biography, J. Mark Souther explores the Crescent City's architecture, music, food and alcohol, folklore and spiritualism, Mardi Gras festivities, and illicit sex commerce in revealing how New Orleans became a city that parades itself to visitors and residents alike. Stagnant between the Civil War and World War II -- a period of great expansion nationally -- New Orleans unintentionally preserved its distinctive physical appearance and culture. Though business, civic, and government leaders tried to pursue conventional modernization in the 1940s, competition from other Sunbelt cities as well as a national economic shift from production to consumption gradually led them to seize on tourism as the growth engine for future prosperity, giving rise to a veritable gumbo of sensory attractions. A trend in historic preservation and the influence of outsiders helped fan this newfound identity, and the city's residents learned to embrace rather than disdain their past. A growing reliance on the tourist trade fundamentally affected social relations in New Orleans. African Americans were cast as actors who shaped the culture that made tourism possible while at the same time they were exploited by the local power structure. As black leaders' influence increased, the white elite attempted to keep its traditions -- including racial inequality -- intact, and race and class issues often lay at the heart of controversies over progress. Once the most tolerant diverse city in the South and the nation, New Orleans came to lag behind the rest of the country in pursuing racial equity. Souther traces the ascendancy of tourism in New Orleans through the final decades of the twentieth century and beyond, examining the 1984 World's Fair, the collapse of Louisiana's oil industry in the eighties, and the devastating blow dealt by Hurricane Katrina in 2005. Narrated in a lively style and resting on a bedrock of research, New Orleans on Parade is a landmark book that allows readers to fully understand the image-making of the Big Easy.
“The traditions, the secret societies and the history of how New Orleans and Mardi Gras came to be as integral to each other as red beans and rice” (Blogcritics). New Orleans is practically synonymous with Mardi Gras. Both evoke the parades, the beads, the costumes, the food—the pomp and circumstance. The carnival krewes are the backbone of this Big Easy tradition. Every year, different krewes put on extravagant parties and celebrations to commemorate the beginning of the Lenten season. Historic krewes like Comus, Rex, and Zulu that date back generations are intertwined with the greater history of New Orleans itself. Today, new krewes are inaugurated and widen a once exclusive part of New Orleans society. Through careful and detailed research of over three hundred sources, including fifty interviews with members of these organizations, author and New Orleans native Rosary O’Neill explores this storied institution, its antebellum roots and its effects in the twenty-first century. Includes photos! “[A] spirited and richly illustrated account.” —New York Theatre Wire
Silk Stockings and Ballot Boxes by Pamela Tyler Pdf
Silk Stockings and Ballot Boxes is a narrative history of organized, politically active white women in twentieth-century New Orleans. Viewing their involvement as a link between pre-1920s progressivism and 1960s feminism. Pamela Tyler tells how these upper- and middle-class women sought and exercised power at the state and local levels through lobbying, fund-raising, endorsements, watchdog activities, volunteer work, voting, and candidacy. Beginning with an overview of New Orleans politics in the early twentieth century, Tyler looks at the presuffrage political activities of New Orleans women and discusses the relatively dormant state of women's political life in New Orleans in the 1920s. From there she traces, in the careers of the city's women leaders, a shift away from humanitarian, social justice issues toward politics. Subsequent chapters focus on Hilda Phelps Hammond and the Louisiana Women's Committee's crusade against Huey Long's political machine in the 1930s, Martha Gilmore Robinson and the nonpartisan activities of the Woman Citizens' Union and the League of Women Voters in the 1930s and 1940s, and the partisanship and direct political influence of the Independent Women's Organization in the 1940s and 1950s. The final chapters consider Martha Gilmore Robinson's unsuccessful bid for a seat on the New Orleans city council in 1954 and the civil rights activities in the 1950s and 1960s of Urban League stalwart Rosa Freeman Keller, now judged to be the most effective white liberal of her time in New Orleans. Throughout, Tyler places her subjects and their stories in the context of such national trends and events as the Depression. World War II, McCarthyism, and the civil rightsmovement. She discusses, for example, the New Orleans League of Women Voters' purge of suspected Communist sympathizers in 1947-48 and the involvement of a coterie of women's organizations in community efforts during the public school integration crisis from 1959 to 1961. Tyler also discusses the insularity of New Orleans society, the limiting effects of race- and class-consciousness on many of her subjects, and the postwar decline in the domination by elites of the women's political scene in New Orleans. Though they considered themselves to be neither liberals nor feminists, the women Tyler portrays worked within existing social norms and political frameworks to challenge male hegemony in public life and embrace greater individual freedom and participation in government. Filled with previously untold, or only partially told, stories about some of Louisiana's most memorable political figures - female and male - Silk Stockings and Ballot Boxes will broaden our views on southern activism.
Catalogue of Title Entries of Books and Other Articles Entered in the Office of the Register of Copyrights, Library of Congress, at Washington, D.C. by Anonim Pdf