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Can we ever really understand the present without first understanding the past? From the winner of the 2019 Aleksandr Solzhenitsyn Prize, and the author of the multi-award winning Laurus, comes a sweeping novel that takes readers on a fascinating journey through one of the most momentous periods in Russian history. What really happened to General Larionov of the Imperial Russian Army, who somehow avoided execution by the Bolsheviks? He lived out his long life in Yalta leaving behind a vast heritage of undiscovered memoirs. In modern day Russia, a young student is determined to find out the truth. Solovyov and Larionov is a ground-breaking and gripping literary detective novel from one of Russia's greatest contemporary writers.
"Solovyov, a young scholar born into obscurity, arrives in St Petersburg to have his thesis topic handed to him: the story of General Larionov. Dismissive at first, his subject soon intrigues the young scholar, even obsesses him: this is no ordinary General. Not only did Larionov fight for the monarchist Whites during the Civil War, he did so with bloody distinction. So how did he manage to live unharmed in the Soviet Union, on a Soviet pension, cutting an imposing figure on the Yalta beaches, leaving behind a son and a volume of memoirs? The budding young historian sets off to Crimea to look for some lost pages from the General's diary, and on his journey discovers many surprises, not least the charming Zoya, who works at Yalta's Chekhov Museum."--Provided by publisher.
Klotsvog is a novel about being Jewish in the Soviet Union and the historical trauma of World War II—and it’s a novel about the petty dramas and demons of one strikingly vain woman. Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it. Selfish, garrulous, and thoroughly entertaining, she tells us where she came from, who she didn’t get along with, and what became of all her husbands and lovers. In Klotsvog, Margarita Khemlin creates a first-person narrator who is both deeply self-absorbed and deeply compelling. From Maya’s perspective, Khemlin unfurls a retelling of the Soviet Jewish experience that integrates the historical and the personal into her protagonist’s vividly drawn inner and outer lives. Maya’s life story flows as a long monologue, told in unfussy language dense with Khemlin’s magnificently manipulated Soviet clichés and matter-of-fact descriptions of Soviet life. Born in a center of Jewish culture in Ukraine, she spent the war in evacuation in Kazakhstan. She has few friends but has had several husbands, and her relationships with her relatives are strained at best. The war looms over Klotsvog, and the trauma runs deep, as do the ambiguities and ambivalences of Jewish identity. Lisa Hayden’s masterful translation brings this gripping character study full of dark, sly humor and new perspectives on Jewish heritage and survival to an English-speaking audience.
In this complex novel from the winner of two of Russia's biggest literary prizes, a celebrated guitarist robbed of his talent by Parkinson's disease seeks other paths to immortality. For readers of Dostoyevsky, Tolstoy, Umberto Eco, and Solzhenitsyn, this richly layered new novel from the author of Laurus follows a musical prodigy in search of inner peace as he faces an incurable disease. Like Vodolazkin's earlier novels, this personal story of a lifetime quest for meaning will resonate with any mortal who has grasped for eternity. At fifty, Gleb Yanovski, an acclaimed guitar virtuoso, is diagnosed with Parkinson's disease. Gleb accepts an offer from a writer, Sergei Nesterov, to recount his life for a biography. They meet regularly for several years and Gleb recalls his life: a childhood spent in Kiev, university studies in St. Petersburg, and years in Munich, where Gleb lives with his German wife, Katharina, and launches his career, rocketing from a tutor of Russian to a celebrity musician touring major international venues. In the dueling interplay between these first-person recollections and the biographer's narration, Gleb's life unfolds amid his changing attitudes towards music and death; over the years these two obsessions grow inextricably linked. Witnessing a girl drown in the Dnepr River causes Gleb to abandon music school - he sees that death defies music, as it does any other activity. His grandfather points him to religion, through which Gleb comes to see music as a way to overcome time, as a path to eternity. This is why Parkinson's disease shatters Gleb so severely: the illness deprives him of music, his only bulwark against death. And then Gleb meets Vera, an exceptionally gifted thirteen-year-old musician, whom he and his wife embrace as a longed-for daughter. Vera, however, is dying of a rapidly spreading kidney cancer, and their determination to forstall her imminent death is not enough. In his phone conversation with the girl's mentally ill mother, Gleb explains Vera's absence by saying the girl departed for Brisbane. Gleb's mother, too, has moved to Brisbane, the city of her dreams. From there, Greb receives fortuitous phone calls. Expanding the literary universe spun in his previous works, Vodolazkin dwells on time and eternity, belonging and the search for meaning. In Brisbane, the carefully knit stitches unravel into a puzzle: Whose story is it - the subject's or the writer's? Are art and love really no match for death? Is Brisbane our only hope for the future?
MY HEAD SPINS. I'M LYING IN A BED. WHERE AM I? WHO AM I? A man wakes up in hospital. He has no idea who he is or how he came to be there. The doctor tells him his name, but he doesn't remember it. He remembers nothing. As memories slowly resurface, he begins to build a picture of his former life. Russia in the early twentieth century, the turbulence of the revolution, the aftermath. But how can this be possible when the pills beside his bed are dated 1999? In the deft hands of Eugene Vodolazkin, author of the multi award-winning Laurus, The Aviator paints a vivid, panoramic picture of life in Russia at the beginning of the twentieth century, richly evoking the sights, sounds and political turmoil of those days. Reminiscent of the great works of Russian literature, and shortlisted for the Russian Booker Prize, it cements Vodolazkin's position as the rising star of Russia's literary scene.
Irresistibly drawn to mysteries, if only to debunk them, reporter Lionel Page exposes supernatural frauds, swindlers, and charlatans. His latest case is an obsession--at least for an ancient and wealthy heiress: verify the authenticity of a lost Edgar Allan Poe manuscript circulating through New York City's literary underworld. But the shrewd Regina Dunkle offers more than money. It's a pact. Fulfill her request, and Lionel's own notorious buried past, one he's been running from since he was a child, will remain hidden. As Lionel's quest begins, so do the warnings. And where rare books go, murder follows. It's only when Lionel meets enigmatic stranger Madison Hannah, his personal usher into the city's secret history, that he realizes he's being guided by a force more powerful than logic...and that he isn't just following a story. He is the story. Now that the true purpose of his mission is revealing itself in the most terrifying ways, it may finally be time for Lionel to believe in the unbelievable.
What appears to be a routine suicide finds detectives Lennie Briscoe and Ed Green on a trail that leads to an about-to-be published tell-all novel destined to be a bestseller. This clever novel follows the exact format and pacing of the TV show. It's a must for the millions of Law & Order viewers!
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
This international bestseller is a sweeping portrait of motherhood, loss, and redemption in war-torn Sarajevo. Filled with memories of the four-year siege of Sarajevo, Gemma reluctantly boards a flight from her native Rome to that war-scarred city with her sixteen-year-old son, Pietro. She hopes to teach her son about the city of his birth and about Diego, the father he never knew. Once there Gemma is caught between the present and the past, reliving her love affair with Diego, their determination to start a family, and their deep connection to Sarajevo even as the threat of war loomed. In this haunting and sophisticated novel, Mazzantini masterfully probes the startling emotional territory of what makes a family-particularly what makes a mother. As the fate of Sarajevo converges with Gemma's all-consuming desire to have a child we see how far she is driven, in a stunning revelation that is both heartbreaking and cathartic. Brought to life by an unforgettable cast of characters, Twice Born is a tale of the acts of brutality and generosity that war can inspire. A blockbuster bestseller in Mazzantini's native Italy, it has taken Europe by storm and will soon be published around the world.
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Passionate, talented, headstrong and ambitious, Masha takes the European film scene by storm, escaping her small provincial town to become the most daring, avant-garde auteur of her generation. Taking inspiration from her personal life as well as the artists and poets she meets on the streets of St Petersburg, Masha courageously puts herself on the line by transforming her own experiences into art. But as painful memories of her childhood start to resurface, she is forced to confront her demons – the betrayals, the cruelties – in this psychologically compelling debut from one of Russia’s most exciting young writers.
A visionary novel about our interconnected world, about the collision of horror and humanity, from the Man Booker-shortlisted master of the spine-tingling tale A Guardian & Observer Best Fiction Book of 2020 * A Sunday Times Best Science Fiction Book of the Year * The Times Best Science Fiction Books of the Year * NPR Best Books of the Year World Literature Today's 75 Notable Translations of 2020 * Ebook Travel Guides Best 5 Books of 2020 * A New York Times Notable Book of 2020 They’re not pets. Not ghosts or robots. These are kentukis, and they are in your home. You can trust them. They care about you... They've infiltrated apartments in Hong Kong, shops in Vancouver, the streets of Sierra Leone, town squares of Oaxaca, schools in Tel Aviv, bedrooms in Indiana. Anonymous and untraceable, these seemingly cute cuddly toys reveal the beauty of connection between far-flung souls – but they also expose the ugly truth of our interconnected society. Samanta Schweblin's wildly imaginative new novel pulls us into a dark and complex world of unexpected love, playful encounters and marvellous adventures. But beneath the cuddly exterior, kentukis conceal a truth that is unsettlingly familiar and exhilaratingly real. This is our present and we’re living it – we just don’t know it yet. *Little Eyes comes with two different covers, and the cover you receive will be chosen at random*
An unforgettable book from Portugal' bestselling author that promises to change how we write and read about love The restaurant is crowded and noisy. The man sits by the window, watching the grey sky, bored, as he is every Monday morning. Suddenly he turns and she's there, standing in front of him. Years have passed since he last saw her, since the day he left, without an explanation, without a reason. Only now does he realize he never stopped loving her, even for a second. When she tries to run away from him, too shocked by the sudden onslaught of emotions, he stops her. And as they embrace, surrounded by passersby, they promise to hold on, to make mistakes again. To love each other. Deeply and forever. With his intimate, almost whispered style, Pedro Chagas Freitas takes the reader on a journey to discover the truth about love; the kind of love that touches, envelops and thrills you, that conceals and reveals, that wounds and heals, that seizes you and sets you free.
One quirk of fate can send life spiralling in the most unexpected direction... A young girl loses her mother when a block of ice falls from the sky. A woman wins the jackpot twice. A man is struck by lightning four times. Coincidence? Or something more? Things That Fall from the Sky is the tale of three lives that are changed forever by random events. But it is also a meditation on the endurance of love, the passage of time and the pain of loss. Selja Ahava, one of Finland's best-loved novelists, weaves these stories together in an unforgettable, one-of-a-kind fable about the twists and turns that can define a lifetime.
A revelatory portrait of Chekhov during the most extraordinary artistic surge of his life. In 1886, a twenty-six-year-old Anton Chekhov was publishing short stories, humor pieces, and articles at an astonishing rate, and was still a practicing physician. Yet as he honed his craft and continued to draw inspiration from the vivid characters in his own life, he found himself—to his surprise and ocassional embarassment—admired by a growing legion of fans, including Tolstoy himself. He had not yet succumbed to the ravages of tuberculosis. He was a lively, frank, and funny correspondant and a dedicated mentor. And as Bob Blaisdell discovers, his vivid articles, stories, and plays from this period—when read in conjunction with his correspondence—become a psychological and emotional secret diary. When Chekhov struggled with his increasingly fraught engagement, young couples are continually making their raucous way in and out of relationships on the page. When he was overtaxed by his medical duties, his doctor characters explode or implode. Chekhov’s talented but drunken older brothers and Chekhov’s domineering father became transmuted into characters, yet their emergence from their families serfdom is roiling beneath the surface. Chekhov could crystalize the human foiibles of the people he knew into some of the most memorable figures in literature and drama. In Chekhov Becomes Chekhov, Blaisdell astutely examines the psychological portraits of Chekhov's distinct, carefully observed characters and how they reflect back on their creator during a period when there seemed to be nothing between his imagination and the paper he was writing upon.
