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"In this outstanding and ambitious book, Ranasinghe argues powerfully that Plato's Apology has to be read in the light of Euthyphro, and that we can understand the implications Plato saw in Socrates' trail by studying the Crito in the light of those 'earlier' dialogues. It is essential reading for all with an interest in the 'last days of Socrates,' and will change the views of anyone who reads it." --Back cover.
This study argues that to understand Socrates we must uncover and analyze his religious views, since his philosophical and religious views are part of one seamless whole. Mark McPherran provides a close analysis of the relevant Socratic texts, an analysis that yields a comprehensive and original account of Socrates' commitments to religion (e.g., the nature of the gods, the immortality of the soul). McPherran contends that Socrates saw his religious commitments as integral to his philosophical mission of moral examination and, in turn, used the rationally derived convictions underlying that mission to reshape the religious conventions of his time. As a result, Socrates made important contributions to the rational reformation of Greek religion, contributions that incited and informed the theology of his brilliant pupil, Plato.
Included in this volume are "Euthyphro," "Apology," "Crito," and the Death Scene from "Phaedo." Translated by F.J. Church. Revisions and Introduction by Robert D. Cumming.
Socrates, Ironist and Moral Philosopher by Gregory Vlastos Pdf
"The author shows us a Socrates who, though he has been long overshadowed by his successors Plato and Aristotle, represented the true turning point in Greek philosophy, religion and ethics. In his quest for the historical Socrates, the author focuses on Plato's earlier dialogues, setting the Socrates we find there in sharp contrast to the Socrates of later dialogues, in which he is used as a mouthpiece for Plato's own doctrines, many of them anti-Socratic in nature." [Back cover].
How new is atheism? In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean to recover the stories of those who first refused the divinities. Long before the Enlightenment sowed the seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world. But history is written by those who prevail, and the Age of Faith mostly suppressed the lively free-thinking voices of antiquity. Tim Whitmarsh brings to life the fascinating ideas of Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; and Epicurus and his followers. He shows how the early Christians came to define themselves against atheism, and so suppress the philosophy of disbelief. Battling the Gods is the first book on the origins of the secular values at the heart of the modern state. Authoritative and bold, provocative and humane, it reveals how atheism and doubt, far from being modern phenomena, have intrigued the human imagination for thousands of years.
"On the God of Socrates" is a work on the existence and nature of demons, the intermediaries between gods and humans. This treatise was roughly attacked by Augustine of Hippo. It contains a passage comparing gods and kings which is the first recorded occurrence of the proverb "familiarity breeds contempt".Apuleius (/ˌ�pjᵿˈliːəs/; also called Lucius Apuleius Madaurensis and in Berber: Afulay c. 124 - c. 170 AD) was a Latin-language prose writer, platonist philosopher and rhetorian. He was a Numidian who lived under the Roman Empire and was from Madauros (now M'Daourouch, Algeria). He studied Platonism in Athens, travelled to Italy, Asia Minor, and Egypt and was an initiate in several cults or mysteries. The most famous incident in his life was when he was accused of using magic to gain the attentions (and fortune) of a wealthy widow. He declaimed and then distributed a witty tour de force in his own defense before the proconsul and a court of magistrates convened in Sabratha, near ancient Tripoli, Libya. This is known as the Apologia.His most famous work is his bawdy picaresque novel, the Metamorphoses, otherwise known as The Golden Ass. It is the only Latin novel that has survived in its entirety. It relates the ludicrous adventures of one Lucius, who experiments with magic and is accidentally turned into a donkey.
Friedrich Solmsen’s book is a thorough exploration of Plato's ideas about God and religion. Solmsen focuses on Plato’s theology primarily as it is presented in Book 10 of the Laws, a work previously neglected as a source of Plato's conception of religion because of its problematic place within fifth-century discussions of new legal provisions concerning offences against the gods. The author, by way of introduction, outlines the role religion had played in the old Greek city-states, emphasizing the fact that there had been no religion of a nonpolitical character, and describes the way the old religion had been destroyed by the "Enlightenment" of the fifth century. Solmsen then traces the development of Plato's religious ideas, addressing such topics as Plato as the expurgator and reformer; his theological approach; the philosophy of movement; and the role of the Soul as the source of all movement. Plato's later religious philosophy, Solmsen shows, is marked by a more lenient attitude towards popular and poetic religion. He characterizes Plato's later thinking on religion, as disclosed in Book 10 of the Laws, as a revival of the old idea of a city religion. The content of this new Civic Religion, however, would be remodeled in accordance with Plato's own theological conceptions. Solmsen calls this attitude both archaic and Hellenistic. As to the Hellenistic element, the author points to the influence of the mystery cults and of Persian religion, the latter revealing itself most clearly in Plato's conception of the two antagonistic World-Souls. He also discusses at length such issues as Plato's ideas of a divine justice, his tendency towards monotheism, and the influence of his theology on later Greek philosophy and on Christian thought, especially Origen.
Socrates Among the Corybantes by Carl A Levenson Pdf
In Plato's dialogues, we find many references to Corybantic rites-rites of initiation performed in honor of the goddess Rhea. But in the dialogue titled Euthydemus, there is more than a mere reference to the rites to be found. Within the context of Socratic dialectic, the ancient rites of the Corybantes are acted out-although veiled and distorted. This is what Carl Levenson argues in his book. Since the Corybantic rites are of the Dionysian/Eleusinian type, Plato gives us a glimpse of the reality of Dionysian ecstasy. This interesting knowledge of these rites has usually been lost in the academic assertion that the Euthydemus is just a satire on philosophic arguing, and hence it has been consigned to a marginal place in Plato's canon. But here Plato is rejecting his abstract theories in favor of intimacy with the reality of the world, of matter and being rather than form. Levenson states that complete immersion in the material substrate of the world is what Plato discovers at the heart of Dionysian ecstasy, and the aim of ecstasy. Plato says it is to purify the soul of ancient guilt. With a new Afterword by the author.
The Final Days of Socrates is a book of four dialogues by Plato-Euthyphro, Apology, Crito, and Phaedo-centering, as most of Plato's dialogues do, around Socrates. These four dialogues cover the time leading up to Socrates' trial and through his death and depiction of the afterlife. Euthyphro concerns Socrates and Euthyphro, a known so-called religious expert, as they try to determine a definition for piety. Apology is Plato's version of Socrates' speech as he defends himself against the criminal charges of corrupting the youth and not believing in the same deities as the state. The Crito is a dialogue between Socrates and a friend about justice, injustice, and the reaction to injustice. Finally Phaedo, one of Plato's most famous Socratic dialogues, depicts the death of Socrates and his argument for the existence of an afterlife. All four works are also included in the Cosimo omnibus editions of The Works of Plato. One of the greatest Western philosophers who ever lived, PLATO (c. 428-347 B.C.) was a student of Socrates and teacher of Aristotle. Plato was greatly influenced by Socrates' teachings, often using him as a character in scripts and plays (Socratic dialogues), which he used to demonstrate philosophical ideas. Plato's dialogues were and still are used to teach a wide range of subjects, including politics, mathematics, rhetoric, logic, and, naturally, philosophy.
In this work, the author contends that contrary to prevailing notions, Plato's 'Crito' does not show an allegiance between Socrates & the state that condemned him. Weiss brings to light numerous indications that Socrates & the Laws are not partners.
The Apology of Socrates was written by Plato. In fact, it’s a defensive speech of Socrates that he said in a court noted down by Plato.The main subject of the speech is a problem of the evil. Socrates insists that neither death nor death sentence is evil. We shouldn’t be afraid of the death because we don’t know anything about it. Socrates proved that the death shouldn’t be taken as the evil with the following dilemma: the death is either a peace or a transit from this life to the next. Both can’t be called evil. Consequently, the death shouldn’t be treated as evil.
