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Solomon (1749): Ssatb Or Ssaattbb Double Chorus with Ssssatb Soli (English Language Edition) by Anonim Pdf
Handel composed the oratorio "Solomon" in just over a month's time in 1748. This is an abridged edition containing only those numbers from the oratorio that are usually performed. Vocal score and piano accompaniment. English, 197 pages.
Handel composed the oratorio "Solomon" in just over a month's time in 1748. This is an abridged edition containing only those numbers from the oratorio that are usually performed. Vocal score and piano accompaniment.
Handel's Israelite Oratorio Libretti by Deborah W. Rooke Pdf
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
(Music Sales America). An oratorio for SSSSATBB soli, chorus and orchestra, written in 1748. This vocal score includes a piano accompaniment revised from that of the German Handel Society.
Handel and Maurice Greene's Circle at the Apollo Academy by Matthew Gardner Pdf
The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.
Exceptionally full, detailed study of the man, his music and times. Childhood, music training, years in London; analysis of Messiah and other works; much more. Introduction. Includes 35 illustrations.